DOCSLIB.ORG

22 Maria Edgeworth.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
22 Maria Edgeworth.Pdf cl11aria {)igevvorth (1768-1849) In his 1829 preface to Waverley, Walter Scott acknowledges his considerable debt to the artistry of Maria Edgeworth, author of the innovative novel Castle Rackrent (1800): "Without being so presumptuous as to hope to emulate the rich humour, pathetic tenderness, and admirable tact which pervade the works of my accomplished friend, I felt that something might be attempted for my own country, of the same kind with that which Miss Edgeworth so fortunately achieved for Ireland." Lord Byron recalled in 1813, "I had been the lion of 1812: Miss Edgeworth and Madame de Stael ... were the ex­ hibitions of the succeeding year." 1 Author of Belinda, Leonora, Patronage, and other novels and tales, Edgeworth was one of the most respected educational writers and novelists of the age. Moreover, her tales for children, informed by Enlightenment educational theory and shaped by her role as surrogate mother to her many younger siblings, were popular and influential. Born at Black Bourton, Oxfordshire, on 1 January 1768, Maria was the second surviving child and eldest daughter of Anna Maria Elers and Richard Lovell Edgeworth, an Anglo-Irish landowner, educational theorist, scien­ tist, and author. Maria Edgeworth's mother died in childbirth in 1773, and Maria grew up adoring and emulating her father, who married four times altogether, eventually producing twenty-two children, eighteen of whom survived infancy.2 His second wife, Honora Sneyd, was the foster sister of Anna Seward. Maria Edgeworth grew up on Anna Letitia Barbauld's Lessons for Children and attended boarding schools in England, where she received conventional instruction. Although she was sometimes considered "naughty;' her childhood was a relatively happy one. In 1782 her nonconformist father, who adhered to the ideas of the English I. Byron's "Ravenna Journal;' 19 January 1821, in "Born for Opposition," vol. 8 of Byron's Letters and Journals (London, 1978), 29. 2. The last of Maria Edgeworth's siblings was born in 1812. She was older than her father's fourth wife. Maria Edgeworth provincial Enlightenment and was the friend of Erasmus Darwin, Joseph Priestley, Thomas Day, James Watt, and Josiah Wedgwood, returned with his family to his estate at Edgeworthstown, County Longford, Ireland, to take part in Irish reform. Maria, who was fifteen, became her father's intellectual companion, amanuensis, domestic helper, and assistant in running the estate. Her first literary work was a translation he requested of Madame de Genlis's Adele et Theodore. When her father returned to London in 1791, she remained in Ireland, where she forged a deep and lasting friendship with his sister, Margaret Ruxton. Edgeworth eventually joined her father and stepmother in England, but she disliked fashionable London society. The family returned to Ireland in 1793· In 1795 Edgeworth published Letters for Literary Ladies with Joseph John­ son, publisher of Erasmus Darwin, Anna Letitia Barbauld, Joseph Priestley, and others, who was to bring out all of her work until his death two decades later. The book argues for the intellectual capacities and rights of women but advocates that they remain in the domestic sphere rather than enter the political realm. The following year she brought out her hugely successful vol­ ume The Parent's Assistant, which comprised stories and a play for children in the tradition of Mary Wollstonecraft, Sarah Trimmer, Madame de Genlis, and Thomas Day, espousing Edgeworth family progressive educational theory. Edgeworth became her father's assistant in literary as well as in business matters, co-authoring several books with him, including Practical Education (1798), which outlines the theories behind the stories in The Parent's Assis­ tant. Practical Education applies Enlightenment principles to early childhood education, drawing examples from the Edgeworth family; it was immedi­ ately recognized as an important book. These ideas are further illustrated in Maria Edgeworth's Early Lessons (1801), for children. In 1799 she and her father proposed to Anna Letitia Barbauld that they start a liberal journal for women, to be called the Feminead, but Barbauld rejected the idea, be­ lieving that ideological differences between women authors would keep the journal from succeeding. Maria Edgeworth's innovative first novel, Castle Rackrent, published in January 1800, was written without her father's guid­ ance and published anonymously. Considered a landmark in the history of the novel for its technique, it is a portrait, both comic and critical, of Irish provincial life, with a humorously unreliable narrator using everyday speech. It depicts a series of irresponsible landlords, a metaphor for British over­ sight of Ireland, and the inevitability of capitalist forces' undermining the power of an already grossly corrupt and irresponsible aristocracy. This book was to have a profound influence on Walter Scott, James Fenimore Cooper, and Ivan Sergeevich Turgenev. Her next book, Belinda (1801), is a novel of manners with an independent heroine who is both feminine and rational. M.aria Edgeworth 233 It critiques fashionable society and the ideology of sensibility as it portrays Belinda making her way for the first time in the adult world and choosing between three suitors. Edgeworth collaborated with her father to pen the Essay on Irish Bulls (1802), a complex and highly ironic text ostensibly about "Irish bulls," a type of contradiction or paradox, but, more importantly, a defense of Irish speech patterns and culture. In the fall of 1802 Edgeworth took a tour through the Midlands of England with her family, continuing on to Paris, where she and her father were feted for their educational works and met intellectuals and writers, including Madame de Genlis. With much pain, in December she declined a proposal of marriage from a Swedish courtier and intellectual, Abraham Niclas Clewberg-Edelcrantz, though her father urged her to accept. Before returning home they visited Glasgow and Edinburgh, where Maria met the novelist Elizabeth Hamilton and leaders of the Scottish Enlightenment. Her Popular Tales (1804) are a critique of Hannah More's "Cheap Reposi­ tory" tracts, which advocate patience, uncomplaining suffering, subordina­ tion, and a religious faith that looks to an afterlife for its reward. Edgeworth focuses instead on the virtues of toleration, self-discipline, self-improvement, and the support of the family. Unbeknownst to her father, in 1805 Edgeworth published The Modern Griselda, a satire on women who aspire to high society and reject domestic roles. She elaborates in Leonora (1806), an epistolary, satirical novel with a bright, virtuous, domestic heroine at its center. In 1809 the Edgeworths brought out Essays on Prefessional Education, concerned with moral and intellectual instruction and advocating professions independent of the patronage system. Maria Edgeworth's Tales ef Fashionable Life (1809, 1812), including "Ennui" and "The Absentee;' set the social criticisms of the Essays in fictional form, using realistic detail and dialect. These tales attack rniddle­ class aspirations for "fashionable" society and advocate reform, principally through the professionalization of the gentry. In l8II she wrote notes and a preface for Mary Leadbeater's Cottage Dialogues Among the Irish Peasantry. Although by this time Edgeworth had become one of the most widely read and respected authors in Britain, she repeatedly rejected invitations to leave Ireland to be lionized. But in the spring of 1813 she did make a long trip to England with her family. She saw William Roscoe in Liverpool, and in London she met Mary Berry, Thomas Malthus, Lord Byron, Thomas Moore, and Jane Marcet, a scientist with whom she corresponded for some years afterwards. While Edgeworth was well liked, her father was consid­ ered overbearing. On this trip Edgeworth also saw Etienne Dumont, a Swiss intellectual with whom she had been exchanging letters for years and whom she considered marrying. Patronage (1814) contrasts the lives of two families belonging to the landed Maria Edgeworth gentry, the Falconers and the Percys. The Falconers ultimately fail because of their reliance on the patronage system and blind chance; the Percys pros­ per by cultivating self-discipline, independence, and professional knowledge. Caroline Percy is Edgeworth's model woman, who looks for an intellectual equal in a husband and marries Count Altenberg, an idealized version of Edgeworth's own unsuccessful Swedish suitor, Edelcrantz. Edgeworth earned the enormous sum of twenty-one hundred pounds for this reformist novel. Edgeworth published her Continuation of Early Lessons in 1814 and wrote the preface and final chapter, "On Parody," for her father's Readings on Poetry (1816). Her memoir of the novelist Elizabeth Hamilton appeared in the Sep­ tember 1816 issue of the Monthly Magazine, and in r817 she published Comic Dramas in Three Acts. Harrington (1817) is a novel inspired by a correspon­ dence with Rachel Mordecai, an American Jew who wrote to Edgeworth to object to her stereotyping of Jewish characters. Harrington contains several examples of admirable Jewish characters, including the virtuous, cultivated, and wealthy Montenero, an intellectual, Israel Lyons, and an honorable ped­ dler. The hero of the novel, the young professional Harrington, overcomes his fear ofJews and eventually falls in love with and marries Berenice, whom he believes to be Jewish but who is revealed in the end to be Christian. The novel also includes some of Edgeworth's earlier themes-the superiority of reason over prejudice or custom, the potential of the middle class to be­ come cultured and public-spirited, and the need for the working classes to be treated more fairly. Ormond, a novel published with Harrington, has an Irish protagonist mod­ eled on Henry Fielding's Tom Jones who has adventures in England, Ireland, and France. He rejects French court culture and fashionable coquettes and marries a virtuous and sensible Englishwoman, symbolically carrying out a "union" of English and Irish gentry. Eighteen seventeen was a difficult year for Edgeworth, for in June her father died; she completed and published his Memoirs in 1820.
Load more

Recommended publications
  • Castle Rackrent
    THE DOUBLE-VOICED NARRATIVES OF MARIA EDGEWORTH, SOMERVILLE AND ROSS, AND ELIZABETH BOWEN By SARAH MARGARET MALLONEE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2009 1 © 2009 Sarah Margaret Mallonee 2 To my grandparents 3 ACKNOWLEDGMENTS My acknowledgements are many and heartfelt, but they start with three people who make every day better than the one before. I start with my parents, then, who most recently reminded me, with a kindness and graciousness unique to them, that they were in this with me ―for the long haul.‖ That it has been. What they signed on for took some time to see to its completion, but for their unwavering, unimaginably strong support, I am totally humbled and forever grateful. John D. Mallonee, M.D. and Elizabeth Heard Mallonee, M.A. set high standards for their children and this has always helped me keep a strong work ethic, a dedication to my goals, and an enthusiasm for all that I endeavor; I thank them for that. In the same breath that I thank my parents, I thank my constant companion, Elliott N. Gamsey, who brings the ―make it so‖ attitude to our lives and readily shares the tenderness, strength, and joy that emanates from his heart and his hands. What I should be most thankful for, I suppose, are the many songs, videos, comics, articles, and bits of news Elliott has used over the years to keep me sane along the way.
    [Show full text]
  • Études Irlandaises, 34.2 | 2009, « Figures De L'intellectuel En Irlande » [En Ligne], Mis En Ligne Le 02 Février 2012, Consulté Le 22 Septembre 2020
    Études irlandaises 34.2 | 2009 Figures de l'intellectuel en Irlande Representations of the Intellectual in Ireland Maurice Goldring et Carle Bonafous-Murat (dir.) Édition électronique URL : http://journals.openedition.org/etudesirlandaises/1456 DOI : 10.4000/etudesirlandaises.1456 ISSN : 2259-8863 Éditeur Presses universitaires de Caen Édition imprimée Date de publication : 30 septembre 2009 ISBN : 978-2-7535-0982-5 ISSN : 0183-973X Référence électronique Maurice Goldring et Carle Bonafous-Murat (dir.), Études irlandaises, 34.2 | 2009, « Figures de l'intellectuel en Irlande » [En ligne], mis en ligne le 02 février 2012, consulté le 22 septembre 2020. URL : http://journals.openedition.org/etudesirlandaises/1456 ; DOI : https://doi.org/10.4000/ etudesirlandaises.1456 Ce document a été généré automatiquement le 22 septembre 2020. Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. 1 SOMMAIRE Introduction Maurice Goldring et Carle Bonafous-Murat Maurice Goldring et Carle Bonafous-Murat (éd.) Richard Lovell Edgeworth, or the paradoxes of a “philosophical” life Isabelle Bour A Panacea for the Nation : Berkeley’s Tar-water and Irish Domestic Development Scott Breuninger “Is that the word ?” Samuel Beckett and the Port-Royal Philosophy of Language Mélanie Foehn Aristotle’s concept of energeia in Autumn Journal by Louis MacNeice, poet, classics scholar and intellectual Mélanie White Emblems of his early adversity
    [Show full text]
  • Sample Chapter
    PROOF Contents Acknowledgements vi Introduction vii Life and Work vii Education, Enlightenment, and the ‘Moral Tale’ ix The Parent’s Assistant and Early Lessons xv Moral Tales and Popular Tales xxvii ‘The Good Aunt’ xxviii ‘The Grateful Negro’ xxxii Conclusion xxxviii Note on the Texts xl Further Reading xli ‘The Little Dog Trusty; or, The Liar and the Boy of Truth’ 1 ‘The Purple Jar’ 6 ‘Rosamond’s Day of Misfortunes’ 12 ‘The Bracelets’ 24 ‘Lazy Lawrence’ 50 ‘Waste Not, Want Not; or, Two Strings to Your Bow’ 74 ‘The Good Aunt’ 100 ‘The Grateful Negro’ 175 Notes 195 v PROOF Introduction Life and Work Maria Edgeworth (1768–1849) is widely regarded as a pioneer of children’s literature. Edgeworth was an innovative writer of nu- merous tales and novellas for children and young people, whose work was enjoyed by generations of juvenile readers from the late eighteenth until the early twentieth century. She was also the author of Practical Education (1798), an important manual on early education that broke away from the speculative approach of Jean-Jacques Rousseau and the class-specificity of John Locke (both of whom focused their efforts on the education of boys) to create an experimental, scientific pedagogy, based on observa- tions and anecdotes drawn from the experience of bringing up real girls and boys (eight of her half-siblings from her father’s third marriage).1 Edgeworth’s prolific writing for and about children was grounded in a sympathy for young people strengthened by her own turmoil in early childhood: she lost her mother when she was five years old, and her father (a virtual stranger to her) remar- ried within a few months.
    [Show full text]
  • University of Cambridge Faculty of English Lessons After Barbauld
    University of Cambridge Faculty of English Lessons After Barbauld: The Conversational Primer in Late- Eighteenth-Century Britain Jessica Wen Hui Lim Lucy Cavendish College This dissertation is submitted for the degree of Doctor of Philosophy August 2018 i Declaration This dissertation is the result of my own work. It is not substantially the same as any that I have submitted, or which is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma, or other qualification at the University of Cambridge or any other University of similar institution. This dissertation does not exceed the regulation length, including footnotes, references and appendices, but excluding the bibliography. Jessica Wen Hui Lim August 2018 ii Lessons after Barbauld: the Conversational Primer in Late-Eighteenth- Century Britain This thesis explores how Anna Letitia Barbauld’s book Lessons for Children Aged Two to Three Years (1778) facilitated the development of the conversational primer. This genre, which has not yet been theorised, may be identified by the way the texts present themselves as verisimilar and replicable sets of conversations, and depict parent-teachers and child-pupils as companions. This genre challenges the idea that there is a dichotomy between ‘adult’ and ‘child’ readers, a concept that inflects many contemporary approaches to children’s literature studies. Through a close reading of Lessons for Children and subsequent conversational primers, this thesis suggests that Barbauld’s Rational Dissenting value of discursive diversity influenced British middle-class children’s culture, enabling the voices of verisimilar children to proliferate children’s books on a previously unknown scale.
    [Show full text]
  • Sir Francis Beaufort Papers Addenda
    http://oac.cdlib.org/findaid/ark:/13030/c8gm8cxr No online items Sir Francis Beaufort papers addenda Finding aid prepared by Gayle M. Richardson. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2016 The Huntington Library. All rights reserved. Sir Francis Beaufort papers mssFBA 1-28 1 addenda Descriptive Summary Title: Sir Francis Beaufort papers addenda Dates: 1797-1858 Collection Number: mssFBA 1-28 Creator OR Collector: Beaufort, Francis, Sir, 1774-1857 Extent: 37 items in one box Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: Correspondence, documents, photographs, poems and wills relating to Sir Francis Beaufort, Maria Edgeworth and the Beaufort and Edgeworth families. Language of Material: The records are in English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. Preferred Citation [Identification of item], Sir Francis Beaufort papers addenda, The Huntington Library, San Marino, California. Acquisition Information Purchased from Francis Beaufort-Palmer, June 4, 1971. Biographical Note Admiral Sir Francis Beaufort: hydrographer of the British Navy and member of the Royal Society, creator of the wind force scale and weather notation coding, and author of Karamania, or, A brief description of the south coast of Asia-Minor and of the remains of antiquity (1817).
    [Show full text]
  • Anna Seward and the Poetics of Sensibility and Control Andrew O
    Criticism Volume 58 | Issue 2 Article 9 2016 Anna Seward and the Poetics of Sensibility and Control Andrew O. Winckles Adrian College, [email protected] Follow this and additional works at: http://digitalcommons.wayne.edu/criticism Recommended Citation Winckles, Andrew O. (2016) "Anna Seward and the Poetics of Sensibility and Control," Criticism: Vol. 58 : Iss. 2 , Article 9. Available at: http://digitalcommons.wayne.edu/criticism/vol58/iss2/9 ANNA SEWARD At the 2011 meeting of the North American Society for the Study AND THE POETICS of Romanticism, Anne K. Mellor OF SENSIBILITY reflected on how the field has AND CONTROL changed since her foundational Andrew O. Winckles 1993 study Romanticism and Gender. She commented that, though women writers such as Anna Seward and the End of the Mary Wollstonecraft, Jane Austen, Eighteenth Century by Claudia and Mary Shelley have cemented Thomas Kairoff. Baltimore, MD: themselves as legitimate objects Johns Hopkins University Press, of study, this has largely been at 2012. Pp. 328. $58 cloth. the expense of a broader under- standing of how women writers were working during the period. In addition to the Big Six male Romantics, we have in many cases simply added the Big Three female Romantics.1 Though this has begun to change in the last ten years, with important studies appearing about women like Anna Letitia Barbauld, Mary Robinson, Joanna Baillie, and Hannah More, we still know shockingly little about women writers’ lives, cultural con- texts, and works. A case in point is Anna Seward, a poet and critic well known and respected in her own lifetime, but whose critical neglect in the nineteenth and twentieth centu- ries has largely shaped how recent critics interact with her work.
    [Show full text]
  • The Unsettling Connection of Women, Property, and the Law in British Novels of the Long Nineteenth Century
    Binghamton University The Open Repository @ Binghamton (The ORB) Graduate Dissertations and Theses Dissertations, Theses and Capstones 2-23-2018 Place and Displacement: The Unsettling Connection of Women, Property, and the Law in British Novels of the Long Nineteenth Century Claudia J. Martin Binghamton University--SUNY, [email protected] Follow this and additional works at: https://orb.binghamton.edu/dissertation_and_theses Part of the English Language and Literature Commons, and the Law Commons Recommended Citation Martin, Claudia J., "Place and Displacement: The Unsettling Connection of Women, Property, and the Law in British Novels of the Long Nineteenth Century" (2018). Graduate Dissertations and Theses. 70. https://orb.binghamton.edu/dissertation_and_theses/70 This Dissertation is brought to you for free and open access by the Dissertations, Theses and Capstones at The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Graduate Dissertations and Theses by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. PLACE AND DISPLACEMENT: THE UNSETTLING CONNECTION OF WOMEN, PROPERTY, AND THE LAW IN BRITISH NOVELS OF THE LONG NINETEENTH CENTURY BY CLAUDIA J. MARTIN BA, BINGHAMTON UNIVERSITY, 1972 JD, UNIVERSITY OF TOLEDO, COLLEGE OF LAW, 1976 MA, CALIFORNIA STATE UNIVERSITY, HAYWARD, 2005 DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate School of Binghamton University State University of New York 2018 © Copyright by Claudia J. Martin 2018 All Rights Reserved Accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate School of Binghamton University State University of New York February 23, 2018 Dr.
    [Show full text]
  • The Cultural Circulation of Political Economy, Botany, and Natural Knowledge
    social sciences $€ £ ¥ Article Malthus and the Philanthropists, 1764–1859: The Cultural Circulation of Political Economy, Botany, and Natural Knowledge J. Marc MacDonald Department of History, University of Prince Edward Island, 550 University Avenue, Charlottetown, PE C1A 4P3, Canada; [email protected]; Tel.: +1-902-569-4865 Academic Editor: Bryan L. Sykes Received: 16 July 2016; Accepted: 3 January 2017; Published: 10 January 2017 Abstract: Modernity does not possess a monopoly on mass incarceration, population fears, forced migration, famine, or climatic change. Indeed, contemporary and early modern concerns over these matters have extended interests in Thomas Malthus. Yet, despite extensive research on population issues, little work explicates the genesis of population knowledge production or how the process of intellectual transfer occurred during the eighteenth and early nineteenth centuries. This paper examines the Delessert network’s instrumental role in cultivating, curating, and circulating knowledge that popularized Malthusian population theory, including the theory’s constitutive elements of political economy, philanthropy, industry, agriculture, and botany. I show how deviant, nonconformist groups suffered forced migration for their political philosophy, particularly during the revolutionary 1790s, resulting in their imprisonment and migration to America. A consequence of these social shifts was the diffusion and dissemination of population theory—as a pursuit of scientific knowledge and exploration—across both sides of the Atlantic. By focusing on the Delesserts and their social network, I find that a byproduct of inter and intra continental migration among European elites was a knowledge exchange that stimulated Malthus’s thesis on population and Genevan Augustin Pyramus Candolle’s research on botany, ultimately culminating in Charles Darwin’s theory of natural selection and human evolution.
    [Show full text]
  • The Annals of the Four Masters De Búrca Rare Books Download
    De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 142 Summer 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 142 Summer 2020 PLEASE NOTE 1. Please order by item number: Four Masters is the code word for this catalogue which means: “Please forward from Catalogue 142: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our cover illustration is taken from item 70, Owen Connellan’s translation of The Annals of the Four Masters.
    [Show full text]
  • Fiction Relating to Ireland, 1800-29
    CARDIFF CORVEY: READING THE ROMANTIC TEXT Archived Articles Issue 4, No 2 —————————— SOME PRELIMINARY REMARKS ON THE PRODUCTION AND RECEPTION OF FICTION RELATING TO IRELAND, 1800–1829 —————————— Jacqueline Belanger JACQUELINE BELANGER FICTION RELATING TO IRELAND, 1800–29 I IN 1829, just after Catholic Emancipation had been granted, Lady Morgan wrote: ‘Among the Multitudinous effects of Catholic emancipation, I do not hesitate to predict a change in the character of Irish authorship’.1 Morgan was quite right to predict a change in ‘Irish authorship’ after the eventful date of 1829, not least because, in the first and most obvious instance, one of the foremost subjects to have occupied the attentions of Irish authors in the first three decades of the early nineteenth century— Catholic Emancipation—was no longer such a central issue and attention was to shift instead to issues revolving around parliamentary independence from Britain. However, while important changes did occur after 1829, it could also be argued that the nature of ‘Irish authorship’—and in particular authorship of fiction relating to Ireland—was altering rapidly throughout the 1820s. It was not only the case that the number of novels representing Ireland in some form increased over the course of the 1820s, but it also appears that publishing of this type of fiction came to be dominated by male authors, a trend that might be seen to relate both to general shifts in the pattern for fiction of this time and to specific conditions in British expectations of fiction that sought to represent Ireland. It is in order to assess and explore some of the trends in the production and reception of fiction relating to Ireland during the period 1800–29 that this essay provides a bibliography of those novels with significant Irish aspects.
    [Show full text]
  • The Perfect Wife”
    “THE PERFECT WIFE” BY RACHAEL CARNES ESTIMATED RUNNING TIME — 90 MINUTES CAST — SIX PERFORMERS Rachael Carnes, member: Dramatists Guild, National New Play Network, Playwrights Center, AWP 1050 W 17th Ave, Eugene OR 97402, 541-221-5792 www.rachaelcarnes.com [email protected] © 2017, All Rights Reserved. SUMMARY As revolution between England and its American colonies simmers, candy-colored Georgian society pits the woeful, starving masses against the excessive powers of the rich elite. One bright young man, Sir Thomas Day, rebuffed at every turn from would- be wives, despite his fortune, grows frustrated, and hatches a plan to steal an orphan, and raise her to be the Perfect Wife. Based on real events, this work of historical fiction opens in the Shrewsbury Foundling Hospital, with Day on the hunt. CHARACTERS Thomas Day A tall, dark-haired, pock-marked man of 21, disheveled, with stringy, matted long hair, dirty fingernails and drab, misshapen and fraying, but expensive, clothes. Sabrina (Anne) An “orphaned” girl, 12 years old, red-haired, freckled, dressed in a rough-hewn smock and no shoes. DUAL ROLES (MAN) Richard Etheridge A wealthy Irish inventor of useless mechanicals and Day’s foppish friend, a few years his elder, powdered and be- wigged, spritely as a grasshopper, he dresses in the au courante dandy Georgian men’s style — trussed in a corset, with fat, padded calves and a stuffed chest. Ferry Master Middle-aged, muscular, he wears a threadbare, high-cut sailor’s uniform, heavy black fisherman’s shoes and a wide, flat black hat over a dusty white bonnet.
    [Show full text]
  • Short Title Listing of the Pollard Collection of Children's Books
    Short-title listing of the Pollard Collection of children’s books. Letter P Short title listing of the Pollard Collection of children’s books P Pacha of many tales. By Captain Marryat Paris: Baudry’s European Library, 1835 Box 2000 The pacha of many tales. Vol. I. By Captain Marryat N. H.: Charles Robinson, 1843 Box 670 The pacha of many tales. Vol. II. By Captain Marryat N. H.: Charles Robinson, 1843 Box 670 Paddy and Thomas. First dialogue. Dublin: [n.publ.], 1820 Box 2126 Paddy and Thomas. First dialogue. Dublin: [n.publ.], 1820 Box 2127 Paddy and Thomas. second dialogue. Dublin: [n.publ.], 1820 Box 2127 Paddy and Thomas. second dialogue. Dublin: [n.publ.], 1820 Box 2127 Paddy and Thomas. second dialogue. Dublin: [n.publ.], [n.d.] Box 2127 Page 1 of 92 Short-title listing of the Pollard Collection of children’s books. Letter P Paddy and Thomas. No. 5. Dublin: [n.publ.], [n.d.] Box 1704 Paddy and Thomas: containing the interesting particulars of a conversation between two Irishmen, with an account of Thomas’s sudden death. No. 575. London: Religious Tract Society, [n.d.] Box 1705 Paddy and Thomas: containing the interesting particulars of a conversation between two Irishmen ... No. 575. London: Religious Tract Company, [n.d.] Box 1705 Paddy Finn. By W. H. G. Kingston London: Griffith Farran Browne & Co., [n.d.] Box 580 Painstaking. A story for the young. London: T. Nelson & Sons, 1872 Box 1449 A pair of old shoes. By Christabel Coleridge London: Wells Gardner, Darton & Co., [n.d.] Box 256 Páistideact By Dr.
    [Show full text]