OLUNTEERING at BINGO Is FUN! Help Us Find the Courage to Make Our Lives a Blessing

Total Page:16

File Type:pdf, Size:1020Kb

OLUNTEERING at BINGO Is FUN! Help Us Find the Courage to Make Our Lives a Blessing :We wish Refuah Sh’lema to בייה jmagnet Bela Davidson Howie Meyer Anice Stark Allan Fryman Joe Levitan Phillip Shadlesky Global Gathering of Holocaust Survivors, Descendants, Rose Rosenbaum Gerald Robinson Abe Swimmer Educators & Friends - Toronto marks the 75th anniversary Rosa Weisberg Ruth Leichner Morton Allen Cohen If you know Beth Radom members who would benefit from Clergy of liberation from the Holocaust at the end of the Second World 18 Reiner Road, Toronto, Ontario M3H 2K9 416-636-3451 War, and host Liberation75 at the Metro Toronto Convention outreach or should be part of our Refuah Sh’lema list, please contact [email protected]. We assure you of confidentiality. Parshat Vayeshev Centre - May 31 through June 2, 2020. To REGISTER or - - - - - - - - - - - - - - - - - - - - - - - - - - - - December 21, 2019 23 Kislev 5780 LEARN MORE about Liberation75, its sponsors and With Reverence, We Honour The Yahrzeits Of: - - - - - - - - - - - - - - - - - - - - - - - - - - - - participating organizations VISIT www.liberation75.org Samuel Zelig Pelchovitz Lillian Pelchovitz Torah: Page 141 Ch 37, V 1 - - - - - - - - - - - - - - - - - - - - - - - - - - - - Irvine Haber Late Father of Betsy Haber-Riesz Maftir: Page 144, Ch 37, V 34 Haftorah: Page 152 CHECK OUT BETH RADOM’S MUSEUM AND GALLERY and Marilyn Feldman - - - - - - - - - - - - - - - - - - - - - - - - - - - - Have you seen our new video display? It’s on our website! Johanna Appel-Prager Late Aunt of Carol Lithwick Today’s Congregational Kiddush will take place in the Does your family have things to add to this museum? We Morton Saxe Late Father of Edward Saxe and Belzberg Weisberg Social Hall on the lower level. appreciate donations of plaques, photos, paperwork, hand written Late Grandfather of Joshua Saxe - - - - - - - - - - - - - - - - - - - - - - - - - - - - letters, booklets, flyers, old landing papers – anything related to Sam Pasternack Late Brother of Patricia Weinstein the once thriving, Jewish, City of Radom. And of course we are Linda Verch Late Sister of Florence Lang looking for funding streams to expand the presentation space. Regina Goldstein Late Grandmother of Elana Ravas Contact Allan [email protected] for more information. Margaret Bloom Late Mother-In-Law of Abe Swimmer - - - - - - - - - - - - - - - - - - - - - - - - - - - - Jack Walman Late Board Member of Beth Radom A MINYAN HAS BEEN REQUESTED BY - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - MEMBERS OF BETH RADOM Happy Birthday Wishes To: Tuesday, December 24 at 7:30am Sue Weisbart Devon Kreidstein Raphael Edery Arthur M. Black Members of Beth Radom in need of a minyan - - - - - - - - - - - - - - - - - - - - - - - - - - - - to say Kaddish should contact the Shul office Happy Anniversary Wishes To: at least a week or two in advance so arrangements can be Dr. Bill & Taffy Cass 52nd Anniversary made. Please show your appreciation to fellow members by - - - - - - - - - - - - - - - - - - - - - - - - - - - - sponsoring breakfast. 416-636-3451ext24. Special Occasion coming up? Send a Card! Please attend – it’s a Mitzvah! Support your fellow members and your Shul by dedicating a leaf - - - - - - - - - - - - - - - - - - - - - - - - - - - - on the Tree of Life, a Sim Shalom Siddur for sending a warm, - - - - - - - - - - - - - - - - - - - - - - - - - - - - Prayer For Healing thoughtful Beth Radom Donation Card. MAZEL TOV, HAPPY ,BIRTHDAY, HAPPY ANNIVERSARY SPEEDY RECOVERY מִי שֶ בֵּרַ ך׃ אֲ בֹותֵּ ינו, Mi she berach avoteinu SYMPATHY or THINKING OF YOU! Call 416-636-3451x24 - - - - - - - - - - - - - - - - - - - - - - - - - - - - מְ קור הַבְרָ כָה לְאִ ּמֹותֵּ ינּו M'kor hab'racha l'imoteinu May the source of strength, who blessed the ones before us; OLUNTEERING at BINGO is FUN! Help us find the courage to make our lives a blessing. If you are age 18 or older and interested in and let us say: Amen. volunteering, please contact the shul office. [email protected] or 416-636-3451x24 מִי שֶ בֵּרַ ך׃ אִ ּמֹותֵּ ינו ,Mi she berach imoteinu Our winter schedule can be viewed at מְ קוׄר הַבְרָ כָה לְ אֲ בֹותֵּ ינו M'kor hab'racha l'avoteinu www.bethradom.com/bingo.html# Bless those in need of healing with refuah sh’lema - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - The renewal of body, the renewal of spirit, and let us say: Amen THE BLESSING FOR STUDY: בָ רּוְך אַתָ ה ה CANDLE LIGHTING & SERVICE TIMES: - - - - - - - - - - - - - - - - - - - - - - - - - - - - Barukh attah Adonai אֱ להֵּ ינּו מֶלֶ ך-הָעולָ ם Saturday, December 21 Shabbat ends at 5:33pm RABBI: Rabbi Dr. Geoffrey Haber [email protected] Eloheinu melekh ha-olam ראֲשֶ קִדְ שָ נּו בְמִ צְ ותָ יו Sunday, December 22 Light Chanukah Candle #1 after Sunset CANTOR: Jeremy Burko [email protected] asher qidshanu b'mitzvotav וְצִ ּוָנו לַ עֲסק בְדִ בְרֵּ י-תורָ ה .Friday, December 27 Light Candles at 4:29pm PRESIDENT / GABBAI: Mark Vernon [email protected] v'tzivanu la-asoq b'divrei Torah Saturday, December 28 Shabbat ends at 5:38pm DIRECTOR OF EDUCATION: Cindy Kozierok [email protected] Praised are you Adonai, our God, eternal Sovereign of the Daily Minyan (M-F) begins at 7:30am; Sunday at 9:00am ADMINISTRATOR: Miriam Sharpe [email protected] Universe, Who sanctified us with [God's] commandments Shabbat Mornings – Service begins at 9:30am and enjoined upon us to study Torah. “The reason why many are still troubled, still seeking, still both grammar and oftentimes emotional peaks and valleys in the partners in marriage, and the Torah is the marriage contract. We making little forward progress is because they haven't yet Torah narrative. The shalshelet is one of the rarest varieties of look in the Torah for the best guidance that we can muster in order come to the end of themselves. We're still trying to give orders, trope; so rare, in fact, that it only appears seven times in the entire to help our decision making, but ultimately, the Torah is not our and interfering with God's work within us. ” Torah. We’ve read two of them, so far in the book of Genesis, and partner, God is. Joseph sees in his situation that no matter what he - A. W. Tozer (1897-1963), American Christian pastor and author this week we will read the third in our parsha, Vayeshev. does, he will end up in jail. If he capitulates to Potiphar’s wife’s request, it will only be a matter of time before he is discovered, and Last week, in an effort to aid university administrations in The first use of the shalshelet in the Torah occurs in the story of if he doesn’t, she will accuse him anyway. Perhaps some people in supporting and protecting Jewish university students from hate, the destruction of the city of Sodom. The townspeople are this no-win situation would have given into their baser instincts, but discrimination and harassment, a new American policy by gathered outside the home of Abraham’s nephew, Lot, prepared Joseph sticks to what he knows is right. He makes a decision based executive order has effectively defined anti-Zionism as to rape and kill Lot’s family for their amusement. Oddly, the Torah on what he feels is the righteous thing to do, and trusts in God that antisemitism. Even amongst American Jews, the debate over says that Lot hesitates before leaving his home. The shalshelet the part he must play in Jewish history has already been laid before whether or not this move on behalf of the administration was a draws our focus to the Hebrew for ‘hesitate’, to put a spotlight on him. He has no control over the big picture, but he takes charge of good idea is highly controversial, and I must admit that I am also Lot’s fear and turmoil, and showing at the same time that there is his own actions. Joseph is in turmoil and has no options that will conflicted. On the one hand, it is long overdue that the kind of still a part of him that is sorry to leave his home. The second time affect his life, but the shalshelet points to Joseph’s agency over his perverse vitriol spouted by hate groups on campus that advocate the shalshelet is used is in the story of Eliezer, Abraham’s servant, own soul because sometimes when we are in turmoil, all we can do for the destruction of Israel is formally called out for what it is – who is sent to find a wife for Isaac. Isaac seems to be ambivalent is make decisions according to our conscience and have faith that antisemitism. It is about time that university administrations were about marriage, and so the duty falls on Eliezer to choose the God has the rest well in hand. empowered to reign in student organizations who discriminate woman who would become the future matriarch of the Israelite against Israelis and otherwise make student life for Jews nation. Eliezer speaks to God, asking for help on his mission, Shabbat Shalom, unbearable on campus. But on the other hand, in order to equate saying “O Lord, God of my master, Abraham, grant me good --ChazJ anti-Zionism with antisemitism, the executive order defined fortune this day”. A shalshelet punctuates the Hebrew word for Judaism as both a religion and a nationality, thus leaning into the “saying”, as the exact words of Eliezer’s request to God are pre-existing anti-Semitic trope that Jews have a divided allegiance revealed. between Israel and the country in which they reside. Furthermore, This Shabbat, we find the third and final shalshelet in the book of the order is not going to stop any university campuses from holding Genesis, and of all places, it is found in the story of Joseph their annual Israel Apartheid Week activities, nor will it realistically encounter with Potiphar’s wife, whose sexual advances Joseph help any Jewish students who feel unsafe on campus, but only rebuffs, an act that ultimately lands Joseph in Pharoah’s prison. curb potentially discriminatory or anti-Semitic practices from The word that the shalshelet highlights is the Hebrew word for becoming policy, which, in fairness, most universities have under “refused” as Joseph refuses Potiphar’s wife’s advances.
Recommended publications
  • The Current State of Masoretic Studies*
    SEFARAD, vol. 73:2, julio-diciembre 2013, págs. 423-458 ISSN: 0037-0894, doi: 10.3989/sefarad.013.015 ESTADO DE LA CUESTIÓN The Current State of Masoretic Studies* Elvira Martín Contreras** ILC-CCHS, CSIC, Madrid The foundation of the International Organization of Masoretic Studies (IOMS) in 1972 was a turning point in the studies on Masorah. Since then, Masoretic studies have undergone a true renaissance. The publications on Masoretic issues have proliferated, and the importance of the Masorah for the study of the text of the Hebrew Bible has been stressed in numerous reviews. This brief survey presents the evolution of Masoretic stu- dies, the main research lines and achievements, and some of the most relevant works in the last forty years. KEYWORDS: Masorah; Ketib-Qere; Grammar; Hebrew Bible Text. ESTADO DE LA CUESTIÓN DE LOS ESTUDIOS MASORÉTICOS.— La creación de la International Organization of Masoretic Studies (IOMS) en 1972 supuso un punto de inflexión en los estudios sobre Masora. Desde entonces, los estudios masoréticos han experimentado un auténtico renacer. Las publicaciones sobre temas masoréticos han proliferado y la impor- tancia de la Masora para el estudio del texto de la Biblia Hebrea ha sido resaltada en nu- merosas reseñas. Esta breve panorámica ofrece la evolución de los estudios masoréticos, sus principales líneas de investigación y logros, así como los trabajos más significativos de los últimos cuarenta años. PALABRAS CLAVE: Masora; ketib-qere; gramática; texto de la Biblia hebrea. Last year marked the 40th anniversary of the creation of the International Organization of Masoretic Studies (IOMS) by Prof. Harry Orlinsky brin- ging together all the modern “Masoretes” and enabling work in this field.
    [Show full text]
  • Two Notes on the Exceptional Shalshelet
    TWO NOTES ON THE EXCEPTIONAL SHALSHELET GILAD J. GEVARYAHU THE FOUR INSTANCES OF SHALSHELET IN THE TORAH The cantillation mark shalshelet appears only four times in the Torah. The root of this word is shin-lamed-shin, meaning three, and, in the Ashkenazic tradition as well as in many Sephardic traditions, the melody ascends and descends three times. It appears three times in the book of Genesis and one time in the book of Leviticus. In the Mesorah it is referred to as Mar’imin u’Mafsikin (Mesorah Gedolah, Lev. 8:23). Mar’imin means thunderous, and Mafsikin means pausing, terms that appear to describe the sound of its melody.1 In this article, we will see how all four shalshelot in the Torah consistently relate to the texts in which they are used. These are the four instances of the shalshelet in the Torah: 1. Genesis 19:16: Shalshelet appears in the story of Lot in Sodom, when the angels tell Lot that he must leave the city, for God is about to destroy it. The word with the shalshelet is the first word in the verse, Still he delayed [vayitmahameha]. So the men [angels] seized his hand . Although not directly mentioning the shalshelet, many commentators note here that Lot hesitated to leave and responded in an unusually slow manner. This approach is found for example in Pseudo-Jonathan, Rashi, Ibn-Ezra, and Radak on this verse. This is based in Genesis Rabbah 50:11, that Lot was concerned about losing all the property he had accumulated and was hesitant to leave Sodom.
    [Show full text]
  • Sermon Slam- Cantor Linda Sue Sohn
    Temple Aliyah Shavuot 2016 Sermon Slam Cantor Linda Sue Sohn In Parashat Vayeishev in Genesis chapter 39, Joseph is sold to Potiphar in Egypt. All goes well for Joseph until Potiphar’s wife casts her eye on him and tries to seduce him. ”.He refused“ וַיְמָא ֵ֓ ן ׀The text continues When we hear the unmistakably different sound of the Shalshelet trop, it’s definitely an attention-getter. Dr. Joshua Jacobson, the pre-eminent authority on cantillation with whom I studied at Hebrew College, writes in his book “Chanting the Hebrew Bible - The Art of Cantillation” that Shalshelet means “chain” and seems to describe both its shape - “a chain of three arrowheads piled on top of one another” - as well as the coutour of its melody. When found, it always appears on the first word of a verse. Dr. Jacobson insists that as part of the system of punctuation that trop plays, the Shalshelet trop is merely a place holder for another trop - Segol - which is never found on the first word as it must always be preceded by a Zarka trop. He sees no reason to associate the Shalshelet’s appearance with the dramatic context of the text. In other words, “Nothing here to see, folks - move along - move along!” However, much as I revere and respect Dr. Jacobson’s work, the fact remains that the elaborate musical tradition for chanting Shalshelet gets one’s attention and seem to invite the listener to look at what’s going on in the text. The Talmud and other respected sources give us midrashim that emphasize the repetitive nature of the action taking place.
    [Show full text]
  • The Courage of Identity Crises
    Thoughts on the Weekly Parsha from COVENANT & RABBI LORD JONATHAN SACKS ZT"L Former Chief Rabbi of the CONVERSATION United Hebrew Congregations of the Commonwealth לעילוי נשמת May the learning of these Divrei Torah be HaRav Ya'akov Zvi ben David Arieh zt"l accounts of such moments. What links לעילוי נשמות them is not words but music. From quite פנחס בן יעקב אשר וגולדה בת ישראל דוד אייז ע״ה early on in Jewish history, the Torah was עזריאל בן אריה לייב ומעניה בת יצחק שרטר ע״ה sung, not just read. Moses at the end of Dedicated by Dr. Robert his life calls the Torah a song.1 Different Sreter DDS., M.S. traditions grew up in Israel and Babylon, and from around the tenth century onward the chant began to be systematised in the The Courage form of the musical notations known as ta’amei ha-mikra, cantillation signs, devised of Identity by the Tiberian Masoretes (guardians of Judaism’s sacred texts). One very rare note, Crises known as a shalshelet (chain), appears in the Torah four times only. Each time it is ood leaders know their own limits. a sign of existential crisis. Three instances They do not try to do it all them- are in the book of Genesis. The fourth is Gselves. They build teams. They in our parsha. As we will see, the fourth create space for people who are strong is about leadership. In a broad sense, the where they are weak. They understand other three are as well. the importance of checks and balances The first instance occurs in the story of Lot.
    [Show full text]
  • 1 Teruma 5724. Alef. 1. A. the Wood Was Originally Planted by Yaakov In
    Teruma 5724. Alef. 1. a. The wood was originally planted by Yaakov in Egypt and brought out of Egypt when the people were freed from slavery. b.The wood grew near Mt. Sinai and was harvested when needed. c. The wood was purchased from peoples with whom the Jews traded. 2. The reason why RaShI explains a second time how Yaakov originally planted these trees in Egypt in anticipation of the eventual construction of the Mishkan is because of the “Heh Rather than simply making boards for the Mishkan, the people .”הקרשים“ ,HaYedia” in 26:15 made the boards, which had already been anticipated. It would appear that while other parts of the Mishkan were also constructed from this material, i.e., the Aron (25:10) and the Shulchan (25:23), the main reason for the growing of the wood and probably the purpose for which most of the wood was devoted, was the construction of the boards. 3. In the first commentary, the Peirush HaAroch,1 Ibn Ezra prefers the interpretation that the וכל אשר נמצא אתו עצי “ (trees were growing in the vicinity of Mt. Sinai. The phrase (35:24 refers to those who had harvested some of these locally ”שטים לכל מלאכת העבודה הביאו grown trees in order to construct shelters for themselves, were now being called upon to contribute that wood for the purpose of constructing the Mishkan. In the Peirush HaKatzar, Ibn Ezra, probably based upon the same phrase that he used to construct his first interpretation, now redefines his understanding to be similar to that of the Midrash and RaShI (he does not necessarily accept that this was all part of a plan that Yaakov had shared with his family; only that the Jews brought the wood from Egypt in anticipation of their own lodging needs), i.e., that these were brought from Egypt rather than harvested locally.
    [Show full text]
  • Home to Havdalah Saturday, January 28
    Chai Lights The Newsletter of Congregation Beth Shalom Home to Havdalah Saturday, January 28 Fundraising dinner hosted in the homes of CBS leaders, with dessert and Havdalah together at CBS Board of Directors 2016–2017 President From the Shalshelet and 2017 Jana Uslan Rabbi’s Desk VP Administration The Shalshelet musical Debby Nelson trope is the most rare of all Torah VP Education cantillation. Coveted by many a B’nai Linda Westover Mitzvah student, it appears only four VP Religious Practices times in the entire Torah. The word Sheree Meyer Shalshelet is usually translated as VP Membership “chain” yet the root is Shalosh - Holly Ilfeld three. Perhaps the connection is that VP Finance a chain requires a minimum of three Joel Birch links. The musical sound of the Shalshelet is unforgettable: a thrice repeating VP Programming/Fundraising arpeggio. Lori Nalangan Shalshelet, however goes far beyond how we chant a word in Torah; it VP Operations can be call for our best behavior. In Torah Shalshelet is carefully placed upon Marty Berbach words suggesting a turbulent moment in someone’s life and how the person Financial Secretary responded. In order to merit Shalshelet, things have to be pretty dicey. Ron Simon Shalshelet first appears in the story of Lot escaping from Sodom and Treasurer Gomorrah. The Shalshelet informs us how difficult it was for Lot to turn away Phil Spilberg from his homeland as it was exploding from G-d’s wrath. Despite the trauma, Recording Secretary Lot faced the sorrow, was resolute and kept walking toward a new life. Diane Weber Shalshelet next announces the torn loyalty faced by Eliezer, Abraham’s Immediate Past President servant when he finds the perfect young woman, Rebekkah, to become wife to Tivon Schardl Abraham’s son, Isaac.
    [Show full text]
  • Dead Sea Scrolls - the Music of the Bible an Overview on the Work of Suzanne Haik-Vantura(1912 - 2000)
    Dead Sea Scrolls - The Music of the Bible An overview on the work of Suzanne Haik-Vantura(1912 - 2000) Hebrew Bible Cantillation ITU-State Conservatory, Istanbul. Term Project Mehmet Okon¸sar January 27, 2011 i Contents Biblical research 1 BiblicalExegesis ............................ 1 TraditionalJudaicBibleStudies . 2 Musical Archeology 2 ”NewTestament”Times .. .. .. .. .. .. .. .. .. 2 IncantationversusChanting. 3 Dead Sea Scrolls 4 Thediscovery.............................. 6 TheimportanceoftheScrolls . 7 Qumran-EsseneTheory and the departures from it . 8 The texts 9 GroupingtheScrolls .. .. .. .. .. .. .. .. .. .. 10 Excavations............................... 11 The Story of the Discovery 11 TheBedouins.............................. 11 MarSamuel............................... 12 The photographies allows for the reading . 12 Gettingintotherighthands. 13 Historical importance of the Scrolls . 13 Facts About the Dead Sea Scrols . 14 On Jewish Liturgical Music 17 Maqams 18 Cantillation Signs 19 ThePurposeofCantillationSigns . 20 Thesyntacticalfunction . 20 Importanceintheunderstanding . 21 Thephoneticfunction . 22 Themusicalfunction.. .. .. .. .. .. .. .. .. .. 22 Types of Cantillation Marks 22 Babyloniansystem ........................... 22 Palestiniansystem ........................... 23 Tiberiansystem ............................ 24 Differentiation in the poetic books . 25 Notation 25 ii Suzanne Haik-Vantura 26 The Methodology 28 The schools of interpretation of the signs . 28 Appendices 30 NamesandMeaningoftheSigns . 30 Sequences
    [Show full text]
  • The Ultimate Bar Mitzvah Torah Reading Software Tutor
    Kol Kore User’s Guide The Ultimate Bar Mitzvah Torah Reading Software Tutor Kol Koren LTD., 8 King David Street, Bnei Brak 51445, ISRAEL, Tel: +972-3-570-0840 www.kolkoren.com Table of Contents Glossary .............................................................................................. 2 Introduction ........................................................................................ 3 Torah Reading Theory.......................................................................... 5 The Order of Torah Reading ............................................................................... 5 Ta’amei Hamikra (Reading Accents - Trop) .......................................................... 6 Musical .......................................................................................................... 6 Syntactic ........................................................................................................ 6 Grammatical ................................................................................................. 10 Kol Kore Features ............................................................................................ 11 Reading Fluency and Accuracy ....................................................................... 11 Torah Font Selection ..................................................................................... 11 Trop and Vowels Highlighted in Different Colors .............................................. 11 Text Highlighted as Chazan Reads ................................................................
    [Show full text]
  • Trope Curriculum
    Temple Beth Israel 6th Grade Hebrew Marla Aviva Bentley Cantillation Curriculum Trope Clause Combinations & Functions Sof Pasuk (Pink) Clause וסף ספ ֽ קו ׃ The Sof-Pasuk clause is made up of these trope symbols: כרמ ֥ א Mercha חפט ֖ א Tipcha ףוס ספ ֽ ׃קו Sof-Pasuk ספמ י ק or Separator Mafsik רבחמ How they function: Connector M’chaber רבחמ is a Connector M’chaber כרמ ֥ א Mercha ספמ י ק is a Separator Mafsik חפט ֖ א Tipcha ספמ י ק is a Separator Mafsik ףוס ספ ֽ ׃קו Sof-Pasuk Chant the following Sof-Pasuk clause combinations with hand-signs: כרמ ֥ א חפט ֖ א כרמ ֥ א ס ו ף ספ ֽ ו ק ׃קוֽס ףוס ר א֖חט ר כרמ א֥ חפט א֖ ףוס ספ ׃קוֽ פףס ֖חטא ר חפט ֖ א ס ו ף ספ ֽ ו ק ׃קוֽס ףוס פ כרמ ֥ א ס ו ף ספ ֽ ו ק ׃קוֽס ףוס ר חפט ֖ א כרמ ֥ א ףוס ספ ֽ ׃קוֽס ו ףוס ספ ֽ ׃קוֽס ו כרמ ֥ א חפט ֖ א כרמ ֥ א ףוס ספ ֽ ׃קוֽס ו Chant the following Sof Sof-Pasuk clause combinations, also known as Sof Aliyah, with hand signs: ףוס - ףוס ספ ֽ ׃קוֽס ו כרמ ֥ א חפט ֖ א ףוס ספ ֽ ׃קוֽס ו חפט ֖ א כרמ ֥ א ס ו ף ספ ֽ ו ק ׃ פ א֥כמ פ כרמ ֥ א חפט ֖ א כרמ ֥ א ףוס ספ ֽ ׃קוֽס ו Temple Beth Israel 6th Grade Hebrew Marla Aviva Bentley Cantillation Curriculum Trope Clause Combinations & Functions Etnachta (Yellow) Clause תא נ תח ֑ א The Etnachta clause is made up of these trope symbols: כרמ ֥ א Mercha חפט ֖ א Tipcha נמ ֣ ח Munach תא נ תח ֑ א Etnachta ספמ י ק or Separator Mafsik רבחמ How they function: Connector M’chaber בחמ ר is a Connector M’chaber כרמ ֥ א Mercha ספמ י ק is a Separator Mafsik חפט ֖ א Tipcha רבחמ is a Connector M’chaber נמ ֣ ח Munach ספמ י ק is a Separator Mafsik תא נ תח ֑ א Etnachta
    [Show full text]
  • Trope and Blessings CD (Recordings At
    Table of Contents: Bar/Bat Mitzvah Packet • Table of Contents……………………………………………………………….p. 0 • Trope Background….………………………………………………….……pp. 1-2 • Trope Symbols…..….………………………………………………….……pp. 3-6 • The Trope Song……………………………………………………………..…..p. 7 • Torah Blessings & Blessings for Tallit and Tefillin………………………........p. 8 • Blessing Before the Haftarah…………………………………………...…..…..p. 9 • Blessing After the Haftarah………………………………………...….....pp. 10-11 • Chanting the Shma…………………...……………………………...……pp. 12-14 • Blessing After the Haftarah for Festivals including Shavuot………………....p. 15 • Friday Night Kiddush………………………………………........................….p.16 • Shema for Taking Out the Torah……………………………………………...p. 17 • Saturday Noon Kiddush……………………………………………………….p. 18 • Bar and Bat Mitzvah CD List also at https://tiofnatick.org/Torah …………....p. 19 All material in the packet, plus recordings, and musical notation of the trope, can be found on the Temple Israel of Natick website, on this page: https://www.tiofnatick.org/Torah Please come to class each week, prepared, and with: 1) A binder or folder with this packet in it (there will be more handouts during the year as well) 2) A set of highlighters (with yellow, blue, green, pink, purple, orange) The Recommended Daily Allowance of practice is about 10-15 minutes each day to complete your weekly assignments. Once you’ve begun individual bar/bat mitzvah lessons, this increases to 20-30 minutes a day. Class assignments will be emailed out regularly, and if an email hasn’t come yet, please review the previous week’s assignment. Feel free to call or email with questions. Thank you! Cantor Ken Richmond [email protected] 508-650-3521, ext. 107 0 Bar/Bat Mitzvah Trope Packet: A guide to the Cantillation Trope, or Cantillation, serves three main purposes: 1.
    [Show full text]
  • Rabbi Samson Raphael Hirsch's Use of Biblical Accentuation in His
    JSIJ 15 (2019) RABBI SAMSON RAPHAEL HIRSCH’S USE OF BIBLICAL ACCENTUATION IN HIS COMMENTARY ON PSALMS LEA HIMMELFARB* The impact on biblical interpretation of the biblical accents’ role as punctuation marks has long been acknowledged.1 Graphical signs in the Bible serve the purpose of denoting the verse’s primary and secondary divisions. While the biblical accents clearly indicate a specific way of understanding the verse, the interpretive stance implied by them requires further explanation and analysis. Indeed, much can be learned through examining the consonance between the interpretation suggested by the biblical accents’ division of the verse, and other interpretations of the Bible throughout different historical periods.2 In this paper, I detail the explicit connection between Rabbi Samson Raphael Hirsch’s nineteenth-century commentary and the biblical accentuation system, as it is expressed in his commentary on Psalms. Hirsch lived in Frankfurt on the Main from 1808 to 1888 and wrote his Bible commentary in German. His translation and commentary on Psalms was * Department of Bible, Bar-Ilan University. This article is an expansion of a paper read on August 6th, 2013 at the 25th Congress of the International Organization for Masoretic Studies (IOMS) held in Munich, Germany. Since it was the first time I had ever been on German soil, I felt compelled to fulfill the Jewish obligation “not to forget”: May my paper commemorate those members of my own family murdered in cruel and unusual ways in Auschwitz, Chelmno and Bergen Belsen along with six million other Jews. May their memories be a blessing. 1 The two other roles played by biblical accents also sometimes impact biblical interpretation.
    [Show full text]
  • Jewish Folk Literature
    University of Pennsylvania ScholarlyCommons Department of Near Eastern Languages and Departmental Papers (NELC) Civilizations (NELC) 1999 Jewish Folk Literature Dan Ben-Amos University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/nelc_papers Part of the Cultural History Commons, Folklore Commons, Jewish Studies Commons, and the Near and Middle Eastern Studies Commons Recommended Citation Ben-Amos, D. (1999). Jewish Folk Literature. Oral Tradition, 14 (1), 140-274. Retrieved from https://repository.upenn.edu/nelc_papers/93 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/nelc_papers/93 For more information, please contact [email protected]. Jewish Folk Literature Abstract Four interrelated qualities distinguish Jewish folk literature: (a) historical depth, (b) continuous interdependence between orality and literacy, (c) national dispersion, and (d) linguistic diversity. In spite of these diverging factors, the folklore of most Jewish communities clearly shares a number of features. The Jews, as a people, maintain a collective memory that extends well into the second millennium BCE. Although literacy undoubtedly figured in the preservation of the Jewish cultural heritage to a great extent, at each period it was complemented by orality. The reciprocal relations between the two thus enlarged the thematic, formal, and social bases of Jewish folklore. The dispersion of the Jews among the nations through forced exiles and natural migrations further expanded
    [Show full text]