January 2014 Aca Deca Teacher H Drive Scrimmage Data Recovered Goes Great Council President Schwagle Says Poly on Track Data Should Be Available Shortly

Total Page:16

File Type:pdf, Size:1020Kb

January 2014 Aca Deca Teacher H Drive Scrimmage Data Recovered Goes Great Council President Schwagle Says Poly on Track Data Should Be Available Shortly The Poly Optimist John H. Francis Polytechnic High School Vol. XCVIII, No. 6 Serving the Poly Community Since 1913 January 2014 Aca Deca Teacher H Drive Scrimmage Data Recovered Goes Great Council president Schwagle says Poly on track data should be available shortly. to make state. By Joshua Penado sional development during that Staff Writer time,” Bennett said, “to make sure we’re getting the most out of our By Yesenia Carretero Staff Writer efforts for the second half of the Poly’s H drive, which contained school year.” years of data belonging to several Students with disabilities would Poly’s Academic Decathlon team faculty members, has been fully re- also benefit from the balanced attended an informal scrimmage at covered, School Governance Council calendar. Grant on January 11. El Camino’s president Jim Schwagle announced “If we had credit recovery op- team also competed. at Tuesday’s council meeting. portunities, it would give them the “Three top teams decided to A private firm recovered the data. chance to be in school for almost the get together and get the students Cost was approximately $7,400. full year,” Bennett said. “I like to say practice,” said veteran Poly Aca “Data is expected to be restored “Learning is the constant, and time is Deca coach Brian Block. “The more in the next week,” Schwagle said. the variable” practice you have, the better you Also under discussion at the Other issues discussed at the Photo by Ari Bennett perform.” Council meeting was Poly’s possible Council meeting included how to Students take seven tests, each of NINE + COACH: Poly’s Academic Decathlon squad and coach Brian Block. return to the balanced traditional choose a Council member replace- which lasts half an hour. calendar in use three years ago. ment if he or she can’t attend a meet- “Usually scrimmages last four Poly Principal Ari Bennett dis- ing or is transferred and problems hours,” said Block. “Even with short Drama Club Revisits 80s cussed the calendar issue at the pilot with attendance when athletes play breaks, it’s a full day.” school principals’ meeting recently. away games and coaches have to fill Poly previously competed against “The ultimate goal is to move in the attendance. 12 schools at a November scrim- with “Fame” Production us back to the balanced traditional New signage for faculty rest- mage. calendar,” Bennett said. “That’s what we’re working on.” Saturday Jan 25 and Saturday Poly singing/acting veterans Crystal Cruz and [ See H Drive, pg 4 ] By Nicolette Reneau Bennett said the calendar, which Feb 1 are the district competitions. Audrianna Wilson will star in the Drama Club presen- Staff Writer splits the year in to two equal halves, LAUSD usually places between tation of “Fame” in mid-May. would mediate summer learning seven and thirteen teams into the The Broadway musical, which opened in 1988, is loss. competition. based on the 1980 film of the same name and tells the Toy Drive “Research tells us that a long “We will not learn our scores un- story of eight students at the High School for the Performing Arts (PA) in summer break is most disadvanta- til February 7,” said Block, “which is Manhattan as they discover themselves and their talents. geous to students who come from kind of weird. Imagine taking a test “Fame” is about the struggle to achieve your dreams,” said Drama Club low income backgrounds,” Bennett Nets $18K on January 25 and not knowing your teacher Katy Groskin. “I chose ‘Fame’ because students can relate to its said. score for weeks.” themes.” Part of the reason is that scoring The calendar would also provide By Tanneshia Acosta Groskin chose 15 Parrots for the musical after auditions held during the Staff Writer an additional credit recovery option in Academic Decathlon is really first week back from break. in the winter and give staff members difficult. “I try to give everyone a fair chance,” said Groskin. “I choose based on time during the middle of the year to What better way to start winter “It’s more of an art than a sci- energy, effort and ability to meet the role.” reflect, recalibrate and come together break than an $18,500 shopping ence,” Block said. “It’s like taking Senior Miranda Brown thought the audition was different from others she focused and refreshed for the second spree? the SAT. You take it, it’s over, and had done. now you just have to wait.” half of the year. That’s what some Parrots did as Judges aren’t necessary for the “We could do things like profes- part of Leadership’s annual toys for [ See Fame, pg 4 ] multiple choice test. For speech and tots drive. The toys were purchased essay, there are volunteer judges that at Mattel’s in El Segundo. Mattel dedicate their time to making sure did their part by selling the toys at the competition works. The number 40% off. of judges varies. Parrots at Rose Parade Leadership students in charge of the toy drive this year were seniors “Rumor has it that this year arrot participation in they’re short on judges,” Block By Sarai Mejia Joceline Santamaria, Jasmine Torres Staff Writer the January 1 Pasadena and Alba Varela. said, “so I imagine there will be two Rose Parade is a Poly judges for speech and interview. I do The Los Angeles Fire Department tradition. This year delivered the toys to needy tots on not know who will be judging the P eight talented band and color Christmas day as part of their Spark essays.” guard members marched down Colorado Boulevard to of Love drive. Friends and family can buy tick- the cheers and smiles of thousands lined up along the Poly raises more money for the ets for the Super quiz relay, which parade route. toy drive than any other LAUSD is the big show that happens at the “It was truly an honor to participate in the Rose school and is the biggest supporter of end of the multiple choice test day, Parade for the second time,” said band member Daniel the LAFD’s Spark of Love. February 1 at Roybal. Maldonado. Poly Principal Ari Bennett and February 7 is the medal banquet. “The first time I was kind of shy,” Maldonado said, Photo by Sarai Mejia his family were also on hand to help “We will learn our fate on that “but you learn how to put up a good show for the people celebrate the toy drive. day,” Block said, “how many med- play in the Rose Parade,” said band member and Poly at the Rose Parade.” freshman Nathan Tabaranza, who plays sousaphone. “I am proud of the leadership als we’ve won and whether or not Maldonado plays the mellophone. Parrots for doing a fantastic job this we’re going to state. Usually when “You have to know what you're doing. It was nerve-rack- “To get selected, you have to have more than a year ing during practice. I just didn't want to mess up.” year,” Bennett said. “I want all of the other teams are chosen for state, in color guard because you have to know how to spin the Poly to feel that pride that comes there is a potential for one or two “There were people cheering for me and just wishing flags, how to march underneath that, and do dance work me luck and it felt really good,” said color guard captain from giving to the needy.” other teams to make it” Bennett also said he was glad that underneath that,” said color guard co-captain Sarahi Elisama Miguel. “I wasn't really nervous at all. Their Parents can also attend the awards Flores. his two daughters got to experience “I didn't know whether or not I'd be good enough to [ See Aca Deca, pg 6 ] [ See Rose, pg 6 ] [ See Toy, pg 4 ] It Takes A Year to Lady Parrots Make this Book Sink Streak Poly’s Yearbook staff and advisor Team effort from Parrots Michelle Elias do the assembling. ends 52-game run. Photo by Lirio Alberto CAMPUS - page 4 Photo by Lirio Alberto SPORTS - page 8 2 January 2014 The Poly Optimist polyhigh.org/opt.jsp OPINION EDITORIAL “Talk, don’t Type” Think of how many people you are closely connected with ron Seline’s daughter committed suicide just after talking with as of right now. Probably a few right? Now, think of how you her mother through text messaging. When texting her mother are connected with them. Most likely Facebook, Instagram, about how well she was doing, she would answer positive and Twitter, Email and Text right? Now, think of how many of those use happy face emoticons throughout the conversation. It was the OPTIMIST people you actually communicate with face-to-face. later found out that the next day that she would cry and show VOL XCIX No. 3 “I fear the day technology will surpass our human interac- signs of depression while staying in her dorm room for days tion. The world will have a generation of idiots,” a famous even though she would seem perfectly fine on Facebook and quote by Albert Einstein. Twitter updates. January Social Media has been ruining real human communication The only way you could genuinely know who a person is for quite a while now. We do not talk to one another anymore, nowadays is to really talk to them and not email or text them, instead, we type. which is a shame because the tool that was supposed to bring BUCKET LIST Filipino native Jedri Emralino says coming to America We hide behind an account on a social media website and people closer together is also distancing us.
Recommended publications
  • Views and Opinions Expressed in This Document Are Those of the Author and Do Not Necessarily
    Department of Environmental Studies DISSERTATION COMMITTEE PAGE The undersigned have examined the dissertation entitled: Ramapough/Ford: The Impact and Survival of an Indigenous Community in the Shadow of Ford Motor Company’s Toxic Legacy presented by Chuck Stead candidate for the degree of Doctor of Philosophy and hereby certify that it is accepted. Committee Chair Name: Alesia Maltz Title/Affiliation: Antioch University Committee Member Name: Charlene DeFreese Title/Affiliation: Ramapough Lenape Nation Committee Member Name: Michael Edelstein Title/Affiliation: Ramapo College of New Jersey Committee Member Name: Tania Schusler Title/Affiliation: Antioch University Defense Date: August 22, 2014 Ramapough/Ford: The Impact and Survival of an Indigenous Community in the Shadow of Ford Motor Company’s Toxic Legacy By: Chuck Stead A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Environmental Studies at Antioch University New England Committee: Alesia Maltz, Ph.D. (Chair) Tania Schusler, Ph.D. Michael Edelstein, Ph.D. Sub-Chief Charlene DeFreese 2015 The views and opinions expressed in this document are those of the author and do not necessarily reflect those of the reviewers or Antioch University. i This is dedicated to the elders. ii Acknowledgments The author would like to thank Antioch School of Environmental Studies, and the Doctorial Committee, Dr. Michael Edelstein, Dr. Tania Shuster, Charlene Defreese and Dr. Alesia Maltz for their guidance, as well as my cohort colleague Claudia Ford. I would also like to thank the members of the Ramapo Lenape Nation especially Chief Perry, Chief Mann, and Vivian Milligan for their support and guidance.
    [Show full text]
  • Diana Davies Photograph Collection Finding Aid
    Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival.
    [Show full text]
  • Narcotics Anonymous
    NARCOTICS ANONYMOUS Fifth Edition Contents NARCOTICS ANONYMOUS ............................................................................................................................................................ 1 OUR SYMBOL ................................................................................................................................................................................ 4 WHO IS AN ADDICT? ..................................................................................................................................................................... 8 WHY ARE WE HERE? ................................................................................................................................................................... 14 HOW IT WORKS .......................................................................................................................................................................... 16 STEP ONE .................................................................................................................................................................................... 17 STEP TWO ................................................................................................................................................................................... 19 STEP THREE ................................................................................................................................................................................. 21 STEP FOUR .................................................................................................................................................................................
    [Show full text]
  • Diana Davies Photographs, 1963-2009
    Diana Davies photographs, 1963-2009 Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005 Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 3 Biographical/Historical note.............................................................................................. 2 General note.................................................................................................................... 3 Arrangement note............................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Newport Folk Festival, 1964-1992, undated............................................. 6 Series 2: Philadelphia Folk Festival, 1967 - 1987.................................................. 46 Series 3: Broadside
    [Show full text]
  • Insidellewyndavis.Pdf
    he Greenwich Village of Llewyn Davis is not the thriving folk scene that produced Pe- ter, Paul and Mary and changed the world when Bob Dylan went electric. It is the folk scene in the dark ages before the hit records and big money arrived, when a small coterie Tof true believers traded old songs like a secret language. Most of them were kids who had grown up on the streets of New York or the prefab suburbs of Long Island and New Jersey, trying to escape the dullness and conformity of the Eisenhower 1950s. Some were college students living at home with their parents, others shared apartments in what was still the old, immigrant New York of Little Italy and the Lower East Side, where a two-person hole-in-the-wall could be had for twenty-five or thirty dollars a month. Some details of Llewyn seem like nods to familiar figures—his Welsh name recalls Dylan, and like Phil Ochs he crashes on the couch of a singing couple named Jim and Jean. But the film catches him in the moment before Dylan and Ochs arrived in New York, when no one could have imagined the Village scene becoming the center of a folk music boom that would produce international superstars and change the course of popular music. This moment of transition— before the arrival of the 60s as we know them—was captured by one of the central figures on that scene, Dave Van Ronk, in his memoir The Mayor of MacDougal Street, which the Coen Brothers mined for local color and a few scenes.
    [Show full text]
  • The New Frontier ◆ 81
    The New 5 Frontier Early on a Saturday night in April 1961, a twenty-year-old singer carrying an over- sized guitar case walked into a dimly lit folk club, Gerde’s Folk City in Greenwich Village, New York City. He was dressed casually: worn brown shoes, blue jeans, and a black wool jacket covering a plain yellow turtleneck sweater. A jumble of rumpled hair crowned his head, which was topped by a black corduroy Huck Finn cap. He pressed his lips together tightly and glanced at the tables of patrons, who sipped espresso and seemed to be arguing feverishly about current events. The singer looked serious and exhibited a nervousness that a friend had earlier tried to calm with four jiggers of Jim Beam bourbon. He slowly mounted the stage, opened his guitar case, and care- fully took out an old, nicked, six-string acoustic guitar, which he treated like an old friend. He fixed a wire harmonica holder around his neck and pushed a harmonica into place. As the singer stood alone on stage, motionless, a hush descended upon the coffeehouse. The audience, mostly white middle-class college students, many of them attending nearby New York University, politely applauded the singer. For a moment, the scene appeared to epitomize Eisenhower gentility and McCarthy repression: boys with closely cropped hair, button-down shirts, corduroy slacks, Hush Puppy shoes, and cardigans; and rosy-cheeked girls dressed in long skirts, bulky knit sweaters, and low-heeled shoes, who favoured long, straight, well-groomed hair. The singer shattered the genteel atmosphere when he began to strum a chord and sing.
    [Show full text]
  • Phil Ochs: No Place in This World
    College Quarterly - Summer 2005 Page 1 of 25 College Quarterly Summer 2005 - Volume 8 Number 3 Home Phil Ochs: No Place in this World Contents by Howard A. Doughty Abstract Phil Ochs was a prominent topical songwriter and singer in the 1960s. He was conventionally considered second only to Bob Dylan in terms of popularity, creativity and influence in the specific genre of contemporary folk music commonly known as "protest music". Whereas Dylan successfully reinvented himself many times in terms of his musical style and social commentaries, Ochs failed to win critical support when he, too, attempted to transform himself from a broadside balladeer into a more self-consciously artistic lyricist and performer. From the events at the Democratic Party convention in 1968 until his suicide in 1976, Phil Ochs' public and private life spiraled downward. Today, he would be readily identified as a victim of "bipolar disorder." Such a psychiatric assessment, while plausible in its own terms, says nothing about the political events that set the context for Phil Ochs' personal tragedy. This paper attempts to balance the individual and larger contextual themes. This article is prompted as much by personal reflection upon a particular man as it is by the ostensibly more general subject of his music, politics and relationship to American culture. Now, in the thirtieth year since his suicide, I am still seeking to sort out what, if anything, was the meaning of Phil Ochs' life, work and death to people who were outside his small circle of friends and family. I have made three attempts to put my own feelings in writing.
    [Show full text]
  • In Th€Ir Own Words Bruce Polloc~
    IN TH€IR OWN WORDS BRUCE POLLOC~ Macmillan Publishing Co., Inc. New York Collier Macmillan Publishers London Riverside Community College Library 4800 Magnolia Avenue Riverside. CA 92506 Copyright © 1975 by Bruce Pollock All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photo- copying, recording or by any information storage and retrieval system, without permission in writing from the Publisher. Macmillan Publishing Co., Inc. This book is dedicated to: 866 Third Avenue, New York, N.Y. 10022 Collier-Macmillan Canada Ltd. "Mom) The Gang) and My Baby" Library of Congress Cataloging in Publication Data Pollock, Bruce. In their own words, 1. Rock musicians. 2. Music, Popular (Songs, etc.) -Writing and publishing. I.Title. ML3561.R62P64 784 74-23116 ISBN ()-Q2-597950-'7 "HOMETEAM CROWD" by Loudon Wain- wright III. © 1972 FRANK MUSIC CORP. Used by permission. The photograph of Doc Pomus is by Damon Runyon, Jr. The photograph of Gerry Goffin is by Barbara Goffin. First Printing 1975 Printed in the United States of America 46 / Newport Generation: 1961-1965 quickly taken into the mainstream of American life. This clean image of fireside folksinging, however, the camp-counselor-good- kid-college-youth (how come you never hear about the good teen-agers-because they never do anything), was nowhere near what real contemporary writing was all about. The goody-goody folksingers (and their prematurely mature followers) never saw beyond their ivory towers into the street. One of the few to escape the stigma was Peter, Paul, and Mary.
    [Show full text]
  • Table of Contents
    TABLE OF CONTENTS Sheet Music ................................................................................................... 1 Blues ................................................................................................... 56 Fake Books.................................................................................................... 2 Blues Play-Along Series ....................................................................... 59 Personality Folios .......................................................................................... 3 Cheat Sheets ........................................................................................ 59 Songwriter Collections ................................................................................. 15 Chords, Scales, Theory ........................................................................ 54 Mixed Folios ................................................................................................ 21 Christian & Worship Guitar .................................................................. 57 Anthology Series – Gold Edition .......................................................... 21 Classical .............................................................................................. 57 Audition Songs Series .......................................................................... 24 Country ............................................................................................... 62 Best Ever Series ..................................................................................
    [Show full text]
  • Sean's Music Library - 15/05/17 6182 Songs, 17.4 Days, 41.52 GB
    Page 1 of 163 Sean's Music Library - 15/05/17 6182 songs, 17.4 days, 41.52 GB Name Time Album Artist 1 Hells Bells 5:13 Back In Black AC/DC 2 Shoot To Thrill 5:18 Back In Black AC/DC 3 What Do You Do For Money Honey 3:36 Back In Black AC/DC 4 Givin' The Dog A Bone 3:32 Back In Black AC/DC 5 Let Me Put My Love Into You 4:15 Back In Black AC/DC 6 Back In Black 4:16 Back In Black AC/DC 7 You Shook Me All Night Long 3:30 Back In Black AC/DC 8 You Shook Me All Night Long 3:30 Back In Black AC/DC 9 Have A Drink On Me 3:59 Back In Black AC/DC 10 Shake A Leg 4:06 Back In Black AC/DC 11 Rock And Roll Ain't Noise Pollution 4:15 Back In Black AC/DC 12 Rock 'N Roll Train 4:22 Black Ice AC/DC 13 Skies On Fire 3:34 Black Ice AC/DC 14 Big Jack 3:57 Black Ice AC/DC 15 Anything Goes 3:22 Black Ice AC/DC 16 War Machine 3:10 Black Ice AC/DC 17 Smash 'N Grab 4:06 Black Ice AC/DC 18 Spoilin' For A Fight 3:17 Black Ice AC/DC 19 Wheels 3:28 Black Ice AC/DC 20 Decibel 3:34 Black Ice AC/DC 21 Stormy May Day 3:10 Black Ice AC/DC 22 She Likes Rock 'N Roll 3:53 Black Ice AC/DC 23 Money Made 4:15 Black Ice AC/DC 24 Rock 'N Roll Dream 4:41 Black Ice AC/DC 25 Rocking All The Way 3:22 Black Ice AC/DC 26 Black Ice 3:25 Black Ice AC/DC 27 Tiro Ao Alvaro 2:45 Brazil: The Essential Album [Disc 1] Adoniron Barbosa with Elis Regina 28 Nine Lives 4:02 Nine Lives Aerosmith 29 Falling In Love (Is Hard On The Knees) 3:26 Nine Lives Aerosmith 30 Hole In My Soul 6:10 Nine Lives Aerosmith 31 Taste Of India 5:53 Nine Lives Aerosmith 32 Full Circle 5:00 Nine Lives Aerosmith 33 Something's
    [Show full text]
  • Bibliography
    Bibliography Books Alberts, R. (2003) Tascam: 30 Years of Recording Evolution (Milwaukee: Hal Leonard). Allen, T. (1995) Roar, and Quieter Moments from a Group of Melbourne Artists 1980–1993 (Roseville: Craftsman House). Apter, J. (2003) Tomorrow Never Knows: The Silverchair Story (Port Melbourne: Coulomb Communications). Apter, J. (2013) Up from Down Under: How Australian Music Changed the World (Scoresby: Five Mile Press). Arns, I., and Horn, G. (eds.) (2007) History Will Repeat Itself: Strategies of Re- enactment in Contemporary (Media) Art and Performance (Frankfurt: Revolver Books). Barnes, J. (2017) Working Class Man (Sydney: HarperCollins). Blackburn, S. (ed.) (2015) Breaking Out: Memories of Melbourne in the 1970s (Willoughby, NSW: Hale and Iremonger). Bloom, H. (1975) A Map of Misreading (Oxford: Oxford University Press). Bolin, A. (2018) Dead Girls: Essays on Surviving an American Obsession (New York: HarperCollins). Bongiorno, F. (2015) The Eighties: The Decade That Transformed Australia (Collingwood: Black Inc.). © The Editor(s) (if applicable) and The Author(s) 2020 307 D. Nichols and S. Perillo (eds.), Urban Australia and Post-Punk, https://doi.org/10.1007/978-981-32-9702-9 308 Bibliography Breen, M. (1993) Rock Dogs: Politics and the Australian Music Industry (Lanham: University Press of America). Carbines, E. (2003) Live Music Taskforce Report and Recommendations (Mel- bourne: Department of Planning and Community Development). Cateforis, T. (2011) Are We Not New Wave? Modern Pop at the Turn of the 1980s (Ann Arbor: The University of Michigan Press). City of Richmond (1988) Copping It Sweet: Shared Memories of Richmond (Rich- mond: City of Richmond). Clifton, J. (2011) The Address Book: A Memoir About My Homes (Camberwell: Penguin).
    [Show full text]
  • Personal Reflections, and Implications for Replication
    TOWARDS RAISING NOT JUST BETTER MUSICIANS, BUT BETTER PEOPLE Elena Claudine Bennett B. A., Cornell University--College of Arts and Sciences, 1978 M.Div., Yale Divinity School, 1983 PROJECT Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in EDUCATION (Curriculum and Instruction) at CALIFORNIA STATE UNIVERSITY, SACRAMENTO SPRING 2010 TOWARDS RAISING NOT JUST BETTER MUSICIANS, BUT BETTER PEOPLE A Project by Elena Claudine Bennett Approved by: , Committee Chair Crystal Olson, Ed.D. , Second Reader Porfirio Loeza, Ph.D. Date ii Student: Elena Claudine Bennett I certify that this student has met the requirements for format contained in the University format manual, and that this project is suitable for shelving in the Library and credit is to be awarded for the Project. , Associate Chair Rita M. Johnson, Ed.D. Date Department of Teacher Education iii Abstract of TOWARDS RAISING NOT JUST BETTER MUSICIANS, BUT BETTER PEOPLE by Elena Claudine Bennett Throughout history, music has powerfully influenced social justice movements and attitudes in every corner of the world. But the human race continues to struggle today with prejudice and unfairness manifested in many forms, around the globe, and music still has a role to play in facing this great challenge. This project therefore asked: how can music education in an American school help to develop not only better singers and instrumentalists but more tolerant, compassionate, historically informed, socially enlightened students? Over the course of eight weeks, this project taught the history and music of America’s Underground Railroad and of the Civil Rights movement to children in first through fourth grade, to see how those studies might positively affect children’s attitudes towards social justice and their behavior towards other people.
    [Show full text]