DOCSLIB.ORG

ONLINE PHOTOGRAPHY GUIDE - Designer Mens

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ONLINE PHOTOGRAPHY GUIDE - Designer Mens STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Designer_ Mens 1. TABLE OF CONTENTS 2. Mens Designer Brand Index 3. Silver Look 4. Mens Designer Suit 5. Mens Designer Sportcoat and Blazer 6. Mens Designer Coat, Outerwear and Jacket 7. Mens Designer Reversible Item 8. Mens Designer Tops 9. Mens Designer Casual Buttondown Shirt 10. Mens Designer Dress Shirt 11. Onesie, Jumpsuit, Coverall 12. Mens Designer Bottom: Dress Pant 13. Mens Designer Bottom: Denim, Cords, Chino, Cargo, Short 14. Mens Designer Bottom: Short 15. Mens Designer Bottom: Swim Refer to OPG_MENS_ACCESSORIES and OPG_JEWELRY_WOMENS_MENS for non-clothing items. 1 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Designer_ Mens Men’s Designer follows general rules of regular Men’s, but faces are never cropped. DESIGNER VENDORS: Shot at NY studio Alexander Olch JW Anderson Pendleton Thomas Kay Alexander Wang John Varvatos Collection** Pierre Balmain AMI Paris Junya Watanabe Polo Ralph Lauren * APC Just Cavalli Public School Armani Collezioni Kenzo Rag & Bone ATM Anthony Thomas Melillo Kitsune Apparel Ralph Lauren Black Belstaff the Kooples Label Black DNM Lanvin Rick Owens Burberry London Levis Made and Crafted Saturdays (burberry brit is not designer) Marc by Marc Jacobs Stone Island Canali * Marc Jacobs Collection Sunspel Chapter Marni T by Alexander Wang Comme de Garcons Play Michael Bastian Tim Coppens Dolce&Gabbana Missoni Thom Browne Dries Van Noten Moncler Todd Snyder Drifter Moschino Umit Benan Dsquared2 Neil Barrett Veilance Duvetica Officine Generale Versace* Etro Onia Menswear Vilebrequin Ferragamo* Orlebar Brown White Mountaineering Gant by Michael Bastian Paul Smith Jeans Wings & Horns Givenchy Paul Smith London Wood Wood Helmut Lang PS Paul Smith Yohji Yamamoto Z Zegna * These vendors may be bought by sportswear or clothing teams, but should be turned over and shot as designer items. Please coordinate with designer team on shoot schedules. - Polo swim and sleepwear can go to Seattle for regular sell shot process. ** Not John Varvatos Star USA, that is bought by the sprotswear team and is shot in Seattle as millennial/YC ELEVATED SPORTSWEAR VENDORS: Can shoot at Georgetown (tie in to looks shoot) or NY studio. Contact Lucinda Carmichael for info. Paul & Shark Sandro 2 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Designer_ Looks Silver Look- Men MAIN AND ALT PRESENTATION Front Upper IPT CROP Front view from HTT. Crop below hands. Do not crop into arms or shoulders. Back Upper Back view. Crop below hands. Do not crop into arms or shoulders. Side Upper Side view. Cropped below hands. Left or right depending on the details. Detail Upper Detail view determined on set. Zoom Upper Fabric or logo detail - for closeup of fabric, textures and prints. Avoid seams, wrinkles and graphics on tees. (Vendor images exempt) Front Full (Look) Front view. Photograph head-to-toe. IPT crops into front, for Front Upper shot. Pant waistdown is a separate project. ADDITIONAL INFO swatch presentation Front Lower Separate sell shots (all views) of bottom need to be set up in SAM. 3 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Designer_ Mens Suit MAIN AND ALT PRESENTATION Front Full Front view. Head-to-toe. Do not crop feet. Back Full Back view. Head-to-toe. Do not crop feet. Side Full Side view. Head-to-toe. Do not crop feet. Detail Full Detail view determined on set. Front Upper IPT CROP into A edit of full length shot of the front. Art Director may shoot cropped alt if necessary. Crop 3-4” below hands. Do not crop into arms or shoulders ( also applies to blazers and sportcoats) Front Lower Pant Front view. Crop above waist. Zoom Upper Zoom detail - for closeup of fabric, textures and prints. Avoid seams, wrinkles and graphics on tees. (Vendor images exempt) ADDITIONAL INFO swatch presentation 4 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Designer_ Mens Sportcoat and Blazer MAIN AND ALT PRESENTATION Front Upper Front view. Crop below hands. Do not crop into arms or shoulders. Back Upper Crop below hands. Do not crop into arms or shoulders. Swide Upper Cropped below hands. Left or right depending on the details. Detail Upper Detail view determined on set. Zoom Upper Zoom detail - for closeup of fabric, textures and prints. Avoid seams, wrinkles and graphics on tees. (Vendor images exempt) Front Full (look) Gold Look / Editorial / Catalog / video, if available ADDITIONAL INFO swatch presentation 5 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Designer_ Mens Coat, Outerwear and Jacket MAIN AND ALT PRESENTATION Front Upper Front view. Crop below hands, or for longer coats, a few inches below bottom of coat. Do not crop into arms or shoulders. Back Upper Crop below hands or for longer coats, a few inches below bottom of coat. Do not crop into arms or shoulders. Side Upper Cropped below hands. Left or right depending on the details. Detail Upper Detail view determined on set. Zoom Upper Zoom detail - for closeup of fabric, textures and prints. Avoid seams, wrinkles and graphics on tees. (Vendor images exempt) Front Full (look) Gold Look / Editorial / Catalog / video, if available ADDITIONAL INFO swatch presentation 6 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Designer_ Mens Reversible Item MAIN AND ALT PRESENTATION Front Upper Crop below hands. Do not crop into arms or shoulders. Back Upper Crop below hands. Do not crop into arms or shoulders. Side Upper Cropped below hands. Left or right depending on the details. Detail Upper Detail view. Front view of reverse side Zoom Upper Zoom detail - for closeup of fabric, textures and prints. Avoid seams, wrinkles and graphics on tees. (Vendor images exempt) Front Full (look) Gold Look / Editorial / Catalog / video, if available ADDITIONAL INFO swatch presentation 7 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Designer_ Mens Top: Tee, Polo, Tank, Sweater, Hoodie, Vest MAIN AND ALT PRESENTATION Front Upper Crop below hands. Do not crop into arms or shoulders. Back Upper Crop below hands. Do not crop into arms or shoulders. Side Upper Cropped below hands. Left or right depending on the details. Detail Upper Detail view determined on set. Zoom Upper Zoom detail - for closeup of fabric, textures and prints. Avoid seams, wrinkles and graphics on tees. (Vendor images exempt) Front Full (look) Gold Look / Editorial / Catalog / video, if available ADDITIONAL INFO swatch presentation 8 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Designer_ Mens Casual Button-down Shirt - Long sleeve or Short sleeve MAIN AND ALT PRESENTATION Front Upper Crop below hands. Do not crop into arms or shoulders. Zoom Upper Zoom detail - for closeup of fabric, textures and prints. Avoid seams, wrinkles and graphics on tees. (Vendor images exempt) Back Upper Crop below hands. Do not crop into arms or shoulders. Side Upper Cropped below hands. Left or right depending on the details. Detail Upper Detail view determined on set. Front Full (look) Gold Look / Editorial / Catalog / video, if available ADDITIONAL INFO swatch presentation 9 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Designer_ Mens Dress Shirt MAIN AND ALT PRESENTATION Front Full Photograph folded shirt overhead as shown. Front Upper Front view on figure. Crop below hands. Do not crop into hands or shoulders. Back Upper Back view on figure. Crop below hands. Do not crop into hands or shoulders. Zoom Full IPT CROP Zoom detail of cuff from product shot of shirt. (Vendor images exempt) Front Full (look) Gold Look / Editorial / Catalog / video, if available ADDITIONAL INFO swatch presentation Folded Dress Shirt Styling Direction: • 14” in length excluding collar • 10” width, shoulder to shoulder • Shoulders should be the same height and width • Placket should be straight and in the middle • Top button should be buttoned • Collar slightly rounded at corners • Left cuff is folded over straight and not over the placket, 1 1/4 inch from bottom of shirt. • Accentuate pocket • Bottom button should not be on the bottom edge • Measure length/widthof shirt and arm placement when styling. Styling Exception: French cuff styled as shown. If cufflink doesnt come with shirt, shoot without. 10 STUDIOSTUDIO N - NFOR - FOR INTERNAL INTERNAL AND AND VENDOR VENDOR USE USE ONLY ONLY ONLINE PHOTOGRAPHY GUIDE - Mens_ApparelDesigner_ Mens Onesie, Jumpsuit, Coverall MAIN AND ALT PRESENTATION Front Full Front view. Crop HTT. Back Full Back view. Crop HTT. Side Full Side view. Crop HTT. Detail Full Detail view. Crop determined on set. Zoom Full Zoom detail - for closeup of fabric, textures and prints. Avoid seams, wrinkles and graphics on tees. (Vendor images exempt) Front Full (look) Gold Look / Editorial / Catalog / video, if available ADDITIONAL INFO swatch presentation 11 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Designer_ Mens Bottom: Dress Pant MAIN AND ALT PRESENTATION Front Lower Crop above waist. Zoom Lower Zoom detail - for closeup of fabric, textures and prints. Avoid seams, wrinkles and graphics on tees. (Vendor images exempt) Back Lower Crop above waist. Side Lower Crop above waist, no hands in shot. Model facing right unless an exception is requested. Detail Lower Detail view determined on set. Front Full (look) Gold Look / Editorial / Catalog / video, if available ADDITIONAL INFO swatch presentation 12 STUDIO N - FOR INTERNAL AND VENDOR USE ONLY ONLINE PHOTOGRAPHY GUIDE - Designer_ Mens Bottom: Denim, Cords, Chino, Cargo, Short MAIN AND ALT PRESENTATION Front Lower Crop above waist. Back Lower Crop above waist. Side Lower Crop above waist, no hands in shot. Model facing right unless an exception is requested Detail Lower Detail view determined on set. Zoom Lower Zoom detail - for closeup of fabric, textures and prints. Avoid seams, wrinkles and graphics on tees.
Load more

Recommended publications
  • Supported by Topshop
    SUPPORTED BY TOPSHOP DESIGNER LINE-UP CONFIRMED FOR FASHION EAST SHOW AT LFW SS17 Fashion talent incubator Fashion East unveils the latest line-up of designers who will receive their support and showcase at their London Fashion Week show in September. Designers A.V Robertson, Mimi Wade and Richard Malone return from last season and are joined by newcomer Matty Bovan for an event featuring both runway and presentation in headline sponsor Topshop’s show space on Saturday 17th September. Lulu Kennedy MBE, Director of Fashion East says “We’re hugely proud of all our talented designers and delighted to welcome Matty into the mix – this is my dream line up! It’s super exciting to be hosted in our sponsor Topshop’s venue again, this season in Old Spitalfields Market in the heart of our home, the East End.” Sheena Sauvaire, Global Communications and Marketing Director, TOPSHOP: "The Fashion East showcase is always a great indicator of the next wave of new talent in our industry. As innovation is at the heart of London, it is a really exciting addition to the schedule and one we are proud to continue to support." The four designers selected by Fashion East’s distinguished panel of editors, buyers and stylists, join the ranks of alumni including Gareth Pugh, Jonathan Saunders, Roksanda Ilincic, Simone Rocha and Marques’Almeida. In addition to the London Fashion Week showcasing event, designers receive financial sponsorship, intensive one-to-one business mentoring, and inclusion in a leading Paris sales showroom. Fashion East is honoured to have headline sponsorship from Topshop for the 12th consecutive year.
    [Show full text]
  • The Creative Talents of the Lvmh Group VIRGIL ABLOH
    The creative talents of the lvmh group VIRGIL ABLOH MEN’S ARTISTIC DIRECTOR LOUIS VUITTON Born in rockford, illinois in 1980, Virgil Abloh is an artist, architect, engineer, creative director, and designer. After earning a degree in Civil Engineering from the University of Wisconsin Madison, he completed a Master´s Degree in Architecture at the Illinois Institute of Technology in a curriculum founded by Mies van der Rohe. It was here that he learned not only about modernist design principles but also about the concept of multi‐ disciplinary working. Virgil Abloh’s brand Off‐White c/o Virgil Abloh™ was started in 2012 as an artwork titled "PYREX VISION." In 2013, the brand premiered a seasonal men's and women's fashion label showing runway collections during Paris Fashion Week since 2015. Abloh has also presented his work at major design institutions around the globe by the likes of Harvard Graduate School of Design, Columbia Graduate School of Architecture, Planning and Preservation and the Rhode Island School of Design. In 2019 he will have a major exhibition of past and current work at the Museum of Contemporary Art of Chicago, Illinois. In 2015, Virgil Abloh for Off‐White c/o Virgil Abloh™ is among the finalists of the LVMH Prize. He has been awarded various prizes, most recently winning the British Fashion Awards Urban Luxe award and International Designer of the Year at the GQ Men of the Year Awards in 2017. © Louis Vuitton JONATHAN ANDERSON CREATIVE DIRECTOR LOEWE Born in 1984 in Northern Ireland, lives in London, Madrid and Paris.
    [Show full text]
  • 2020 ANNUAL REPORT Passionate About Creativity
    2020 ANNUAL REPORT Passionate about creativity Passionate about creativity THE LVMH SPIRIT Louis Vuitton and Moët Hennessy merged in 1987, creating the LVMH Group. From the outset, Bernard Arnault gave the Group a clear vision: to become the world leader in luxury, with a philosophy summed up in its motto, “Passionate about creativity”. Today, the LVMH Group comprises 75 exceptional Maisons, each of which creates products that embody unique craftsmanship, carefully preserved heritage and resolute modernity. Through their creations, the Maisons are the ambassadors of a refined, contemporary art de vivre. LVMH nurtures a family spirit underpinned by an unwavering long-term corporate vision. The Group’s vocation is to ensure the development of each of its Maisons while respecting their identity and their autonomy, by providing all the resources they need to design, produce and distribute their creations through carefully selected channels. Our Group and Maisons put heart and soul into everything they do. Our core identity is based on the fundamental values that run through our entire Group and are shared by all of us. These values drive our Maisons’ performance and ensure their longevity, while keeping them attuned to the spirit of the times and connected to society. Since its inception, the Group has made sustainable development one of its strategic priorities. Today, this policy provides a powerful response to the issues of corporate ethical responsibility in general, as well as the role a group like LVMH should play within French society and internationally. Our philosophy: Passionate about creativity THE VALUES OF A DEEPLY COMMITTED GROUP Being creative and innovative Creativity and innovation are part of LVMH’s DNA; throughout the years, they have been the keys to our Maisons’ success and the basis of their solid reputations.
    [Show full text]
  • “Rapport Financier Annuel” Fiscal Year Ended December 31, 2017
    Translation of the French “Rapport financier annuel” Fiscal year ended December 31, 2017 2017 Annual Financial Report This document is a free translation into English of the original French “Rapport financier annuel”, hereafter referred to as the “Annual Financial Report”. It is not a binding document. In the event of a conflict in interpretation, reference should be made to the French version, which is the authentic text. Executive Body and Statutory Auditors as of December 31, 2017 BOARD STATUTORY OF DIRECTORS AUDITORS Florian OLLIVIER (a) ERNST & YOUNG et Autres Chairman and Chief Executive Officer represented by Jeanne Boillet Nicolas BAZIRE MAZARS Group Managing Director represented by Simon Beillevaire Representative of Groupe Arnault SEDCS Pierre DE ANDREA Representative of Montaigne Finance SAS Pierre DEHEN Representative of GA Placements SA Lord POWELL of BAYSWATER (a) (a) Renewal proposed at the Shareholders’ Meeting of May 30, 2018. 2 2017 Annual Financial Report Contents Management Report of the Board of Directors 5 FINANCIÈRE AGACHE GROUP 1. Business review and comments on the consolidated financial statements of the Financière Agache group 6 2. Financial policy 21 3. Operating investments 22 4. Main locations and properties 23 5. Subsequent events 25 6. Recent developments and prospects 25 MANAGEMENT OF NON- FINANCIAL AND FINANCIAL RISKS 1. Group ethics and Codes of Conduct 28 2. Risk identification 32 3. Assessment and control procedures in place 38 4. Lines of defense 46 FINANCIÈRE AGACHE SA 1. Key event during the fiscal year 52 2. Results of Financière Agache SA 52 3. Information regarding the Company’s share capital 53 4.
    [Show full text]
  • Alexander Wang
    Fashion. Beauty. Business. APRIL 2015 No.1 Alexander Wang The Six Who will build the powerhouse brands US $9.99 JAPAN ¥1500 of tomorrow? CANADA $13 CHINA ¥80 UK £ 8 HONG KONG HK100 A look at six of the EUROPE € 11 INDIA 800 industry’s best bets. Fashion. Beauty. Business. APRIL 2015 No.1 The Row The Six Who will build the powerhouse brands US $9.99 JAPAN ¥1500 of tomorrow? CANADA $13 CHINA ¥80 UK £ 8 HONG KONG HK100 A look at six of the EUROPE € 11 INDIA 800 industry’s best bets. Christopher Kane J.W. Anderson Introducing the ricky drawstring 888.475.7674 ralphlauren.com The Ricky Sunglass ARMANI.COM/ATRIBUTE 800.929.Dior (3467) Dior.com © 2015 Estée Lauder Inc. © 2015 DRIVEN BY DESIRE esteelauder.com NEW. PURE COLOR ENVY SHINE On Carolyn: Empowered Sculpt. Hydrate. Illuminate. NEW ORIGINAL HIGH-IMPACT CREME AND NEW SHINE FINISH Contents Fashion. Beauty. Business. Fashion. Beauty. Business. Fashion. Beauty. Business. Alexander J.W. Wang The Row Anderson Fashion. Beauty. Business. Fashion. Beauty. Business. Fashion. Beauty. Business. Chitose Christopher Proenza Abe Kane Schouler Six Covers Photographer Nigel Parry shot the designers for the cover story during a whirlwind global tour. “To be asked to photograph the covers for the launch of the new WWD weekly is a gift to any photographer,” he said. “I’m not saying it was easy — eight designers, six days, three continents — but the jet-lag was kept at bay by meeting such great talents. Thank you WWD!” Cover Story The 168 Fashion has long been obsessed with the new, the fresh, the unexpected, never more so than now.
    [Show full text]
  • 6 Moncler 1017 ALYX 9SM
    Sabato, 22 Febbraio 2020 www.corriere.it Genius Nine creative designers for eight collections. An event in Milan to present the new way of thinking, designing, communicating. Moncler Genius, now in its third year, tells us about itself In the yellow tower, Moncler Genius logo, from left to top: JW Anderson, Sergio Zambon e Veronica Leoni, Sandro Mandrino, Simone Rocha, Craig Green, Matthew Williams, Hiroshi Fujiwara, Richard Quinn PROGIDA VINCENZO The idea that changed Moncler Poste Italiane Sped. in A.P. D.L. 353/2003 conv. L.46/2004 art. 1, c1 DCB Milano. Non può essere distribuito separatamente dal Corriere della Sera 2 Sabato 22 Febbraio 2020 Corriere della Sera Moncler HISTORY THE TURNING POINT The interview Remo Ruffini: «My Team of Geniuses: Moncler Today» by Paola Pollo The president and CEO talks about the process that led him to stake everything on Genius: no more runways and no longer two creatives, but a team of resident stylists in his virtual building. «We needed energy, so I just started. At the beginning, everyone thought I was crazy, but then the intensity became contagious» lenge of Genius: no more run- felt like a kid. But not that day. ways and no longer two cre- It was a shock. I like being atives, but a whole team of with young people. Old, rich «geniuses»—resident stylists people bore me. The only one in a virtual building illuminat- I hang out with is Massimo ed by the light of Moncler. «I Piombo and now he’ll be mad was afraid of being boring and about the description».
    [Show full text]
  • 2016–17 Annual Report
    British Fashion Council 2016 –17 Annual Report 1 British Fashion Council 2016–2017 Annual Report 2 3 12 About The British 31 Pillars Fashion Council Contents 32 Five Pillars 15 Our Vision 36 Pillar Presidents 17 Mission Statement 39 Reputation 19 Our Values 42 London Fashion Week 20 Governance: 52 London Fashion Week Festival Executive Board Funding 56 London Collection Men’s / London Patrons Fashion Week Men’s 22 Advisory Board 66 British Fashion Awards 24 Business & Cultural Ambassadors 70 Positive Fashion Press Committee 74 The British Fashion Council Menswear Committee Represents UK Fashion 28 Events and Announcements: 77 Innovation & Digital Events Talent Support Announcements 83 Business Business Support 86 Business Development and Support Supported Events 87 Talent Support Pathway 88 NEWGEN and NEWGEN Men 90 BFC Fashion Trust 92 BFC GQ Designer Menswear Fund supported by Vertu 94 BFC/Vogue designer Fashion Fund 96 Initiatives: Rock Vault Supported Designers BFC Fashion Film Supported Designers Headonsim Supported Designers Fashion Business Network Designer Factfile Funding Talent Fashion Arts Foundation Charity Trustees 99 Investment 102 Fashion Forum 105 Education 109 BFC Education Foundation 110 Scholarship Winners 116 Colleges Council 118 Annual Programme 120 Competitions 4 5 ASHISH AW17 6 7 The UK fashion industry contributes £28 billion to the UK GDP — Oxford Economics, 2016 8 9 London is a global hub for fashion and its influence is felt all over the world 10 11 About The British Fashion Council The British Fashion Council is a not-for-profit organisation that aims to further the interests of the British fashion industry and its designer businesses by harnessing and sharing the collective knowledge, experience and resources of the sector.
    [Show full text]
  • The Frank Gehry-Designed Fondation Louis Vuitton Is a Major New Multifaceted Addition to Paris’S Cultural Landscape
    have never knowingly gasped in awe galleries, a site and a park structure that demanded it be Frank Gehry (left) and and wonder but I came pretty close glass. It’s hard to hang paintings on a glass wall, so it had Bernard Arnault outside when, driving through the Bois de to have an interior building that had solid walls,” he says. the Fondation Louis Boulogne during the summer, I caught Seldom can practicality have been so interesting. It has Vuitton in Paris my first glimpse of the new Fondation galleries in almost every shape and size, from the small Louis Vuitton, the multigallery and intimate to the vaulting and cathedral-like. But in museum, auditorium and cultural Gehry’s opinion it is more than just a museum. space that opens its revolving doors to “The gallery space down below opens up totally to the the public on October 27. The soaring auditorium, and we could do a fashion show down there structure of huge swirling planes of if we wanted,” he suggests. “You can cross those lines glass seems to hang like mist amid the back and forth – much easier than going into MoMA or trees of one of Paris’s largest parks. the Guggenheim, which have a requirement to be It struck me that this is what it must something, intellectually, that have a line you can’t have been like to walk to the top of cross. I mean, I hope they have nude dancing!” he jokes. a sand dune in Giza around two and half millennia Perhaps one way of looking at this building is as an before the birth of Christ as they were putting the autobiography or self-portrait in glass, steel, concrete finishing touches to the pyramid of Cheops; to have and wood: multifaceted, fascinating, capable of mixing Iseen the Colosseum rise above ancient Rome; or, for high culture, popular culture and commercial culture.
    [Show full text]
  • Met Press Release
    News Release Communications For Immediate Release T 212 570 3951 [email protected] Costume Institute Exhibition Presents a Contact Disrupted Timeline of Fashion History Nancy Chilton Mika Kiyono The Costume Institute’s exhibition About Time: Fashion and Duration (on view October 29, 2020 to February 7, 2021) traces 150 years of Exhibition Dates: fashion, from 1870 to the present, along a disrupted timeline, in honor of October 29, 2020–February 7, the Museum’s 150th anniversary. Employing philosopher Henri 2021 (rescheduled from May 7, Bergson’s concept of la durée—the continuity of time—the exhibition 2020) explores how clothes generate temporal associations that conflate the past, present, and future. The concept is also examined through the Member Previews: writings of Virginia Woolf, who serves as the exhibition’s “ghost October 26, 2020 narrator.” 11am–5pm October 29, 2020 The exhibition is made possible by Louis Vuitton. 9am–12pm Corporate sponsorship is also provided by Condé Nast. Exhibition Location: The Met Fifth Avenue – Additional support is provided by Michael Braun, John and Amy Griffin, Iris and B. Gerald Cantor Nancy C. and Richard R. Rogers, the Natasha and Adar Poonawalla Exhibition Hall, Floor 2 Foundation, and the Laura and Raymond Johnson Fund. www.metmuseum.org/AboutTime #MetAboutTime “About Time: Fashion and Duration considers the ephemeral nature of @metcostumeinstitute fashion, employing flashbacks and fast-forwards to reveal how it can be both linear and cyclical,” said Max Hollein, Director of The Met. “The result is a show that presents a nuanced continuum of fashion over the Museum’s 150-year history.” Andrew Bolton, the Wendy Yu Curator in Charge of The Costume Institute, said: “Fashion is indelibly connected to time.
    [Show full text]
  • 9780714849720-Pattern-Preview.Pdf
    -------------------------------------------------------------------------------------------------------------------------------------------------- ///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// .................................................................................................................................................................................................................................................................................................................................................................... *********************************************************************************************************************************************************************************************** /+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ----------------------------------------------------------------------------------------------------------------------------------------------------- ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ....................................... .............................................................................................................................................................................................................................................................................................................................................................
    [Show full text]
  • Nominations for the Fashion Awards 2018 in Partnership with Swarovski Announced
    PRESS RELEASE 23rd OCTOBER 2018 NOMINATIONS FOR THE FASHION AWARDS 2018 IN PARTNERSHIP WITH SWAROVSKI ANNOUNCED Today, Tuesday 23rd October 2018, Stephanie Phair, Chairman of the British Fashion Council (BFC), Nadja Swarovski, Member of the Swarovski Executive Board and Caroline Rush, Chief Executive of the British Fashion Council announced the nominations for The Fashion Awards 2018 in partnership with Swarovski at a press screening at Soho House, 76 Dean Street, London. The Fashion Awards in partnership with Swarovski recognise creativity and innovation in fashion, celebrating exceptional individuals whose imagination and creativity has broken new ground in fashion globally over the past 12 months as well as brands and businesses that have transformed the possibilities of fashion today. Watch The Fashion Awards 2018 in partnership with Swarovski Nominees video created by Creative Director Robin Derrick here. The Fashion Awards 2018 voting body, made up of 2,000 key members of the fashion industry across 32 countries, was invited to put forward their preferences for each award and nominations were made in ten categories with the five brands/individuals receiving the most nominations shortlisted in each. Additional awards will be celebrated on the night, recognising incredible career milestones. The recipients of these special awards will be announced over the coming weeks. The Fashion Awards 2018 Nominees are (all listed in alphabetical order) Accessories Designer of the Year Alessandro Michele for Gucci Demna Gvasalia for Balenciaga
    [Show full text]
  • LVMH 2021 First Quarter Revenue
    Good start to the year for LVMH Paris, April 13th, 2021 LVMH Moët Hennessy Louis Vuitton, the world’s leading luxury products group, recorded revenue of 14 billion euros for the first quarter of 2021, up 32% compared to the same period in 2020 and up 30% on an organic basis. The quarter marks a return to growth after several quarters of decline during 2020, a year that was severely disrupted by the global pandemic. Organic revenue grew 8% compared to the first quarter of 2019. All activities contributed to the good performance of the Group, with the exception of Selective Retailing, which was still impacted by the restrictions on international travel. Fashion & Leather Goods, in particular, had an excellent start to the year and achieved record levels of revenue. The United States and Asia enjoyed strong growth, while Europe is still affected by the crisis due to the impact of store closures across several countries and the suspension of tourism. Revenue by business group: Euro millions Q1 2021 Q1 2020 % Change % Change Q1 2021/Q1 2020 Q1 2021/2019 Reported Organic* Organic Wines & Spirits 1 510 1 175 + 29 % + 36 % + 17 % Fashion & Leather Goods 6 738 4 643 + 45 % + 52 % + 37 % Perfumes & Cosmetics 1 550 1 382 + 12 % + 18 % - 4 % Watches & Jewelry 1 883 792 + 138 % + 35 % + 1 % Selective Retailing 2 337 2 626 - 11 % - 5 % - 30 % Other activities and (59) (22) - - - eliminations Total LVMH 13 959 10 596 + 32 % + 30 % + 8 % * With comparable structure and constant exchange rates. The structural impact for the Group was + 8%, linked entirely to the consolidation of Tiffany & Co for the first time.
    [Show full text]