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“[The Dynamic’s Paganini] series is characteristic, lyrical and immensely enjoyable.” – MusicWeb International “Dynamic is to be commended for its pioneering spirit in issuing these as well as the other discs of Paganini rarities.” – Fanfare CDS7734.40 THE PAGANINI COMPLETE EDITION 40-CD Boxed Set CDs 1–3 The six concertos for violin and orchestra * CDs 27–28 Works for solo violin CDs 4–7 Other works for violin and orchestra CDs 29–32 Works for guitar CDs 8–12 Quartets for strings and guitar CDs 33–35 Rare/newly rediscovered works * CDs 13 Trios for strings and guitar CDs 36-38 Salvatore Accardo and CD14 String Quartets Ruggiero Ricci play Paganini CDs 15–17 Other chamber works CDs 39-40 A tribute to Paganini CDs 18–26 Works for violin and guitar * played on Paganini’s violin Dynamic’s very first album was a recording of Paganini’s violin works with esteemed violinist Salvatore Accardo, and in celebration of the label’s 40th anniversary, Dynamic is releasing a 40-CD boxed set of Paganini’s complete works this year. This is a set that belongs in every Paganini and violin aficionado’s music library! For more information, visit www.dynamic.it. DYNAMIC CATALOGUE 2018 Established in 1978 and celebrating its 40th anniversary this year, Dynamic is an independent record label with offices in Villa Quartara, located on the quiet Righi hill overlooking Genoa. Its production schedule embraces the entire field of classical music, but focuses chiefly on the immense heritage of Italian and European music of the 18th and 19th centuries, especially opera and works for violin. Dynamic also specialises in world première recordings, and works that stand outside the traditional repertoire. Known all over the world as the first record label to have reappraised Nicolò Paganini, since 2004 Dynamic has also recorded and filmed lyrical operas, releasing them first in DVD and later in high definition Bluray. Thanks to this, Dynamic has extended its range of interest over the last few years to the field of opera through highly fruitful partnerships with various European festivals and opera houses; in doing so, it has produced recordings of popular and rare titles by Monteverdi, Vivaldi, Rossini, Haendel, Galuppi, Pacini, Rossini, Bellini, Donizetti, Verdi, Puccini, Massenet, Meyerbeer, Tchaikovsky and of course many others. Outstanding productions in this field include recordings of operas staged at La Fenice theatre in Venice, at the Valle d’Itria Festival in Martina Franca, at the Teatro Lirico in Cagliari, Teatro Regio di Parma, Teatro Regio di Torino, the Liceu of Barcelona and Teatro Real in Madrid. Its catalogue boasts over 700 titles, of which 110 on video, with some 30 new titles being added every year. Many artists of international standing have recorded on the Dynamic label: Massimo Quarta, Salvatore Accardo, Felix Ayo, Stefan Milenkovich, Leonidas Kavakos, Ruggiero Ricci, Bruno Canino, Rocco Filippini, Ovidiu Badila, Franco Mezzena, Mirella Freni, Ferruccio Furlanetto, Placido Domingo, Renato Bruson, William Matteuzzi, Iano Tamar, Mariella Devia, Patrizia Ciofi, Jessica Pratt, Maria José Siri, Sonia Prina, Sara Mingardo, Franco Fagioli, Annick Massis, Veronique Gens, Dimitra Theodossiou, Daniela Dessì, Philippe Jaroussky, Danielle De Niese, Joseph Calleja, Maxim Mironov, William Christie, Jean-Claude Malgoire, Diego Fasolis, Renato Palumbo, Federico Maria Sardelli, José Cura, Leo Nucci, Ruggiero Raimondi, Fabio Biondi, Marcello Viotti, Alberto Zedda etc. Dynamic is today’s leading Italian record label for classical music and has also become one of the foremost European producers of operatic DVDs and video contents of performing arts. Contents Albums by Composer ..................................................................................................................................................................4 Collections .................................................................................................................................................................................... 39 Index ............................................................................................................................................................................................... 43 Distributors ................................................................................................................................................................................... 54 Symbols used in this Catalogue D - Digital Exclusives s / NEW - New Releases WORLDWIDE DISTRIBUTION: www.naxos.com 3 ALBUMS BY COMPOSER ADAIEWSKY, Ella (b.1846) BACH, Johann Sebastian (1685–1750) s 24 Preludes for Voice and Piano s Bach & Vivaldi for Mandolin (+VIVALDI, A.) Claudia Grimaz, Soprano / Lucio Degani, Violin / Andrea Rucli, Piano .... CDS633 Mauro and Claudio Terroni Mandolin Orchestra / Dorina Frati .........CDS7787 s Bin Huang plays Beethoven & Bach – ALBINONI, Tomaso Giovanni (1671–1751) Violin Partita No. 2 in D minor, BWV 1004: V. Ciaccona (+BEETHOVEN, L.van) s Pimpinone (+SCARLATTI, D.) [DVD] Bin Huang, Violin / Milan La Scala PO / Michele Trenti .........................CDS7656 Elena De Simone, Mezzo-soprano / Filippo Pina Castiglioni, Carlo Torriani, Tenor / Chamber Orchestra Le Humane Virtu / s Cello Suites Nos. 1-6, BWV 1007-1012 (Complete) San Marco CO / Dieg Bortolato / Alberto Busettini .....................................37719 Rocco Filippini, Cello ..........................................................................................CDS56 D Six Sonatas for Flute and Continuo Op. 6 s De Divina inventione: Works for Organ – Toccata and Ensemble Barocco Sans Souci ...................................................................... CDS139 Fugue in F major, BWV 540 / Fantasia and Fugue in G minor, BWV 542 / Passacaglia and Fugue in C minor, ALFONSO X (El Sabio) BWV 582: Passacaglia (+BUXTEHUDE, D.) Ivana Valotti, Organ ........................................................................................ CDS738 s El Camino de Santiago – 12th and 14th Century Spanish Manuscripts (+ANONYMOUS) s English Suites, BWV 806-811(The) [2 CDs] Consort Fontegara ..............................................................................................S2026 Alessandra Artifoni, Harpsichord .........................................................CDS7793.02 s French Suites (The), BW 812-817 [2 CDs] ALLEGRI, Lorenzo (1567–1648) Alessandra Artifoni, Harpsichord ................................................................. CDS757 s Le Suites Medicee s Goldberg Variations / 5 Pieces from the Gran Consort Li Stromenti / Gian Luca Lastraioli ..................................... CDS218 Clavierbüchlein for Anna Magdalena Bach Andrea Bacchetti, Piano ................................................................................. CDS659 ANONYMOUS s Goldberg Variations BWV 988 on Guitar [2 CDs] Marco Salcito, Guitar ....................................................................................CDS7699 D Songs of the Age of St. Francis of Assisi Orientis Partibus .............................................................................................. CDS269 s Karajan in Italy, Vol. 1 – Magnificat (+HONEGGER, A.) Elisabeth Schwarzkopf, Soprano / Esther Orell, Mezzo-soprano / D Vespro per la Madonna Oralia Dominguez, Alto / Nicolai Gedda, Tenor / Giorgio Tadeo, (+BANCHIERI, A. / FRESCOBALDI, G.A.) Bass / Symphonic Orchestra of RAI of Rome / Herbert Von Karajan.... CDS703 Elena Cecchi-Fedi, Anna Seggi-Corti, Soprano / Alfonso Grandini, Roberto Locci, Baritone / Alfonso Fedi, Organ / s Harpsichord Concertos, BWV 1052, 1055, NEW Gruppo Polifonico Francesco Coradini / Fabio Lombardo ..................... CDS176 1059 and 1060 (arr. D. Ferella for mandolin) Profili Barocchi ................................................................................................CDS7821 ARBAN, Jean-Baptiste (1825–1889) D Pastorella in F Major, BWV 590 s Fantasies on Verdi Operas [2 CDs] (arr. D. Lipatti) (+LIPATTI, D.) Angelo Cavallo, Cornet / Michele Fontana, Piano ...........................CDS7784.02 Marco Vincenzi, Piano / Padova e del Veneto Orchestra / Padua and Veneto CO / Gert Meditz ..............................................................CDS57 ARRIETA, Pascual Emilio (1823–1894) D Pastorella in F Major, BWV 590 (arr. D. Lipatti) (+LIPATTI, D.) D La conquista di Granata [2 CDs] Marco Vincenzi, Piano / Padova e del Veneto Orchestra / Mariola Cantarero, Maria José Suárez, Soprano / Ana Ibarra, Padua and Veneto CO / Gert Meditz ...............................................................S2037 Mezzo-soprano / José Bros, Juan Antonio Sanabria, Tenor / Tomeu Bibiloni, David Rubiera, Baritone / Ángel Ódena, s Salvatore Accardo Masterclass, Vol. 3 – Bass-Baritone / David Menéndez, Alastair Miles, Bass / Violin Partita No. 2 in D minor, BWV 1004: Madrid Symphony Chorus and Orchestra / Jesús López Cobos ........... CDS618 V. Ciaccona (+SZYMANOWSKI, K.) [DVD] Caterina Demetz, Dami Kim, Violin / Monica Cattarossi, Piano ...............33763 BACH, Carl Philipp Emanuel (1714–1788) s Sonatas and Partitas for Solo Violin [2 CDs] s Keyboard Music Luca Fanfoni, Violin ......................................................................................... CDS758 Giovanni Togni, Tangent Piano ..................................................................CDS7762 s Sonatas and Partitas for Solo Violin [2 CDs] Stefan Milenkovich, Violin ............................................................................. CDS164 BACH,
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    Nineteenth-Century Music Review, 14 (2017), pp 211–242. © Cambridge University Press, 2016 doi:10.1017/S1479409816000082 First published online 8 September 2016 Romantic Nostalgia and Wagnerismo During the Age of Verismo: The Case of Alberto Franchetti* Davide Ceriani Rowan University Email: [email protected] The world premiere of Pietro Mascagni’s Cavalleria rusticana on 17 May 1890 immediately became a central event in Italy’s recent operatic history. As contemporary music critic and composer, Francesco D’Arcais, wrote: Maybe for the first time, at least in quite a while, learned people, the audience and the press shared the same opinion on an opera. [Composers] called upon to choose the works to be staged, among those presented for the Sonzogno [opera] competition, immediately picked Mascagni’s Cavalleria rusticana as one of the best; the audience awarded this composer triumphal honours, and the press 1 unanimously praised it to the heavens. D’Arcais acknowledged Mascagni’smeritsbut,inthesamearticle,alsourgedcaution in too enthusiastically festooning the work with critical laurels: the dangers of excessive adulation had already become alarmingly apparent in numerous ill-starred precedents. In the two decades prior to its premiere, several other Italian composers similarly attained outstanding critical and popular success with a single work, but were later unable to emulate their earlier achievements. Among these composers were Filippo Marchetti (Ruy Blas, 1869), Stefano Gobatti (IGoti, 1873), Arrigo Boito (with the revised version of Mefistofele, 1875), Amilcare Ponchielli (La Gioconda, 1876) and Giovanni Bottesini (Ero e Leandro, 1879). Once again, and more than a decade after Bottesini’s one-hit wonder, D’Arcais found himself wondering whether in Mascagni ‘We [Italians] have finally [found] … the legitimate successor to [our] great composers, the person 2 who will perpetuate our musical glory?’ This hoary nationalist interrogative returned in 1890 like an old-fashioned curse.
  • Andrea Lucchesini SCHUBERT • LATE PIANO WORKS VOL

    Andrea Lucchesini SCHUBERT • LATE PIANO WORKS VOL

    Andrea Lucchesini SCHUBERT • LATE PIANO WORKS VOL. II Franz Schubert Late Piano Works • Vol. II Piano Sonata No. 21 in B-flat major, D. 960 I. Molto moderato 21:54 II. Andante sostenuto 10:38 III. Scherzo. Allegro vivace con delicatezza – Trio 4:11 IV. Allegro, ma non troppo 9:05 Three Piano Pieces, D. 946 I. Allegro assai 14:36 II. Allegretto 13:08 III. Allegro 5:16 “The sad «very last» one” – Schubert’s Sonata in B-flat major “A musician visiting Vienna for the first time may well be amused for a while by the convivial hustle and bustle in the streets, and he will often stop in amazement in front of the tower of St Stephen’s Cathedral; but soon he is reminded of the city’s proximity to a churchyard which is more important to him than anything else the city has to offer, where two of the most magnificent of his fellow artists are laid to rest only a few paces from each other. So, like me, many a young musician may soon have wandered out after the first noisy days to the Währinger Kirchhof, to lay a floral offering on those tombs, even if it were a wild rose bush, as I found planted on Beethoven’s grave. Franz Schubert’s resting place was unadorned.” No more than eleven and ten years respectively had passed since the deaths of Beethoven and Schubert when Robert Schumann visited the Währing cemetery in Vienna. But the traveller from Leipzig did not content himself with merely visiting the graves: Schumann also called on Ferdinand Schubert, who looked after a wealth of unpublished manuscripts by his brother Franz.