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Unit 8: the Feudal System
The Artios Home Companion Series Unit 8: The Feudal System Teacher Overvie w AFTER THE Fall of Rome and the conquests and raids of the Vikings, the people of Europe needed protection and security. It was out of this need that the feudal system arose. Lesser lords and knights would pay tribute to more powerful nobles in exchange for their protection. While this may sound good in theory, the resulting system had its disadvantages, such as abuse of the poor. In this unit we will study the effects of feudalism. Miniature from the Queen Mary Psalter, c. 1310, of men harvesting wheat with reaping-hooks. It is a depiction of socage (paying rent in the form of labor) on the royal demesne (the land which was retained by a lord of the manor for his own use and support) in feudal England. Reading and Assignments Based on your student’s age and ability, the reading in this unit may be read aloud to the student and journaling and notebook pages may be completed orally. Likewise, other assignments can be done with an appropriate combination of independent and guided study. In this unit, students will: Complete one lesson in which they will learn about the feudal system. Define vocabulary words. Explore the following websites: ▪ The Middle Ages - The Feudal System: http://www.angelfire.com/hi5/interactive_learning/NormanConquest/t he_middle__ages.htm ▪ Britain’s Bayeux Tapestry: http://www.bayeuxtapestry.org.uk/ Visit www.ArtiosHCS.com for additional resources. Medieval to Renaissance: Elementary Unit 8: The Feudal System Page 76 Leading Ideas God orders all things for the ultimate good of His people. -
ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
Transcontinental Railways and Canadian Nationalism Introduction Historiography
©2001 Chinook Multimedia Inc. Page 1 of 22 Transcontinental Railways and Canadian Nationalism A.A. den Otter ©2001 Chinook Multimedia Inc. All rights reserved. Unauthorized duplication or distribution is strictly prohibited. Introduction The Canadian Pacific Railway (CPR) has always been a symbol of Canada's nation-building experience. Poets, musicians, politicians, historians, and writers have lauded the railway as one of the country's greatest achievements. Indeed, the transcontinental railway was a remarkable accomplishment: its managers, engineers, and workers overcame incredible obstacles to throw the iron track across seemingly impenetrable bogs and forests, expansive prairies, and nearly impassable mountains. The cost in money, human energy, and lives was enormous. Completed in 1885, the CPR was one of the most important instruments by which fledgling Canada realized a vision implicit in the Confederation agreement of 1867-the building of a nation from sea to sea. In the fulfilment of this dream, the CPR, and subsequently the Canadian Northern and Grand Trunk systems, allowed the easy interchange of people, ideas, and goods across a vast continent; they permitted the settlement of the Western interior and the Pacific coast; and they facilitated the integration of Atlantic Canada with the nation's heartland. In sum, by expediting commercial, political, and cultural intercourse among Canada's diverse regions, the transcontinentals in general, and the CPR in particular, strengthened the nation. Historiography The first scholarly historical analysis of the Canadian Pacific Railway was Harold Innis's A History of the Canadian Pacific Railway. In his daunting account of contracts, passenger traffic, freight rates, and profits, he drew some sweeping conclusions. -
X********X************************************************** * Reproductions Supplied by EDRS Are the Best That Can Be Made * from the Original Document
DOCUMENT RESUME ED 302 264 IR 052 601 AUTHOR Buckingham, Betty Jo, Ed. TITLE Iowa and Some Iowans. A Bibliography for Schools and Libraries. Third Edition. INSTITUTION Iowa State Dept. of Education, Des Moines. PUB DATE 88 NOTE 312p.; Fcr a supplement to the second edition, see ED 227 842. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Annotated Bibllographies; *Authors; Books; Directories; Elementary Secondary Education; Fiction; History Instruction; Learning Resources Centers; *Local Color Writing; *Local History; Media Specialists; Nonfiction; School Libraries; *State History; United States History; United States Literature IDENTIFIERS *Iowa ABSTRACT Prepared primarily by the Iowa State Department of Education, this annotated bibliography of materials by Iowans or about Iowans is a revised tAird edition of the original 1969 publication. It both combines and expands the scope of the two major sections of previous editions, i.e., Iowan listory and literature, and out-of-print materials are included if judged to be of sufficient interest. Nonfiction materials are listed by Dewey subject classification and fiction in alphabetical order by author/artist. Biographies and autobiographies are entered under the subject of the work or in the 920s. Each entry includes the author(s), title, bibliographic information, interest and reading levels, cataloging information, and an annotation. Author, title, and subject indexes are provided, as well as a list of the people indicated in the bibliography who were born or have resided in Iowa or who were or are considered to be Iowan authors, musicians, artists, or other Iowan creators. Directories of periodicals and annuals, selected sources of Iowa government documents of general interest, and publishers and producers are also provided. -
Filumena and the Canadian Identity a Research Into the Essence of Canadian Opera
Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final thesis for the Bmus-program Icelandic Academy of the Arts Music department May 2020 Filumena and The Canadian Identity A Research into the Essence of Canadian Opera Alexandria Scout Parks Final Thesis for the Bmus-program Supervisor: Atli Ingólfsson Music Department May 2020 This thesis is a 6 ECTS final thesis for the B.Mus program. You may not copy this thesis in any way without consent from the author. Abstract In this thesis I sought to identify the essence of Canadian opera and to explore how the opera Filumena exemplifies that essence. My goal was to first establish what is unique about Canadian opera. To do this, I started by looking into the history of opera composition and performance in Canada. By tracing these two interlocking histories, I was able to gather a sense of the major bodies of work within the Canadian opera repertoire. I was, as well, able to deeper understand the evolution, and at some points, stagnation of Canadian opera by examining major contributing factors within this history. My next steps were to identify trends that arose within the history of opera composition in Canada. A closer look at many of the major works allowed me to see the similarities in terms of things such as subject matter. An important trend that I intend to explain further is the use of Canadian subject matter as the basis of the operas’ narratives. This telling of Canadian stories is one aspect unique to Canadian opera. -
Asian Heritage Month Festival 2018 Concert Artists
Asian Heritage Month Festival 2018 Concert and Arts Showcase Artistic Directors Chan Ka Nin Chan Ka Nin is a distinguished Canadian composer whose extensive repertoire draws on both East and West in its aesthetic outlook. Professor of Theory and Composition at the University of Toronto, he has written in most musical genres and received many national and international prizes, including two JUNO awards, the Jean A. Chalmers Award, the Béla Bartók International Composers' Competition in Hungary, and the Barlow International Competition in the United States. In 2001 he won the Dora Mavor Moore Award for Outstanding Musical for his opera Iron Road, written with librettist Mark Brownell, depicting the nineteenth century construction of the Canadian National Railway by Chinese migrant labourers. Characteristically luminous in texture and exotic in instrumental colours, Prof. Chan's music has been described by critics as "sensuous," "haunting" and "intricate." The composer often draws his inspiration directly from his personal experiences: for example, the birth of one of his daughters, the death of his father, his spiritual quests, or his connection to nature and concern for the environment. Many prominent ensembles and soloists have performed his music, including the Toronto Symphony, National Arts Centre Orchestra, Hong Kong Philharmonic, Calgary Philharmonic, Nova Scotia Symphony, Esprit Orchestra, Manitoba Chamber Orchestra, Amici Ensemble, Gryphon Trio, Miró Quartet, St. Lawrence Quartet, Purcell Quartet, Amherst Saxophone Quartet, violist Rivka Golani, and oboist Lawrence Cherney. His substantial discography includes releases on the CBC, Centrediscs, ATMA, Analekta, Albany, and Summit labels, among others. Born and raised in Hong Kong, Mr. Chan holds twin undergraduate degrees in electrical engineering and music from the University of British Columbia, where he studied composition with Jean Coulthard. -
Land Reform and the Hungarian Peasantry C. 1700-1848
Land Reform and the Hungarian Peasantry c. 1700-1848 Robert William Benjamin Gray UCL Thesis submitted for a PhD in History, 2009 1 I, Robert William Benjamin Gray, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 25th September 2009 2 Abstract This thesis examines the nature of lord-peasant relations in the final stages of Hungarian seigneurialism, dating roughly from 1700 to the emancipation of the peasantry in 1848. It investigates how the terms of the peasants’ relations with their lords, especially their obligations and the rights to the land they farmed, were established, both through written law and by customary practice. It also examines how the reforms of this period sought to redefine lord-peasant relations and rights to landed property. Under Maria Theresa land reform had been a means to protect the rural status quo and the livelihood of the peasantry: by the end of the 1840s it had become an integral part of a liberal reform movement aiming at the complete overhaul of Hungary’s ‘feudal’ social and economic system. In this period the status of the peasantry underpinned all attempts at reform. All reforms were claimed to be in the best interests of the peasantry, yet none stemmed from the peasants themselves. Conversely, the peasantry had means to voice their grievances through petitions and recourse to the courts, and took the opportunity provided by the reforms to reassert their rights and renegotiate the terms of their relations to their landlords. -
Unit 8: the Feudal System
The Artios Home Companion Series Unit 8: The Feudal System Teacher Overview AFTER Charlemagne’s empire was broken up and Norsemen began to raid, Europe’s rulers needed to find a way to protect their lands and people from invading marauders and other enemies. Over time the feudal system developed, by which powerful lords offered protection to lesser lords, expecting service in return. Castle – a traditional symbol of a feudal society (Orava Castle in Slovakia) (By Wojsyl - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=101646) Reading and Assignments In this unit, students will: Complete two lessons in which they will learn about the rise of the feudal system, and feudal warfare, journaling and answering discussion questions as they read. Define vocabulary words. Medieval to Renaissance: Middle School Unit 8: The Feudal System Page 97 After each day’s reading, a wonderful time of exploration will be spent on the suggested websites dealing with feudalism and William the Conqueror or reading one of the library resources suggest the teacher or parent. ▪ The Middle Ages – The Feudal System: http://www.angelfire.com/hi5/interactive_learning/NormanConquest/t he_middle__ages.htm ▪ Britain’s Bayeux Tapestry: http://www.bayeuxtapestry.org.uk/ Be sure to visit www.ArtiosHCS.com for additional resources. Leading Ideas God orders all things for the ultimate good of His people. And we know that for those who love God all things work together for good, for those who are called according to his purpose. — Romans 8:28 Vocabulary Key People, Places, and Lesson 1: Events homage vassal recompense fealty adherent villein William the Conqueror serf Lesson 2: none Homage of Clermont-en-Beauvaisis Medieval to Renaissance: Middle School Unit 8: The Feudal System Page 98 L e s s o n O n e History Overview and Assignments The Feudal System “The root idea [of feudalism] was that all the land in a country belonged to the King, who held it from God alone; but of course no one man, king although he might be, could farm the land of a whole country. -
On the Highland Trail of Sir Arnold Bax
ON THE HIGHLAND TRAIL OF SIR ARNOLD BAX - ESSAY - On the Highland Trail of Sir Arnold Bax Chris Bye Independent A misty silhouette of the distant island of Rhum haunts the horizon before slipping away under the cloak of a frivolous sea-fret shrouding the Hebrides. This moody mystique once sparked the creativity of the prolific English composer, Sir Arnold Bax. This Hebridean image is just one of many Atlantic seascapes that inspired Bax’s magnificent music. I am hypnotised by the spectral scene as I stare from the window of the Station Hotel. This was one of Bax’s favourite bolt-holes, where he could escape the intensity of a crowded London and replace it with the comparative quietude of this largely hidden bucolic idyll in Morar, Invernesshire. One of the main motivating forces at the root of Bax’s music, particularly in Symphonies Three to Five (composed between 1929 and ‘39) is the spectacular Western seaboard. The rugged but captivating Hebridean coastline—scene of many Celtic myths and legends—fascinated Bax. Bax lodged, sometimes in solitude, but most times with Mary Gleaves (whom he first met in the late ‘20s) at the Station Hotel, Morar. He was always careful to secure the same room, where he worked intensively on scores with the help of an upright piano. The room also benefitted from a fireplace. A log fire would offer a welcome degree of warmth during Bax’s occupancy, often in the freezing winter months. He wore a woolly overcoat for added protection from the notorious Scottish cold. Bax’s hideaway, the Station Hotel, now known as the Morar Hotel, can still be reached today by taking a four-hour rail journey – at times stupendously dramatic 26 CHRIS BYE and picturesque – from Glasgow through the Western Highlands. -
The Decline and Fall of the Roman Empire: Volume V by Edward Gibbon
HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE By Edward Gibbon VOLUME V This is volume five of the six volumes of Edward Gibbon's History Of The Decline And Fall Of The Roman Empire. I will be scanning and putting out on the net the remaining volumes as I find time to do this. So have patience. If you find any errors please feel free to notify me of them. I want to make this the best etext edition possible for both scholars and the general public. [email protected] and [email protected] are my email addresses for now. Please feel free to send me your comments and I hope you enjoy this. David Reed History Of The Decline And Fall Of The Roman Empire Edward Gibbon, Esq. With notes by the Rev. H. H. Milman Vol. 5 1782 (Written), 1845 (Revised) Chapter XLIX: Conquest Of Italy By The Franks. Part I. Introduction, Worship, And Persecution Of Images. - Revolt Of Italy And Rome. - Temporal Dominion Of The Popes. - Conquest Of Italy By The Franks. - Establishment Of Images. - Character And Coronation Of Charlemagne. - Restoration And Decay Of The Roman Empire In The West. - Independence Of Italy. - Constitution Of The Germanic Body. In the connection of the church and state, I have considered the former as subservient only, and relative, to the latter; a salutary maxim, if in fact, as well as in narrative, it had ever been held sacred. The Oriental philosophy of the Gnostics, the dark abyss of predestination and grace, and the strange transformation of the Eucharist from the sign to the substance of Christ's body, ^1 I have purposely abandoned to the curiosity of speculative divines. -
The History of the Decline and Fall of the Roman Empire, Vol. 3 [1776]
The Online Library of Liberty A Project Of Liberty Fund, Inc. Edward Gibbon, The History of the Decline and Fall of the Roman Empire, vol. 3 [1776] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. -
China and the West: Music, Representation, and Reception
Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. paper) | ISBN 9780472122714 (e- book) Subjects: LCSH: Music—Chinese influences. | Music—China— Western influences. | Exoticism in music.