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Words That Work: It's Not What You Say, It's What People Hear
ï . •,";,£ CASL M T. ^oÛNTAE À SUL'S, REVITA 1ENT, HASSLE- NT_ MAIN STR " \CCOUNTA ;, INNOVAT MLUE, CASL : REVITA JOVATh IE, CASL )UNTAE CO M M XIMEN1 VlTA • Ml ^re aW c^Pti ( °rds *cc Po 0 ^rof°>lish lu*t* >nk Lan <^l^ gua a ul Vic r ntz °ko Ono." - Somehow, W( c< Words are enorm i Jheer pleasure of CJ ftj* * - ! love laag^ liant about Words." gM °rder- Franl< Luntz * bril- 'Frank Luntz understands the power of words to move public Opinion and communicate big ideas. Any Democrat who writes off his analysis and decades of experience just because he works for the other side is making a big mistake. His les sons don't have a party label. The only question is, where s our Frank Luntz^^^^^^^™ îy are some people so much better than others at talking their way into a job or nit of trouble? What makes some advertising jingles cut through the clutter of our crowded memories? What's behind winning campaign slogans and career-ending political blunders? Why do some speeches resonate and endure while others are forgotten moments after they are given? The answers lie in the way words are used to influence and motivate, the way they connect thought and emotion. And no person knows more about the intersection of words and deeds than language architect and public-opinion guru Dr. Frank Luntz. In Words That Work, Dr. Luntz not only raises the curtain on the craft of effective language, but also offers priceless insight on how to find and use the right words to get what you want out of life. -
STEPHEN MARK, ACE Editor
STEPHEN MARK, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. DELILAH (series) Various OWN / Warner Bros. Television EP: Craig Wright, Oprah Winfrey, Charles Randolph-Wright NEXT (series) Various Fox / 20th Century Fox Television EP: Manny Coto, Charlie Gogolak, Glenn Ficarra, John Requa SNEAKY PETE (series) Various Amazon / Sony Pictures Television EP: Blake Masters, Bryan Cranston, Jon Avnet, James Degus GREENLEAF (series) Various OWN / Lionsgate Television EP: Oprah Winfrey, Clement Virgo, Craig Wright HELL ON WHEELS (series) Various AMC / Entertainment One Television EP: Mark Richard, John Wirth, Jeremy Gold BLACK SAILS (series) Various Starz / Platinum Dunes EP: Michael Bay, Jonathan Steinberg, Robert Levine, Dan Shotz LEGENDS (pilot)* David Semel TNT / Fox 21 Prod: Howard Gordon, Jonathan Levin, Cyrus Voris, Ethan Reiff DEFIANCE (series) Various Syfy / Universal Cable Productions Prod: Kevin Murphy GAME OF THRONES** (season 2, ep.10) Alan Taylor HBO EP: Devid Benioff, D.B. Weiss BOSS (pilot* + series) Various Starz / Lionsgate Television EP: Farhad Safinia, Gus Van Sant, THE LINE (pilot) Michael Dinner CBS / CBS Television Studios EP: Carl Beverly, Sarah Timberman CANE (series) Various CBS / ABC Studios Prod: Jimmy Smits, Cynthia Cidre, MASTERS OF SCIENCE FICTION (anthology series) Michael Tolkin ABC / IDT Entertainment Jonathan Frakes Prod: Keith Addis, Sam Egan 3 LBS. (series) Various CBS / The Levinson-Fontana Company Prod: Peter Ocko DEADWOOD (series) Various HBO 2007 ACE Eddie Award Nominee | 2006 ACE Eddie Award Winner Prod: David Milch, Gregg Fienberg, Davis Guggenheim 2005 Emmy Nomination WITHOUT A TRACE (pilot) David Nutter CBS / Warner Bros. Television / Jerry Bruckheimer TV Prod: Jerry Bruckheimer, Hank Steinberg SMALLVILLE (pilot + series) David Nutter (pilot) CW / Warner Bros. -
Congress in the Mass Media: How the West Wing and Traditional Journalism Frame Congressional Power ______
CONGRESS IN THE MASS MEDIA: HOW THE WEST WING AND TRADITIONAL JOURNALISM FRAME CONGRESSIONAL POWER _______________________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri – Columbia _______________________________________________________ In Partial Fulfillment Of the Requirement for the Degree Master of Arts _______________________________________________________ by CASSANDRA BELEK Dr. Lee Wilkins, Thesis Supervisor MAY 2010 1 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled CONGRESS IN THE MASS MEDIA: HOW THE WEST WING AND TRADITIONAL JOURNALISM FRAME CONGRESSIONAL POWER presented by Cassandra Belek, a candidate for the degree of master of journalism, and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________________________ Professor Lee Wilkins ____________________________________________________ Professor Jennifer Rowe ____________________________________________________ Professor Sandra Davidson ____________________________________________________ Professor Marvin Overby DEDICATION To everyone who has given me an education. To my parents, Joe and Katie, who sacrificed so much to ensure that my brother and I had the best educations possible. They taught me more than I can fit on this page. To my big brother Joey, who taught me about sports and ’90s rap music. To my Belek and Lankas extended families, who taught me where I come from and support me in where I am going. To all my teachers and professors—the good, the bad, and the awesome—at Holy Spirit Catholic School, St. Thomas Aquinas High School, the University of Notre Dame, and the University of Missouri. To Professor Christine Becker of the University of Notre Dame, who taught me it is okay to love television and whose mentorship continued even after I left the Dome. -
Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media. -
Temple Library Database 2017-05-17
Temple Sholom Library 6/9/2017 BOOK PUB CALL TITLE AUTHOR CATEGORY KEYWORDS FORMAT DATE NUMBER Children's Books : Literature : 10 Traditional Jewish Children's Stories Goldreich, Gloria Hardcover 1996 Children's stories, Hebrew, Legends, Jewish J 185.6 Go Classics by Age : General Feldman, 100+ Jewish Art Projects for Children Paperback 1996 Religion Biblical Studies Bible. O.T. Pentateuch Textbooks Margaret A. Language selfstudy & 1001 Yiddish Proverbs Kogos, Fred Paperback 1990 phrasebooks 101 Classic Jewish Jokes : Jewish Humor from Groucho Marx to Jerry Menchin, Robert Paperback 1997 Entertainment : Humor : General Jewish wit and humor 550.7 Seinfeld World War, 19141918 Peace, World War, 19141918 1918: War and Peace Dallas, Gregor Hardcover 2001 20th Century World History Armistices Kipfer, Barbara English language Style Handbooks, manuals,, etc, 21ST Century Style Manual Paperback 1993 English Composition Ann English language Usage Dictionaries 26 Big Things Small Hands Do Paratore, Coleen Paperback 1905 Tikkun olam J Pa 300 ways to ask the four questions : from Zulu to Abkhaz : an extraordinary survey of the world's languages through the prism of the Spiegel, Murray Hardcover 1905 Passover Mah nishtannah Translations 244.4 Sp Haggadah 5,600 Jokes for All Occasions Meiers, Mildred Hardcover 1905 Jewish Humor Jewish Humor 550.7 Me 50 Ways to be Jewish: Or, Simon & Garfunkel, Jesus loves you less Forman, David J. Hardcover 2001 Jewish living Jewish way of life, Judaism 20th century 246 Fo than you will know 700 sundays Crystal, Billy Hardcover 1905 Crystal, Billy Crystal, Billy, Comedians United States Biography B Cr FinkWhitman, 94 Maidens Paperback 1905 Fiction F Fi Rhonda A Backpack, A Bear, and Eight Crates of Vodka Golinkin, Lev Paperback 1905 Biographies & Memoirs B Go Jews Folklore, Folklore Europe, Eastern, Yiddish Folk A Big Quiet House Forest, Heather Hardcover 1996 Folklore J 185.6 Fo Tales Jews New York (State) New York Social, life and customs, Immigrants New York (State) New York , A Bintel brief. -
Libby &Hearts Al-Libi
Libby &hearts al-Libi | HuffPost US EDITION THE BLOG Libby &hearts al-Libi By Marty Kaplan 11/05/2005 07:58 pm ET | Updated May 25, 2011 We already knew about Curveball and Chalabi — liars whose accounts the Administration used to bolster their case for imminent WMD danger requiring pre-emptive war. Now, thanks to a Doug Jehl New York Times piece, we know about Ibn al-Shaykh al-Libi, the defector who alleged that Iraq was training Al Qaeda members in the use of explosives and illicit weapons. Al-Libi was Scooter Libby’s dream come true. But it turns out — even as his claims were making their way into Administration speeches — that as early as February 2002, American intelligence agencies knew that al-Libi was making the stuff up. Imagine the scene in the West Wing. Here are Cheney and the rest of the cabal (W was doubtless off mountain biking, or brush-clearing) looking at al-Libi’s claims on the one hand, and on the other, the Defense Intelligence Agency’s warning not to buy what al-Libi was selling. They had a choice to make: trust American intelligence, or trust neocon ideology. They picked ideology. The next time you hear the “everyone-believed-Saddam-was-training-Al-Quaeda” talking point, remember that there were red lights flashing in the White House telling them al-Libi was a fabricator. There’s a word for holding fast to a belief despite the evidence: fundamentalism. Is a faith-based foreign policy cult really the best we can do? UPDATE via Atrios: Newsweek reported that al-Libi was an early instance of the torture policy sent down to the CIA from then-White House counsel Alberto Gonzales and Scooter’s subsequent succesor, David Addington: “Al-Libi was handed over to the CIA. -
1.22: What Kind of Day Has It Been
The West Wing Weekly 1.22: What Kind of Day Has It Been [Intro Music] HRISHI: You’re listening the The West Wing Weekly, I’m Hrishikesh Hirway JOSH: ..and I’m Joshua Malina HRISHI: Today, we’re talking about the finale of season one JOSH: Woo! HRISHI: It’s episode 22, and it’s called ‘What kind of day has it been’. JOSH: It was written by Aaron Sorkin, it was directed by Tommy Schlamme, and it originally aired on May 17th, in the year 2000. HRISHI: Here’s a synopsis.. JOSH: A hrynopsis? HRISHI: [laughs] Sure.. JOSH: I just wanted to make sure because, you know, it’s an important distinction. HRISHI: An American fighter jet goes down in Iraq, and a rescue mission ensues to find the pilot. But, it’s a covert operation, so CJ has to mislead the press. Toby’s brother is onboard the space shuttle Columbia, but it’s having mechanical difficulties and can’t land. Plus, Josh has to meet with the Vice President to bring him around to the Bartlet administration's plans for campaign finance. President Bartlet travels to Rosalind, Virginia, to speak at the Newseum and give a live town hall meeting. But as they’re exiting, S#&* goes down and shots ring out. JOSH: Well done HRISHI: Before we even get into the episode though, Josh, I want to ask you about the title. ‘What kind of day has it been’ is a very Sorkin title, it’s been the finale for lots of things that he’s done before. -
The Translation of Cultural References and Proper-Name Allusions in the Finnish Subtitles of Gilmore Girls
The Translation of Cultural References and Proper-Name Allusions in the Finnish Subtitles of Gilmore Girls Riikka Vänni Pro Gradu Thesis English Philology Faculty of Humanities University of Oulu Autumn 2017 TABLE OF CONTENTS 1 INTRODUCTION …………………………………………………………………………………………….........................1 2 THE GILMOREVERSE…………………………………………………..............................................................5 2.1 On the Gilmore Girls and genre………………………………………………………………………................5 2.2 On Amy Sherman-Palladino and the target audience……………………………..........................7 3 CULTURE BUMPS AND GILMORE-ISMS………………………………………………………………………………….10 3.1 Defining and categorising cultural references……………………………………………………….………10 3.2 Collecting and analysing the Gilmore-isms………………………………………………………….………..14 4 PREVIOUS RESEARCH AND TRANSLATION STUDIES.…………………………………..............................18 4.1 Previous studies on the Gilmore Girls’ Finnish translations…………………………………….……….18 4.2 The importance of translation: language, culture and the link between………………….………20 4.3 The basics: source versus target……………………………………………………………………………………..22 4.4 Translation method: domestication or foreignisation…………………..…………………………………26 4.5 Reception theory and the target audience……………………………………………………………….…….29 4.6 Audiovisual translation: subtitling and the DVD-industry……………………………………….………31 5 ANALYSING THE GILMORE-ISMS…………………………………………………………………………………..……...34 5.1 References to music……………………………………………………………………………………..………….…..34 5.2 References to films………………………………………………………………………………………..……….…….38 -
President's Forum Is Brought to You for Free and Open Access by the Journals at U.S
Naval War College Review Volume 56 Article 1 Number 1 Winter 2003 President’s Forum Rodney P. Rempt Follow this and additional works at: https://digital-commons.usnwc.edu/nwc-review Recommended Citation Rempt, Rodney P. (2003) "President’s Forum," Naval War College Review: Vol. 56 : No. 1 , Article 1. Available at: https://digital-commons.usnwc.edu/nwc-review/vol56/iss1/1 This President's Forum is brought to you for free and open access by the Journals at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Naval War College Review by an authorized editor of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. Rempt: President’s Forum Rear Admiral Rempt is a 1966 graduate of the U.S. Naval Academy. Initial assignments included deploy- ments to Vietnam aboard USS Coontz (DLG 9) and USS Somers (DDG 34). He later commanded USS Antelope (PG 86), USS Callaghan (DDG 994), and USS Bunker Hill (CG 52). Among his shore assign- ments were the Naval Sea Systems Command as the ini- tial project officer for the Mark 41 Vertical Launch System; Chief of Naval Operations (CNO) staff as the Aegis Weapon System program coordinator; director of the Prospective Commanding Officer/Executive Officer Department, Surface Warfare Officers Schools Com- mand; and Director, Anti-Air Warfare Requirements Division (OP-75) on the CNO’s staff. Rear Admiral Rempt also served in the Ballistic Missile Defense Orga- nization, where he initiated development of Naval Theater Ballistic Missile Defense, continuing those ef- forts as Director, Theater Air Defense on the CNO’s staff. -
“Big Block of Cheese II” [Advertisement Omitted] [Intro Music] HRISHI: You're Listening To
The West Wing Weekly 0.03: “Big Block of Cheese II” [Advertisement omitted] [Intro Music] HRISHI: You’re listening to The West Wing Weekly, the final West Wing Weekly episode of 2016. JOSH: Woo! HRISHI: I’m Hirshikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: Today we’ve got a special bonus episode. We’re gonna be taking questions and answering them. After this, we’re gonna be taking a couple weeks off for the holidays, so no episode next Wednesday or the Wednesday after that. We’ll be back January 11th, 2017 with another regular episode. JOSH: What a remarkable thing for us to do. [laughs] I mean let me just pat us on the back. We are special, special podcasters. HIRSHI: This is sort of like our version of the Big Block of Cheese Day that is featured regularly on the show. JOSH: And in a virtual fashion by the Obama Administration. He did a couple virtual Big Block of Cheese Days. HRISHI: That’s right. JOSH: Oh, I almost forgot. I’m going to have to come up with a cheese. This is your least favorite thing. [cross talk] I almost forgot your least favorite thing! HRISHI: [cross talk] I know. I wasn’t gonna mention it. I was waiting for you to do it, and then I when you didn’t I thought, oh, maybe I might be able to get away without it, [cross talk] without being subjected to a type of cheese. JOSH: [cross talk] No, you’re not so lucky. I think today, we’re going to pair our questions with a lovely Midnight Moon. -
The Top 10 TV Shows of 2012
PAGE 6B PRESS & DAKOTAN n FRIDAY, DECEMBER 21, 2012 The Top 10 TV TelevisionWeek Local Listings For The Week Of December 22-28, 2012 Shows SATURDAY PRIMETIME/LATE NIGHT DECEMBER 22, 2012 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00 12:30 1:00 1:30 BROADCAST STATIONS Cook’s The The Prairie Hometime Classic Gospel Memo- The Lawrence Welk Guy Lom- As Time Keeping Last of the New Red The Red No Cover, No Austin City Limits A Under- Sun Studio Globe Trekker The PBS Country Victory Yard & (N) Å ries of Christmas. Å Show Songs from the bardo Goes Up Summer Green Green Minimum “Vince Two 1979 performance by ground Sessions Rijksmuseum in Am- KUSD ^ 8 ^ Garden Garden 1970s. By Å Wine Show Eagles” Tom Waits. Å sterdam. (In Stereo) Of 2012 $ $ Å Å KTIV 4 Boxing Fight Night. From Bethlehem, Pa. Paid News News 4 Insider “Mr. Magoo” WWE Tribute Saturday Night Live News 4 Saturday Night Live Extra (N) 1st Look House Boxing Fight Night. From Bethlehem, Pa. (N) (In Johnny NBC KDLT The Big ›› “Mr. Magoo’s WWE Tribute to the Saturday Night Live KDLT Saturday Night Live Bruno Mars The Simp- According (Off Air) BY CHUCK BARNEY NBC Stereo Live) Å Cash Nightly News Bang Christmas Carol” Troops (N) (In Ste- Martin Short; Paul Mc- News hosts and performs. (In Stereo) Å sons Å to Jim Å KDLT % 5 % News (N) (N) Å Theory (1962, Fantasy) reo) Å Cartney performs. -
“President Bartlet Special” Guest: Martin Sheen [Ad Insert] [Intro Music] HRISHI: You’Re Listening to the West Wing Weekly
The West Wing Weekly 4.00: “President Bartlet Special” Guest: Martin Sheen [ad insert] [Intro Music] HRISHI: You’re listening to The West Wing Weekly. My name is Hrishikesh Hirway. JOSH: And mine is Joshua Malina. This is a very special episode of Blossom, no, of The West Wing Weekly. We finally got to sit down with Martin Sheen and so we decided to celebrate. Let’s give him his own episode. The man deserves it. Hrishi and I were planning originally to pair our talk with Martin with our own conversation about the season opener “20 Hours in America” but then we decided to make an executive decision and give the president his own episode of the podcast. We hope you enjoy it. We think you will. HRISHI: Thank you so much for finding time to speak with us. MARTIN: I’m delighted. HRISHI: We actually have some gifts for you. MARTIN: You do? HRISHI: We do. Every president has a challenge coin and so we thought that President Bartlet deserves one too. MARTIN: Oh my…Thank you… HRISHI: [crosstalk] so here’s one. MARTIN: Look at that! Wow! Bartlet’s Army…ohh! Look at that…Do you know someone did a survey on the show for all of our seven years and do you know what the most frequent phrase was? “Hey.” ALL: [laughter] JOSH: That’s funny. That’s Sorkin’s legacy MARTIN: Exactly. How often do you remember saying it? I mean, did you ever do an episode where you didn’t say “hey” to somebody? JOSH: [crosstalk] That’s funny.