DOCSLIB.ORG

Imprisonment and False Liberation in E.L. Doctorow's Ragtime

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Imprisonment and False Liberation in E.L. Doctorow's Ragtime View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jagiellonian Univeristy Repository Anna Gawlikowska Imprisonment and False Liberation in E.L. Doctorow’s Ragtime Though. more. than. three. decades. have. passed. since. the. publication. of. E .L . Doctorow’s.Ragtime.and.tons.of.paper.have.been.used.for.admiring.re- views.and.substantial.critical.response,.the.book.has.lost.nothing.of.its.initial. appeal.thanks.to.the.carefully.constructed.artistry.and.masterly.precision ..It. was.described.by.critics.as.having. a form.that.is.experimental.and.accomplished.enough.to.appeal.to.critics.who. demand.innovation.and.yet.familiar.enough.to.attract.the.common.reader,.and. a content.that.grapples.with.the.fundamental.issues.confronting.the.contempo- rary.fictionist.yet.never.ceases.to.entertain.and.engage.(Rodgers.1976:.139) and. as. being. “a bag. of. riches,. totally. lucid. and. accessible,. full. of. surprises,. epiphanies,.little.time.bombs.that.alter.one’s.view.on.things.and.enormous. fun.to.read“.(Fremont-Smith.1975:.41) ..Its.colourful.mosaic.of.themes,.shift- ing.narration,.repetitions,.circularity,.illusions.of.demystification.and.idiosyn- cratic.blending.of.facts.and.fiction,.as.well.as.the.syncopated.rhythm.of.ragtime. imitate.the.inexhaustible.energy,.but.also.the.complexities.and.paradoxes.of. America.in.the.1900s . Ragtime recounts. three. main. stories. interwoven. with. each. other .. Three. main.stories.of.people.who.could.not.have.been.more.different.from.one.an- other ..An.upper-middle.class.WASP.family,.consisting.of.the.characters.simply. named.“Father,”.“Mother,”.“Mother’s.Younger.Brother”.and.the.“Little.Boy”;. an.immigrant.Jewish.family.of.“Tateh,”.“Mameh”.and.the.“Little.Girl,”.who.is. at.one.point.referred.to.as.“Sha;”.and.a black.family.of.Coalhouse.Walker,.the. ragtime.musician,.his.fiance.Sarah,.and.their.baby.son,.Coalhouse.Walker.III .. The.members.of.each.family.try.to.discover.their.identities.and.achieve. coherence.by.escaping.their.dull.lives.and.routines,.searching.for.answers.and. 266. Anna.Gawlikowska solutions ..Doctorow.creates.a world,.where.almost.everyone.is.lost;.a world.of. emotional.immigrants.overtaken.by.history,.“arriving.eternally.on.the.shores. of. [their]. Selves”. (Doctorow. 1975:. 368) .. The. characters’. eternal. search. and. inner.discrepancies.depicted.in.the.novel.are.best.put.into.words.by.one.of.the. narrators,.the.Little.Boy,.staring.at.his.reflection.in.a mirror:. .. .. .. he. would. gaze. at. himself. until. there. were. two. selves. facing. one. another,. neither. of. which. could. claim. to. be. the. real. one .. The. sensation. was. of. being. disembodied .. .. ..He.had.a dizzying.feeling.of.separating.from.himself.endlessly .. (Doctorow 1975: 134) Trying.to.track.the.motifs.of.imprisonment,.entanglement.and.false.libera- tion.as.presented.by.Doctorow.in.his.novel,.I will.argue.that.there.is.only.one. person.among.these.characters.who.almost.reaches.freedom,.namely.Tateh .. Although.at.first.sight.he.is.the.most.unlikely.to.attain.liberation,.it.seems.that. Tateh.is.chosen.by.Doctorow.to.become.his.main.protagonist.by.the.novel’s. end.and.it.is.his.marriage.that.gives.the.reader.a glimpse.of.happinness.and. consollation ..To.achieve.this,.Tateh.has.to.disguise.himself,.sacrifice.his.old.life. and.face.memories.which.come.back.to.haunt.him ..It.seems.that.in.Ragtime,. Doctorow’s.aim.was.to.emphasise.the.elusiveness.and.uncertainty.of.his.char- acters’.goals,.endeavours,.explorations.and.escapes .. Doctorow’s. hero. is. an. embodiment. of. both. the. modern. and. the. early. twentieth-century. man’s. struggle. with. reality .. The. author. creates. characters. who.either.lack.names,.or.are.historical.figures.whose.lives.were.“developed“. creatively ..The.purpose.behind.such.a presentation.is.to.make.their.lives.and. dilemmas.more.universal.and.more.suitable.to.the.vast.historical.context.of.the. story ..In.this.way,.they.also.represent.specific.attitudes.of.people.of.that.time. rather.than.just.their.own.behaviours,.they.are.“primarily.interpretations,.not. historical.recapitulations”.(Harter.and.Thompson.1990:.59) ..Because.the.char- acters.are.types-like,.not.much.psychological.analysis.is.provided.and.the.no- tions.of.their.search.for.identity,.integrity.and.fulfilment.seem.sometimes.to.be. incoherent ..Yet,.these.are.the.ingredients.of.satisfaction.for.which.Doctorow’s. heroes.are.searching ..Burdened.with.feeling.of.lostness,.their.struggle.is.also. one.in.which.the.tensions.between.imprisonment.and.liberation.are.incorpo- rated ..The.idea.of.imprisonment.permulates.the.novel.and.manisfests.itself.in. many.various.ways,.including.physical,.emotional,.political.and.economic ..The. hero.struggles.for.liberation.chosing.paths.of.escapism,.assimilation,.rebellion. or.resignation .. Doctorow.does.not.provide.many.examples.of.imprisonment.in.its.least. complex,.physical.sense.–.incarceration ..It.is.the.ordeal.of.only.one.and.a rather. Imprisonment and False Liberation . 267 minor.character.in.the.story,.Harry.K ..Thaw,.a historical.figure,.whose.life.gets. “fabulised”1.by.Doctorow ..He.stays.behind.bars.awaiting.the.trail.for.Stanford. White’s.murder.he.committed.jealous.of.his.wife,.Evelyn.Nesbit ..To.emphasise. the.character’s.imprisonment,.Doctorow.refers.to.the.jail.where.Thaw.is.kept. using.its.colloquial.name.“the.Tombs,”.meaning.the.Bernard.B ..Kerik.Complex. in.Lower.Manhattan ..As.a public.figure.and.a millionaire,.Thaw.is.treated.in. a special.way,.having.meals.delivered.from.his.favourite.posh.restaurant ..Yet,. a jail.is.a jail.and.Thaw.has.to.face.its.discomforts . Though.not.much.elaborated.on,.Thaw’s.imprisonment.relates.to.a much. more.important.character.and.his.endeavours,.namely.Harry.Houdini ..They. meet.in.prison,.when.Houdini.performs.one.of.his.tricks ..Their.encounter.is. rather.bizarre.and.unsettling,.as.Thaw.masturbates.while.Houdini.makes.his. escape ..These.two.characters’.relation.is.also.based.on.paradox:.Thaw,.though. incarcerated,.enjoys.many.privileges.in.the.Tombs.and.is.certain.he.would.get. out.unpunished.sooner.or.later;.Houdini,.free.at.first.sight,.suffers.from.mental. imprisonment.from.which.he.probably.would.never.break.free ..The.illusionist. is.a true.specialist.in.the.field.of.escapism,.the.“escapologist”.and.another.of.the. factual.figures.in.the.plot ..He.perfectly.fits.the.image.of.Doctorow’s.characters. seeking.to.escape.from.reality ..His.life.is.characterised.in.the.following.way:. Absurd ..He.went.all.over.the.world.accepting.all.kinds.of.bondage.and.escap- ing .. .. ..He.escaped.from.bank.vaults,.nailed-up.barrels,.sewn.mailbags. .. .. ..His. escapes.were.mystifying.because.he.never.damaged.or.appeared.to.unlock.what. he.escaped.from ..(Doctorow.1975:.7–8). It.is.worth.mentioning.that,.similarly.to.Tateh,.whose.case.will.be.described. later,.Houdini.disguises.himself.using.a pseudonym,.the.fact.of.which.might. be.seen.as.an.attempted.escape.from.his.real.identity ..His.real.name.was.Erich. Weiss.and.he.was,.like.Tateh,.a Jew ..Both.characters.are.also.frustrated.with. their.lives.and.try.to.liberate.themselves . The.illusionist’s.frustration.is.multifaceted,.yet.consists.of.two.major.fac- tors .. Firstly,. it. derives. from. the. fact. that. the. most. exciting. “magical. tricks”. happen.in.the.real.world.of.science.and.technological.advances,.leaving.him. behind .. He. considers. himself. “a trickster,. an. illusionist,. a mere. magician”. (Doctorow.1975:.112) ..Entrapped.in.bitter.dissatisfaction.with.himself,.frus- tration,.feeling.of.being.misunderstood.by.his.audiences,.Houdini.tries.harder. and.harder.to.escape.from.his.inner.conflicts.seeking.psychological.and.emo- tional.liberation.in.physical.escapes ..Secondly,.he.is.haunted.with.the.need.to. 1 According.to.Julian.Barnes,.“fabulation”.occurs.when.“you.make.up.a story.to.cover.the. facts.you.don’t.know.or.can’t.accept ..You.keep.a few.true.facts.and.spin.a new.story”.(1989:.109) . 268. Anna.Gawlikowska understand.what.is.incomprehensible,.namely.roots.and.“tricks.of.the.trade”.of. death ..As.it.is.beyond.his.comprehension,.desperate.to.defy.mortality,.he.starts. performing.more.daring.escapist.tricks,.none.of.which.bring.him.consolation .. After.escaping.from.vaults.and.milk.cans,.Houdini.asks.to.be.buried.alive,.but. discovers.a limit.to.his.escapes.–.he.nearly.suffocates.and.needs.to.be.rescued. from.under.the.ground ..Although.he.should.draw.some.conclusions.from.this. experience,. Houdini. cannot. reach. demystification. of. his. life’s. purpose. and. sense ..To.liberate.himself,.the.illusionist.must.come.into.terms.with.the.fact. that.death.is.neither.what.one.can.escape.from,.nor.a challenge,.and.his.efforts. to.understand.it.are.doomed.with.futility ..Also,.he.must.acknowledge.that.art. has.its.limitations.and.cannot.serve.the.purpose.of.defying.death,.as.it.cannot. be.tricked.by.artifices ..Yet,.he.still.pursues.answers,.staying.deluded.with.the. false.promise.of.escape.and.the.confidence.that.it.is.enough.for.a human.being. to.try.hard.in.order.to.reach.some.correct.understanding.of.death . False.liberation.and.solace.dawn.on.Houdini,.when.he.discovers.the.scien- tific.achievement.of.an.aeroplane.and.gets.fascinated.with.flying ..He.momen- tarily.forgets.his.life’s.disappointments:.“He.thought.he.was.dreaming. .. .. ..He. was.flying!. .. .. ..He.felt.the.wind.in.his.face.and.discovered.he.was.shouting .. .. .. And.when.the.machine.rolled.to.a stop.he.wanted.only.to.be.airborne.again”. (Doctorow. 1975:. 116–7) .. Inner. peace. and. liberation. are. only. temporary,. though ..Houdini’s.desperation.and.recklessness.reappear.when.he.encounters. the.unexpected.demise.of.his.beloved.and.cherished.mother ..As.he.loves.her. very.much,.the.news.devastates.him.and.makes.his.existence.seem.even.more. futile.than.before.–.he.starts.risking.his.life.with.more.intensity.and.frightening. desperation:. Every.feat.enacted.Houdini’s.desire.for.his.dead.mother ..He.was.buried.and.re- born,.buried.and.reborn. .. ..his .. .wish.for.his.own.death.was.so.apparent.that.people. began.to.scream.and.a local.clergyman.stood.up.and.shouted.Houdini,.you.are.
Load more

Recommended publications
  • The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique.
    [Show full text]
  • Edgar Lawrence Doctorow
    Chancellor’s Distinguished Fellows Program 2006-2007 Selective Bibliography UC Irvine Libraries Edgar Lawrence Doctorow March 8, 2007 Prepared by: John Novak Research Librarian for Comparative Literature and English [email protected] Table of Contents Books by E. L. Doctorow ………………………………...…………..…………. 1 Selected Journal and Newspaper Articles……………………………………… 2 Interviews and Information About Doctorow ………………………………… 4 Books by E. L. Doctorow Doctorow, E. L. Creationists: Selected Essays, 1993-2006. New York: Random House, 2006. Langson Lobby Collection: PS3554.O3 C74 2006 ---. The March: A Novel. New York: Random House, 2005. Langson Lobby Collection: PS3554.O3 M37 2005 ---. Sweet Land Stories. New York: Random House, 2004. Langson Library: PS3554.O3 F58 2004 ---. Reporting the Universe. Cambridge: Harvard UP, 2003. Langson Library: PS3554.O3 Z475 2003 Doctorow, E. L., and Paul Levine. Three Screenplays. Baltimore: Johns Hopkins UP, 2003. Langson Library: PS3554.O3 A6 2003 Doctorow, E. L. City of God: A Novel. New York: Random House, 2000. Langson Library: PS3554.O3 C57 2000 1 Doctorow, E. L. The Waterworks. New York: Random House, 1994. Langson Library: PS3554.O3 W3 1994 ---. Jack London, Hemingway, and the Constitution: Selected Essays, 1977-1992. New York: Random House, 1993. Langson Library: PS3554.O3 J33 1993 Fischl, Eric, E. L. Doctorow, and Hood Museum of Art. Scenes and Sequences: Recent Monotypes by Eric Fischl. Hanover, NH: Hood Museum of Art Dartmouth College, 1990. Langson Library: NE2246.F5 A4 1990 Doctorow, E. L. Billy Bathgate. New York: Random House, 1989. ---. World's Fair. New York: Random House, 1985. Langson Library: PS3554.O3 W6 1985 ---. Lives of the Poets: Six Stories and a Novella.
    [Show full text]
  • Subjective Historiography in EL Doctorow's Ragtime
    “Subjective Historiography in E. L. Doctorow’s Ragtime” ILOS, HF, UIO ENG 4790 Master’s thesis in English Literature Sigrun Stenersen Espe Supervisor: Erik Kielland-Lund Spring 2010 Summary . How does Ragtime resemble, and diverge from, a traditional historiographic text, and what is the purpose of Doctorow‘s parodic reworking of historiography? As an introduction to this thesis, the debate in different literary traditions regarding the relationship between literature and historiography is presented. With a primary focus on postmodern theory, Linda Hutcheon‘s concept ―historiographic metafiction‖ is introduced, in order to establish the type of narrative that Ragtime is. E. L. Doctorow‘s essay ―False Documents‖ is discussed in a separate part of this chapter because it provides a deeper understanding of the philosophical ideas behind Doctorow‘s narrative. In this text he fights for the importance of the fiction writer as commentator on our society, and challenges the notion that the genre of historiography is a purveyor of objective truths as opposed to literature which, according to Doctorow, is generally considered unimportant or ―merely for fun‖. Doctorow claims that ―all is narrative‖, implying that fiction and non-fiction are equal as they can only provide subjective accounts of the past. The subjectivity inherent in historiographic narratives is further explored through Doctorow‘s presentation of historical characters in Ragtime. The presence of celebrity characters creates confusion about the nature of the novel as a work of fiction or as a historiographic account. Through the use of irony and humour, Ragtime is a parody of historiographic narratives which claim to be objective.
    [Show full text]
  • EL Doctorow's Ragtime As a Metapher of American Social Vision
    INFOKARA RESEARCH ISSN NO: 1021-9056 E.L. Doctorow’s Ragtime as a Metapher of American Social Vision: A Study Researcher Name: Research Guide: R.Kayalvizhi Dr.M. Soundhararajan Ph.D Research Scholar Assistant Professor of English Department of English Department of English Annamalai University Annamalai University Abstract The precent research study entitled “E.L. Doctorow’s Ragtime as a Metapher of American Social Vision: A Study is to examine the novel Ragtime and its characters and establishes it as a social and artistic vision of Doctorow. This study deals with Doctorow’s treatment of American social problems. Doctorow has achieved worldwide recognition as one of the American leading writers of fiction. His awareness of the various aspects of American life establishes the Americaness of his fiction. In the recent past, Doctorow’s works did not attract much critical attention. One of the reasons may be that his novels barring two core subjects, the one is Jewish problems impact of its doctrine and the second one is American political and social issues. Keeping in mind the Paucity of critical studies and evaluations, an attempt is made in this research to study exhaustively the American social conditions and problems portrayed by Doctorow. Key word: Social Vision, American Dreams,Search for identiy, Jewish indentity, narrative nuances, Jazz as a narrative mode. Introduction E.L. Doctorow is a contemporary American novelist, poet and essayist. He was born in 1931 at in New York. He has published thirteen volumes of fictional Volume 8 Issue 12 2019 23 http://infokara.com/ INFOKARA RESEARCH ISSN NO: 1021-9056 works.
    [Show full text]
  • Ragtime a Novel Written by E.L
    RANDOM HOUSE, INC. TEACHER’S GUIDE Ragtime A Novel Written by E.L. Doctorow Random House | Trade Paperback 978-0-8129-7818-6 | 336 pages | $14.95 READING LEVEL: 10 note to teachers The traditions of literature and music have long been intertwined. This is apparent in the structure and rhythm of texts from Homer to Hemingway, and of course, in more literal explorations of the cultural impact of music, as in the works of F. Scott Fitzgerald and the writers of the Beat Generation. But while Fitzgerald and the Beats were engaged in a dialogue about the music of their own time, in this novel E. L. Doctorow has chosen to tether his ship to what is considered by many to be the first truly American genre of music—ragtime—a particularly resilient musical form that achieved popular success in the early 1900s and saw revivals in the ‘40s, ‘50s, ‘70s and ‘90s. Despite the title of the novel and the employment of a dynamic central character who is a ragtime piano player, Doctorow’s novel is not about ragtime music. Rather, it is about a critical time in our nation’s history (one that should be, for readers, quite reminiscent of our own time) and significant social and cultural issues—personal issues, Doctorow emphasizes—which were reflected in ragtime music years ago and which continue to be reflected in the musical forms that succeed it, as well as in literature, academic discussion, and perhaps most importantly, in domestic dialogue. Most extraordinarily, Doctorow has not only referenced ragtime music, he has gone so far as to channel it.
    [Show full text]
  • Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
    Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,
    [Show full text]
  • Ragtime a Wheelock Family Theatre at Boston University Study Guide Prepared by Marianne Adams
    Ragtime a Wheelock Family Theatre at Boston University Study Guide prepared by Marianne Adams A kaleidoscopic musical journey through the turn of the 20th century, based on the novel by E.L. Doctorow January 25 - February 17, 2019 Student Matinee Series supported by the Yawkey Foundation 200 Riverway Boston, MA 02215-4176 │ 617.353.2994 │ www.wheelockfamilytheatre.org TABLE OF CONTENTS 3 ABOUT WHEELOCK FAMILY THEATRE AT BU 3 ABOUT THE AUTHORS 4-5 INTERVIEWS WITH ACTORS 6 HISTORY: THE PROGRESSIVE ERA 8 PREPARING TO SEE THE SHOW. 9. Language and References in Play 10. Teaching the N-word 11. The Controversy at Cherry Hill 11. Using Contemporary Media to Explore Racist Language 12-15 DISCUSSION QUESTIONS AND ACTIVITIES 12. Media And Race 12. Common Ground 12. Then And Now 12. Friendship 12. Creative Writing 12. Perspectives 12. Music And Society 13. Music And Creative Writing 13. Musical Figures 13. Visual Report 14. Web Search 14. Link to Google Slides of Ragtime References 15. Timeline 16-17 SYNOPSIS 2 A Note About Wheelock Family Theatre at Boston University WFT@BU has been on the forefront of inclusion and nontraditional casting since 1981, offering enhancements for audience members with physical and developmental disabilities and fulfilling our mission to have every child (and grown up) see themselves on stage. This production of Ragtime is no exception. Casting. This production continues WFT’s long tradition of multicultural and intergenerational casting, featuring actors in lead roles from a variety of racial and ethnic backgrounds and of all ages. Access for All. You will notice rectangular screens on either side of the stage- that is our open captioning system.
    [Show full text]
  • Title Page - Transportation and Literature
    Title Page - Transportation and Literature Transportation through the Lens of Literature The Depiction of Transportation Systems in American Literature from 1800 to the Present in the Form of an Annotated Bibliography by Donald Ross, Stephanie Athey, and Capper Nichols University of Minnesota [email protected] You can examine this site by reading through the chapters, Chapters by decade beginning with the early 1800.htms, or you can use one of these indexes. The Early 1800.htms The 1830s Table of Contents (The entries in the order in The 1840s which they appear in the chapters) The 1850s The 1860s Indexes The 1870s The 1880s Subject index (Transportation systems The 1890s and the people involved) The 1900s Place index (States and major cities The 1910s mentioned in the entries) The 1920s Author index The 1930s The 1940s The Introduction is an essay which explains the rationale The 1950s for the project and gives an overview of some of the The 1960s general conclusion. The 1970s The 1980s How to read the chapters and entries The annotations are arranged chronologically, by the decade of the setting. 24 (Entry number) Author: Name, followed by birth and death dates Title: Name ("In" = a larger work, e.g., a short story or poem in a collection) Date: of first publication ("Written" = date is significantly different Systems: train, automobile, etc. Context: "Contemporary" with the publication date or specific dates, followed usually with a locale, and sometimes a comment on perspective The entry comes here. Edition used: The specific book we used; often paperbacks. title_page.htm[1/3/18, 2:17:20 PM] Title Page - Transportation and Literature This research has been supported by a grant from the University of Minnesota's Center for Transportation Studies University of Minnesota URL: http://english.cla.umn.edu/FacultyProfiles/DonaldRoss/Transport/title_page.htm Please send comments to: Donald Ross Last revised February 25, 2005 The University of Minnesota is an equal opportunity educator and employer.
    [Show full text]
  • American Conversation E. L. Doctorow
    American Conversation E. L. Doctorow September 25, 2008 Archivist of the United States Allen Weinstein welcomed award-winning novelist E. L. Doctorow for an “American Conversation.” Doctorow’s work depicts various eras and personalities in American history and has been published in 30 languages. His novels include The March, City of God, Welcome to Hard Times, The Book of Daniel, Ragtime, Loon Lake, World’s Fair, Billy Bathgate, and The Waterworks. He currently holds the Lewis and Loretta Glucksman Chair of English and American Letters at New York University. The program took place in the William G. McGowan Theater of the National Archives Building. ALLEN WEINSTEIN: We're very fortunate, very privileged tonight to have as, uh, our guest one of the country's, one of the world's finest novelists, and I think most of you know at least some of E.L. Doctorow's dozen books, dozen novels: "City of God," "Welcome to Hard Times," "Book of Daniel," "Ragtime," "Loon Lake," "Lives of the Poets," "World's Fair," "Billy Bathgate," "The Waterworks," and of course the extraordinary book "The March," which is his most recently published book. We, uh... we're going to let our guest have a few introductory words on some of the issues that I'd think we'd like to talk to him about, but let me to say to begin with that this is a banner day for the American Conversations discussions that we've been having, and I thank you, sir, for joining them. Edgar Lawrence Doctorow had the good sense to be born in New York City and to live in the Bronx.
    [Show full text]
  • September 17 – October 27
    SEPTEMBER 17 – OCTOBER 27 Book by Terrence McNally • Music by Stephen Flaherty • Lyrics by Lynn Ahrens Based on the novel “Ragtime” by E.L. Doctorow • Directed by Mark Clements Sponsored in part by: Carol and Rob Manegold, Executive Producers Milwaukee Repertory Theater presents Ragtime PLAY GUIDE • Play Guide written by Lindsey Hoel-Neds Education Associate • Play Guide edited by Leda Hoffmann Literary Coordinator Jenny Kostreva September 17 – October 27 Education Director QUADRACCI POWERHOUSE Lisa Fulton Book by Terrence McNally Director of Marketing & Music by Stephen Flaherty Communications Lyrics by Lynn Ahrens Based on the novel “Ragtime” by E.L. Doctorow • Directed by Mark Clements Graphic Design by Shawn Kavon MARK’S TAKE “With my arrival, The Rep instituted a tradition of producing powerful, thought-provoking musicals in the Quadracci Powerhouse. This season’s offering is an extremely moving and uplifting adaptation of E.L. Doctorow’s well-loved and epic novel, Ragtime. This musical is guaranteed to live in your memory forever.” -Mark Clements, Artistic Director Mark Clements Artistic Director TABLE OF CONTENTS Chad Bauman Managing Director Synopsis ....................................................................................................... 3 Milwaukee Repertory Theater Creators and Creative Team of Ragtime ..................................................... 5 108 E. Wells Street The Characters of Ragtime ........................................................................... 6 Milwaukee, WI • 53202 Entertainments
    [Show full text]
  • The Musical World of Doctorow's Ragtime Author(S): Berndt Ostendorf Source: American Quarterly , Dec., 1991, Vol
    The Musical World of Doctorow's Ragtime Author(s): Berndt Ostendorf Source: American Quarterly , Dec., 1991, Vol. 43, No. 4 (Dec., 1991), pp. 579-601 Published by: The Johns Hopkins University Press Stable URL: https://www.jstor.org/stable/2713082 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to American Quarterly This content downloaded from 139.67.14.98 on Wed, 30 Sep 2020 15:53:20 UTC All use subject to https://about.jstor.org/terms The Musical World of Doctorow's Ragtime BERNDT OSTENDORF Amerika Institut Mfinchen WHAT COULD E. L. DOCTOROW HAVE HAD IN MIND WHEN HE CHOSE Ragtime as the title of his best-selling novel of 1975? No more than a loose metaphor for an age if we go by the published literary criticism; for most of it focuses on narrative technique and the book's success or failure as a historical novel. It is time therefore to start reading the book completely, beginning with its title and the epigram by the black composer Scott Joplin. Ragtime refers to a particular music, now considered timeless.
    [Show full text]
  • EL Doctorow's Historical Fiction
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2010-06-29 Layering the March: E. L. Doctorow's Historical Fiction Rachel Yvette Redfern Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the English Language and Literature Commons BYU ScholarsArchive Citation Redfern, Rachel Yvette, "Layering the March: E. L. Doctorow's Historical Fiction" (2010). Theses and Dissertations. 2229. https://scholarsarchive.byu.edu/etd/2229 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Redfern i Layering The March: E.L. Doctorow’s Historical Fiction Rachel Y. Redfern A thesis submitted to the faculty of Brigham Young University In partial fulfillment of the requirements for the degree of Master of Arts Trenton Hickman, Chair Phillip Snyder Dennis Cutchins Department of English Brigham Young University August 2010 Copyright 2010 Rachel Y. Redfern All Rights Reserved Redfern ii ABSTRACT Layering The March: E.L. Doctorow’s Historical Fiction Rachel Y. Redfern Department of English Master of Arts E.L. Doctorow implements ideas of intertextuality and metafiction in his 2007 novel, The March, which is most notably apparent through its resemblance to the 1939 film, Gone with the Wind. Using Michel de Certeau’s theory of spatial stories and Linda Hutcheon’s of historiographic metafiction, this thesis discusses the layering of Doctorow’s The March from the film seen in the character of Pearl from the novel and Scarlett from the film and Selznick’s version of the burning of Atlanta and Doctorow’s burning of Columbia.
    [Show full text]