Edgar Lawrence Doctorow
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The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Sherman's March and Georgia's Refugee Slaves Ben Parten Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 5-2017 "Somewhere Toward Freedom:" Sherman's March and Georgia's Refugee Slaves Ben Parten Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Parten, Ben, ""Somewhere Toward Freedom:" Sherman's March and Georgia's Refugee Slaves" (2017). All Theses. 2665. https://tigerprints.clemson.edu/all_theses/2665 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. “SOMEWHERE TOWARD FREEDOM:” SHERMAN’S MARCH AND GEORGIA’S REFUGEE SLAVES A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Masters of Arts History by Ben Parten May 2017 Accepted by: Dr. Vernon Burton, Committee Chair Dr. Lee Wilson Dr. Rod Andrew ABSTRACT When General William T. Sherman’s army marched through Georgia during the American Civil War, it did not travel alone. As many as 17,000 refugee slaves followed his army to the coast; as many, if not more, fled to the army but decided to stay on their plantations rather than march on. This study seeks to understand Sherman’s march from their point of view. It argues that through their refugee experiences, Georgia’s refugee slaves transformed the march into one for their own freedom and citizenship. Such a transformation would not be easy. Not only did the refugees have to brave the physical challenges of life on the march, they had to also exist within a war waged by white men. -
Reconstruction: Photography and History in EL Doctorow's
Harriet L. Wilkes Honors College Honors Theses Florida Atlantic University Libraries Year Reconstruction: photography and history in E.L. Doctorow’s The March Eric Seymour Florida Atlantic University, This paper is posted at DigitalCommons@Florida Atlantic University. http://digitalcommons.fau.edu/wilkes theses/26 Reconstruction: Photography and History in E. L. Doctorow’s The March by Eric Seymour A Thesis Submitted to the Faculty of The Wilkes Honors College in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in Liberal Arts and Sciences with a Concentration in English Literature Wilkes Honors College of Florida Atlantic University Jupiter, Florida May 2007 Reconstruction: Photography and History in E. L. Doctorow’s The March by Eric Seymour This thesis was prepared under the direction of the candidate’s thesis advisor, Dr. Laura Barrett, and has been approved by the members of her/his supervisory committee. It was submitted to the faculty of The Honors College and was accepted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Liberal Arts and Sciences. SUPERVISORY COMMITTEE: ____________________________ Dr. Laura Barrett ____________________________ Dr. Christopher Strain ______________________________ Dean, Wilkes Honors College ____________ Date ii ACKNOWLEDGEMENTS This project is deeply indebted to the scholarly output, guidance, and patience of Dr. Laura Barrett; her exceptional knowledge and profound understanding of visual culture, particularly photography, has enabled me to execute an academic endeavor that would have otherwise remained out of my reach. I would also like to thank Dr. Hilary Edwards, who has helped me to locate the merits of particular scholarly questions involved with this thesis, showing me how to put pressure on a topic in order to foreground its relevance. -
Kulturní a Historické Pozadí Románu EL Doctorowa Ragtime
Jihočeská univerzita v Českých Budějovicích Pedagogická fakulta Katedra anglistiky Bakalářská práce Kulturní a historické pozadí románu E. L. Doctorowa Ragtime E. L. Doctorow’s Ragtime: History and Fiction Vypracovala: Michaela Skřepská, AJ-NJ Vedoucí práce: PhDr. Alice Sukdolová Ph.D. České Budějovice 2015 Prohlašuji, že svoji bakalářskou práci jsem vypracovala samostatně pouze s použitím pramenů a literatury uvedených v seznamu citované literatury. Prohlašuji, že v souladu s § 47b zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své bakalářské práce, a to v nezkrácené podobě - v úpravě vzniklé vypuštěním vyznačených částí archivovaných Pedagogickou fakultou elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejích internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněž souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikačních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem na odhalování plagiátů. Dne……………… v …………………………………… Podpis: Poděkování Chtěla bych poděkovat vedoucí mé bakalářské práce PhDr. Alici Sukdolové, Ph.D. za odborné vedení práce, cenné rady a doporučení, které mi pomohly tuto bakalářskou práci zkompletovat a vypracovat a také za pomoc při gramatické kontrole práce. Acknowledgment I would like to thank PhDr. Alice Sukdolová, Ph.D., my thesis supervisor, for her advice, guidance and recommendations which I found helpful during writing my bachelor thesis and also for the correction of my bachelor thesis. -
Subjective Historiography in EL Doctorow's Ragtime
“Subjective Historiography in E. L. Doctorow’s Ragtime” ILOS, HF, UIO ENG 4790 Master’s thesis in English Literature Sigrun Stenersen Espe Supervisor: Erik Kielland-Lund Spring 2010 Summary . How does Ragtime resemble, and diverge from, a traditional historiographic text, and what is the purpose of Doctorow‘s parodic reworking of historiography? As an introduction to this thesis, the debate in different literary traditions regarding the relationship between literature and historiography is presented. With a primary focus on postmodern theory, Linda Hutcheon‘s concept ―historiographic metafiction‖ is introduced, in order to establish the type of narrative that Ragtime is. E. L. Doctorow‘s essay ―False Documents‖ is discussed in a separate part of this chapter because it provides a deeper understanding of the philosophical ideas behind Doctorow‘s narrative. In this text he fights for the importance of the fiction writer as commentator on our society, and challenges the notion that the genre of historiography is a purveyor of objective truths as opposed to literature which, according to Doctorow, is generally considered unimportant or ―merely for fun‖. Doctorow claims that ―all is narrative‖, implying that fiction and non-fiction are equal as they can only provide subjective accounts of the past. The subjectivity inherent in historiographic narratives is further explored through Doctorow‘s presentation of historical characters in Ragtime. The presence of celebrity characters creates confusion about the nature of the novel as a work of fiction or as a historiographic account. Through the use of irony and humour, Ragtime is a parody of historiographic narratives which claim to be objective. -
EL Doctorow's Ragtime As a Metapher of American Social Vision
INFOKARA RESEARCH ISSN NO: 1021-9056 E.L. Doctorow’s Ragtime as a Metapher of American Social Vision: A Study Researcher Name: Research Guide: R.Kayalvizhi Dr.M. Soundhararajan Ph.D Research Scholar Assistant Professor of English Department of English Department of English Annamalai University Annamalai University Abstract The precent research study entitled “E.L. Doctorow’s Ragtime as a Metapher of American Social Vision: A Study is to examine the novel Ragtime and its characters and establishes it as a social and artistic vision of Doctorow. This study deals with Doctorow’s treatment of American social problems. Doctorow has achieved worldwide recognition as one of the American leading writers of fiction. His awareness of the various aspects of American life establishes the Americaness of his fiction. In the recent past, Doctorow’s works did not attract much critical attention. One of the reasons may be that his novels barring two core subjects, the one is Jewish problems impact of its doctrine and the second one is American political and social issues. Keeping in mind the Paucity of critical studies and evaluations, an attempt is made in this research to study exhaustively the American social conditions and problems portrayed by Doctorow. Key word: Social Vision, American Dreams,Search for identiy, Jewish indentity, narrative nuances, Jazz as a narrative mode. Introduction E.L. Doctorow is a contemporary American novelist, poet and essayist. He was born in 1931 at in New York. He has published thirteen volumes of fictional Volume 8 Issue 12 2019 23 http://infokara.com/ INFOKARA RESEARCH ISSN NO: 1021-9056 works. -
Doctorow by Half
The following document is an extract from For Argument’s Sake: Essays on Literature and Culture by Daniel Davis Wood, pages 275-280. It appears here, in PDF format, exactly as it appears in print. www.danieldaviswood.com DOCTOROW BY HALF E.L. DOCTOROW‟S ALL THE TIME IN THE WORLD This review originally appeared online in The Critical Flame 3.18 (March-April 2012). EARLY IN ALL THE TIME IN THE WORLD, HIS THIRD COLLECTION of short stories, E.L. Doctorow raises the surprising suggestion that the book he has written might not be worth reading from cover to cover. The suggestion isn‟t explicit, of course, but it emerges, un- mistakably, in the space between Doctorow‟s preface and his table of contents. Doctorow has long been one of America‟s most cele- brated novelists with a slew of modern classics to his name. He ex- ploded onto the literary scene with his début, Welcome to Hard Times, a loosely metafictional account of the birth of civilisation on the American frontier, and then he published a string of acclaimed and similarly postmodern historical novels including — most notably — The Book of Daniel, Ragtime, and Billy Bathgate. However, when he admits in his preface to All the Time in the World that he enJoys writ- ing short stories because they offer “the quick return of an aesthetic investment” (ix), he unwisely, if unwittingly, characterises his stories as less considered and less deserving of time and effort than the novels that have earned him his reputation. Then he reinforces this characterisation with a table of contents that promises a strange selection of work. -
Ragtime a Novel Written by E.L
RANDOM HOUSE, INC. TEACHER’S GUIDE Ragtime A Novel Written by E.L. Doctorow Random House | Trade Paperback 978-0-8129-7818-6 | 336 pages | $14.95 READING LEVEL: 10 note to teachers The traditions of literature and music have long been intertwined. This is apparent in the structure and rhythm of texts from Homer to Hemingway, and of course, in more literal explorations of the cultural impact of music, as in the works of F. Scott Fitzgerald and the writers of the Beat Generation. But while Fitzgerald and the Beats were engaged in a dialogue about the music of their own time, in this novel E. L. Doctorow has chosen to tether his ship to what is considered by many to be the first truly American genre of music—ragtime—a particularly resilient musical form that achieved popular success in the early 1900s and saw revivals in the ‘40s, ‘50s, ‘70s and ‘90s. Despite the title of the novel and the employment of a dynamic central character who is a ragtime piano player, Doctorow’s novel is not about ragtime music. Rather, it is about a critical time in our nation’s history (one that should be, for readers, quite reminiscent of our own time) and significant social and cultural issues—personal issues, Doctorow emphasizes—which were reflected in ragtime music years ago and which continue to be reflected in the musical forms that succeed it, as well as in literature, academic discussion, and perhaps most importantly, in domestic dialogue. Most extraordinarily, Doctorow has not only referenced ragtime music, he has gone so far as to channel it. -
GAZETTE Volume 25, No
GAZETTE Volume 25, No. 33 • September 5, 2014 • A weekly publication for Library staff Book Festival Opens New Chapter Big Crowds Flock to Inaugural Event at Convention Center Ten hours By Mark Hartsell later, Doctorow helped close the or its 14th festival with the edition, the event’s first-ever F National “Great Books to Book Festival went Great Movies” indoors, watched program, a ses- great movies, stayed sion that inter- up late with a good spersed film clips book and enjoyed a with discussion festival full of firsts. about translating The book festival literary works to drew standing-room- the big screen. only crowds to the One of big- Walter E. Washington gest new names Convention Center on at the festival Saturday for the first belonged not to a best-selling evening hours in fes- Shealah Craighead tival history, the first Crowds filter into the Washington Convention Center on Saturday morning. young author but program merging lit- to a building: the erature and film, the first poetry compe- Walter E. Washington Convention center. tition, the debut of three new pavilions Inside The festival, held outdoors on the and the inaugural festival appearance at National Mall since 2003, this year moved • Making movies from great books, page 3 the convention center – the first indoor indoors to the massive facility at Mt. • Five decades of Doctorow, page 4 festival in more than a decade. Vernon Place in the District of Columbia. • Library awards literacy prizes, page 5 “It’s an amazing and wonderful occa- For patrons, the move indoors traded sion we have,” Librarian of Congress • The festival in photos, pages 6-7 the monuments and museums of the Mall James H. -
THE WORK of MICHAEL CHABON a Dissertation Submitted to Kent State
HISTORY, MYTH AND SECULARISM ACROSS THE “BORDERLANDS”: THE WORK OF MICHAEL CHABON A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy By Seth William Johnson May 2014 ! Dissertation written by Seth William Johnson B.A. University of Minnesota, Duluth, USA, 2000 M.A. Minnesota State University, Mankato, USA, 2006 Ph.D. Kent State University, 2014 Approved by, Lewis Fried, Chair, Doctoral Dissertation Committee Babacar M’Baye, Committee Member Yoshinobu Hakutani, Committee Member Sara Newman, Committee Member Carol Salus, Committee Member Accepted by, Robert W. Trogdon, Chair, Department of English Raymond Craig, Associate Dean, College of Arts and Sciences ! ii! ! TABLE OF CONTENTS DEDICATION…………………………………………………………………………….v ACKNOWLEDGMENTS………………………………………………………………..vi CHAPTER 1: Introduction……..…………………………………………………………1 1.1 Reading Michael Chabon……………………………………………………………1 1.2 American Jews and Insider/Outsider………………………………………………14 1.3 The Borderlands……………………………………………………………………17 1.4 The Argument……………………………………………………………………...24 CHAPTER 2: “One More Pittsburgh Heartache”: The Evolution of Identity in The Mysteries of Pittsburgh…………………………………………………………………..29 2.1 Discovering Art Bechstein…………………………………………………………36 2.2 Cleveland: Looking Out and Looking In…………………………………………..47 2.3 The Generation Gap………………………………………………………………..53 CHAPTER 3: Wonder Boys: A Portrait of the Artist……………………………………65 3.1 A Portrait of the Artist……………………………………………………………..71 3.2 “A Religion of Choice”…………………………………………………………….84 -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
"The Writer in the Family" by E.L. Doctorow
N a r r a t i v e M a g a z i N e . c o M The Writer in the Family A STORY BY E. L. DOCTOROW IN 1955 my father died with his ancient mother still alive in a nursing home. The old lady was ninety and hadn’t even known he was ill. Thinking the shock might kill CRAMPTON her, my aunts told her that he had moved to NANCY E. L. Doctorow’s varied Arizona for his bronchitis. To the immigrant body of work explores generation of my grandmother, Arizona was the the fantasy and reality American equivalent of the Alps, it was where you went of the American soul. His vibrant novels for your health. More accurately, it was where you illuminate key eras, went if you had the money. Since my father had failed including the Civil War in all the business enterprises of his life, this was the (The March), Prohibition (Billy Bathgate), the aspect of the news my grandmother dwelled on, that he Depression (Loon Lake), had finally had some success. And so it came about that McCarthyism (The Book as we mourned him at home in our stocking feet, my of Daniel), and the Jazz Age (Ragtime). He is grandmother was bragging to her cronies about her also the author of four son’s new life in the dry air of the desert. story collections, includ- My aunts had decided on their course of action ing All the Time in the World (2011). Doctorow’s without consulting us.