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TN Bluesletter Week 10 080310.Cdr
(About the Blues continued) offered rich, more complex guitar parts, the beginnings of a blues trend towards separating lead guitar from rhythm playing. Shows begin at 6:30 unless noted Texas acoustic blues relied more on the use of slide, In case of inclement weather, shows will be held just down the and artists like Lightnin' Hopkins and Blind Willie street at the Grand Theater, 102 West Grand Avenue. Johnson are considered masters of slide guitar. Other June 1 Left Wing Bourbon local and regional blues scenes - from New Orleans MySpace.com/LeftWingBourbon June 8 The Pumps to Atlanta, from St. Louis to Detroit - also left their mark ThePumpsBand.com on the acoustic blues sound. MySpace.com/ThePumpsBand When African-American musical tastes began to June 15 The Blues Dogs change in the early-1960s, moving towards soul and August 3, 2010 at Owen Park MySpace.com/SteveMeyerAndTheBluesDogs rhythm & blues music, country blues found renewed June 22 Pete Neuman and the Real Deal popularity as the "folk blues" and was sold to a PeteNeuman.com June 29 Code Blue with Catya & Sue primarily white, college-age audience. Traditional YYoouunngg BBlluueess NNiigghhtt Catya.net artists like Big Bill Broonzy and Sonny Boy Williamson July 6 Mojo Lemon reinvented themselves as folk blues artists, while MojoLemon.com Piedmont bluesmen like Sonny Terry and Brownie MySpace.com/MojoLemonBluesBand McGhee found great success on the folk festival July 13 Dave Lambert DaveLambertBand.com circuit. The influence of original acoustic country July 20 Deep Water Reunion blues can be heard today in the work of MySpace.com/DWReunion contemporary blues artists like Taj Mahal, Cephas & July 27 The Nitecaps Wiggins, Keb' Mo', and Alvin Youngblood Hart. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Willa Cather and American Arts Communities
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2004 At the Edge of the Circle: Willa Cather and American Arts Communities Andrew W. Jewell University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jewell, Andrew W., "At the Edge of the Circle: Willa Cather and American Arts Communities" (2004). Dissertations, Theses, and Student Research: Department of English. 15. https://digitalcommons.unl.edu/englishdiss/15 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES by Andrew W. Jewel1 A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska August, 2004 DISSERTATION TITLE 1ather and Ameri.can Arts Communities Andrew W. Jewel 1 SUPERVISORY COMMITTEE: Approved Date Susan J. Rosowski Typed Name f7 Signature Kenneth M. Price Typed Name Signature Susan Be1 asco Typed Name Typed Nnme -- Signature Typed Nnme Signature Typed Name GRADUATE COLLEGE AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES Andrew Wade Jewell, Ph.D. University of Nebraska, 2004 Adviser: Susan J. -
Lawyers in Willa Cather's Fiction, Nebraska Lawyer
Lawyers in Willa Cather’s Fiction: The Good, The Bad and The Really Ugly by Laurie Smith Camp Cather Homestead near Red Cloud NE uch of the world knows Nebraska through the literature of If Nebraska’s preeminent lawyer and legal scholar fared so poorly in Willa Cather.1 Because her characters were often based on Cather’s estimation, what did she think of other members of the bar? Mthe Nebraskans she encountered in her early years,2 her books and stories invite us to see ourselves as others see us— The Good: whether we like it or not. In “A Lost Lady,”4 Judge Pommeroy was a modest and conscientious Roscoe Pound didn’t like it one bit when Cather excoriated him as a lawyer in the mythical town of Sweetwater, Nebraska. Pommeroy pompous bully in an 1894 ”character study” published by the advised his client, Captain Daniel Forrester,5 during Forrester’s University of Nebraska. She said: “He loves to take rather weak- prosperous years, and helped him to meet all his legal and moral minded persons and browbeat them, argue them down, Latin them obligations when the depression of the 1890's closed banks and col- into a corner, and botany them into a shapeless mass.”3 lapsed investments. Pommeroy appealed to the integrity of his clients, guided them by example, and encouraged them to respect Laurie Smith Camp has served as the rights of others. He agonized about the decline of ethical stan- Nebraska’s deputy attorney general dards in the Nebraska legal profession, and advised his own nephew for criminal matters since 1995. -
Disability and Music
th nd 19 November to 22 December UKDHM 2018 will focus on Disability and Music. We want to explore the links between the experience of disablement in a world where the barriers faced by people with impairments can be overwhelming. Yet the creative impulse, urge for self expression and the need to connect to our fellow human beings often ‘trumps’ the oppression we as disabled people have faced, do face and will face in the future. Each culture and sub-culture creates identity and defines itself by its music. ‘Music is the language of the soul. To express ourselves we have to be vibrating, radiating human beings!’ Alasdair Fraser. Born in Salford in 1952, polio survivor Alan Holdsworth goes by the stage name ‘Johnny Crescendo’. His music addresses civil rights, disability pride and social injustices, making him a crucial voice of the movement and one of the best-loved performers on the disability arts circuit. In 1990 and 1992, Alan co- organised Block Telethon, a high-profile media and community campaign which culminated in the demise of the televised fundraiser. His albums included Easy Money, Pride and Not Dead Yet, all of which celebrate disabled identity and critique disabling barriers and attitudes. He is best known for his song Choices and Rights, which became the anthem for the disabled people’s movement in Britain in the late 1980s and includes the powerful lyrics: Choices and Right That’s what we gotta fight for Choices and rights in our lives I don’t want your benefit I want dignity from where I sit I want choices and rights in our lives I don’t want you to speak for me I got my own autonomy I want choices and rights in our lives https://youtu.be/yU8344cQy5g?t=14 The polio virus attacked the nerves. -
Our Kind of People: Social Status and Class Awareness in Post -Reconstruction African American Fiction
OUR KIND OF PEOPLE: SOCIAL STATUS AND CLASS AWARENESS IN POST -RECONSTRUCTION AFRICAN AMERICAN FICTION Andreá N. Williams A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English Chapel Hill 2006 Approved by Advisor: William L. Andrews Reader: James W. Coleman Reader: Philip F. Gura Reader: Trudier Harris Reader: Jane F. Thrailkill © 2006 Andreá N. Williams ALL RIGHTS RESERVED ii ABSTRACT ANDREÁ N. WILLIAMS: Our Kind of People: Social Status and Class Awareness in Post -Reconstruction African American Fiction (Under the dir ection of William L. Andrews) Postbellum African American fiction provides an index to the complex attitudes toward social status and class divisions that arose within post -Civil War black communities. As I argue, African American narratives in the last quarter of the nineteenth century encode the discourse of class in discussions of respectability, labor, and discrimination. Conceiving of class as a concept that does not necessarily denote economic conditions, both well -known and largely ignored narrativ es of the period emphasize moral and ideological parameters for judging social distinctions. Writers theorize whether intraracial class stratification thwarts black sociopolitical advancement, fracturing black communities from within, or conversely, foster s racial uplift led by the black “better class.” Though the fiction variably delineates social classes, each of the texts under study in Our Kind of People imagines classification as an inevitable and useful means of reforming the turn -of-the-century Ameri can social order. Subverting the class disparity spurred by Gilded Age materialism, Frances E. -
Information to Users
INFORMATION TO USERS This manuscripthas been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affectreproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sectionswith small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back ofthe book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI .. A Bell & Howell mtorrnauon Company 300 North Zeeb Road. Ann Arbor. MI48106-1346 USA 313!761-47oo 800:521-0600 Getting Back to Their Texts: A Reconsideration of the Attitudes of Willa Cather and Hamlin Garland Toward Pioneer Li fe on the Midwestern Agricultural Frontier A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHJLOSOPHY IN ENGLISH AUGUST 1995 By Neil Gustafson Dissertation Committee: Mark K. -
Transportation and Literature
TitleView Page metadata, - Transportation citation and and similar Literature papers at core.ac.uk brought to you by CORE provided by University of Minnesota Digital Conservancy Transportation through the Lens of Literature The Depiction of Transportation Systems in American Literature from 1800 to the Present in the Form of an Annotated Bibliography by Donald Ross, Stephanie Athey, and Capper Nichols University of Minnesota [email protected] You can examine this site by reading through the chapters, Chapters by decade beginning with the early 1800.htms, or you can use one of these indexes. The Early 1800.htms The 1830s Table of Contents (The entries in the order in The 1840s which they appear in the chapters) The 1850s The 1860s Indexes The 1870s The 1880s Subject index (Transportation systems The 1890s and the people involved) The 1900s Place index (States and major cities The 1910s mentioned in the entries) The 1920s Author index The 1930s The 1940s The Introduction is an essay which explains the rationale The 1950s for the project and gives an overview of some of the The 1960s general conclusion. The 1970s The 1980s How to read the chapters and entries The annotations are arranged chronologically, by the decade of the setting. 24 (Entry number) Author: Name, followed by birth and death dates Title: Name ("In" = a larger work, e.g., a short story or poem in a collection) Date: of first publication ("Written" = date is significantly different Systems: train, automobile, etc. Context: "Contemporary" with the publication date or specific dates, followed usually with a locale, and sometimes a comment on perspective The entry comes here. -
Troll Garden and Selected Stories
Troll Garden and Selected Stories Willa Cather The Project Gutenberg Etext of The Troll Garden and Selected Stories, by Willa Cather. Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Troll Garden and Selected Stories by Willa Cather. October, 1995 [Etext #346] The Project Gutenberg Etext of The Troll Garden and Selected Stories, by Willa Cather. *****This file should be named troll10.txt or troll10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, troll11.txt. VERSIONS based on separate sources get new LETTER, troll10a.txt. This etext was created by Judith Boss, Omaha, Nebraska. The equipment: an IBM-compatible 486/50, a Hewlett-Packard ScanJet IIc flatbed scanner, and Calera Recognition Systems' M/600 Series Professional OCR software and RISC accelerator board donated by Calera Recognition Systems. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. -
Ralph Raymond's Heir
January-February 2010The horatioNEWSBOY Alger Society Page 1 OFFICIAL PUBLICATION A magazine devoted to the study of Horatio Alger, Jr., his life, works, and influence on the culture of America. VOLUME XLVIII JANURY-FEBRUARY 2010 NUMBER 1 Ralph Raymond’s Heir Gleason’s Pictorial Novelettes or, clues to an Alger first edition -- See Page 3 ‘In a New Hampshire World’ Places to visit ... things to do -- See Page 9 Page 2 NEWSBOY January-February 2010 HORATIO ALGER SOCIETY To further the philosophy of Horatio Alger, Jr. and to encourage the spirit of Strive & Succeed that for half a century guided Alger’s undaunted heroes. Our members conduct research and provide schol- President's column arship on the life of Horatio Alger, Jr., his works and influence on the culture of America. The Horatio Alger Society embraces collectors and enthusiasts of all juvenile literature, including boys’ and girls’ series, pulps and dime novels. Spring is here! The sun is shining, the weather is OFFICERS warm, and most of us have set our clocks forward. I LAWRENCE R. RICE PRESIDENT enjoy Winter with its cold temperatures and snow, but ROBERT G. SIPES VICE-PRESIDENT am always ready for Spring. Of course, after mowing the CHRISTINE DeHAAN TREASURER yard all Summer long, I am always ready for Winter. ROBERT E. KASPER EXECUTIVE DIRECTOR Oh, the joy of living in Indiana, where seasons change ROBERT PETITTO (2010) DIRECTOR and basketball reigns supreme. I hope your favorite BARRY SCHOENBORN (2010) DIRECTOR teams win their NCAA Championship basketball games, MARY ANN NYBERG (2010) DIRECTOR except when they play Purdue! ARTHUR W. -
An Examination of Gender and Subjectivity in Hubert Selby
OBSCENITY, GENDER, AND SUBJECTIVITY OBSCENITY, GENDER, AND SUBJECTIVITY: AN EXAMINATION OF GENDER AND OBSCENITY IN HUBERT SELBY JR.'S LAST EXIT TO BROOKLYN, GLORIA NAYLOR'S THE WOMEN OF BREWSTER PLACE, AND NTOZAKE SHANGE'S FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE WHEN THE RAINBOW IS ENUF BY BRUCE ROBERT ALLAN LORD, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University (c) Copyright by Bruce R.A. Lord, September 1991 MASTER OF ARTS (1991) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: Obscenity, Gender, and Subjectivity: An Examination of Gender and Subjectivity in Hubert Selby Jr.'s Last Exit to Brooklyn, Gloria Naylor's The Women of Brewster Place, and Ntozake Shange's for colored girls who have considered suicide when the rainbow is enuf AUTHOR: Bruce Robert Allan Lord, B.A. (University of Western Ontario) SUPERVISOR: Dr. Mary O'Connor NUMBER OF PAGES: vi, 87 ii Abstract This thesis examines how obscenity can be used either to maintain or to challenge gender stereotypes. Though this thesis focuses on only three texts, the questions raised concerning the relation between obscenity, gender, and subjectivity have wide applications. The primary theory applied here is a feminist poststructuralism which sees gender as socially constructed through language. According to poststructuralism, everything is formed socially or culturally through language. This includes the realities people experience of themselves and their surroundings; therefore, the language used to describe, and ultimately to construct, gender, is extremely important for a feminist critique of gender construction in our patriarchal society. -
“It's Gonna Be Some Drama!”: a Content Analytical Study Of
“IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by SIOBHAN E. SMITH Dr. Jennifer Stevens Aubrey, Dissertation Supervisor DECEMBER 2010 © Copyright by Siobhan E. Smith 2010 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL presented by Siobhan E. Smith, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Jennifer Stevens Aubrey Professor Elizabeth Behm-Morawitz Professor Melissa Click Professor Ibitola Pearce Professor Michael J. Porter This work is dedicated to my unborn children, to my niece, Brooke Elizabeth, and to the young ones who will shape our future. First, all thanks and praise to God, from whom all blessings flow. For it was written: “I can do all things through Christ which strengthens me” (Philippians 4:13). My dissertation included! The months of all-nighters were possible were because You gave me strength; when I didn’t know what to write, You gave me the words. And when I wanted to scream, You gave me peace. Thank you for all of the people you have used to enrich my life, especially those I have forgotten to name here.