“Hayao Miyazaki's World”

Total Page:16

File Type:pdf, Size:1020Kb

“Hayao Miyazaki's World” “Hayao Miyazaki’s World” ‘Best of’ Booklet Japan in Today’s World Program (JTW) Professor Tamah Nakamura Edited by Bobby Recinos and Hiroshi Kudo – February 2013 “In Japan, Miyazaki Hayao is more than just an animation director, he is a thinker and a philosopher” Acknowledgements I would like to express my deep appreciation for Professor Tamah Nakamura who kindly allowed me to undertake this project together with Bobby Recinos. Her heartfelt instruction and encouragement drew out the best of us. Bobby always showed will to express his deeper thoughts far and wide. He studied the essays and advanced this project earnestly. I appreciate his advice. Also, I thank all of the students of the class for their outstanding work. This booklet is theirs. Finally, I want to credit Kyushu University and the JTW (Japan in Today’s World) office at that school for their unconditional support. Hiroshi Kudo Editor My sincere gratitude goes out to professor Tamah Nakamura for inspiring us through word and action to pursue this humble yet valuable enterprise. Your skill and sensibility guided us along the way. Certainly, without her, there would be no “Best of Hayao Miyazaki’s World”. To my colleague and partner in this venture, Hiro-San, I thank deeply for opening the path that led to this project. Your experience, knowledge and selflessness were the key for completing it. I feel privileged to have been able to share the experience of the JTW course “Miyazaki, Hayao’s World” with many beautiful minds from around the world, without whom this booklet would have been impossible to consider. I particularly cherish the time I spent together with my friend Mark Solis, as he would later introduce me to this fantastic program and to Nakamura-Sensei. I want to thank Kyushu University and the JTW office for trusting our abilities and judgment to put this together and kindly allowing us to make use of their resources. Finally, I cannot help but express my most heartfelt appreciation for this magical country and its people. The biggest thank you of all, however, goes to life for allowing me to be in the right place at the right time. Roberto “Bobby” Recinos Editor Contents Introduction By Hiroshi Kudo and Bobby Recinos I. My Neighbor Totoro となりのトトロ Tonari no Totoro 1. A Reflection on Ecologism in Miyazaki’s Work 2. Totoro as a Neighbor: Spirituality through Simple Shinto and the Nostalgia of Furusato 3. The Importance of Nature-Centric Spirituality 4. The Search for Roots: Creating a Hybrid Modern Myth though Totoro 5. Interpreting Totoro through the lens of Jungian Psychology 6. Spirituality in Totoro Represented through Miyazaki’s Divine Feminine 7. Totoro as More than Religious Spirituality 8. Shintoism and Entertainment 9. Religious, Unreal and Natural Spirituality 10. Religious Symbols in My Neighbor Totoro 11. Exploring the many Notions of Furusato Japan 12. Shinto Consciousness and the Fundamental Connection 13. Childhood Memories as Japanese Spirituality 14. Religious Imagery in Totoro: A Mere Reflection of Everyday Japan II. Nausicaä of the Valley of the Wind 風の谷のナウシカ Kaze no Tani no Naushika 1. Harmonization of Humanity and the Natural World through the Spirit of Motherhood 2. The Clash of Species and the Deceit of Human Progress 3. Nausicaä and the Ancient Elements of Nature 4. Rediscovering the Koshinto ways and the Spirits of Nature 5. A Crossing of Boundaries: Deconstructing the Illusion of Opposites 6. On Nature, Human Nature and the State of Nature 7. Nausicaä and Kushana: Princesses of Symbols 8. A Reflection on a Nuclear World Order, the Natural Realm and the Spirit of Mankind 9. Interpreting Nausicaä through the Principle of Gaia 10. Mankind’s lost Sensibility and the Current state of Disconnectedness 11. Wakefulness and Contemplation: Healing through the Voices of Nature 12. The Purity of Princess Nausicaä: The Idealization of Mankind 13. The Jungle in the World of Nausicaä as a Symbolic Extension of the Human Body 14. Miyazaki’s Developing Ambivalence Portrayed III. Princess Mononoke もののけ姫 Mononoke-Hime 1. A Word on Miyazaki’s Evolving Worldview as Revealed in Mononokehime 2. The Materialization of Miyazaki’s Influences: A Consideration of the Notions that Surround Modern Japanese National Identity 3. The Medium is the Message: Weaving the Historical Fabric through Fantasy 4. Japanese Contemporary Identity Paradoxes Mirrored in the Conflicting Aspects Between Mythology and History 5. The Legend of Princess Mononoke 6. Princess Mononoke’s Structure as Defined by Claude Levi-Strauss’s Idea of Binary Oppositions 7. Richness of Symbols through Words and Imagery and the Current State of Mankind 8. On the Importance of Nature and Love 9. The Many Myths of Mononoke-hime Revealed 10. Fusing Opposites Together to Tell a Universal Story: There and Back Again 11. Gendered Representations in Princess Mononoke 12. A Historical Examination of Princess Mononoke’s Setting 13. Revisiting Shoku Nihongi’s Mythological Accounts through Princess Mononoke IV. Spirited Away 千と千尋の神隠し Sen to Chihiro no Kamikakushi 1. A Noble Aim: Building the Foundation for a Healthy Sense of Identity Since Childhood 2. Heroic Humility and the Plague of Greed 3. Inner Self-Discovery through an Epic Outer Journey in Spirited Away and a Commentary on Gender Identity 4. The Haunting of the Past: Specters, Alternative Space-Time, and the Logic of the Imaginary 5. The Concepts of Self, Identity and Hope in Spirited Away 6. The Last Link in the Chain of Miyazaki’s Criticism? 7. The Dangers to Self and Identity Amid Raging Capitalism 8. Lost In Translation: A Swedish Interpretation of a Japanese Master Craft V. Other Outstanding Contributions (Only found in hard copy. Ask JTW office) 1. A look into other Works by the Master Storyteller: An Axiomatic Approach to the Analysis of Howl’s Moving Castle, Porco Rosso and Laputa: Castle In the Sky 2. Recurring Themes and Symbolic Imagery in the Works of Miyazaki Hayao: The Examples of Princess Mononoke and Spirited Away 3. Distinctive Use of Gender Archetypes by Studio Ghibli vis-à-vis Disney Animation Studios 4. Historical Spiritualized Gender Ideologies in Miyazaki's Works 5. Jomon, Yayoi, Emishi and Ainu: A Historical Account Introduction to “The Best of Miyazaki Hayao's World” By Hiroshi Kudo Hayao Miyazaki (宮崎駿) was born in 1941. After he graduated from university, he joined Toei Animation in 1963. The company was the only studio able to produce animation feature films. There, Miyazaki was presented with the chance to work with extraordinary senior animators such as Yasuji Mori, Yasuo Otsuka, Isao Takahata and Yoichi Kotabe. Of special significance was Miyazaki’s work and learning process with Isao Takahata. An early collaboration between the two resulted in the birth of the TV animation series, Heidi, Girl of the Alps (1974), which enjoyed high interest from audiences. The nature of the program’s scenography (western settings) came from Takahata but we can already see Miyazaki’s strong hand in that work, which he later built on when producing such features as as Kiki’s Delivery Service, Porco Rosso and Howl’s Moving Castle. In 1978, the cannon of Japanese animation was greatly enriched by a new TV series that would influence the field ever after: Future Boy Conan directed by Miyazaki himself. Fans and executives started identifying his name with the idea of “good quality animation” thanks to Conan and his previous work in Hols: Prince of the Sun (1968), Lupin Ⅲ (1971) and Heidi (1974). They recognized Miyazaki as Takahata’s chief assistant director, because he had been working as key animator and/or scene designer since before the days of Conan. What came next would change anime forever: In 1984 Hayao Miyazaki directed Nausicaa of Valley of the Wind, and with it, established the foundation of what would soon become Studio Ghibli. Isao Takahata has been his partner in this extraordinary venture ever since. Additionally, producer Toshio Suzuki, then Animage magazine head editor, believed in the project and provided invaluable support and access to significant social capital. Looking back into Japanese animation history, we can think of several great directors, but I believe that Hayao Miyazaki is the best one among them. His ideas, story development, depth of thought and rich backgrounds are all extraordinary even amidst the best creators and creations. Furthermore, he was able to break-through over the limits of the field of animation, and is now regarded as one of the greatest Japanese film directors ever, together with the likes of legends Akira Kurosawa, Shohei Imamura and Takeshi Kitano. Today, his talent is admired worldwide. In fact, a central interest of mine is to understand why Miyazaki is so appreciated and followed internationally. Although there are many popular domestic directors, most of them have not succeeded in projecting themselves overseas. After going through this selection of best essays, I can better comprehend the reasons why Miyazaki has. His stories develop in unexpected ways; his themes are common to every country and people, yet his worldview is based on Japanese national culture. But his ‘nationalism’ is very peculiar. It means identity based on his own personal roots, and not narrow ethnocentric discourse. In this way, genuine nationalism becomes compatible with genuine internationalism. Inside this booklet, you will find a series of short essays, which show perspectives usually not familiar to native Japanese people –as they view Miyazaki’s cultural elements as obvious and natural- yet at the same time, reveal a deep knowledge of Japanese society, culture and history as well as a strong connection with the master storyteller’s purpose. Through this compilation, you will find that Miyazaki and his films are analyzed and described from a multidisciplinary perspective (sociology, psychology, political science, law and so on) and seen though varied theoretical lenses (Jungian Psychoanalysis, Structuralism, Marxism etc.) including distinctive considerations linked with each student’s home culture.
Recommended publications
  • Men and Masculinities in the Changing Japanese Family
    Thesis for Doctor of Philosophy in Asian & Middle Eastern Studies Men and Masculinities in the Changing Japanese Family by Hiroko Umegaki Lucy Cavendish College Submitted November 2017 This dissertation is submitted for the degree of Doctor of Philosophy in Asian & Middle Eastern Studies provided by Apollo View metadata, citation and similar papers at core.ac.uk CORE brought to you by 1 Preface This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit of the relevant Degree Committee. 2 Acknowledgments Without her ever knowing, my grandmother provided the initial inspiration for my research: this thesis is dedicated to her. Little did I appreciate at the time where this line of enquiry would lead me, and I would not have stayed on this path were it not for my family, my husband, children, parents and extended family: thank you.
    [Show full text]
  • Constructing and Consuming an Ideal in Japanese Popular Culture
    Running head: KAWAII BOYS AND IKEMEN GIRLS 1 Kawaii Boys and Ikemen Girls: Constructing and Consuming an Ideal in Japanese Popular Culture Grace Pilgrim University of Florida KAWAII BOYS AND IKEMEN GIRLS 2 Table of Contents Abstract………………………………………………………………………………………..3 Introduction……………………………………………………………………………………4 The Construction of Gender…………………………………………………………………...6 Explication of the Concept of Gender…………………………………………………6 Gender in Japan………………………………………………………………………..8 Feminist Movements………………………………………………………………….12 Creating Pop Culture Icons…………………………………………………………………...22 AKB48………………………………………………………………………………..24 K-pop………………………………………………………………………………….30 Johnny & Associates………………………………………………………………….39 Takarazuka Revue…………………………………………………………………….42 Kabuki………………………………………………………………………………...47 Creating the Ideal in Johnny’s and Takarazuka……………………………………………….52 How the Companies and Idols Market Themselves…………………………………...53 How Fans Both Consume and Contribute to This Model……………………………..65 The Ideal and What He Means for Gender Expression………………………………………..70 Conclusion……………………………………………………………………………………..77 References……………………………………………………………………………………..79 KAWAII BOYS AND IKEMEN GIRLS 3 Abstract This study explores the construction of a uniquely gendered Ideal by idols from Johnny & Associates and actors from the Takarazuka Revue, as well as how fans both consume and contribute to this model. Previous studies have often focused on the gender play by and fan activities of either Johnny & Associates talents or Takarazuka Revue actors, but never has any research
    [Show full text]
  • Here Comes Television
    September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business.
    [Show full text]
  • Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album
    as a MICHIGAN'S LGBTQ+ NEWS SOURCE SINCE 1993 SUMMER OF PRIDE BOY FROM MICHIGAN John Grant on His Most Personal Album Yet PLUS LIVE SHOWS RETURN A Local Assault on 11 Must-See Artists Two Gay Men. Now, Coming To Town How to Heal The Queer Music Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album PRIDESOURCE.COM JULY 8, 2021 | VOL. 2928 | FREE 18 24 28 2 BTL | July 8, 2021 www.PrideSource.com 4 5 Queer Things You Can Do Right Now 6 Spotify Commissions Ruth Ellis Center Mural to Celebrate Queer Community VOL. 2928 • JULY 8, 2021 ISSUE 1178 10 Affirmations Telethon and Funding Campaign Raises $125,775, Jay Kaplan PRIDE SOURCE MEDIA GROUP Wins Jan Stevenson Award www.pridesource.com 10 How Do We Heal After an Anti-LGBTQ+ Hate Crime? Phone 734-263-1476 PUBLISHERS 12 Outed on the Job: Lesbian Prison Officer Sues Michigan Prison System Benjamin Jenkins Following ‘Horrible’ Harassment [email protected] 18 Publishers Emeritus: Jan Stevenson & Susan Horowitz 12 Transmissions: Musing on Loss DIRECTOR OF OPERATIONS 13 Parting Glances: OZ Updated Tom Wesley [email protected] 14 Michigan Supreme Court to Decide on Elliott-Larsen Civil Rights Case EDITORIAL Editorial Director 16 As Masc Lesbian As She Wants to Be Chris Azzopardi [email protected] 18 At Long Last, Live Shows Return to Michigan News & Feature Editor Eve Kucharski 20 John Grant on His Most Personal Album Yet [email protected] 22 Keep Your Pride Season Going News & Feature Writers With These 8 Queer Artists (and Allies Lawrence Ferber, Ellen Knoppow, Jason A.
    [Show full text]
  • Biophilia, Gaia, Cosmos, and the Affectively Ecological
    vital reenchantments Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) vital reenchantments: biophilia, gaia, cosmos, and the affectively ecological. Copyright © 2019 by Lauren Greyson. This work carries a Creative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/li- censes/by-nc-sa/4.0/ First published in 2019 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-950192-07-6 (print) ISBN-13: 978-1-950192-08-3 (ePDF) lccn: 2018968577 Library of Congress Cataloging Data is available from the Library of Congress Editorial team: Casey Coffee and Eileen A.
    [Show full text]
  • The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
    The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子.
    [Show full text]
  • How the Filmography of Hayao Miyazaki Subverts Nation Branding and Soft Power
    View metadata, citation and similarbrought COREpapers to youat core.ac.ukby provided by University of Tasmania Open Access Repository 1 Wings and Freedom, Spirit and Self: How the Filmography of Hayao Miyazaki Subverts Nation Branding and Soft Power Shadow (BA Hons) 195408 Submitted in fulfilment of the requirements for the Degree of Masters of Journalism, Media and Communications University of Tasmania June, 2015 2 Declaration of Originality: This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of the my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. X Shadow Date: 6/10/2015 Authority of Access: This thesis may be made available for loan and limited copying and communication in accordance with the Copyright Act 1968. X Shadow Date: 6/10/2015 3 Declaration of Copy Editing: Professional copy was provided by Walter Leggett to amend issues with consistency, spelling and grammar. No other content was altered by Mr Leggett and editing was undertaken under the consent and recommendation of candidate’s supervisors. X Shadow Date: 6/10/2015 4 Contents Abstract ...................................................................................................................................... 7 CHAPTER 1 .............................................................................................................................
    [Show full text]
  • Download the Program (PDF)
    ヴ ィ ボー ・ ア ニ メー シ カ ョ ワ ン イ フ イ ェ と ス エ ピ テ ッ ィ Viborg クー バ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P.
    [Show full text]
  • Hayao Miyazaki Film
    A HAYAO MIYAZAKI FILM ORIGINAL STORY AND SCREENPLAY WRITTEN AND DIRECTED BY HAYAO MIYAZAKI MUSIC BY JOE HISAISHI THEME SONGS PERFORMED BY MASAKO HAYASHI AND FUJIOKA FUJIMAKI & NOZOMI OHASHI STUDIO GHIBLI NIPPON TELEVISION NETWORK DENTSU HAKUHODO DYMP WALT DISNEY STUDIOS HOME ENTERTAINMENT MITSUBISHI AND TOHO PRESENT A STUDIO GHIBLI PRODUCTION - PONYO ON THE CLIFF BY THE SEA EXECUTIVE PRODUCER KOJI HOSHINO PRODUCED BY TOSHIO SUZUKI © 2008 Nibariki - GNDHDDT Studio Ghibli, Nippon Television Network, Dentsu, Hakuhodo DYMP, Walt Disney Studios Home Entertainment, Mitsubishi and Toho PRESENT PONYO ON THE CLIFF BY THE SEA WRITTEN AND DIRECTED BY HAYAO MIYAZAKI Running time: 1H41 – Format: 1.85:1 Sound: Dolby Digital Surround EX - DTS-ES (6.1ch) INTERNATIONAL PRESS THE PR CONTACT [email protected] Phil Symes TEL 39 346 336 3406 Ronaldo Mourao TEL +39 346 336 3407 WORLD SALES wild bunch Vincent Maraval TEL +33 6 11 91 23 93 E [email protected] Gaël Nouaille TEL +33 6 21 23 04 72 E [email protected] Carole Baraton / Laurent Baudens TEL +33 6 70 79 05 17 E [email protected] Silvia Simonutti TEL +33 6 20 74 95 08 E [email protected] PARIS OFFICE 99 Rue de la Verrerie - 75004 Paris - France TEL +33 1 53 01 50 30 FAX +33 1 53 01 50 49 [email protected] PLEASE NOTE: High definition images can be downloaded from the ‘press’ section of http://www.wildbunch.biz SYNOPSIS CAST A small town by the sea. Lisa Tomoko Yamaguchi Koichi Kazushige Nagashima Five year-old Sosuke lives high on a cliff overlooking Gran Mamare Yuki Amami the Inland Sea.
    [Show full text]
  • Contemporary Life Stances and Education for Sustainable
    WWW.RE-NET.AC.UK PACK T8 AUTUMN 2005 Contemporar y Life Stances and Education for Sustainable Development CONTENTS A pack to support tutors new to RE initial teacher training by Robert Bowie Senior Lecturer in Religious Education, 1 Aims Canterbury Christ Church University 2 Part 1 - Pluralist and multi- disciplinary approaches to con- Contemporary Life Stances and Education for Sus- temporary life stances tainable Development 4 Part 2 - Non statutory guid- ance on RE and ESD Aims 7 Part 3 - Key Considerations The purpose of this pack is 11 Conclusion • to examine important themes for tutors to consider when preparing student teachers for teaching life 12 Appendix stances in Religious Education • to suggest ways in which tutors might encourage stu- 20 Acknowledgments dent teachers to look at the role Religious Education has for education for sustainable development • to identify important themes that RE tutors should refer to when supporting student teachers to teach about environmentalist life stances • to identify starting points for supporting pluralist and critically literate understandings of these topics in RE whether that be with a single religious tradition, across religious and non religious traditions or within a secular framework. RE-NET - CANTERBURY CHRIST CHURCH UNIVERSITY 1 WWW.RE-NET.AC.UK PACK T8 AUTUMN 2005 “Our biggest challenge in this new century is to take an idea that sounds abstract – sustainable de- velopment – and turn it into a reality for all the world’s people.” Kofi Annan, UN press release: SC/SM/7739 “Secretary General Calls for Break in Political Stalemate over Environmental Is- sues”, 15/03/01 Part 1 Pluralist and multi-disciplinary approaches to con- temporary life stances Many of the other induction packs have a focus on a principal UK religion.
    [Show full text]
  • Free-Digital-Preview.Pdf
    THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop.
    [Show full text]
  • A Voice Against War
    STOCKHOLMS UNIVERSITET Institutionen för Asien-, Mellanöstern- och Turkietstudier A Voice Against War Pacifism in the animated films of Miyazaki Hayao Kandidatuppsats i japanska VT 2018 Einar Schipperges Tjus Handledare: Ida Kirkegaard Innehållsförteckning Annotation ............................................................................................................................................... 3 1 Introduction .......................................................................................................................................... 4 1.1 Aim of the study ............................................................................................................................ 5 1.2 Material ......................................................................................................................................... 5 1.3 Research question .......................................................................................................................... 5 1.4 Theory ........................................................................................................................................... 5 1.4.1 Textual analysis ...................................................................................................................... 5 1.4.2 Theory of animation, definition of animation ........................................................................ 6 1.5 Methodology ................................................................................................................................
    [Show full text]