The Inner Shrine a Novel of Today

Total Page:16

File Type:pdf, Size:1020Kb

The Inner Shrine a Novel of Today 1 THE INNER SHRINE A NOVEL OF TODAY HARPER & BROTHERS NEW YORK AND LONDON M.C.M.I.X Copyright, 1908, 1909, by HARPER & BROTHERS. All rights reserved. Published May, 1909. I Though she had counted the strokes of every hour since midnight, Mrs. Eveleth had no thought of going to bed. When she was not sitting bolt upright, indifferent to comfort, in one of the stiff-backed, gilded chairs, she was limping, with the aid of her cane, up and down the long suite of salons, listening for the sound of wheels. She knew that George and Diane would be surprised to find her waiting up for them, and that they might even be annoyed; but in her state of dread it was impossible to yield to small considerations. She could hardly tell how this presentiment of disaster had taken hold upon her, for the beginning of it must have come as imperceptibly as the first flicker of dusk across the radiance of an afternoon. Looking back, she could almost make herself believe that she had seen its shadow over her early satisfaction in her son's marriage to Diane. Certainly she had felt it there before their honeymoon was over. The four years that had passed since then had been spent—or, at least, she would have said so now—in waiting for the peril to present itself. And yet, had she been called on to explain why she saw it stalking through the darkness of this particular June night, she would have found it difficult to give coherent statement to her fear. Everything about her was pursuing its normally restless round, with scarcely a hint of the exceptional. If life in Paris was working up again to that feverish climax in which the season dies, it was only what she had witnessed every year since the last days of the Second Empire. If Diane's gayety was that of excitement rather than of youth, if George's depression was that of jaded effort rather than of satiated pleasure, it was no more than she had seen in them at other times. She acknowledged that she had few facts to go upon—that she had indeed little more than the terrified prescience which warns the animal of a storm. There were moments of her vigil when she tried to reassure herself with the very tenuity of her reasons for alarm. It was a comfort to think how little there was that she could state with the definiteness of knowledge. In all that met the eye George's relation to Diane was not less happy than in the first days of their life together. If, on Diane's part, the spontaneity of wedded love had gradually become the adroitness of domestic tact, there was nothing to affirm it but Mrs. Eveleth's own power of divination. If George submitted with a blinder obedience than ever to each new extravagance of Diane's Parisian caprice, there was 2 nothing to show that he lived beyond his means but Mrs. Eveleth's maternal apprehension. His income was undoubtedly large, and, for all she knew, it justified the sumptuous style Diane and he kept up. Where the purchasing power of money began and ended was something she had never known. Disorder was so frequent in her own affairs that when George grew up she had been glad to resign them to his keeping, taking what he told her was her income. As for Diane, her fortune was so small as to be a negligible quantity in such housekeeping as they maintained— a poverty of dot which had been the chief reason why her noble kinsfolk had consented to her marriage with an American. Looking round the splendid house, Mrs. Eveleth was aware that her husband could never have lived in it, still less have built it; while she wondered more than ever how George, who led the life of a Parisian man of fashion, could have found the means of doing both. Not that her anxiety centred on material things; they were too remote from the general activities of her thought for that. She distilled her fear out of the living atmosphere around her. She was no novice in this brilliant, dissolute society, or in the meanings hidden behind its apparently trivial concerns. Hints that would have had slight significance for one less expert she found luminous with suggestion; and she read by signs as faint as those in which the redskin detects the passage of his foe across the grass. The odd smile with which Diane went out! The dull silence in which George came home! The manufactured conversation! The forced gayety! The startling pause! The effort to begin again, and keep the tone to one of common intercourse! The long defile of guests! The strangers who came, grew intimate, and disappeared! The glances that followed Diane when she crossed a room! The shrug, the whisper, the suggestive grimace, at the mention of her name! All these were as an alphabet in which Mrs. Eveleth, grown skilful by long years of observation, read what had become not less familiar than her mother- tongue. The fact that her misgivings were not new made it the more difficult to understand why they had focussed themselves to-night into this great fear. There had been nothing unusual about the day, except that she had seen little of Diane, while George had remained shut up in his room, writing letters and arranging or destroying papers. There had been nothing out of the common in either of them—not even the frown of care on George's forehead, or the excited light in Diane's eyes—as they drove away in the evening, to dine at the Spanish Embassy. They had kissed her tenderly, but it was not till after they had gone that it seemed to her as if they had been taking a farewell. Then, too, other little tokens suddenly became ominous; while something within herself seemed to say, "The hour is at hand!" The hour is at hand! Standing in the middle of one of the gorgeous rooms, she repeated the words softly, marking as she did so their incongruity to herself and her surroundings. The note of fatality jarred on the harmony of this well-ordered life. It was preposterous, that she, who had always been hedged round and sheltered by pomp and 3 circumstance, should now in her middle age be menaced with calamity. She dragged herself over to one of the long mirrors and gazed at her reflection pityingly. The twitter of birds startled her with the knowledge that it was dawn. From the Embassy George and Diane were to go on to two or three great houses, but surely they should be home by this time! The reflection meant the renewal of her fear. Where was her son? Was he really with his wife, or had the moment come when he must take the law into his own hands, after their French manner, to avenge himself or her? She knew nothing about duelling, but she had the Anglo-Saxon mother's dread of it. She had always hoped that, notwithstanding the social code under which he lived, George would keep clear of any such brutal senselessness; but lately she had begun to fear that the conventions of the world would prove the stronger, and that the time when they would do so was not far away. Pulling back the curtains from one of the windows, she opened it and stepped out on a balcony, where the long strip of the Quai d'Orsay stretched below her, in gray and silent emptiness. On the swift, leaden- colored current of the Seine, spanned here and there by ghostly bridges, mysterious barges plied weirdly through the twilight. Up on the left the Arc de Triomphe began to emerge dimly out of night, while down on the right the line of the Louvre lay, black and sinister, beneath the towers and spires that faintly detached themselves against the growing saffron of the morning. High above all else, the domes of the Sacred Heart were white with the rays of the unrisen sun, like those of the City which came down from God. It was so different from the cheerful Paris of broad daylight that she was drawing back with a shudder, when over the Pont de la Concorde she discerned the approach of a motor-brougham. Closing the window, she hurried to the stairway. It was still night within the house, and the one electric light left burning drew forth dull gleams from the wrought-metal arabesques of the splendidly sweeping balustrades. When, on the ringing of the bell, the door opened and she went down, she had the strange sensation of entering on a new era in her life. Though she recalled that impression in after years, for the moment she saw nothing but Diane, all in vivid red, in the act of letting the voluminous black cloak fall from her shoulders into the sleepy footman's hands. "Bonjour, petite mère!" Diane called, with a nervous laugh, as Mrs. Eveleth paused on the lower steps of the stairs. "Where is George?" She could not keep the tone of anxiety out of her voice, but Diane answered, with ready briskness: "George? I don't know. Hasn't he come home?" "You must know he hasn't come home. Weren't you together?" "We were together till—let me see!—whose house was it?—till after the cotillon at Madame de Vaudreuil's. He left me there and went to the 4 Jockey Club with Monsieur de Melcourt, while I drove on to the Rochefoucaulds'." She turned away toward the dining-room, but it was impossible not to catch the tremor in her voice over the last words.
Recommended publications
  • Beyond Reach
    Beyond Reach By Robert Denton III At least the tea was good. A minor point in the Kaiu lands’ favor, but at this point Asako Tsuki would accept any comfort she could find. The weeks of travel had been one trial after the next. The sprawling tea farms and marshy rice paddies of the Quiet Wind Plain had been an oasis among the dingy, unwelcoming Crab provinces. Her assignment, while lacking prestige, could raise Tsuki’s position in the clan. But truth be told, she didn’t want to be here. The tether to her heart was being pulled, far north to her cozy little nook in the Meiyoko District library, a small desk littered with melted wax, a window overlooking the Bay of the Golden Sun, and a scroll containing the ninth-century biography of the folk hero Shiba Katsue, whose precious text faded a little more each day, begging for transcription onto paper that wasn’t deteriorating. I should be there, not here, she thought, trying not to imagine how many such transcriptions would greet her when she finally returned. It could be days before she caught up. The woman before her cleared her throat, and Tsuki brought herself back to her present surroundings: an austere room in a Kaiu tower in a small keep whose name she’d already forgotten. “I regret that I cannot approve your request,” Kaiu Hitsuko said. She was a stark-looking woman with brown eyes and faint sideburns, and a smile that never touched her eyes. “Even if we knew the Kuni daimyō’s current location, travel through the southern provinces has been restricted lately.
    [Show full text]
  • Chart Book Template
    Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • Lets Just Say It Wasnt Pretty PDF Book
    LETS JUST SAY IT WASNT PRETTY PDF, EPUB, EBOOK Diane Keaton | 224 pages | 29 Apr 2014 | Random House USA Inc | 9780812994261 | English | New York, United States Lets Just Say it Wasnt Pretty PDF Book To a ten-year-old girl, that meant President Lincoln was ugly. She is, after all, a woman who enjoyed a famous affair with Warren Beatty during his Adonis-like prime. More Entertainment. A delightful read that covered a lot of territory in a few pages, I will save this one for a reread…of some of the sections, at least. I am along with Diane, a part of a generation that I am proud to be part of. Let's Just Say it Wasn't Pretty. It was like reading someone's diary and almost fell into the category of "gibberish". It was a very odd experience and made me wax nostalgic to hear it again as well as Ms. An obsession? Javascript is not enabled in your browser. So why has a woman with so little vanity devoted such time and effort to pursuing beauty? Before a particularly emotional scene, I took it out, unfolded Warren, and touched his face with my fingers. I wish you'd left off with Then Again, which was actually a touching four-star read that cemented my support for your work. We are experiencing technical difficulties. In Let's Just Say It Wasn't Pretty, she shares the wisdom she's accumulated through the years as a mother, daughter, actress, artist, and international style icon. That stood out with particular intensity during our bittersweet breakup.
    [Show full text]
  • Diane Pennica, Ph.D
    Regional Oral History Office University of California The Bancroft Library Berkeley, California Program in the History of the Biological Sciences and Biotechnology Diane Pennica, Ph.D. t-PA AND OTHER RESEARCH CONTRIBUTIONS AT GENENTECH Interviews Conducted by Sally Smith Hughes, Ph.D. in 2003 Copyright © 2004 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of northern California, the West, and the nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Diane Pennica dated August 6, 2003. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • Scanned Image
    Index Bubbling A -Z guide to producers UnderSingles 101-150 and publishers 4 FROM 101 LOVE SONG CHAS & DAVE (ROCKNEY KOR AMOR RAMON ARCUSA (LATIN-AMERICAN/SOUTHERN) 57 16) ANNIE GET YOUR GUN ALAN TARNEY IRONDORI 65 ANNIE, I'M NOT YOUR DADDY AUGUST DARNELL (ISLAND) 31 102 LET'S GO TO BED CURE (FICTION FICSIX) BACK ON THE CHAIN GANG CHRIS THOMAS (HYNDE HOUSE OF 17) HITS/CLIVE BANKS/ ATV) 46 103 SHAME AND SCANDAL CLINT EASTWOOD BACK TO LOVE 1152 & GENERAL SAINT (GREENSLEEVES BE PROUD, BE LOUD IRE HEARD) NICK TAUBER (SWEET 'N. SOUR) (12)OINK 3) H3 104 DEVIL OR ANGEL BILLY FURY (POLYDOR BEST YEARS OF OUR LIVES TONY VISCONTI (APRIL/BUSINESS TODD ARTS) 42 POSP 528) BEWARE BOYFRIEND TONY MANSFIELD (WARNER BROS149 105 CHEERS THEN BANANARAMA (LONDON CACHARPAYA 0 93 NANAINANX) 3) CARIOCA MIKE CHAPMAN (REFORMATION) 96 106 I.G.Y. DONALD FAGEN (WARNER BROS CAROLINE (LIVE) STATUS QUO (VALLEY) 25 9299007) CRY BOY CRY TIM FRIESE-GREENE (MAGNET) 20 107 I'M ALRIGHT YOUNG STEVE & THE DESPERATE BUT NOT SERIOUS 1161 DO IT TO THE MUSIC RON DEAN MILLER (RACHEL ILEOSONGII 24 AFTERNOON BOYS (RCA RCA 296) DO YOU REALLY WANT TO HURT ME STEVE LEVINE (VIRGIN) 10 108 PLAY AT YOUR OWN RISK PLANET PATROL DON'T MAKE ME WAIT LEVAN/DE BENEDICTUS (RACHEL (21/POLYDOR POSP 535) GEOSONG)) 84 TIME HEALS 109 LITTLE TOWN CLIFF RICHARD (EMI EMI DON'T PAY THE FERRYMAN RUPERT HINE (RONDOR) 63 5348) DRACULA'S TANGO BARRY BLUE (BLUE MER /VIRGIN/MAGIC 110 STRAIGHT AHEAD NICK STRAKER FROG/HEATH LEVY/COPYRIGHT CONTROL) 76 (FIREBIRD FLAME 33) DREAMIN' 11 81 EASTWORLD 099 111 A.M.
    [Show full text]
  • 2 Column Indented
    22,000 Karaoke Songs - AMS Entertainment ARTIST TITLE SONG # ARTIST TITLE SONG # 10 Years Duck And Run 6188 Through The Iris 20005 Here By Me 17629 Wasteland 16042 Here Without You 13010 It's Not My Time (I Won't Go) 17630 10,000 Maniacs Kryptonite 6190 Because The Night 1750 Landing In London 17631 Candy Everybody Wants 2621 Let Me Be Myself 25227 Like The Weather 16149 Let Me Go 13785 More Than This 16150 Live For Today 13648 These Are The Days 1273 Loser 6192 Trouble Me 16151 Road I'm On, The 6193 So I Need You 17632 10cc When I'm Gone 13086 Donna 20006 Dreadlock Holiday 11163 30 Seconds To Mars I'm Mandy 16152 Kill, The (Bury Me) 16155 I'm Not In Love 2631 Rubber Bullets 20007 311 Things We Do For Love, The 10788 All Mixed Up 16156 Wall Street Shuffle 20008 Don't Tread On Me 13649 First Straw 22322 112 Love Song 22323 Come See Me 25019 You Wouldn't Believe 22324 Dance With Me 22319 It's Over Now 22320 38 Special Peaches & Cream 22321 Caught Up In You 1904 U Already Know 13602 Hold On Loosely 1901 Second Chance 17633 2 Tons O' Fun Teacher, Teacher 13492 It's Raining Men (Hallelujah!) 6017 3LW 2 Unlimited No More (Baby I'ma Do Right) 11795 No Limits 6183 3Oh!3 20 Fingers Don't Trust Me 16157 Short Dick Man 1962 3OH!3 & Katy Perry 2Pac Starstrukk 25138 California Love (Original Version) 14147 Changes 12761 4 Him Ghetto Gospel 16153 Basics Of Life 20002 For Future Generations 20003 2Pac & Notorious B.I.G.
    [Show full text]
  • Feature Interview
    A Lindsey Buckingham Newsletter Special to this Issue – April 21, 2001 What’s New Feature Interview Feature Album Review Feature Performance Review Featured Song Fun & Games ¯ Lindsey Buckingham’s album is still tentatively scheduled for release on Reprise, June 26, 2001. R ¯ VH1’s Behind the Music special is set to air U July 1, 2001. ¯ He may perform some warm up shows in M June in the Los Angeles area. ¯ Mick Fleetwood, Stevie Nicks and Lindsey O Buckingham are planning to start the next Fleetwood Mac album this fall. Mick and R Stevie report that Lindsey has already started working on the songs. S ¯ The Rockline website (http://www.drchuck.net/ rockline/) lists Lindsey & Mick as potential future guests. *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~* Listening Forward In this section, one of Lindsey’s more recent songs to whet the appetite for what’s to come. Steal Your Heart Away (Lindsey Buckingham, 1997) All alone we go on Day after day All alone we suffer Oh, steal your heart away It’s the same old thing In the same old way All alone we suffer So come on Oh, steal your away Let’s go Let’s run away And the light goes creepin’ If that’s all there is Down, down, down Oh, steal your heart away While we were sleepin’ Suddenly we hit the ground The light goes creepin’ Down, down, down While we were sleepin’ Suddenly we hit the ground Oh, steal your heart away So come on (Mmmm, lonely suffer) Let’s go Steal your heart away Let’s run away (Mmmm, lonely suffer) If that’s all there is Steal your heart away Steal your heart away (Mmmm, lonely suffer) Steal your heart away (Mmmm, lonely suffer) Steal your heart away 2 Recording, Engineering and Production August 1992 LINDSEY BUCKINGHAM by Dan Levitin As the arranger/producer behind Fleetwood Mac from 1975 - 1988, Lindsey Buckingham is largely responsible for that group’s superstardom and megasuccess on the five studio albums, Fleetwood Mac, Rumours, Tusk, Mirage and Tango In The Night.
    [Show full text]
  • FLEETWOOD MAC: Die Legendären Klassiker Auf Farbigem Vinyl Fleetwood Mac , Rumours , Tusk , Mirage Und Tango in the Night
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] FLEETWOOD MAC: Die legendären Klassiker auf farbigem Vinyl Fleetwood Mac , Rumours , Tusk , Mirage und Tango In The Night Ab 29. November über Rhino Limited Editions in individuell nummerierten Slipcases exklusiv über www.Rhino.com FLEETWOOD MAC „Rumours“ 4CD Edition bereits ab 8. November erhältlich! Zwischen 1975 und 1987 setzten FLEETWOOD MAC fünf einzigartige Multi-Platin-Alben in Folge in die Musiklandschaft – ein brillanter Coup, der sie zu einer der weltweit meistverkaufenden Bands in der Rockgeschichte machte! Am 29. November veröffentlicht Rhino diese fünf Klassiker auf Vinyl in jeweils eigener Farbe: Fleetwood Mac auf weißem Vinyl, Rumours auf transparentem Vinyl, Tusk als Doppel-LP auf silberfarbenem Vinyl, Mirage auf violettem Vinyl und Tango In The Night auf grünem Vinyl! Gleichzeitig erscheinen alle fünf Alben gesammelt in einem Slipcase als individuell durchnummerierte, auf 2.000 Exemplare limitierte Edition, die exklusiv über www.Rhino.com zu beziehen sein wird. Diese Sammlung kann ab sofort vorbestellt werden. Zuvor erscheint „Rumours“ am 8. November bereits als 4CD Box. Nach ihren bluesigen Anfängen erschienen FLEETWOOD MAC im Sommer 1975 in einer neuen Inkarnation in neuer Besetzung, die aus Mick Fleetwood, John McVie, Christine McVie und den neuen Mitgliedern Stevie Nicks und Lindsey Buckingham bestand. Ihr erstes gemeinsames Album, Fleetwood Mac (manchmal auch als The White Album bezeichnet), katapultierte sich umgehend auf Platz 1 der Billboard-Charts, hielt sich über ein Jahr in den Top- 40 und verkaufte sich mit Songs wie „Landslide“, „Say You Love Me“ und „Rhiannon“ allein in den USA über fünf Millionen Mal! 1977 warf die Band den Nachfolger Rumours ins Rennen, das vielfach als das beste Album aller Zeiten bewertet wird.
    [Show full text]
  • Karaoke Catalog Updated On: 17/12/2016 Sing Online on in English Karaoke Songs
    Karaoke catalog Updated on: 17/12/2016 Sing online on www.karafun.com In English Karaoke Songs (H?D) Planet Earth My One And Only Hawaiian Hula Eyes Blackout I Love My Baby (My Baby Loves Me) On The Beach At Waikiki Other Side I'll Build A Stairway To Paradise Deep In The Heart Of Texas 10 Years My Blue Heaven What Are You Doing New Year's Eve Through The Iris What Can I Say After I Say I'm Sorry Long Ago And Far Away 10,000 Maniacs When You're Smiling (The Whole World Smiles With Bésame mucho (English Vocal) Because The Night 'S Wonderful For Me And My Gal 10CC 1930s Standards 'Til Then Dreadlock Holiday Let's Call The Whole Thing Off Daddy's Little Girl I'm Not In Love Heartaches The Old Lamplighter The Things We Do For Love Cheek To Cheek Someday You'll Want Me To Want You Rubber Bullets Love Is Sweeping The Country That Old Black Magic (Woman Voice) Life Is A Minestrone My Romance That Old Black Magic (Man Voice) 112 It's Time To Say Aloha I Know Why (And So Do You) DUET Cupid We Gather Together Aren't You Glad You're You Peaches And Cream Kumbaya (I've Got A Gal In) Kalamazoo 12 Gauge The Last Time I Saw Paris My One And Only Highland Fling Dunkie Butt All The Things You Are No Love No Nothin' 12 Stones Smoke Gets In Your Eyes Personality Far Away Begin The Beguine Sunday, Monday Or Always Crash I Love A Parade This Heart Of Mine 1800s Standards I Love A Parade (short version) Mister Meadowlark Home Sweet Home I'm Gonna Sit Right Down And Write Myself A Letter 1950s Standards Home On The Range Body And Soul Get Me To The Church On
    [Show full text]
  • Viewed These Women About the Voices They Have Heard, Their Understanding of the Voices, Their Interpersonal Relationships, and Their General Mood and Functioning
    MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Emily K. Reese Candidate for the Degree: Doctor of Philosophy _________________________________ Chair Larry M. Leitner, Ph.D. _________________________________ Reader Ann Fuehrer, Ph.D. _________________________________ Reader Aaron Luebbe, Ph.D. _________________________________ Graduate School Representative Elise Radina, Ph.D. ABSTRACT VOICES, RELATIONSHIPS, AND MEANING MAKING by Emily K. Reese In this study, I explored the experiences of four women who hear voices and are not part of a clinical population. Each woman had a much different voice hearing experience from the other women in terms of duration, regularity, consistency, and sensory modality. I interviewed these women about the voices they have heard, their understanding of the voices, their interpersonal relationships, and their general mood and functioning. A robust meaning making system and healthy interpersonal relationships were associated with lower distress about the voices, and with lower distress in daily life in general. In addition, connection with a validational community, and to the integral universe (Leitner, 2010), also were associated with lower distress. I present several implications for clinical practice, elaboration of Experiential Personal Construct Psychotherapy theory, and future research. In particular, I challenge the notion that hearing voices is an automatic indicator of “mental illness.” Instead, I argue that relationships and meaning making are far better indicators of psychological health. VOICES, RELATIONSHIPS, AND MEANING MAKING A Dissertation Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Psychology by Emily K. Reese Miami University Oxford, Ohio 2014 Dissertation Chair: Dr.
    [Show full text]
  • In the Year of the Rat. from Infection to Poisoning in David Peace's Occupied City
    In the Year of the Rat. From infection to poisoning in David Peace's Occupied City by Nicoletta Vallorani 1. POISONING AS A METAPHOR Susan Sontag’s probably most influencing work – her reflection on the metaphoric aura enveloping certain diseases – may be of some use in introducing my approach to David Peace’s narrative, with particular reference to the so called Tokyo Trilogy. As we know, Sontag – a cancer-patient herself – starts working on illnesses in 1978 (Illness As Metaphor), introducing the notion of infection as related, in certain cases, to a form of social shame: venereal diseases as well as TB are felt as pathologies that have to be hidden and suffered in secluded places not only because they are infectious and they result in death sentences, but mostly in that they are felt as obscene, since they “imply living processes of a particularly resonant and horrid kind” (Sontag 2001: 8-9). In these cases, the awareness of the victim’s infection – normally if inexplicably – triggers social shame, that is not mitigated by the fact that infection results from a dreadful fate rather than from a “risky” behaviour. When approaching AIDS, Sontag seems to switch towards a somewhat more “political” stance, bringing together two powerful Saggi/Ensayos/Essais/Essays 54 N. 11 – 05/2014 metaphors about illness and introducing a third from scratch: the body’s invasion from within, by a retrovirus that is to be fought as if it were a military enemy, is soon perceived as a punishment for a sexually “unnatural” behaviour; the victim, marginalized and unfairly excluded by the community, may seek to exploit his/her condition to gain a retribution against the community, spreading the virus that will poison the community (Sontag 2001: 40ff).
    [Show full text]