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Replacing Digital Terrestrial Television with Internet Protocol?
This is a repository copy of The short future of public broadcasting: Replacing digital terrestrial television with internet protocol?. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94851/ Version: Accepted Version Article: Ala-Fossi, M and Lax, S orcid.org/0000-0003-3469-1594 (2016) The short future of public broadcasting: Replacing digital terrestrial television with internet protocol? International Communication Gazette, 78 (4). pp. 365-382. ISSN 1748-0485 https://doi.org/10.1177/1748048516632171 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ The Short Future of Public Broadcasting: Replacing DTT with IP? Marko Ala-Fossi & Stephen Lax School of Communication, School of Media and Communication Media and Theatre (CMT) University of Leeds 33014 University of Tampere Leeds LS2 9JT Finland UK [email protected] [email protected] Keywords: Public broadcasting, terrestrial television, switch-off, internet protocol, convergence, universal service, data traffic, spectrum scarcity, capacity crunch. -
Winamp "Classic" 2.81: * Updated to PP's Latest Input and Output Plugins * in Mp3 Now Doesnt Continue to Play on Output Plugin Error
Winamp "Classic" 2.81: * updated to PP's latest input and output plugins * in_mp3 now doesnt continue to play on output plugin error. * smaller installers because we use msvcrt.dll now * fixed bugs relating to files with ~ in their names. * doublerightclick in credits makes for fullscreen credits * more bugfixes (including a fix in the version update notification checking) * updated installer to have nicer error messages. * made systray icon update if explorer restarts * and more (muahaha)! Winamp 2.80: * fixed drag&drop from open file dialog related bugs * made CDDB support better handle notfound CDs/lack of CDDB installed. * update to CDDB ui (bugfix) * new splash screen * minibrowser security fix * updated winamp agent to support both winamp 2.x and 3.x * included PP's hacks for slightly better unicode filename support * in_wave support for floating point .WAV files fixed * better win9x compatibility for DirectSound * waveOut made skip less * some in_mod perfile fixes * OGG Vorbis support for Standard and Full installs. * CD support back in lite installer. Winamp 2.79: * upgraded unzip/decompress support to zlib 1.1.4, for big security fix * improved multiple instance detection code/opening many files from explorer iss ues * winamp agent tooltip improvement * fix to id3v2+unicode support Winamp 2.78: * minibrowser fixes * cddb2 support * updates to mod, midi, and wav support (from the wonderful PP) Winamp 2.77: * mb.ini skin support (Winamp/MBOpen) * added page and slider for 'shuffle morph rate' to Preferences so you can control how much the playlist morphs (mutates) each time it cycles through. * PP's ACM disk writer output plugin instead of the classic one * PP's WAV/VOC reader (Which is apparently so much better, but we will see) * included new in_midi and in_mod (yay) * made playlist editor automatically size down when necessary (on startup) * made drag&drop playlist URLs work * made alt+delete work again in playlist editor * made winamp.exe and winampa.exe both much less likely to fudge HKCR/. -
Public Media – Pubic Broadcasting System (PBS)
SUPPORTING PUBLIC AND COMMUNITY MEDIA ACTION NEEDED We urge Congress to: Restore public broadcasting funding to the FY 2013 appropriation level of $445 million through the Corporation for Public Broadcasting (CPB). Pass the Community Access Preservation Act (CAP Act) to preserve public, educational, and governmental (PEG) non-commercial cable channels for local communities. OVERVIEW—PUBLIC AND COMMUNITY MEDIA Public media consists of the Public Broadcasting Service (PBS), National Public Radio (NPR), and more than 1,000 local public broadcasting stations. Community media is comprised of public, educational, and government (PEG) cable access TV and community radio stations. Both public and community media have a long history of presenting local, regional, and national nonprofit arts programming, a great majority of which is not available on commercial channels. These organizations play a unique role in bringing both classics and contemporary works to the American public. All of these systems exist because of federal funding or legislation. TALKING POINTS— CORPORATION FOR PUBLIC BROADCASTING In creating America’s unique public broadcasting system, Congress acknowledged public broadcasting’s role in transmitting arts and culture: “It is in the public interest to encourage the growth and development of public radio and television broadcasting, including the use of such media for instructional, educational, and cultural purposes.” And Corporation for Public Broadcasting (CPB) is the vehicle through which Congress has chosen to promote noncommercial public telecommunications. CPB does not produce or broadcast programs. The vast majority of funding through CPB goes directly to local public broadcast stations in the form of Community Service Grants. The federal portion of the average public station’s revenue is approximately 10–15 percent. -
Download Video Player for Pc 10 Best and Free Video Players for Windows 10 PC in 2021
download video player for pc 10 Best And Free Video Players For Windows 10 PC in 2021. We all love to watch TV shows, Movies on our computers. Since computers are more preferred nowadays, more and more streaming sites are popping out of the web. However, not everyone out there loves to stream videos because video streaming can be expensive. We first need to have a proper internet connection and a subscription to the streaming service to watch videos. In this case, downloading videos seems to be the best option as we have to spend the internet data once rather than streaming it again and again. But, what after downloading the video? Is it enough to get the best media experience? Well, no! To get the best video experience, we need to use the best media player. The media player is the only thing that decides our media consumption experience. So, having a good media player app is the most vital thing for media consumption. In this article, we will share the list of the best free video players for Windows. List of 10 Best And Free Video Players For Windows 10. These video players are free to download, and you can use them to get the most amazing video watching experience. So, let’s explore the ten best free video players for Windows. 1. Media Player Classic. If you are searching for a powerful video player tool for Windows 10 operating system, you need to give Media Player Classic a try. Guess what? The tool provides users with lots of customization options. -
ED358828.Pdf
DOCUMENT RESUME ED 358 828 IR 016 108 AUTHOR Thompsen, Philip A. TITLE Public Broadcasting in the New World of Digital Information Services: What's Been Done, What's Being Done, and What Could Be Done. PUB DATE May 92 NOTE 12p.; Paper presented at the Annual Meeting of the International Communication Association (42nd, Miami, FL, May 20-25, 1992). PUB TYPE Viewpoints (Opinion/Position Papers, Essays, etc.) (120) Speeches/Conference Papers (150) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS *Broadcast Television; Educational Television; Electronic Mail; *Information Technology; *Mass Media Role; *Public Television; *Radio; Technological Advancement IDENTIFIERS Closed Captioned Television; *Digital Information Services; *Public Broadcasting ABSTRACT This paper explores the progress public broadcasting (originally called "educational television") has made in taking advantage of a relatively new application of tecnnology: digital information services. How public broadcasters have pursued this technology and how it may become an integral part of the future of public broadcasting are reviewed. Three of the more successful digital information services that have been provided by public broadcasters (i.e., closed captioning, electronic bulletin board services, and electronic text) are discussed. The paper then discusses three areas that are currently being pursued: digital radio broadcasting, interactive video data services, and the broadcasting of data over the vertical blanking interval (VBI) of public television stations. A vision for the future of public broadcasting is considered, identifying some of the important opportunities that should be taken advantage of before the rapidly changing technological environment eclipses public broadcasting's chance to define a better future for an electronic society. (Contains 39 references.) (RS) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. -
Pubic Broadcasting System (PBS), National Public Radio (NPR)
SUPPORTING PUBLIC AND COMMUNITY MEDIA ACTION NEEDED We urge Congress to: • Retain funding for public broadcasting at FY 2012 levels through the Corporation for Public Broadcasting (CPB). • Pass the Community Access Preservation Act (H.R. 1746), introduced by Rep. Steven LaTourette (R- OH) and Rep. Tammy Baldwin (D- WI), to preserve public, educational, and governmental (PEG) non- commercial cable channels for local communities. Overview– Public and Community Media Public media consists of the Public Broadcasting Service (PBS), National Public Radio (NPR), and more than 1,000 local public broadcasting stations. Community media is comprised of public, educational, and government (PEG) cable access TV and community radio stations. Both public and community media have a long history of presenting local, regional, and national nonprofit arts programming, a great majority of which is not available on commercial channels. These organizations play a unique role in bringing both classics and contemporary works to the American public. All of these systems exist because of federal funding or legislation. Talking Points - Corporation for Public Broadcasting • In creating America’s unique public broadcasting system, Congress acknowledged public broadcasting’s role in transmitting arts and culture: “It is in the public interest to encourage the growth and development of public radio and television broadcasting, including the use of such media for instructional, educational, and cultural purposes.” And Corporation for Public Broadcasting (CPB) is the vehicle through which Congress has chosen to promote noncommercial public telecommunications. • CPB does not produce or broadcast programs. The vast majority of funding through CPB goes directly to local public broadcast stations in the form of Community Service Grants. -
Nextkast User Manual
User Manual v 2.2 Broadcast/Pro/Standard Index ?Quick Start Overview................................................................ 4 ?Quick Start Create Categories................................................. 5 ?Quick Start Create Rotation..................................................... 6 ?Downloading.............................................................................. 7 ?Installation................................................................................. 7 ?Software Overview.................................................................... 8 ?Installation Considerations...................................................... 9 ?A Word About Audio Files........................................................ 10 ?Main User Interface Buttons Described.................................. 11 ?Settings Window........................................................................ 12 ?Library Location / Software Updates....................................... 13 ?Library Location........................................................................ 14 ?Screen Modes............................................................................ 15 ?Getting Started.......................................................................... 16 ?Adding Music Files to The Categories.................................... 17 ?MarkingTrackSweepers/Intro/Outro Next Start/URL Embed. 18 ?Adding Additional Track Info.................................................... 19 ?Cue Editor Window................................................................... -
Satellite Uplinks
TOS Pt.3 PBS Technology & Operations TECHNICAL OPERATING SPECIFICATIONS Satellite Uplinks 2013 Edition 1. SCOPE AND PURPOSE This specification defines uplink performance requirements for the Public Television Interconnection System. These parameters will address the settings for uplink MPEG-4 and MPEG-2 encoders, multiplexer, DVB-S and DVB-S2 modulators, and any redundant systems. The goal is to provide consistent quality performance among multiple uplink providers serving the Public Television Satellite Interconnection System. It is essential that all parameters be set correctly. It is vital that all uplink operators meet these performance requirements and protocols. Most stations rely on consistent signals from the satellite system and member stations do not have the manpower or means to compensate for variations. This specification prescribes standards that uplink operators must meet, and informs receiving stations what signal standards they should expect. This document is especially important for uplink operators working with other satellite services, since some of these specifications are unique to the PBS system. 2. SYSTEM INFORMATION PBS currently uses transponders on satellite AMC-21 for Ku service to member stations and on satellite AMC-1 for C-Band service for home consumers. The modulation formats in use are DVB-S2 for all MCPC services and HD SCPC services and either DVB-S or DVB-S2 for all SD SCPC services. Users are encouraged to utilize DVB-S2 modulation on SD transmissions whenever possible. DVB-S2 modulation will become a requirement on all services at a future date TBD All of these services have a payload contained within a standard MPEG transport stream. -
A Study on the Role of Public and Private Sector Radio in Women's
Athens Journal of Mass Media and Communications- Volume 4, Issue 2 – Pages 121-140 A Study on the Role of Public and Private Sector Radio in Women’s Development with Special Reference to India By Afreen Rikzana Abdul Rasheed Neelamalar Maraimalai† Radio plays an important role in the lives of women belonging to all sections of society, but especially for homemakers to relieve them from isolation and help them to lighten their spirit by hearing radio programs. Women today play almost every role in the Radio Industry - as Radio Jockeys, Program Executives, Sound Engineers and so on in both public and private radio broadcasting and also in community radio. All India Radio (AIR) constitutes the public radio broadcasting sector of India, and it has been serving to inform, educate and entertain the masses. In addition, the private radio stations started to emerge in India from 2001. The study focuses on private and public radio stations in Chennai, which is an important metropolitan city in India, and on how they contribute towards the development of women in society. Keywords: All India Radio, private radio station, public broadcasting, radio, women’s development Introduction Women play a vital role in the process of a nation’s change and development. The Indian Constitution provides equal status to men and women. The status of women in India has massively transformed over the past few years in terms of their access to education, politics, media, art and culture, service sectors, science and technology activities etc. (Agarwal, 2008). As a result, though Indian women have the responsibilities of maintaining their family’s welfare, they also enjoy more liberty and opportunities to chase their dreams. -
Public Service Broadcasting in Transition: a Documentary Reader
University of Pennsylvania ScholarlyCommons Other Publications from the Center for Global Center for Global Communication Studies Communication Studies (CGCS) 11-2011 Public Service Broadcasting in Transition: A Documentary Reader Monroe Price University of Pennsylvania, [email protected] Marc Raboy Follow this and additional works at: https://repository.upenn.edu/cgcs_publications Part of the Broadcast and Video Studies Commons Recommended Citation Price, Monroe and Raboy, Marc. (2011). Public Service Broadcasting in Transition: A Documentary Reader. Other Publications from the Center for Global Communication Studies. Retrieved from https://repository.upenn.edu/cgcs_publications/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cgcs_publications/1 For more information, please contact [email protected]. Public Service Broadcasting in Transition: A Documentary Reader Abstract This is a book of documents, comments, and cases that has been prepared, at the request of the European Institute for the Media, for the use of government officials and citizens interested in strengthening public service broadcasting in transition societies. In this book we try to provide a small chest of tools and background information that will be of assistance. We start, in Chapter 1, with an overview of some of the general principles of public service broadcasting, and include pertinent comments on each of them. Here, as throughout the book, we concentrate on issues of governance and financing, with some attention as well ot issues surrounding programming. In Chapter 2, we turn to current issues in the European-level debate, partly from the perspective of European expectations and standards that are employed in evaluation and accession processes. -
Public Service Broadcasting and Language Development: a Summary Report on the Situation in Five Countries”
Culture Sector Communication and Information Sector Education Sector Background document “Public Service Broadcasting and Language Development: A Summary Report on the Situation in Five Countries” Prepared by Mr Levi Obijiofor School of Journalism and Communication University of Queensland, Brisbane for the expert group meeting “Towards UNESCO guidelines on Language Policies: a Tool for Language Assessment and Planning” 30 May – 1 June 2011 1 Table of Content Introduction............................................................................................................................... 2 1. Summary in five countries.................................................................................................... 3 1.1. Canada............................................................................................................................. 3 1.2. South Africa..................................................................................................................... 5 1.3. Jamaica ............................................................................................................................ 8 1.4. India................................................................................................................................. 9 1.5. Lebanon......................................................................................................................... 11 2. Key recommendations ....................................................................................................... -
Digital Media and the Public Sphere
Digital Media And the Public Sphere A Future of Public Media project of the Center for Social Media in the School of Communication at American University, with the Charles F. Kettering Foundation January 12-13, 2006 Rapporteur’s Report By Barbara Abrash Funding support was provided by the Ford Foundation. Related documents generated by this event are available at: http://www.centerforsocialmedia.org 1 TABLE OF CONTENTS EXECUTIVE SUMMARY ............................................................................ 3 EXAMPLES OF OPEN-PLATFORM PUBLIC MEDIA.......................................... 5 Public Broadcasting....................................................................... 5 Internet-based ............................................................................... 6 CHALLENGES AND OPPORTUNITIES .......................................................... 7 Challenges..................................................................................... 7 Opportunities ................................................................................. 8 Overarching Issues ....................................................................... 8 CONCLUSIONS...................................................................................... 10 NEXT STEPS......................................................................................... 10 2 EXECUTIVE SUMMARY Digital Media and the Public Sphere looked at the clashes of cultures and imperatives that arise as new “citizen” media and more established public media try to find