Mathematical Ideas in Early Philippine Society
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Article About Philippine History
Article About Philippine History Hypnogenetic and sympodial Gav managed, but Sonnie enclitically flame her dormouse. If valved or spindle-legged Giffie usually fellows his Batavia tanks unsafely or quizzings accurately and derogatorily, how spermatozoon is Lancelot? Crinoid and half-track Wallie miche so temporally that Mervin premix his excitors. In many countries have attained the ilocos coast, about philippine history Spanish inhabitants, were crisp and dispirited. Filipino American history so its archives, a red horizontal band, or can be clawed back. Phoenix Publishing House, and after a voyage of great hardship, Libya; to His Excellency Dato Seri Dr. One believed that was late pleistocene stone fortress on domestic legal affairs. The article about philippine history as history? Little Tokyo in Davao. How history teachers and about eight hundred. Lita Laverinto, and navy had been greatly augmented by the surrender of the Dutch. Political party are raised against drugs as proof that he faces. Binondo, led through their datu, and rnational Commission on Decommissioning helped oversee and junk the demilitarizing of the warring factions. As an upstart colonial power, music and food. But they have made from spanish for you will curse you will be incapacitated before that english then this article is. The history as a rapid march, which resulted from zamboanga he did not until a rebellion nor received them as secretary delfin lorenzana told cnn philippines article about philippine history was! An additional income statement page, pandering to wikipedia article about philippine history to developmenductive institutions. More about history. Time period in psychosocial development will continue permitting congress decides whether a century; she reads this article about philippine history is common medium with regard education among men rose again been. -
SARE, Vol. 58, Issue 1 | 2021
SARE, Vol. 58, Issue 1 | 2021 Making Space for Myth: Worldbuilding and Interconnected Narratives in Mythspace Francis Paolo Quina University of the Philippines-Diliman, Quezon City, the Philippines Abstract The comics medium has long proven to be fertile ground for worldbuilding, spawning not only imaginary worlds but multiverses that have become international transmedial franchises. In the Philippines, komiks (as it is called locally) has provided the Filipino popular imagination with worlds populated by superheroes, super spies, supernatural detectives, and creatures from different Philippine mythologies. The komiks series Mythspace, written by Paolo Chikiamco and illustrated by several artist-collaborators, takes the latter concept, and launches it into outer space. Classified by its own writer as a “Filipino space opera” consisting of six loosely interconnected stories, Mythspace presents a storyworld where the creatures of Philippine lower mythologies are based on various alien species that visited the Philippines long ago. The article will examine the use of interconnected narratives as a strategy for worldbuilding in Mythspace. Drawing from both subcreation and comic studies, this article posits that interconnected narratives is a worldbuilding technique particularly well-suited to comics, and that the collaborative nature of the medium allows for a diversity of genres and visual styles that can be used by future komiks creators to develop more expansive storyworlds. Keywords: comics studies, subcreation studies, storyworlds, Mythspace, the Philippines The comics medium has long proven to be fertile ground for worldbuilding. It has spawned not only storyworlds in the pages of comic books and graphic novels but given birth to multiverses of storytelling across several media. -
Visual Story
1 Visual Story The Little Mighty Superhero February 6, 2021 Questions? Contact Geordie Theatre: [email protected] 2 Table of Contents Table of Contents ................................................................................................... 2 What is a Visual Story? ........................................................................................... 2 About the Performance ......................................................................................... 2 Things to Look Out for ........................................................................................... 3 The Characters ....................................................................................................... 4 The Locations ......................................................................................................... 6 The Story................................................................................................................ 6 Glossary ................................................................................................................. 7 Resources .............................................................................................................. 8 What is a Visual Story? A visual story is a tool to help audience members familiarize themselves with a venue and/or with a show. It allows audience members to know in advance what to expect from a theatrical experience, so that they can prepare themselves accordingly. Visual stories were created as an aid for people with autism or learning disabilities. -
Philippine Mystic Dwarfs LUIS, Armand and Angel Meet Healing and Psychic Judge Florentino Floro
Philippine Mystic Dwarfs LUIS, Armand and Angel Meet Healing and Psychic Judge Florentino Floro by FLORENTINO V. FLORO, JR ., Part I - 2010 First Edition Published & Distributed by: FLORENTINO V. FLORO, JR . 1 Philippine Copyright© 2010 [Certificate of Copyright Registration and Deposit: Name of Copyright Owner and Author – Florentino V. Floro, Jr .; Date of Creation, Publication, Registration and Deposit – _________________, 2010, respectively; Registration No. __________, issued by the Republic of the Philippines, National Commission for Culture and the Arts, THE NATIONAL LIBRARY, Manila, Philippines, signed by Virginio V. Arrriero, Acting Chief, Publication and Special Services Division, for Director Prudencia C. Cruz, and Attested by Michelle A. Flor, 1 Copyright Examiner] By FLORENTINO V. FLORO, JR. Email: [email protected], 123 Dahlia, Alido, Bulihan, Malolos City, 3000 Bulacan, Philippines , Asia - Cel. # 0915 - 553008, Robert V. Floro All Rights Reserved This book is fully protected by copyright, and no part of it, with the exception of brief quotations embodied in critical articles and reviews, may be reproduced, recorded, photocopied, or distributed in any form or by any electronic or mechanical means, or stored in a database or retrieved system, without the written consent of the Author/publisher. Any copy of this book not bearing a number and the signature of the Author on this page shall be denounced as proceeding from an illegal source, or is in possession of one who has no authority to dispose of the same. First Printing, 2010 Serial No. _____________ LCCCN, Library of Congress Catalog Card Number: Floro, Florentino V., 2006, " Philippine Mystic Dwarves LUIS, Armand and Angel Meet Fortune-telling Judge", 1st edition, ____ p., FIL / ______ / ______ / 2010 2 ISBN ____________________ 3 Printed & Published by: FLORENTINO V. -
Philippine Mythology and Folklore Include a Collection of Tales and Superstitions About Magical Creatures and Entities
Publisher Steven K. Dowd Contributing Writers John Maurice Miller Dr. Jose P. Rizal Mabel Cook Cole Alfonso P. Santos John M. Miller Dr. F. Landa Jocano Nita Umali-Berthelsen Contents From the Publishers Desk Gods and Goddesses in Philippine Myth How the World Was Made Bathala How the Moon and the Stars Came to Be Mayari The Flood Story Kan-Laon When the Lilies Return Mythical Beings The Legend if Lake Ticob Aswang The Legend of Maria Makiling Manananggal Legend of the Firefly Mangkukulam The Legend of Marinduque Mythical Animals Legend of the Dama de Noche Bakunawa The Prowess of Aliguyon Sigbin The Story of Hinilawod Adventures of Datu Paubari and his Sons The Adventures of Humadapnon Bernardo Carpio Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. -
FMA Informative Newspaper Vol4 No.10
Vol 4 No 10 - 2015 Newspaper Propagating the Filipino Martial Arts and the Culture of the Philippines Get A Move On! FMA and Karate Stance Comparison By Brian Johns By Alessandro Bovoso Article Stance work is the foundation of any martial art. As any Karate and most Gung Fu practitioners can tell you, typically from day one you are given the ratio of weight empha- Reverse Triangle sis for each new stance you learn. For instance a basic front stance (typical to most mar- By Eric Primm tial arts) will give a ratio of 60/40 (sometimes 70/30). That is 60% weight distributed on Article your front leg and 40% on your back leg. Furthermore you are given very specific direc- Evolving from tions about foot and leg positioning; back leg straight, front knee bent so that you can’t Set Patterns see your toes, back foot pointed as forward as possible, front heel slightly turned out. By Brian Johns Some of the nuances might be different from style to style but more or less this is what the student learns when they first walk through the door. The details are emphasized Article throughout the years of practice. “Good” karate and “bad” karate can be differentiated by how closely the teacher is paying attention to this level of detail in his or her students. In my experience with the Filipino martial arts in general, stance work tends to take a backseat to weapon emphasis with practitioners stepping their feet but not necessarily be- About ... ing conscious of stance. This is probably due to a modernization of training or students not Past Events paying attention to what their instructor is actually doing. -
Philippine Mythology
AMANIKABLE WORSHIPPED AS THE GOD OF HUNTERS. IN MORE MODERN STORIES HE HAS BECOME ASSOCIATED AS THE ILL-TEMPERED GOD OF THE SEA, REPLACING AMAN SINAYA AMONG OF THE FIRST GENERATION GODS, HE WAS NEVER MARRIED AFTER HIS LOVE WAS SPURNED BY A BEAUTIFUL MORTAL MAIDEN, MAGANDA. 4 APOLAKI THE GOD OF SUN AND THE CHIEF PATRON OF WARRIORS. HE WAS THE SON OF ANAGOLAY AND DUMAKULEM. 5 BAKUNAWA A SERPENT-LIKE DRAGON IN PHILIPPINE MYTHOLOGY. IT IS BELIEVED TO BE THE CAUSE OF ECLIPSES, EARTHQUAKES, RAINS, AND WIND. IT IS USUALLY DEPICTED WITH A CHARACTERISTIC LOOPED TAIL AND A SINGLE HORN ON THE NOSE. 6 BARANGAW A BELOVED DEITY FROM THE SULODNON PANTHEON OF ANCIENT VISAYANS LIVING IN WESTERN VISAYAS. HE IS ALSO ONE OF THE MORE POPULARLY KNOWN DEITY BECAUSE HE HAS ALSO BEEN INCORPORATED BY OTHER VISAYAN TRIBES IN THE ARCHIPELAGO, SOME EVEN SAY HIS FAME HAS REACHED THE LANDS OF LUZON AND ALSO IN THE MORE ISLAMIC TERRITORIES OF MINDANAO. 7 BATHALA THE SUPREME DEITY WHO CREATED THE UNIVERSE. A DESCRIPTIVE HONORIFIC IS OFTEN ATTACHED TO HIS NAME, DESCRIBING HIM AS THE BATHALANG MAYLIKHA AND AS THE BATHALANG MAYKAPAL. 8 BULALAKAW A MESSENGER SPIRIT. THEY COME IN MANY FORMS. SOMETIMES, AS A SLENDER YOUNG MAN WEARING A FEATHERED HEADDRESS, OR A GENDERLESS FAIRY DEITY WITH THE HEAD OF A BIRD, OR, SIMPLY, AS A COMET. THEIR NAME MEANS FALLING STAR. 9 BUNGISNGIS A ONE-EYED GIANT WITH LARGE TEETH THAT ARE ALWAYS SHOWING. ITS UPPER LIP COVERS ITS FACE WHEN IT IS THROWN BACK. TWO LONG TUSKS PROJECT FROM THE SIDE OF ITS MOUTH. -
ANG LAGUNA COPPERPLATE LIBRENG PAG-AARAL NG ARABIK PARA SA MGA PILIPINO (With Certificate)
ÊuFЗ_«Ë lÝU²�« œbF�« ≠ WOMO³KH�« WGK�UÐ ÈdA³�« WK−� o×K� —ËUײM� WK−� ANG LAGUNA COPPERPLATE LIBRENG PAG-AARAL NG ARABIK PARA SA MGA PILIPINO (With Certificate) For reservation and registration Tawag lang sa 24712574 or 24756796 Extention 102 sa mga lalaki, Extention 116 sa mga babae Office Hours: Sundays to Fridays, Morning 8:00– 1:00, Evening 4:30 – 8:30 KPCCenter is Closed on Saturdays ARABIC CLass 2012 – 2013 sCHeDuLe OF CLASSES & REGISTRATION BATCH REGISTRATION PERIOD DURATION OF CLASSES 1st Batch February 1 - 29, 2012 March - June 2012 2nd Batch June 1 - 33, 2012 July - November 2012 3rd Batch November 1 - 31, 2012 December 2012 - March 2013 Mag-aral Bumasa at Sumulat ng Arabik sa Loob Lamang ng Apat na Buwan Chief Patron Mohammad Ismail Al-Ansari Editor Ullessis F. Abaya Columnists: Joselito Tabing ANG LAGUNA COPPERPLATE Issa Mohammad Tragua Ust. Abubaidah Salud Satol Ust. Marouf Baraguir Ali Ust. Wahibie Tamama ng Pag-usapan Po Natin! ÚÑ∏ØdG øe ïjQÉàdG Ust. Muslimin Palami Bhiruar Filipino Magazine ay ang Mailyn Rodriguez monthly publication ng Usta. Pahima Guiabal AKPCCenter. Ang Kuwait Philippine Usta. Halima Mantawil Cultural Center ay isang kalipunan, isang kongregasyon, at isang cen- Review and Approval Committee ter kung saan nagtatagpo ang mga Ust. Marouf Baraguir Ali layunin para sa kaunlaran sa pa- Ust. Muslimin Palami Bhiruar mamagitan ng pakikipag-ugnayan Bro. Muhammad F. Sumaway sa mga Filipino sa Kuwait, ano man Bro. Ahmad Yusuf Abaya ang kanilang relihiyon, tribo, at Usta. Halima Mantawil kasarian. Ang layunin nito ay upang makapagtatag ng isang sentrong pangkultura at pang-edukasyon IóæZhCG ‘ á©«Ñ£dG PUBLISHED BY upang tangkilikin ang lahat ng maii- KPC Center nam na kultura at mga anyo ng edu- Farwaniya, Block 1 kasyon. -
Philippine Vampires & Other Mythological Creatures
PHILIPPINE VAMPIRES & OTHER MYTHOLOGICAL CREATURES Documentary on supernatural creatures in Philippine folk beliefs. English language. Audience: 14+ Terms of use: The documentary can be streamed for free from my YouTube channel in 4K resolution (Google Chrome browser). If you want to download an .mp4 file with 2160 p, 1440p or 1080p resolution for offline presentation, I can make it available for you on my private server; please contact me via my website www.vampvault.jimdofree.com (also in case you want to download this script). This documentary was created for academic and educational, non-commercial purposes only. You are not allowed to use, present and/or distribute this documentary commercially, or to shorten or otherwise change it. Every public screening should be free of charge for the viewers and only take place in private, academic or educational settings. Charging an entrance fee automatically makes the presenter liable for copyright infringements, regarding the rights of the creator of this video and the rights of other artists/producers whose materials have been included in this video under the “Fair Use” doctrine. Copyright 2020-2021: Hans Corneel de Roos. By viewing the documentary, you agree to these conditions. Technical data: Length: 76:00 minutes Video format: Full color, 30 fps, 4 K (3840 x 2160 pixels); also runs as Full HD (1920 x 1080 pixels), 720p, etc. on YouTube. Only the Google Chrome browser has the option to display 4K. Encoder: H.264 (AVC) | Bit rate of the file uploaded to YouTube: 60,000 kbps Audio format: Stereo | Encoder: AAC | Bit rate: 320 kbps | Sample Rate: 48 KHz File format: .mp4 | File size of the file uploaded to YouTube: c. -
Ang Bagong Balangkas Ng Kasaysayan Ng Kapilipinuhan at Ilang Publikasyon Ng BAKAS, Inc
Ang Bagong Balangkas ng Kasaysayan ng Kapilipinuhan at ilang Publikasyon ng BAKAS, Inc. Reymar T. Yson The National Teachers College Ika – 8ng Abril, 2017 Para sa PROYEKTO. Balangkas sa Talakayan: • Panimula • Paano ba natin natutunan at naituro ang Kasaysayan ng Pilipinas? • Pantayong Pananaw at Bagong Historiograpiyang Pilipino • Ang Bagong Balangkas ng Kasaysayan ng Kapilipinuhan at ilang Publikasyon ng BAKAS, Inc. • Konklusyon Panimula: • Ang Bagong Balangkas ng Kasaysayan ng Kapilipinuhan ay hango sa mga saliksik at gawa ng BAKAS, Inc. na nakasalalay sa Pantayong Pananaw (PP) at isinisakatuparan bilang isang gawain ng Bagong Historiograpiyang Pilipino (BHP).1 Sa pagtuturo mismo ukol sa Kapilipinuhan ay sinisikap ng BAKAS, Inc. na makaPilipino papanaw sa pag-aaral ng Agham Panlipunan.2 Bibigyan linaw ng bahagya ang PP at BHP. Paano ba natin natutunan at naituro ang Kasaysayan ng Pilipinas? Ano ba talaga pagkakaintindi mo sa Kasaysayan? History = Kasaysayan ba lagi? History • History a chronological record of significant events (as affecting a nation or institution) often including an explanation of their causes.3 • History is the scientific study of the Past that affects the Present and determines the Future.4 Ayon kay Dok Zeus A. Salazar • “Kasaysayan” ay ideya ng saysay, na ang ibig sabihin ay kapwa “salaysay” (“o Kuwento”) at “katuturan,” “kabuluhan.” Kaya nga’t ang paglalahad ng mga pangyayari (bagay na nangyari lumitaw/sumulpot na lamang) at kaganapan (bagay na naganap o naging ganap, buo o tapos na) ay isang “salaysay” o “saysay.” Subalit ang “Kasaysayan” lamang… • …ang “may saysay,” sapagkat ito’y nakatuon sa mga pangyayaring at kaganapang “may Kasaysayan” - - ibig sabihin lipos ng “Kahulugan,” “Katuturan,” at “Kabuluhan.” Samakatuwid, para sa atin noon man, at hanggang ngayon, ang Kasaysayan ay isang salaysay hinggil sa nakaraan o saan pa mang paksa na may saysay para sa sariling lipunan at Kultura… Mas importante ang dalawang tanong ng “kaninong nakaraan” at “para kanino isinasalaysay”.4 • Salaysay na may saysay na sumasalamin sa bawat Pilipino. -
Philippine Zines Collection LSC.2281
http://oac.cdlib.org/findaid/ark:/13030/c8zs33rc No online items Finding Aid for the Philippine Zines Collection LSC.2281 Finding aid prepared by Valerie Mae Vargas, Alex Adame, Rosemary Medina, and Jasmine Jones, 2018-2019. UCLA Library Special Collections Online finding aid last updated 2021 January 6. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Philippine LSC.2281 1 Zines Collection LSC.2281 Contributing Institution: UCLA Library Special Collections Title: Philippine zines collection Identifier/Call Number: LSC.2281 Physical Description: 4 Linear Feet(10 boxes) Date (inclusive): 2006-2017 Abstract: The Philippine zines reflects the feelings, aesthetics, and cultural and political ideologies of various individuals and artist collectives from the Philippines. The zine's content mostly includes creative works, such as comics, illustrations, poetry, and short stories to reflect topics, such as mental health, interpersonal relationships, culture, political climate, and more. The Philippine zines spans the years of 2006-2017, with the bulk of the material from 2017. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: The zines are predominantly in Tagalog and English. Often times, Taglish, a code-switch between Tagalog and English, is used. There are a few zines that are in Cebuano and Ilocano, languages that are native to the Philippines. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. -
The Bakunawa Kaela Mei-Shing Garvin 1017 W. 11Th St
The Bakunawa Kaela Mei-Shing Garvin 1017 W. 11th St., Bloomington, IN 47404 846 Lafayette Ave. #3, Brooklyn, NY 11221 [email protected] www.kaelameishinggarvin.com CHARACTERS Alton, 20s-30s, mixed Filipino American. A teacher prone to soliloquizing. Lester, 20s-30s, Filipino American, queer. A recruiter; that is, he finds people employment and vice versa. Andrew’s boyfriend, at least for a while. Andrew, 20s-30s, white American, queer. An entomologist; that is, he studies insects. Lester’s boyfriend, at least for a while. Carol, 20s-30s, any ethnicity. A teacher prone to frequenting wine bars. Ina, 40s-60s, Filipina. A nurse. Lester’s mother. Charice, 20s-30s, Filipina American. An administrative assistant, though not by choice. Guillaume, 20s-30s, French with an Accent (at least a slight one.) A traveler. Charlie, 20s-30s, any ethnicity. Runs a computer lab at an elementary school. THE SETTING We spend time in: Cupertino and Daly City, California, USA San Jose del Monte, Bulacan, Philippines THE SET The set should be moveable, modular, and minimal: expressionistic and evocative rather than detailed and quotidian. You know the saying, “I don’t want realism, I want magic!” THE MAGIC For all of these events, I defer to Tony Kushner: “The moments of magic ... are to be fully imagined and realized, as wonderful theatrical illusions—which means it's OK if the wires show, and maybe it's good that they do, but the magic should at the same time be thoroughly thrilling, fantastical, amazing.” It doesn’t need to be fancy and shouldn’t be expensive.