Dongshan and the Teaching of Suchness
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Just This Is It: Dongshan and the Practice of Suchness / Taigen Dan Leighton
“What a delight to have this thorough, wise, and deep work on the teaching of Zen Master Dongshan from the pen of Taigen Dan Leighton! As always, he relates his discussion of traditional Zen materials to contemporary social, ecological, and political issues, bringing up, among many others, Jack London, Lewis Carroll, echinoderms, and, of course, his beloved Bob Dylan. This is a must-have book for all serious students of Zen. It is an education in itself.” —Norman Fischer, author of Training in Compassion: Zen Teachings on the Practice of Lojong “A masterful exposition of the life and teachings of Chinese Chan master Dongshan, the ninth century founder of the Caodong school, later transmitted by Dōgen to Japan as the Sōtō sect. Leighton carefully examines in ways that are true to the traditional sources yet have a distinctively contemporary flavor a variety of material attributed to Dongshan. Leighton is masterful in weaving together specific approaches evoked through stories about and sayings by Dongshan to create a powerful and inspiring religious vision that is useful for students and researchers as well as practitioners of Zen. Through his thoughtful reflections, Leighton brings to light the panoramic approach to kōans characteristic of this lineage, including the works of Dōgen. This book also serves as a significant contribution to Dōgen studies, brilliantly explicating his views throughout.” —Steven Heine, author of Did Dōgen Go to China? What He Wrote and When He Wrote It “In his wonderful new book, Just This Is It, Buddhist scholar and teacher Taigen Dan Leighton launches a fresh inquiry into the Zen teachings of Dongshan, drawing new relevance from these ancient tales. -
Dongshan Liangjie: Awakening Through the Sight of His Reflection
Yushanzhu’s narrative of awakening as a thematic substrate for the abbot’s stylised self-representation. Dongshan Liangjie: Awakening Through the Sight of His Reflection Dongshan Liangjie was the nominal founder of the Caodong 曹洞 school of Chan Buddhism, whose hagiography records his sudden awakening occurring alone, sparked by the sight of his reflection while fording a river.348 A hanging scroll painted by Ma Yuan preserves an elaborate pictorial rendition of Dongshan's experience of awakening, augmented by an encomium by Empress Yang of the Southern Song (fig 4.1). As Huishu Lee’s exemplary study of Empress Yang has shown, the empress made extensive use of paintings commissioned from favoured court artists as sites for calligraphic inscription. Empress Yang’s calligraphy was an integral part of her cultural education, and a centrally important tool for her social advancement in court society.349 Through firmly identifying works produced under the empress’ earlier moniker of ‘Little Sister Yang’ 楊妹子, Lee offers an insightful reappraisal of the intertwined political and artistic career of this exceptional woman. Ma’s depiction of Dongshan stands out among the empress’ impressive oeuvre, as it is one of the earliest surviving examples of an imperial figure adopting a voice of exegetical authority in their inscription upon a Chan figure painting. Believed to have originally been part of a set of five paintings representing the founding patriarchs of each of Chan’s five schools, three extant works depict Dongshan Liangjie, Yunmen Wenyan 雲門文偃 (864 – 949), and Fayan Wenyi 法眼 文益 (885-958) (figs. 4.10-4.11). -
Buddhist Studies
Journal of the International Association of Buddhist Studies Volume 24 • Number 1 • 2001 MINORUHARA In memoriam J.W. de Jong 1 JINHUA JIA Doctrinal Reformation of the Hongzhou School of Chan Buddhism 7 NADINE OWEN Constructing Another Perspective for Ajanta's Fifth-Century Excavations 27 PETER VERHAGEN Studies in Indo-Tibetan Buddhist Hermeneutics (1) Issues of Interpretation and Translation in the Minor Works of Si-tu Pan-chen Chos-kyi-'byun-gnas (16997-1774) 61 GLENN WALLIS The Buddha's Remains: mantra in the ManjusrTmulakalpa 89 BOOK REVIEW by ULRICH PAGEL Heinz Bechert [et al.]: Der Buddhismus I: Der Indische Buddhismus und seine Verzweigungen 127 Treasurer's Report 2000 135 JINHUA JIA Doctrinal Reformation of the Hongzhou School of Chan Buddhism* Hu Shi asserts that "Chinese" Chan proper first took on complete shape in the Hongzhou school.1 This assertion has been generally accepted, and the Hongzhou school is regarded as the beginning of "classical" or "golden-age" Chan. However, when discussing exactly what marks the beginning of this new type of Chan, or in other words, what kind of reformation Mazu Daoyi JSffill-- (709-88) brought to the Chan tradition, there have been quite different explanations. YANAGIDA Seizan |7PEBIIll[ posits that the m6st salient characteristic of the Hong zhou school is that it is a Chan of everyday life and a religion of humanity.2 IRIYA Yoshitaka A^ilfij regards the ideas, "function is identical with [Buddha-]nature" and "daily activities are wonderful functions," as the core of Daoyi's teaching.3 John McRAE assumes that "encounter dialogue" distinguishes the "classical" Chan of Mazu from the "pre-classical" Chan of the Northern, early Southern, and Niutou schools.4 Bernard FAURE takes the disappearance of one-practice samadhi (yixing sanmei — ffzLW) as "an indicator of the 'epistemologi- cal split' that opened between early Chan and the 'classical' Chan of the * I thank Professors Paul W. -
Soto Zen: an Introduction to Zazen
SOT¯ O¯ ZEN An Introduction to Zazen SOT¯ O¯ ZEN: An Introduction to Zazen Edited by: S¯ot¯o Zen Buddhism International Center Published by: SOTOSHU SHUMUCHO 2-5-2, Shiba, Minato-ku, Tokyo 105-8544, Japan Tel: +81-3-3454-5411 Fax: +81-3-3454-5423 URL: http://global.sotozen-net.or.jp/ First printing: 2002 NinthFifteenth printing: printing: 20122017 © 2002 by SOTOSHU SHUMUCHO. All rights reserved. Printed in Japan Contents Part I. Practice of Zazen....................................................7 1. A Path of Just Sitting: Zazen as the Practice of the Bodhisattva Way 9 2. How to Do Zazen 25 3. Manners in the Zend¯o 36 Part II. An Introduction to S¯ot¯o Zen .............................47 1. History and Teachings of S¯ot¯o Zen 49 2. Texts on Zazen 69 Fukan Zazengi 69 Sh¯ob¯ogenz¯o Bend¯owa 72 Sh¯ob¯ogenz¯o Zuimonki 81 Zazen Y¯ojinki 87 J¯uniji-h¯ogo 93 Appendixes.......................................................................99 Takkesa ge (Robe Verse) 101 Kaiky¯o ge (Sutra-Opening Verse) 101 Shigu seigan mon (Four Vows) 101 Hannya shingy¯o (Heart Sutra) 101 Fuek¯o (Universal Transference of Merit) 102 Part I Practice of Zazen A Path of Just Sitting: Zazen as the 1 Practice of the Bodhisattva Way Shohaku Okumura A Personal Reflection on Zazen Practice in Modern Times Problems we are facing The 20th century was scarred by two World Wars, a Cold War between powerful nations, and countless regional conflicts of great violence. Millions were killed, and millions more displaced from their homes. All the developed nations were involved in these wars and conflicts. -
The Record of Linji
(Continued from front fl ap) EAST ASIAN RELIGION SASAKI the record of translation and appeared contain the type of detailed his- and The Linji lu (Record of Linji) has been “This new edition will be the translation of choice for Western Zen commentary by torical, linguistic, and doctrinal annota- KIRCHNER an essential text of Chinese and Japanese tion that was central to Mrs. Sasaki’s plan. communities, college courses, and all who want to know Ruth Fuller Sasaki Zen Buddhism for nearly a thousand years. that the translation they are reading is faithful to the original. A compilation of sermons, statements, and The materials assembled by Mrs. Sasaki Professional scholars of Buddhism will revel in the sheer edited by acts attributed to the great Chinese Zen and her team are fi nally available in the wealth of information packed into footnotes and bibliographical LINJI master Linji Yixuan (d. 866), it serves as Thomas Yu¯ho¯ Kirchner present edition of The Record of Linji. notes. Unique among translations of Buddhist texts, the footnotes to both an authoritative statement of Zen’s Chinese readings have been changed to basic standpoint and a central source of Pinyin and the translation itself has been the Kirchner edition contain numerous explanations of material for Zen koan practice. Scholars revised in line with subsequent research grammatical constructions. Translators of classical Chinese will study the text for its importance in under- by Iriya Yoshitaka and Yanagida Seizan, immediately recognize the Kirchner edition constitutes a standing both Zen thought and East Asian the scholars who advised Mrs. Sasaki. -
Buddha-Nature, Critical Buddhism, and Early Chan*
Buddha-nature, Critical Buddhism, and Early Chan* Robert H. Sharf (University of California, Berkeley) 국문요약 이 논문은 불교와 서양 철학에 대한 최근의 비교 연구에서 왜 중세 중국불교 사상이 더 이목을 끌지 않았는지에 대한 반성으로 시작한다. 일본의 “비판 불 교”를 창시한 일본의 마츠모토 시로(松本史朗)와 하카마야 노리아키(袴谷憲 * This paper was originally prepared for the conference “Tathāgatagarbha or Buddha-nature Thought: Its Formation, Reception, and Transformation in India, East Asia, and Tibet,” held in Seoul, August 6-7, 2016. My thanks to the conference organizers and participants, as well as to the anonymous reviewers of this article, for their helpful feedback. Thanks also to Jay Garfield, Elizabeth Sharf, and Evan Thompson for their comments and suggestions on earlier drafts. 불교학리뷰 (Critical Review for Buddhist Studies) 22권 (2017. 12) 105p~150p 106 불교학리뷰 vol.22 昭)는 이러한 경시를 당연한 것으로 볼지 모른다. 그들은, 넓게는 동아시아불 교 전체, 좁게는 중국 선불교가 여래장과 불성사상을 수용하여 철학적으로 불 구가 되었다고 보기 때문이다. 실제로 마츠모토는 남종선의 설계자 중 한 사람 인 하택 신회(670-762)를 선종 입장에서 불성 이론을 옹호한 예로 뽑았다. 이 논문은 불성사상과 여래장사상이 실제로 비판적이고 철학적인 작업에 해로운지는 다루지 않는다. 오히려 이 논문의 관심은 8세기 남종선의 창시자 들이 가진 불성사상에 대한 깊은 관심은 그것을 수용하는 것과 전혀 무관하였 다는 것을 증명하는데 있다. 증거는 다음과 같다. (1) 신회의 저술, 주목할 만한 것은 그가 ‘무정불성’설에 대해 반대했다는 사실, (2) 육조단경, 특히 혜능 ‘오 도송’의 다양한 판본들이다. 그리하여 남종선은 비판불교학자들의 반-‘계일원 론(dhātuvāda)’에 대한 선구자로 간주할 수 있다. 이 논문은 중국불교 주석가들이 유가행파와 여래장의 형이상학적 일원론과 중관과 반야류 문헌의 반-실체론적 경향을 융합하려는데서 지속적으로 발생 하는 문제에 대한 평가로 마무리한다. -
Gongan Collections I 公案集公案集 Gongangongan Collectionscollections I I Juhn Y
7-1 COLLECTED WORKS OF KOREAN BUDDHISM 7-1 GONGAN COLLECTIONS I COLLECTIONS GONGAN 公案集公案集 GONGANGONGAN COLLECTIONSCOLLECTIONS I I JUHN Y. AHN JUHN Y. (EDITOR) JOHN JORGENSEN COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 7-1 公案集 GONGAN COLLECTIONS I Collected Works of Korean Buddhism, Vol. 7-1 Gongan Collections I Edited by John Jorgensen Translated by Juhn Y. Ahn Published by the Jogye Order of Korean Buddhism Distributed by the Compilation Committee of Korean Buddhist Thought 45 Gyeonji-dong, Jongno-gu, Seoul, 110-170, Korea / T. 82-2-725-0364 / F. 82-2-725-0365 First printed on June 25, 2012 Designed by ahn graphics ltd. Printed by Chun-il Munhwasa, Paju, Korea © 2012 by the Compilation Committee of Korean Buddhist Thought, Jogye Order of Korean Buddhism This project has been supported by the Ministry of Culture, Sports and Tourism, Republic of Korea. ISBN: 978-89-94117-10-2 ISBN: 978-89-94117-17-1 (Set) Printed in Korea COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 7-1 公案集 GONGAN COLLECTIONS I EDITED BY JOHN JORGENSEN TRANSLATED AND ANNOTATED BY JUHN Y. AHN i Preface to The Collected Works of Korean Buddhism At the start of the twenty-first century, humanity looked with hope on the dawning of a new millennium. A decade later, however, the global village still faces the continued reality of suffering, whether it is the slaughter of innocents in politically volatile regions, the ongoing economic crisis that currently roils the world financial system, or repeated natural disasters. Buddhism has always taught that the world is inherently unstable and its teachings are rooted in the perception of the three marks that govern all conditioned existence: impermanence, suffering, and non-self. -
Shunryū Suzuki-Rōshi the BLUE CLIFF RECORD, Case 43 Saturday, July 26, 1969 Tassajara
Shunryū Suzuki-rōshi THE BLUE CLIFF RECORD, Case 43 Saturday, July 26, 1969 Tassajara A monk asked Tōzan—Zen Master Tōzan1—can you hear me?— "It is so hot," you know. "How is it possible to go somewhere where it is not hot?"2 Tōzan asked to the monk: "Why don't you go," you know, "somewhere it is not so hot?" And Tōzan said—Tōzan asked him—told him, "Why don't you go somewhere it is not so hot?" "But wherever I go, when it is hot, it is hot," he said—the monk said. Tōzan answered the question and said: "When it is hot, you should kill the hot; when it is cold, you should kill the cold." To kill cold or hot—it—I don't know how you understand it. Maybe for beginner it is pretty hard to sit when your legs are painful. I think it is more difficult for the—for someone to sit with painful legs in hot weather. But how you, you know, practice zazen in such a difficulty—with such difficulty, is something you should understand. Whenever I had some pain in my legs I used to think about this kōan, and I try—try not to move, even though my legs are painful. When it is hot, I—when I went to tangaryō—entered tangaryō—it was summertime.3 So it is very hard for me to sit, although I practiced zazen before I go to Eihei-ji monastery. But still it was pretty hard to sit all day long in crossed-legged position. -
Jana Benická Chan Buddhism and Huayan: Yongjue Yuanxian (1578–1657) on the “Five Positions” (Wu Wei) Theory of Dongshan Liangjie
Jana Benická Chan Buddhism and Huayan: Yongjue Yuanxian (1578–1657) on the “Five Positions” (wu wei) Theory of Dongshan Liangjie Early Chan Buddhism (in particular the so-called Northern Chan School) is often said to have heavily relied on Huayan 㧃ಈ thought, as developed by Fazang ऄ៲ (643–712) and his disciples on the basis of the Avatamsaka-stra. With the demise of that school, and the rise of its rival, the Southern School, in the mid-eighth century, the importance of Huayan thought was downplayed.1 It nevertheless continued to influence some trends of Chan. Gui- 㰚ࡲയ (780–841), a patriarch of the Huayan School, played for instance aڈ feng Zongmi significant role as author of one of the first Chan “histories”.2 Even after Zongmi, and de- spite Chan’s alleged “anti-intellectualism”, Huayan continued to influence certain trends of Chan, in particular the more intellectual Caodong ඦ (J. St) school, founded by Dong- .(ഭ (804–901ءshan Liangjie ՞ߜᏝ (807–869) and his disciple Caoshan Benji ඦ՞ A case in point is the theory of the “five positions” (wu wei Ѩԡ) developed by Dong- shan Liangjie.3 This rather obscure system of speculations on the relationship between the noumenal and phenomenal aspects of reality has always attracted commentators and schol- ars, who gave widely divergent explications of the theory from various points of view. Me- diaeval commentators as well as modern scholars mainly comment on the “positions” as different modes of experiencing reality in terms of the proper discernment of the mutual According to this .(أ relationships between “the right” (zheng ℷ) and “the biased” (pian basic interpretation, “the right” and “the biased” are observed at various “positions” as two inseparable aspects of the same reality, where their “real” relationship is, according to the “level” of the awakening, more or less revealed or concealed; they are also thematized through an analogy with the “four dharmadhtus” (Chn. -
Chan Rhetoric of Uncertainty in the Blue Cliff Record
Chan Rhetoric of Uncertainty in the Blue Cliff Record Chan Rhetoric of Uncertainty in the Blue Cliff Record Sharpening a Sword at the Dragon Gate z STEVEN HEINE 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Oxford University Press 2016 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Cataloging-in-Publication data is on file at the Library of Congress ISBN 978–0–19–939776–1 (hbk); 978–0–19–939777–8 (pbk) 1 3 5 7 9 8 6 4 2 Printed by Webcom, Canada Contents Preface vii 1. Prolegomenon to a New Hermeneutic: On Being Uncertain about Uncertainty 1 2. Entering the Dragon Gate: Textual Formation in Historical and Rhetorical Contexts 46 3. -
Zen Desert Sangha Sūtra Book Is Based on Previous Compilations Made at Zen Desert Sangha and Pathless Path in Tucson Arizona, and at Empty Sky in Amarillo Texas
Zen Desert Sangha ZEN BUDDHIST SŪTRAS Tucson, Arizona Second revised version, April 2019. Prepared and edited by Zen Desert Sangha, a Diamond Sangha affiliate. https://www.zendesertsangha.org tel: 520 319 6260 email: [email protected] P. O. Box 44122 Tucson AZ 85733-4122 Based on text selections, translations, and commentaries from other Diamond Sangha affiliates, published inEncouraging Words: Zen Bud- dhist Teachings for Western Students by Robert Aitken (Pantheon Books: New York and San Francisco). Copyright © 1993 by Robert Aitken. The translation of the Heart Sūtra on page 32 is Copyright © 2005 by The Zen Center, Rochester NY, as is the reading starting on page 27. Thomas Cleary’s translation on page 36 and extensive notes starting on page 57 are Copyright © 1980, 1999 by San Francisco Zen Center. Credits for other quotations appear in the Notes and Commentary section. Any original content in this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. It is at- tributed to Zen Desert Sangha. The cover illustration is re-drawn after brush calligraphy by Hakuin Ekaku, a famous Zen master from eighteenth century c e Japan, based on the character mu. See: Penelope Mason (1993) History of Japanese Art fig. 287. FOREWARD This April 2019 revision of the Zen Desert Sangha Sūtra Book is based on previous compilations made at Zen Desert Sangha and Pathless Path in Tucson Arizona, and at Empty Sky in Amarillo Texas. Pat Hawk Rōshi added the names of several enlightened women to the service dedica- tions for the 2001 revision, and Dan Dorsey Rōshi has added more for the current version; sadly, Pat Hawk Rōshi’s Dharma name is itself now in the dedication to deceased ancestors. -
Chan Buddhism and the Chinese Ancestors Spring Term 2014 Seminary Class Sylabus
Chan Buddhism and the Chinese Ancestors Spring Term 2014 Seminary Class Sylabus The seminary class offering for the spring 2014 term will be Chan Buddhism and the Chinese Ancestors. This ten-week class series is scheduled for Tuesday evenings from February 4th through April 15th. During this class series, we will examine the stories and traditional teachings of and about our Chinese Dharma ancestors and other significant Chan masters from the time of Bodhidharma, through the Tang and Sung Dynasties to and including Tiantong Rujing. Through these stories, we experience the particular way in which we hold the memory of our lineage tradition. We will also follow the development of Chan as it gains color and additional meaning through the authenticity and uniqueness of each generation to become an important cultural force in Chinese and other East Asian societies. The primary text for the reading assignments for each class (listed below) is Zen's Chinese Heritage: The Masters and their Teachings by Andy Ferguson either the first (2000) edition or the expanded (2011) edition. Optional, supplemental text materials will include sections from (1) The Platform Sutra: The Zen Teaching of Hui-neng by Red Pine and (2) Zen Buddhism: A History: Volume 1, India and China by Heinrich Dumoulin. Texts may be purchased; however, copies of all three texts will be placed on reserve for this class in the DRZC library. The classes will be led by Fumyo Mishaga, Genko Rainwater, and Allison Shin'ei Brown. For Seminary credit, each student will be required to complete a written assignment. Also, class attendance will be considered a very important criterion.