DOCSLIB.ORG

Greater Little Zion Baptist Church 10185 Zion Drive Fairfax, VA 22032

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Greater Little Zion Baptist Church 10185 Zion Drive Fairfax, VA 22032 Greater Little Zion Baptist Church Community Invitations to GLZBC 10185 Zion Drive Christian Way Baptist Church’s Annual Trustee Day Fairfax, VA 22032 Sunday, May 19, 2019 at 3:30 PM Location: 929 West Broad St., Suite 206, Falls Church, VA 22046 Phone: 703-239-9111 Fax: 703-250-2676 For More Information, Go to: www.christianwaybaptistchurch.com Office Hours: 9:30 a.m. – 5:30 p.m. Community Baptist Church’s Anointed Voices of Praise Anniversary Email: [email protected] Sunday, May 19, 2019 at 3:30 p.m. Cost: Free Website: www.glzbc.org Location: 10112 Community Lane, Fairfax Station, VA 22039 Mt. Zion Baptist Church “Annual Spring Revival” Thursday, May 23, 2019 at 7:00 PM Guest Speaker: Rev. Dr. James T. Murphy, Jr. Guest Choir: GLZ Male Chorus Location: 18410 Chapel Dr., Triangle, VA 22172 Gospel Stage Play “Secrets of The Butterfly Club” By: Sponsoring Gem Theater Productions Saturday, May 25, 2019 Location: Northern Virginia Community College – Woodbridge Campus, In The Black Box Theater At 2645 College Drive, Woodbridge, VA 22191. There Will Be Two Shows: 3:00 PM and 7:00 PM. Cost: Regular Seating: $25.00/VIP Seating: $35 To Purchase Tickets and For More Information, Go to: Www.Gemtheaterproductions.Org Mt. Salvation Baptist Church’s Annual Deacons and Deaconess Day Sunday, June 2, 2019 at 3:30 PM Communion Sunday Dinner served immediately following the 11:00 am service. Location: 1961 North Culpeper St., Arlington, VA 22207 Sunday, May 19, 2019 POC: Deaconess Debra Sheppard-Ross at (571) 331-2289 For more information go to www.glzbc.org and click on the Community Page tab. 2019 Theme: “Year of the Stretch" "Stretch out your hand" Mark 3:5 UNIT 3: SPREAD OF THE GOSPEL Church Vision: The vision of GLZBC is to reach the unsaved with the “THE CALL OF THE GENTILES” saving message of Jesus Christ. Matthew 28:19-20 Daily Bible Readings for this week: May 19, 2019 Church Mission: The mission of GLZBC is to lead everyone to a full life Monday Romans 9:1-5, 14-17 of development in Christ. Luke 4:18-19 Tuesday Acts 13:44-49 Wednesday Colossians 2:1 -10 Thursday Acts 20:17-24, 32 Rev. Dr. James T. Murphy, Jr., Pastor Friday Romans 11:1-10 E-mail: [email protected] Saturday Romans 11:25 -36 Sunday Romans 11:11 -24 This is my Bible. I am what It says I am. I have what It Worship on the Lord’s Day says I have. I can do what It says I can do. Today I will be taught the Word of God. I boldly confess that my 7:45 a.m. Service mind is alert, my heart is receptive and I will never be the same. In Jesus’ name. Amen . Sermon Notes Today’s Music Leader Message Notes 7:45 a.m. Musicians ..…....... Bishop Dr. Paul Taylor and Min. Keith Exum Scripture (s): Minister of Music .…...……………………… Bro. Robert Fairchild Sermon Text: Call to Worship ……………….……………………………………………….... Invocation ..……………………......……...….………..…………... Minister Musical Selection (2) ………………….…...................... GLZ Church Choir The Spoken Word/Sermon ………….......... Rev. Dr. James T. Murphy, Jr. Sermon Title: “PUSH” John 13:34-35; 14:15-18 Invitation to Salvation ………….…….......... Rev. Dr. James T. Murphy, Jr. Worship of Giving/Prayer …………..……...… Board of Directors/Deacons (Bring prayer request as well with offering) Welcoming of Visitors ….…...……………………………. Greeter’s Ministry Announcements ………………………………………………………………… Pastoral Prayer……………………….…..… Rev. Dr. James T. Murphy, Jr. Holy Communion .……………………….… Rev. Dr. James T. Murphy, Jr. Please do not enter or leave the Sanctuary during this time. Worship on the Lord’s Day This is my Bible. I am what It says I am. I have what It says I have. I can do what It says I can do. Today I will 10:45 a.m. Service be taught the Word of God. I boldly confess that my mind is alert, my heart is receptive and I will never be the same. In Jesus’ name. Amen. Today’s Music Leader Sermon Notes Musician .…......................................................... Min. Keith Exum Message Notes 10:45 a.m. Minister of Music .…………..………….…… Bro. Robert Fairchild Scripture (s): Sermon Text: Praise and Worship ………………..…..….……………………………...…… Call to Worship ………………………………………..………………..……… Congregational Hymn #244…............................... The Old Rugged Cross Worshippers may enter Invocation ..…………………......………..…..………..…………... Minister Musical Selection ……………......…….…..……….....… GLZ Church Choir Welcoming of Visitors ….……………………….……..…. Greeter’s Ministry Announcements …………………………………………..………….………… Worship of Giving/ Prayer …...…..….……….. Board of Directors/Deacons Congregational Prayer Time ………………………………………..........… Musical Selection ……………......….…………….......… GLZ Church Choir The Spoken Word/Sermon ……................. Rev. Dr. James T. Murphy, Jr. Sermon Title: “PUSH” John 13:34-35; 14:15-18 Invitation to Salvation Holy Communion …………………….....….. Rev. Dr. James T. Murphy, Jr Please do not enter or leave the Sanctuary during this time Answer Key: Mothers of the Bible Quiz Sis. Kaye Allen Bro. Charles Bodenhamer 1. This mother had her first and only child at age ninety. Dr. Charles “Chuck” Chandler, Jr. (Rev. Estelle Chandler’s son) D) Sarah Sis. Barbara Collins – Health & Healing Sis. Charity Collins – Health & Sickness (Sis. Brenda Perkins-Johnson's mother) Genesis 17:15-19. When Abraham was one hundred and Sarah was ninety, they became the Bro. Ted & Sis. Annie Davis – Health & Healing proud parents of Isaac. Sis. Alice Edney (Sis. Jackie White’s sister) Sis. Mary Evans – Health & Healing (Sis. Karen Talley’s mother) 2. This mother tricked her blind husband into giving his dying blessing to the wrong Sis. Annette Fletcher - Health & Healing son. Bro. OZ Fuller – Health & Healing Bro. Marquise Fulmer - Health & Healing (Sis. Joyce Moseley’s cousin) D) Rebekah Sis. LaTasha Fulmer-Davis - Health and Healing (Sis. Joyce Moseley’s cousin) Bro. Larry Garrett - Health & Healing (Sis. Ruth Garrett’s husband) Genesis 27:2-35. Rebekah schemed to trick Isaac into giving his dying blessing to Jacob Sis. Ruth Garrett - Health & Healing instead of his older twin Esau. Bro. Elias Gomez, in the Hospital, MD (Sis. Lillian Patillo’s husband, Rev. Chandler’s friend) Sis. Yetta Howard - Health & Healing (Sis. Yedetta Felton’s sister) 3. This mother's son grew up to be king of Israel. Sis. Melinda Jeter – Health & Healing (Sis. Brenda Jeter’s daughter) B) Bathsheba Sis. Beverly Jones – Health & Healing Bro. Julius Lewis – Health & Healing 1 Chronicles 3:1-9. Bathsheba was the wife of King David and mother of King Solomon. Sis. Christel Lipscomb - Health & Healing (Sis. Malinda Paige’s sister) Sis. Linda McClenic, Richmond, VA – Health (Sis. Pat McClenic’s sister) 4. This mother's firstborn son was a murderer. Bro. Addison & Sis. Dorothy McFarland, Health/Healing, Memphis, TN (Bro. Steve Hill’s stepfather & mother) B) Eve Bro. Lacy McLaurin – Health & Sickness (Sis. Annie McLaurin’s husband) Genesis 4:1-8. Cain was jealous that God looked with favor on his brother Abel's offering, but Sis. Betty Meares, Recovering at home – Health & Healing (Bro. Ronald Meares’ wife) Bro. Walter Meares (Bro. Ronald Meares’ brother) not on his. Cain attacked Abel and killed him. Bro. Joseph Oliver – Health & Sickness (Sis. Ruth Garrett’s brother) Bro. Gray Pearcy - Health & Sickness (Sis. Brenda Perkins-Johnson’s friend’s son) 5. This mother's son was sold into slavery by his brothers. Bro. Brian Roach - Healing and Health (Sis. Joyce Moseley's Nephew) C) Rachel Bro. Karl Roberson – Health & Sickness (Sis. Renee Purcell’s father) Sis. Cynthia Roper – Health & Healing Genesis 30:22-24, 37:28. Joseph was Jacob's favorite son, and the first son born to his Bro. John Rutland in Washington Hospital Center – Health & Healing favorite wife, Rachel. Joseph's brothers were jealous of the favor Joseph received from their Bro. William Skipwith – Health & Healing (Sis. Judy Skipwith’s father) father. They plotted to kill him, but ended up selling him into slavery. They then conspired to Sis. Esther Smith – Health & Healing (Sis. Joyce Moseley’s friend’s mother) Bro. Joshua Thomas – Health & Sickness (Sis. Crystal Thomas’ father) convince Jacob that Joseph had been killed by a wild animal. Sis. Suzi Vincent – Health & Healing (Sis. Ann Vincent’s daughter) Sis. LouEtta Watkins (Sis. Julie Lane’s mother) 6. This mother was visited by the angel Gabriel. Bro. Trey Wilburn – Health & Healing (Bro. Hosea Pickett’s friend) C) Mary Sis. Michelle Wiley – Health (Sis. Miamah Braddox’s cousin) Sis. Lucinda Williams – Health & Healing (Sister’s Ann & Suzi Vincent’s aunt) Luke 1:26-33. Gabriel gave Mary the good news that she would be the mother of Jesus. Sis. Christina Williams – Health & Healing (Bro. Larry Pyos’ mother) Bro. Donald Woodson – Health & Healing (Dec. Donald Newton’s 2nd cousin) 7. This mother's son said, "Repent, for the kingdom of heaven has come near!" Sis. Sheila Yeary – Health & Sickness (Sis. Brenda Perkins-Johnson's cousin) A) Elizabeth Mourning the Loss of a Loved One… Sis. Barbara Murphy (Death of her brother) Luke 1:57-60, Matthew 3:1-2. Elizabeth was the mother of John the Baptist. Bro. Jamaal Newman (Death of his grandfather) Bro. Hosea Pickett (Death of his father) https://www.christianbiblereference.org/cgi-bin/web_quiz1.pl?Moth-01-CO.txt&0 Songs The Songwriters Hall of Fame entry on Andy Razaf lists 215 compositions, giving co-writers and publishers. He had many unpublished songs; Singer's biography lists more than 800, published and unpublished (but without giving lyrics). Some notable lyrics include: "Baltimo", composed at the age of 17, was sung by members of The Passing Show of 1913 at the Winter Garden, New York. Andriamanantena Paul Razafinkarefo "Mound Bayou", named for Mound Bayou an independent Black community Andy Razaf (December 16, 1895 – February 3, 1973) was an in Mississippi, the original song was sung by Maxine Sullivan, and was on an album dedicated to his work, A Tribute to Andy Razaf.
Load more

Recommended publications
  • “In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell
    “In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell Glenn Miller Original release label “Sun Valley Serenade” Though Glenn Miller and His Orchestra’s well-known, robust and swinging hit “In the Mood” was recorded in 1939 (and was written even earlier), it has since come to symbolize the 1940s, World War II, and the entire Big Band Era. Its resounding success—becoming a hit twice, once in 1940 and again in 1943—and its frequent reprisal by other artists has solidified it as a time- traversing classic. Covered innumerable times, “In the Mood” has endured in two versions, its original instrumental (the specific recording added to the Registry in 2004) and a version with lyrics. The music was written (or written down) by Joe Garland, a Tin Pan Alley tunesmith who also composed “Leap Frog” for Les Brown and his band. The lyrics are by Andy Razaf who would also contribute the words to “Ain’t Misbehavin’” and “Honeysuckle Rose.” For as much as it was an original work, “In the Mood” is also an amalgamation, a “mash-up” before the term was coined. It arrived at its creation via the mixture and integration of three or four different riffs from various earlier works. Its earliest elements can be found in “Clarinet Getaway,” from 1925, recorded by Jimmy O’Bryant, an Arkansas bandleader. For his Paramount label instrumental, O’Bryant was part of a four-person ensemble, featuring a clarinet (played by O’Bryant), a piano, coronet and washboard. Five years later, the jazz piece “Tar Paper Stomp” by Joseph “Wingy” Manone, from 1930, beget “In the Mood’s” signature musical phrase.
    [Show full text]
  • Newsletternewsletter March 2015
    NEWSLETTERNEWSLETTER MARCH 2015 HOWARD ALDEN DIGITAL RELEASES NOT CURRENTLY AVAILABLE ON CD PCD-7053-DR PCD-7155-DR PCD-7025-DR BILL WATROUS BILL WATROUS DON FRIEDMAN CORONARY TROMBOSSA! ROARING BACK INTO JAZZ DANCING NEW YORK ACD-345-DR BCD-121-DR BCD-102-DR CASSANDRA WILSON ARMAND HUG & HIS JOHNNY WIGGS MOONGLOW NEW ORLEANS DIXIELANDERS PCD-7159-DR ACD-346-DR DANNY STILES & BILL WATROUS CLIFFF “UKELELE IKE” EDWARDS IN TANDEM INTO THE ’80s HOME ON THE RANGE AVAilable ON AMAZON, iTUNES, SPOTIFY... GHB JAZZ FOUNDATION 1206 Decatur Street New Orleans, LA 70116 phone: (504) 525-5000 fax: (504) 525-1776 email: [email protected] website: jazzology.com office manager: Lars Edegran assistant: Jamie Wight office hours: Mon-Fri 11am – 5pm entrance: 61 French Market Place newsletter editor: Paige VanVorst contributors: Jon Pult and Trevor Richards HOW TO ORDER Costs – U.S. and Foreign MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB JAZZ FOUNDATION. You will then receive your membership card by return mail or with your order. As a member of the Collector’s Club you will regularly receive our Jazzology Newsletter. Also you will be able to buy our products at a discounted price – CDs for $13.00, DVDs $24.95 and books $34.95. Membership continues as long as you order one selection per year. NON-MEMBERS For non-members our prices are – CDs $15.98, DVDs $29.95 and books $39.95. MAILING AND POSTAGE CHARGES DOMESTIC There is a flat rate of $3.00 regardless of the number of items ordered.
    [Show full text]
  • AIN't MISBEHAVIN' ATS Auditorium Friday, March 8 8:00 P.M
    Dickinson College Archives & Special Collections http://archives.dickinson.edu/ Documents Online Title: Black Arts Festival: Ain’t Misbehavin’ Date: March 8, 1985 Location: RG 8/93, B1, F6 Contact: Archives & Special Collections Waidner-Spahr Library Dickinson College P.O. Box 1773 Carlisle, PA 17013 717-245-1399 [email protected] -) ·,'- il \, CAAS PRESENTS Tony Award Winning AIN'T MISBEHAVIN' ATS Auditorium Friday, March 8 8:00 P.M. General Admission - $2.00 FREE WITH DICKINSON I. D. DAEDALUS PRODUCTIONS JOHN ADAMS, MANAGING DIRECTOR PRESENTS Best Musical Tony Award Winner N.Y. Drama Critics' Circle Award AIN'T MISBEHAVIN' The FATS WALLER Musical Show starring (in alphabetical order) KEVIN NEIL CHEATHAM ANGEL JEMMOTT LeLAND GANTT MENNIE NELSON LUCILLE OLIVER Directed and Choreographed by ROBERT DURKIN Musical Director & Piano Man RONALD METCALF n~,s DEREK POLK Produced by BERNARD L. TANSEY Set Design Costume Design Lightirg Design BERNARD L. TANSEY EIKO YAMAGUCHI KIM HANSON Company Managenent Stage Managerrent KEN NIXON JOY VANDERVORT "AIN'T MISBEHAVIN "' is presented through Special Arrangement with Music Theatre International. - Prop,ram copy - p , 2 Set in a Harlem nightclub of the 1930's and 40's, AIN'T MIS• BEHAVIN' celebrates the music, personality, and high-living style of one of that era's most beloved jazzmen and clowns, Thomas "Fats" Waller. ************************************ FATS WALLER: My dad,Thomas Waller, was born in Greenwich Village in 1904, and reared in Harlem. His parents were deeply religious; to his father, jazz was the devil's music. Dad studied classical piano and played church organ. He began his professional career as organist at the Lincoln Theatre on 135th Street.
    [Show full text]
  • C Enterstage
    Reston Community Center Presents NYFOS: Harlem Renaissance the CenterStage Photo by Dario Acosta New York Festival of Song HARLEM RENAISSANCE Friday December 5, 2014 8:00 p.m. 2014-2015 Artist Series Touring Professional Reston Community Center Presents NYFOS: Harlem Renaissance New York Festival of Song Steven Blier ARTISTIC DIRECTOR Michael Barrett ASSOCIATE ARTISTIC DIRECTOR HARLEM RENAISSANCE Julia Bullock (photo by Christian Steiner) Darius de Haas (photo by Tess Steinkolk) James Martin (photo by Steve Godbold) Julia Bullock SOPRANO Darius de Haas TENOR James Martin BARITONE Michael Barrett PIANIST Steven Blier PIANIST & ARRANGER 2 Reston Community Center Presents NYFOS: Harlem Renaissance PROGRAM Capricious Harlem Eubie Blake The Joint is Jumpin’ (Andy Razaf / J. C. Johnson) Thomas “Fats” Waller A Porter’s Love Song to a Chambermaid (Razaf) James P. Johnson Ain’t-cha Glad (Razaf) Waller Li’l Gal (Paul Laurence Dunbar) J. Rosamond Johnson Death of an Old Seaman (Langston Hughes) Cecil Cohen The Breath of a Rose (Hughes) William Grant Still Day Dream (John LaTouche) Billy Strayhorn I’m Craving for that Kind of Love (Noble Sissle) Blake You’re Lucky to Me (Razaf) Blake I’ve Heard of a City Called Heaven Trad., arr. Hall Johnson Guiding Me Back Home (Sissle) Harry Revel INTERMISSION Mo’ Lasses (Alex Rogers) Charles “Luckey” Roberts In a Sentimental Mood (Ellington/Kurtz) Duke Ellington / Manny Kurtz I’m Just a Lucky So-and-So (Mack David) Ellington A Flower is a Lovesome Thing (Strayhorn) Strayhorn The Harlem Blues (Handy) W. C. Handy
    [Show full text]
  • The Dinner Theatre of Columbia Next at TOBY's November 9, 2018
    THE DINNER THEATRE OF COLUMBIA PRESENTS SEPTEMBER 14 - NOVEMBER 4, 2018 Next at TOBY’s November 9, 2018 - January 13, 2019 THE DINNER THEATRE OF COLUMBIA Production of Ain’t Misbehavin’ The FATS WALLER Musical Show Conceived by RICHARD MALTBY, JR. and MURRAY HORWITZ Created and Originally Directed by RICHARD MALTBY, JR. Original Choreography and Musical Staging by ARTHUR FARIA Musical Adaptations, Orchestrations and Arrangements by LUTHER HENDERSON Vocal & Musical Concepts by Musical Arrangements by JEFFREY GUTCHEON JEFFREY GUTCHEON & WILLIAM ELLIOTT Originally produced by The Manhattan Theatre Club. Originally produced on Broadway by Emanuel Azenberg, Dasha Epstein, The Shubert Organization, Jane Gaynor, & Ron Dante Director Monique Midgette Choreographer Music Director Shalyce Hemby Ross Scott Rawlings Scenic Designer Lighting Designer David A. Hopkins Lynn Joslin Costume Designer Sound Designer Janine Sunday Mark Smedley Ain’t Misbehavin’ Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 www.MTIShows.com Video and/or audio recording of this performance is strictly prohibited. Fog and haze effects are used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com BALTIMORE HEBREW CONGREGATION WELCOMES CANTOR ELLERIN AND ANNOUNCES GREAT NEWS FOR MEMBERSHIP DUES Baltimore Hebrew Congregation is the only Reform synagogue in Baltimore to offer voluntary dues for eligible first-time members of any age and for congregants until the age of 30. BHC BALTIMORE HEBREW CONGREGATION Progressive.
    [Show full text]
  • Ain't Misbehavin' the Fats Waller Musical Show
    ASF 2016 Study Materials for Ain'tThe Fats WallerMisbehavin' Musical Show conceived by Murray Horowitz & Richard Maltby Director Set Design Costume Design Lighting Design James Bowen Jesse Dreikosen Jeffrey Todhunter Kendall Smith Contact ASF at: www.asf.net Study materials written by 1.800.841-4273 Susan Willis, ASF Dramaturg [email protected] ASF/ 1 Ain't Misbehavin' The Fats Waller Musical Show conceived by Murray Horowitz & Richard Maltby Welcome to Ain't Misbehavin' and the Music of Fats Waller This joint is about to start jumping! Your toes will tap, your shoulders will jive, your head will bob along with some of the most infectious swing America has ever Characters created, the music of Thomas "Fats" Waller (the "characters" are identified by the names of the five actors in and some others who shaped the feel of the the first Broadway cast) 1920s, '30s, and early '40s. This musical André, a party hound, a flirt, revue is like one big rent party or club show and a bit of a womanizer on stage at ASF—the great stride music of Armelia, a voluptuous and Fats Waller with performers singing and sassy woman, strong-willed dancing his musical tales of love, longing, and not afraid to speak her and the zest for life. mind The pitch for the Broadway show reads Charlaine, a sweet, innocent "A sassy, sultry musical celebration of young lady legendary jazz great, Fats Waller." Sassy, Ken, a jovial, cheerful, loud yes. Sultry, yes. Musical, oh, yes indeed. man, larger than life Legendary, just listen. So there's every Life magazine's portrait of Thomas "Fats" Waller Nell, a confident and charming reason for celebration! woman of the world Song List for Ain't Misbehavin' In his review of the 1988 Broadway Act 1: "Ain't Misbehavin'" (1929) revival, New York Times drama critic Frank "Lookin' Good but Feelin' Bad" Rich proclaimed that the show "conjured "'T Ain't Nobody's Bizness"*• (1923) [a] between-the-wars dream world….
    [Show full text]
  • Teaching Jazz As American Culture Lesson Plans
    TEACHING JAZZ AS AMERICAN CULTURE LESSON PLANS NEH SUMMER INSTITUTE The Center for the Humanities Washington University in St. Louis July 2-27, 2007 contents Foreword ……………………………………………………………………………… iv Gerald Early, Merle Kling Professor of Modern Letters, Department of English iv Director, The Center for the Humanities Jazz and Biography ………………………………………………………………… 1 Robert Edwards, Annie Joly, Frank Kovarik, Alice Lee, and Gerry Liebmann Jazz and Fiction ……………………………………………………………………… 21 Ken Froehlich, T. J. Gillespie, Judith Nador, Melissa Papianou, and Elizabeth Patterson Jazz and Gender …………………………………………………………………… 45 Amy Dilts, Aimee Hendrix, Hope Rias, and Franklin Webster Jazz and Race ………………………………………………………………………… 59 Robert Evans, Allen Stith, Herbert West, and Keith Westbrook Jazz and the Urban Landscape …………………………………………………… 72 Monica Freese, John Gornell, Patrick Harris, Mark Halperin, and Jerome Love Jazz and the Visual Imagination …………………………………………………… 85 Judy Gregorc, Rob Matlock, Martha Jewell Meeker, Ellen Rennard, Laura Rochette, and Larissa Young iii foreword Teaching Jazz as American Culture and as an attractive form of identity for young people. But jazz also represents a markedly different story Now, a word or two before you go. I must make from, say, country and western, rock and roll, rhythm clear to you once again why we were all here and what and blues, hip hop and rap. None of these forms of we all tried to accomplish in these last four weeks. It music has so dramatically lost its popularity and none was never my intention to encourage you to make your has become a conservatory music. It is the ways in students fans of jazz. It was never even my intention which jazz serves as a paradigm for the formation of to make any of you jazz fans who were not inclined to mass taste and the ways in which it is not a paradigm, be so.
    [Show full text]
  • Download Booklet
    IT DON’T MEA N A T H I NG String Fever Marin Alsop, Leader It Don’t Mean A Thing IT DON’ T MEAN A THING This album reflects our foray into the standards, recorded percussion instruments ourselves, and work out extended over a period of 15 years. Enormous thanks to all of the solos for violin and viola. wonderful musicians who played in String Fever over the 1 It Don’t Mean a Thing 7 Come Rain or Come Shine years. We had many adventures over our 20 year career 5 Blue Rondo à la Turk was written by Dave Brubeck and (If It Ain’t Got That Swing) (1931) 3:29 (from St Louis Woman) (1946) 4:55 together and String Fever will remain a source of great first appeared on the album Time Out in 1959. It is written (Duke Ellington/Irving Mills, (Harold Arlen/Johnny Mercer, memories and musical achievement for all of us. in 9/8 and swing 4/4. Brubeck heard the unusual “1-2/1- arr. Gary Anderson) (ASCAP) arr. Gary Anderson) (ASCAP) 2/1-2/1-2-3” rhythm performed by Turkish musicians on Marin Alsop the street. Upon asking the musicians where they got the 2 Mood Indigo (1930) 5:47 8 In the Mood (1938) 3:43 rhythm, one replied “This rhythm is to us, what the blues (Duke Ellington/Barney Bigard/Irving Mills, (Joe Garland/Andy Razaf, is to you.” Hence the title Blue Rondo à la Turk. 1 It Don’t Mean A Thing (If It Ain’t Got That Swing) is a arr.
    [Show full text]
  • Seeing Laure: Race and Modernity from Manet's Olympia to Matisse
    Seeing Laure: Race and Modernity from Manet’s Olympia to Matisse, Bearden and Beyond Denise M. Murrell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2013 Denise M. Murrell All Rights Reserved ABSTRACT Seeing Laure: Race and Modernity from Manet’s Olympia to Matisse, Bearden and Beyond Denise M. Murrell During the 1860s in Paris, Edouard Manet and his circle transformed the style and content of art to reflect an emerging modernity in the social, political and economic life of the city. Manet’s Olympia (1863) was foundational to the new manner of painting that captured the changing realities of modern life in Paris. One readily observable development of the period was the emergence of a small but highly visible population of free blacks in the city, just fifteen years after the second and final French abolition of territorial slavery in 1848. The discourse around Olympia has centered almost exclusively on one of the two figures depicted: the eponymous prostitute whose portrayal constitutes a radical revision of conventional images of the courtesan. This dissertation will attempt to provide a sustained art-historical treatment of the second figure, the prostitute’s black maid, posed by a model whose name, as recorded by Manet, was Laure. It will first seek to establish that the maid figure of Olympia, in the context of precedent and Manet’s other images of Laure, can be seen as a focal point of interest, and as a representation of the complex racial dimension of modern life in post-abolition Paris.
    [Show full text]
  • 120760Bk Fats Handful 15/2/04 10:28 PM Page 8
    120760bk Fats Handful 15/2/04 10:28 PM Page 8 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Naxos has engaged a number of respected restorers who have the dedication, skill and experience to produce restorations that have set new standards in the field of historical recordings. Also available in the Naxos Jazz Legends series 8.120574* 8.120577 8.120676* 8.120692 8.120714* 8.120729* * Not available in the USA 120760bk Fats Handful 15/2/04 10:28 PM Page 2 FATS WALLER Personnel Track 5: FATS WALLER & HIS RHYTHM. Fats Track 13: FATS WALLER & HIS RHYTHM. Fats ‘Handful of Fats’ Original Recordings 1929-1942 Waller, vocal, piano; Herman Autrey, trumpet; Waller, vocal, piano; Herman Autrey, trumpet; Rudy Powell, clarinet, alto sax; Al Casey, guitar; Gene Sedric, tenor sax, clarinet; John Smith, Charles Turner, bass; Harry Dial, drums guitar; Cedric Wallace, bass; Slick Jones, drums Thomas “Fats” Waller was one of the most solos on a pipe organ at the Lincoln Theatre, beloved figures in jazz history. His life gave the playing for silent movies. Track 8: FATS WALLER & HIS RHYTHM. Fats Track 19: FATS WALLER, HIS RHYTHM & HIS appearance of being one long goodtime party Fats became one of the stars of Harlem rent Waller, vocal, piano; Herman Autrey, trumpet; ORCHESTRA. Fats Waller, Hammond organ; full of hot jazz, liquor, food, humour and parties in the 1920s, playing alongside James P. Gene Sedric, tenor sax, clarinet; Al Casey, Herman Autrey, John Hamilton, Joe Thomas, women, and few others could keep up with him Johnson and Willie “the Lion” Smith.
    [Show full text]
  • "The Lion" Smith, "Fats" Waller, and James P. Johnson: an Analysis of Historical, Cultural, and Performance Aspects of Stride Piano from 1910 to 1940
    Graduate Theses, Dissertations, and Problem Reports 2013 Luckey Roberts, Willie "the Lion" Smith, "Fats" Waller, and James P. Johnson: An Analysis of Historical, Cultural, and Performance Aspects of Stride Piano from 1910 to 1940 Jacob Womack West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Womack, Jacob, "Luckey Roberts, Willie "the Lion" Smith, "Fats" Waller, and James P. Johnson: An Analysis of Historical, Cultural, and Performance Aspects of Stride Piano from 1910 to 1940" (2013). Graduate Theses, Dissertations, and Problem Reports. 5012. https://researchrepository.wvu.edu/etd/5012 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Luckey Roberts, Willie “the Lion” Smith, “Fats” Waller, and James P. Johnson: An Analysis of Historical, Cultural, and Performance Aspects of Stride Piano from 1910 to 1940. Jacob Womack Research Document submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Piano Performance Peter Amstutz, D.M.A.
    [Show full text]
  • Fats Waller, If You Got to Ask, You Ain't Got
    “Fats Waller, If You Got to Ask, You Ain’t Got It!” Dan Morgenstern Grammy Award for Best Album Notes 2006 “Fats is gone now, but to me he’s still here with us. His very good spirit will keep him with us for ages. Right now, anytime someone mentions Fats Waller’s name, why, you can see the grins on all the faces, as if to say, “Yea, yea, yes, yes, Fats is a solid sender, ain’t he?” — Louis Armstrong More than six decades have passed since Louis Armstrong eulogized his friend shortly after his untimely death at 39, and as always, Satchmo stuck just the right note. As this marvelous collection proves, the joyous spirit of Fats Waller is as alive as ever, to seasoned fans and first-time listeners alike. Thomas Wright Waller, the seventh of 11 children born to Adaline and Edward Waller, six of whom died in childhood, came into this world on May 21, 1904 in New York City— some sources say in Greenwich Village, others claim Harlem. In any case, the family did live on Waverley place but moved uptown during Tom’s early childhood. His first contact with a piano came at the age of six, at an upstairs neighbor’s apartment; the instrument fascinated him, and he was soon looking for pianos wherever he could. His musical mother and an elder brother, Robert, born in 1893, we’re so impressed with little Tom’s zeal that they persuaded a better-off relative to provide a piano, and lessons were procured; however, Tom had such a good ear that he could replicate most pieces after a single hearing and saw no need to practice his lessons, so formal training ended.
    [Show full text]