De Nieu Nederlanse Marcurius” December 2007
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Held Tegen Wil En Dank
WEDUWE SOLDAAT VAN ORANJE OVER HAAR EEUWIGDURENDE LIEFDE Held tegen wil en dank Karin Hazelhoff Roelfzema, een leven in het teken van de Soldaat van Oranje. „Erik dacht in recht en onrecht." FOTO: JOHANNES DALHUIJSEN OOK SINDS ZIJN DOOD STAAT HAAR LEVEN IN HET TEKEN VAN DE SOLDAAT VAN ORANJE. Door de records brekende musical, door zijn zojuist in het Engels gepubliceerde autobiografie, door al die oorlogsherdenkingen dit jaar. Karin, weduwe van Erik Hazelhoff Roelfzema, over een eeuwigdurende liefde: „Alsof hij nog altijd bij me is, over me waakt, met me praat.” Zomer 1973: vier oorlogshelden en een mooie vrouw. Ben Vlielander Hein, Erik Hazelhoff Roelfzema, zijn vrouw Karin, Chris Krediet en Peter Tazelaar (vlnr). door CHARLES SANDERS Ze oogt breekbaar, de lange reis vanuit Hawaï heeft kracht gekost. Desondanks bezocht Karin Hazelhoff Roelfzema afgelopen week Soldaat van Oranje, de prachtige musical. Voor de vijftiende keer. Haar man, verzetsheld Erik, vertelde vlak voor zijn dood tegenover deze krant op zijn tropische eiland in de Stille Oceaan: „Ze gaan iets raars over me maken. Nou, ik moet het allemaal nog zien hoor. Mensen die zingen en vervolgens praten. Vechten, vliegen en weer liedjes neuriën… Wat moet je daar nou toch mee?” Karin lacht als we die woorden van de Soldaat van Oranje memoreren. „Zo dacht Erik. Met musicals had hij weinig. Hij stierf nog voor de première. Toch weet ik zeker dat hij enthousiast was geweest als hij het allemaal had meegemaakt. Want de voorstelling op het voormalige marinevliegkamp Valkenburg volgt het echte verhaal, zíjn leven. Meer nog dan de wereldberoemd geworden film.” Het is de langstlopende voorstelling uit de Nederlandse theatergeschiedenis. -
Nova News, June-July 1982 Nova University
Nova Southeastern University NSUWorks Nova News NSU Early Publications 7-1-1982 Nova News, June-July 1982 Nova University Follow this and additional works at: https://nsuworks.nova.edu/nsudigital_novanews NSUWorks Citation Nova University, "Nova News, June-July 1982" (1982). Nova News. 88. https://nsuworks.nova.edu/nsudigital_novanews/88 This Newsletter is brought to you for free and open access by the NSU Early Publications at NSUWorks. It has been accepted for inclusion in Nova News by an authorized administrator of NSUWorks. For more information, please contact [email protected]. GIlA. 'UATION ... THE BIG DAY CUlMINATING All THE DAYS OF STUDY AND BEST OF AII ••• THE FUTURE lIES AHEAD That moment we've all been waiting faT ... And remember for years' co come ... T he conferring of [he degree. For doctoral and juris doctor students this also means receiving the hood, as shown here in a picture from a graduation past. By: Jennifer P. Meriam months old and "graduating" from Former Chief Justice of the Florida occasion will be Dr. Abraham the Family Center Toddlerhood Pro Supreme Court A rthur England Fischler, President. Graduation is a special gram. gave the commencement address Preceding the event on Sunday time ... whoever you are. Perhaps Or perhaps you're graduating to the sixth graduating class. will be the 1982 Commencement you're a young lawyer, fulfilling a from The University School, you're On June 6, the University School Dinner Dance on Saturday evening, lifelong dream. Perhaps you're 4 1, 17 and you're a National Merit of Nova University bid farewell to 77 July 17 at the Hillcrest Golf and the mother of three, divorced and Flnallst...one of just several in the graduating seniors at a brunch held Country Club In Hollywood. -
Spetters Directed by Paul Verhoeven
Spetters Directed by Paul Verhoeven Limited Edition Blu-ray release (2-disc set) on 2 December 2019 From legendary filmmaker Paul Verhoeven (Robocop, Basic Instinct) and screenwriter Gerard Soeteman (Soldier of Orange) comes an explosive, fast-paced and thrilling coming- of-age drama. Raw, intense and unabashedly sexual, Spetters is a wild ride that will knock the unsuspecting for a loop. Starring Renée Soutendijk, Jeroen Krabbé (The Fugitive) and the late great Rutger Hauer (Blade Runner), this limited edition 2-disc set (1 x Blu-ray & 1 x DVD) brings Spetters to Blu-ray for the first time in the UK and is a must own release, packed with over 4 hours of bonus content. In Spetters, three friends long for better lives and see their love of motorcycle racing as a perfect way of doing it. However the arrival of the beautiful and ambitious Fientje threatens to come between them. Special features Remastered in 4K and presented in High Definition for the first time in the UK Audio commentary by director Paul Verhoeven Symbolic Power, Profit and Performance in Paul Verhoeven’s Spetters (2019, 17 mins): audiovisual essay written and narrated by Amy Simmons Andere Tijden: Spetters (2002, 29 mins): Dutch TV documentary on the making of Spetters, featuring the filmmakers, cast and critics of the film Speed Crazy: An Interview with Paul Verhoeven (2014, 8 mins) Writing Spetters: An Interview with Gerard Soeteman (2014, 11 mins) An Interview with Jost Vacano (2014, 67 mins): wide ranging interview with the film’s cinematographer discussing his work on films including Soldier of Orange and Robocop Image gallery Trailers Illustrated booklet (***first pressing only***) containing a new interview with Paul Verhoeven by the BFI’s Peter Stanley, essays by Gerard Soeteman, Rob van Scheers and Peter Verstraten, a contemporary review, notes on the extras and film credits Product details RRP: £22.99 / Cat. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Righteous Citizens: The Lynching of Johan and Cornelis DeWitt,The Hague, Collective Violens, and the Myth of Tolerance in the Dutch Golden Age, 1650-1672 Permalink https://escholarship.org/uc/item/2636q95m Author DeSanto, Ingrid Frederika Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Righteous Citizens: The Lynching of Johan and Cornelis DeWitt, The Hague, Collective Violence, and the Myth of Tolerance in the Dutch Golden Age, 1650-1672. A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Ingrid Frederika DeSanto 2018 ABSTRACT OF DISSERTATION Righteous Citizens: The Lynching of Johan and Cornelis DeWitt, The Hague, Collective Violence, and the Myth of Tolerance in the Dutch Golden Age, 1650-1672 by Ingrid Frederika DeSanto Doctor of Philosophy in History University of California, Los Angeles Professor Margaret C Jacob, Chair In The Hague, on August 20 th , 1672, the Grand Pensionary of Holland, Johan DeWitt and his brother Cornelis DeWitt were publicly killed, their bodies mutilated and hanged by the populace of the city. This dissertation argues that this massacre remains such an unique event in Dutch history, that it needs thorough investigation. Historians have focused on short-term political causes for the eruption of violence on the brothers’ fatal day. This work contributes to the existing historiography by uncovering more long-term political and social undercurrents in Dutch society. In doing so, issues that may have been overlooked previously are taken into consideration as well. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries. -
'With a Stretched Arm. Like Superman, Not Like
‘With a stretched arm. Like Superman, not like Hitler’. The Politics of Commemorative Irreverence in Astronaut van Oranje (2013) by Andy Fierens and Michaël Brijs ‘Met gestrekte arm. Zoals Superman, niet zoals Hitler’. De uitdagingen van het culturele geheugen in Astronaut van Oranje (2013) van Andy Fierens en Michaël Brijs Jan Lensen, Freie Universität Berlin Abstract. This essay offers an analysis of the aesthetical and political implications of the seemingly random use of names of figures from Belgian collaborationist history in the novel Astronaut van Oranje (2013) by Flemish authors Andy Fierens and Michaël Brijs. More specifically, it investigates the framing of the memory of World War II in Belgium by means of a satirical fantasy story that fuses elements from the dystopian imagination, science fiction, Gothic horror, and popular culture. Drenched in satire, hyperbole, absurdities, coarse humor, and blatant clichés, the novel eschews historiographical relevance and deliberately ignores the sensibilities that govern public and political discourses about this war past. By doing so, so I argue, it offers a provocative engagement with established practices in both Belgian and Flemish cultural memory, implementing what I will call a ‘politics of commemorative irreverence’. Keywords: Second World War, collaborationism, cultural memory, Andy Fierens, dystopia, science fiction, satire / Tweede Wereldoorlog, collaboratie, cultureel geheugen, Andy Fierens, dystopie, science fiction, satire Journal of Dutch Literature, 6.2 (2015), 37-58 Jan Lensen 38 Introduction The use of the comic in cultural representations of suffering and perpetration seems governed by a stringent ethical imperative. While the comical presentation of affliction is considered the privilege of those subjected to it (the insiders and, by extension, their descendants), the permission to laugh at perpetrators is tied to the condition of not being one (the outsiders, although this category is obviously much more difficult to demarcate). -
I've Seen Films
I’ve Seen Films International Short Film Festival I’VE SEEN FILMS 2008 International Short Film Festival International Jury 7 I’VE SEEN FILMS 2008 International Short Film Festival INTERNATIONAL JURY Bill Bristow (UK) producer, director and writer ‘’Who Are They?’’, ‘’Prosit Ermanno!’’ (documentary); ‘’The Swan’’ (theater production); ‘’Fleas’’(theater direction); ‘’A Game of Moles’’ (writer); ‘’The Whaler’’ (screenwriter); ‘’Granny’s Wish’’ (theater production). Ludovico Einaudi (ITA) classical music composer and pianist ‘’Eden Roc’’, ‘’Time Out’’, ‘’Le Onde’’, ‘’Una Mattina’’, ‘’La Scala Concert’’, ‘’Diario Mali’’, ‘’Divenire’’ (composer); ‘’Da qualche parte in città’’, ‘’Acquario’’, ‘’Giorni Dispari’’, ‘’Aprile’’, ‘’Un delitto impossibile’’, ‘’Fuori del mondo’’, ‘’Zhivago’’, ‘’Sotto falso nome’’ (soundtracks). Richard Gere (USA) actor, producer, composer and performer ‘’American Gigolo’’, ‘’Breathless’’, ‘’The Honorary Consul’’, ‘’Sommersby’’, ‘’Autumn in New York’’, ‘’The Mothman Prophecies’’, ‘’Shall We Dance?’’, ‘’The Hoax’’, ‘’I’m Not There’’ (actor); ‘’Hachiko: A Dog’s Story’’ (actor and producer); ‘’Unfaithful’’, ‘’Chicago’’, ‘’Pretty Woman’’, ‘’The Cotton Club’’ (actor, composer and performer). Rutger Hauer (NL) actor, director and writer ‘’Turkish Delight’’, ‘’Soldier of Orange’’, ‘’Nighthawks’’, ‘’Blade Runner’’, ‘’Ladyhawke’’, ‘’The Hitcher’’, ‘’The Legend of the Holy Drinker’’, ‘’Confessions of a Dangerous Mind’’, “Escape from Sobibor”; ‘’Batman Begins’’, ‘’Sin City’’ (actor); ‘’The Room’’, ‘’Starfi sh Tango’’ (director); -
Internationale Filmfestspiele Berlin
Press Release Paul Verhoeven Appointed Jury President of the Berlinale 2017 The Dutch director and screenwriter Paul Verhoeven will serve as jury president of the 67th Berlin International Film Festival. “With Paul Verhoeven as jury president, we have a filmmaker who has worked in a variety of genres in Europe and Hollywood. His creative, multifaceted boldness and his willingness to experiment are reflected in 67. Internationale Filmfestspiele the spectrum of his works,” says Dieter Kosslick, director of the Berlin Berlinale. 09. – 19.02.2017 The Berlinale welcomed the acclaimed filmmaker in 2013 at the Berlinale Press Office Talent Campus (today’s Berlinale Talents). At the panel “Follow Your Potsdamer Straße 5 Instincts: Filmmaking According to Paul Verhoeven” he gave insight into 10785 Berlin his work methods and his perspective on production landscapes in the US and Europe. Phone +49 · 30 · 259 20 · 707 Fax +49 · 30 · 259 20 · 799 Following studies in mathematics and physics, Paul Verhoeven turned his [email protected] attention towards film in the mid-1960s, and began his directing career in www.berlinale.de 1969 with the successful Dutch television series Floris. After his feature film debut Business is Business in 1971, about two prostitutes who dream of a conventional middle-class life, came the erotic thriller Turkish Delight in 1973, a big hit in the Netherlands that also garnered a nomination for Best Foreign Language Film at the 1974 Academy Awards. Following his international breakthrough Soldier of Orange (1977) - which was nominated for a Golden Globe - and The Fourth Man (1983), Paul Ein Geschäftsbereich der Verhoeven moved to Hollywood to focus on an evolution of style in his Kulturveranstaltungen des work. -
Soldaat Van Oranje Als Levend Verleden Een Onderzoek Naar De Verschillende Bewerkingen Van Het Verhaal Van Erik Hazelhoff Roelfzema
Soldaat van Oranje als levend verleden Een onderzoek naar de verschillende bewerkingen van het verhaal van Erik Hazelhoff Roelfzema Naam: Arvid van de Reep Masterscriptie Publieksgeschiedenis Universiteit van Amsterdam Begeleider: Dr. P. Knevel, Universiteit van Amsterdam Tweede lezer: Prof. Dr.K. Ribbens, Nederlands Instituut voor Oorlogsdocumentatie Afstudeerdatum: 28-02-2015 1 ‘De oorlog is geen afgesloten hoofdstuk, maar levend verleden – een geschiedenis beladen met actuele politieke en morele betekenissen, die op steeds meer plaatsen wordt herinnerd en verbeeld.’1 Frank van Vree en Rob van der Laarse 1 F. van Vree en R. van der Laarse, ‘Voorwoord’, in: Frank van Vree en R. van der Laarse (red.), De dynamiek van de herinnering. Nederland en de Tweede Wereldoorlog in een internationale context (Amsterdam 2009) 8. 2 Inhoudsopgave Inleiding .................................................................................................................................................. 4 1. Het boek – Een heroïsch verhaal ....................................................................................................... 8 1.1 Egodocument ............................................................................................................................ 8 1.2 Een onvoltooid manuscript ....................................................................................................... 9 1.3 Vernieuwingsidealen .............................................................................................................. -
Symbolic Power and Religious Impotence in Paul Verhoeven's Spetters
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 8 October 2003 Symbolic Power and Religious Impotence in Paul Verhoeven's Spetters Richard S. Ascough Queen's University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Ascough, Richard S. (2003) "Symbolic Power and Religious Impotence in Paul Verhoeven's Spetters," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 8. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/8 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Symbolic Power and Religious Impotence in Paul Verhoeven's Spetters Abstract This article explores the religious symbolism in the Dutch film Spetters (1980), by controversial director Paul Verhoeven. An examination of the symbolic referents in the film, in particular the use of stereotypical male power symbols, shows how expectations of power dynamics are reversed in the lives of the main characters. The film's embedded message, played out in Verhoeven's later films, concerns the impotence of Christianity in the modern world. Questions concerning theodicy are not satisfactorily answered through traditional religious ideas. God, it seems, has abandoned the human race. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/8 -
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GCCL TRAVEL PLANNING GUIDE Grand European Cruise 2022 Learn how to personalize your experience on this vacation Grand Circle Cruise Line® The Leader in River Cruising Worldwide 1 Grand Circle Cruise Line ® 347 Congress Street, Boston, MA 02210 Dear Traveler, At last, the world is opening up again for curious travel lovers like you and me. Soon, you’ll once again be discovering the places you’ve dreamed of. In the meantime, the enclosed Grand Circle Cruise Line Travel Planning Guide should help you keep those dreams vividly alive. Before you start dreaming, please let me reassure you that your health and safety is our number one priority. As such, we’re requiring that all Grand Circle Cruise Line travelers, ship crew, Program Directors, and coach drivers must be fully vaccinated against COVID-19 at least 14 days prior to departure. Our new, updated health and safety protocols are described inside. The journey you’ve expressed interest in, Grand European Cruise River Cruise Tour, will be an excellent way to resume your discoveries. It takes you into the true heart of Europe, thanks to our groups of 38-45 travelers. Plus, our European Program Director will reveal their country’s secret treasures as only an insider can. You can also rely on the seasoned team at our regional office in Bratislava, who are ready to help 24/7 in case any unexpected circumstances arise. Throughout your explorations, you’ll meet local people and gain an intimate understanding of the regional culture. Enter the home of a local family in Wertheim for a Home-Hosted Kaffeeklatsch where you will share coffee and cake, and experience what life is like for a typical German family; and chat with a member of Serbia’s Roma community to gain insight into the stigma facing this culture in Europe—and how they are paving the way for a new future for their people.