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Modena, Berlin Mimmo Paladino GALLERIA MAZZOLI - MODENA, BERLIN WWW.GALLERIAMAZZOLI.COM MIMMO PALADINO IT Nato nel 1948 a Paduli (BN) !i!e e lavo"a t"a Ro#a e Paduli. La "i$le%%ione artistica di Mi##o Paladino si %!ilu''a a 'arti"e dalla $ine de(li anni )*+. A$$ascinato dal cli#a cultu"ale dell)e'oca, t"a a"te &oncettuale e Po' A"t ame"icana i cui arti%ti 'i, "ap'"esentati!i ave!ano e%'osto alla Biennale di Vene.ia del /64, Paladino incent"a la sua '"i#a atti!it0 sulla $oto("afia, associata %'esso al dise(no tecnica a lui 'articolar#ente con(eniale. La sua '"i#a 'e"sonale !iene '"esentata a Case"ta nel 1969. Ne(li anni )1+ si af$e"#a se#'"e 'i, incisi!a#ente nel suo 'e"co"%o l)inte"esse 'e" la $i(u"a: dalle ini.iali %'e"i#entazioni &oncettuali l)arti%ta t"asfe"isce la '"o'"ia atten.ione sulla 'ittu"a $i(u"ati!a. 3t"uttu"e (eo#et"i&4e e o((etti 5uali "ami e #asche"e cam'e((iano sulle tele dai colo"i decisi. Nel 1978 6 a Ne7 8o"9 do!e inau(u"a, l)anno succe%%i!o #ost"e 'e"sonali alla Marian Good#an Galle": e alla Annina Nosei Galle":. Nel 198+ 'arte&i'a alla Biennale di Vene.ia nella se.ione Aperto '80 di A&4ille Bonito Oli!a ed insie#e a 3and"o C4ia, ;"ancesco Cle#ente En.o Cu&&4i e Nicola De Maria dà !ita alla ="ansavan(uardia. Ne(li anni )8+ la sua a"te di!iene se#'"e 'i, "e$e"en.iale e sulle su'e"$i&i dalle am'ie di#ensioni e di ("ande i#'atto !isi!o l)arti%ta "ap'"esenta la !ita e il #i%te"o della #o"te. Le tecni&4e usate %ono di!e"se2 dal dise(no all)in&isione dalla 'ittu"a all)inse"i#ento nelle tele di ele#enti t"idi#ensionali. Dal 198> si dedica alle ("andi scultu"e in ?"on.o e alle installa.ioni2 cele?"e l)inte"!ento in Piaz.a del Ple?i%&ito a Na'oli do!e "eali..a una eno"#e #ontagna di sale su cui 'one scultu"e con $o"#e ani#ali e u#ane. Ne(li anni /9+ intensi$ica con successo l)atti!it0 all)este"o e nel 1994, '"i#o t"a (li arti%ti italiani conte#'o"anei e%'one alla Galle"ia Nazionale di Belle A"ti di Pe&4ino. Nel 1999 nell)am?ito del 3out4 London Galle": P"o@ect in una ("otta in #attoni sotto la Round4ouse at C4al9 ;ar# di Lond"a installa l)o'e"a I Dormienti &4e dialo(a con (li inte"!enti %ono"i di B"ian Eno. Nel A++3 Paladino !iene scelto &o#e "ap'"esentante dellCarte italiana du"ante la '"e%iden.a italiana a B"uDelle% e la scultu"a e5ue%t"e Zenith !iene installata nella 'ia..a della sede del Parlamento Eu"o'eo. Il Cent"o dCA"te Conte#'o"anea Lui(i Pecci di P"ato nel A++AEA++B (li dedica una #ost"a "et"o%'etti!a e nel A++4 alla Re((ia di Case"ta, nellCam?ito del '"o(etto Terrae Motus si tiene una 'e"sonale con i suoi lavo"i 'i, "ecenti. Nel A++> e%'one al MAR di Ravenna le sceno("afie "eali..ate ne(li ulti#i 5uindi&i anni e al Museo di Ca'odi#onte di Na'oli '"esenta un lavo"o dedicato a <on C4isciotte &4e '"elude Quijote il lun(o#et"ag(io &4e l)arti%ta di"i(e"à l)anno successi!o. Nel A++8 (li !iene af$idata la "eali..a.ione della co'e"tu"a delle i#'alcatu"e del cantie"e di "estau"o della G4i"landina, la to""e cam'anaria del Duo#o di Modena. Nello stesso anno si tiene unCi#'o"tante #ost"a al Museo dell)A"a Paci% di Ro#a con l)ap'o"to del #usi&ista B"ian Eno. Alt"a i#'o"tante in%talla.ione 6 5uella '"esente sullCisola di Lam'edusa 'e" co##e#o"are le !itti#e de(li %?ar&4i clandestini. Nel A+10 6 stato installato un cavallo ?lu di olt"e 5uatt"o #et"i allCAn$iteat"o del Vitto"iale de(li Italiani di Gardone Ri!ie"a (B3) la casa-#useo di Gab"iele dCAnnun.ioF nello stesso anno 4a $i"#ato la sceno("afia di CWo"9 in P"o("e%%C tou" &4e 4a !isto "iuni"%i do'o B+ anni la co''ia Lucio Dalla e ;"ancesco De G"e(o"i. Nel A+11 "eali..a la nuo!a sala 'e"#anente del Museo Na.ionale A"&4eolo(ico di Villa ;"i(e"@ a C4ieti dedicata al Gue""ie"o di Cape%t"ano e inau(u"a la #ost"a di scultu"e incent"ata sul Cnuo!o Gue""ie"oC alle%tita '"esso il Cent"o e%'ositi!o della ;ondazione Cari&4ieti a Palaz.o De Mayo. 3e#'"e nel A+11 la città di Milano dedica al #aest"o una "et"o%'etti!a a Palaz.o Reale davanti al 5uale in 'iaz.etta Reale !iene installata la #onu#entale Montagna di sale e se#'"e nella #edesi#a sede e%'ositi!a, sue o'e"e %ono state o((etto della #ost"a antolo(ica sulla ="ansavan(uardia cu"ata da A&4ille Bonito Oli!a insie#e agli alt"i 4 ("andi '"otagonisti della &o""ente arti%tica. Nel A+1A 4a "eali..ato la #ost"a Nuovi dipinti alla Galle"ia Maz.oli do!e 4a e%'osto un nucleo di di'inti 'oli#ate"i&i in cui il dialo(o t"a 'ittu"a e scultu"a si ar"i&&4isce di objets trouvès &o#e "ami ed ele#enti li(nei $ino ad u%&i"e dalla ?idi#ensionalità. Nel A+15 'arte&i'a nuo!amente alla Biennale di Vene.ia, Padi(lione Italia, con uno %'azio a lui dedicato. Le o'e"e di Mi##o Paladino sono '"esenti nelle colle.ioni dei 'i, i#'o"tanti #usei inte"nazionali t"a cui la Galle"ia Na.ionale dCA"te Mode"na di Ro#a, la Galle"ia dCA"te Mode"na di Bolo(na Len?ach4aus di Monaco Los An(eles Count: Museu# o$ A"t Met"o'olitan Museu# o$ A"t il MOMA e il Gu((en4ei# Museu# di Ne7 8o"9 la National(ale"ie Be"lino lo 3tedeli@9 Muse# di A#ste"dam e la =ate di Lond"a il Museo di Capodi#onte e il MADRE di Na'oli. Gli %ono state dedicate #ost"e in i#'o"tanti #usei e istitu.ioni 5uali il Museo Mad"e di Napoli il Cent"o 'e" l)arte Conte#'o"anea Lui(i Pecci di P"ato 3tedeli@9 Museu# di A#ste"dam il MOMA di Ne7 8o"9 la Galle"ia Na.ionale d)A"te Mode"na di Ro#a, il MACRO e il MAGGI di Ro#a la =ate Mode"n di Lond"a, il Kunst#useu# di Basilea, il MOCA di 34an(4ai il MUMOK di Vienna. EN Bo"n in 1948 in Paduli (BN) 4e li!es and 7o"9s in Ro#e and Paduli. =4e artistic "esear&4 o$ Mi##o Paladino ?e(an in t4e late 19*+s. ;ascinated ?: t4e cultu"al at#o%'4e"e o$ t4e ti#e ?et7een Conce'tual A"t and A#e"ican Po' A"t 74ose #ost "e'"esentati!e a"tist% 4ad %4o7n 7o"9 at t4e Venice Biennale in 1964, Paladino 7o"9ed at $i"st on '4oto("ap4: o$ten co#?ined 7it4 d"a7in( a 'arti&ularl: &on(enial te&4ni5ue $o" 4i#. Ji% $i"st solo %4o7 7as 4eld in Case"ta in 1969. In t4e 191+s 4is inte"e%t in t4e $i(u"e ?ecame in&"easin(l: incisi!e2 $"o# t4e initial &once'tual eD'e"i#ent% 4is attention %4i$ted to $i(u"ati!e 'aintin(. Geo#et"ic st"u&tu"e% and o?@ect% li9e ?"an&4es and #ask% ap'eared on can!ases in $o"ce$ul &olo"%. In 1978 4e 7as in Ne7 8o"9 74e"e t4e neDt :ear 4e 4ad solo %4o7s at Ma"ian Good#an Galle": and Annina Nosei Galle":. In 198+ 4e too9 'art in t4e Venice Biennale in t4e Aperto '80 section cu"ated ?: A&4ille Bonito Oli!a; to(et4e" 7it4 3and"o C4ia, ;"ance%&o Cle#ente En.o Cu&&4i and Nicola De Ma"ia, 4e 4el'ed to $ound t4e ="ansavan(uardia #o!e#ent. In t4e 198+% 4is a"t ?ecame in&"easin(l: "e$e"ential in!ol!in( lar(e su"$ace% o$ ("eat !i%ual i#'act "e'"esentin( li$e and t4e #:ste": o$ deat4. Je used a "an(e o$ di$$e"ent te&4ni5ue%2 $"o# d"a7in( to en("avin( 'aintin( to t4e inse"tion o$ t4"eeEdi#en%ional o?@ects on t4e can!ases. 3tartin( in 198> 4e 7o"9ed on lar(e ?"on.e scul'tu"es and installation%2 one $amous '"o@ect 7as at Pia..a del Ple?i%&ito in Na'le% 74e"e 4e #ade an eno"#ou% #ountain o$ salt on 74i&4 to 'lace scul'tu"es 7it4 $o"#% o$ ani#al% and 4u#an ?ein(%.
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