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L A R S B O H M A N G A L L E R Y Mimmo Paladino An accomplished painter, sculptor, printmaker, and draughtsman, Mimmo Paladino is often associated with the Italian Transavanguardia, a movement that included Sandro Chia, Francesco Clemente, and Enzo Cucchi. Paldino s art is characterized by delicate line renderings of allegorical human figures, organic forms, and archaic geometrical shapes, depicted in a saturated clarity of color. The catalogue raisonné of his print work was published by Art of this Century in 2001. Art of the Century also worked with Paladino on a portfolio of six prints, entitled Mathematica. This project is based on one schematic form that is differentiated by the addition of collage-like elements, color shifts, and shading. Following in the tradition of artists such as Leonardo da Vinci, and more recently Piet Mondrian, Paladino combines an interest in the aesthetics of drawing and printmaking with a fascination with mathematics and physics. CV Born 1948 in Paduli, Italy. Lives and works in Milan and Benevento, Italy. EDUCATION 1964-1968 Liceo Artistico di Benevento, Italy SELECTED SOLO EXHIBITIONS 2008 Obra Gráfica, Centro Cultural Recoleta I Junín 1930, Buenos Aires, Argentina 2006 New Prints and Drawings, Alan Cristea Gallery, London, UK Galleria Cardi, Milano, Italy Waddington Galleries, London, UK 2005 Museum of Capodimonte, Naples, Italy Museum der Moderne Salzburg, Salzburg, Austria Miraggi, Alan Cristea Gallery, London, UK Galleria Internazionale d Arte Moderna, Venice, Italy 2004 Estorick Collection (with Sol Le Witt), London, UK 2003 Bronze and Iron Sculpture 1987-2000, Waddington Galleries, London, UK 2002 Galleria Valentina Bonomo, Rome, Italy Centro per l arte contemporanea, Luigi Pecci, Prato, Italy 2001 Paladino, Christian Stein, Milan, Italy Print Retrospective, Alan Cristea Gallery, London, UK 2000 Mimmo Paladino, Artiscope II, Brussels, Belgium 1999 Mimmo Paladino: Bilder Skulpturen Zeichnungen, 1979-1999, Galerie Bernd Klüser, Munich, Germany Mimmo Paladino: Oeuvres récentes, Galerie Thaddaeus Ropac, Paris, France Mimmo Paladino, South London Gallery, London, UK SLG projects; Paladino/Eno, Roundhouse, Chalk Farm, London, UK 1997 Mimmo Paladino, Alan Cristea Gallery, London, UK Mimmo Paladino: New Work, Waddington Galleries, London, UK 1996-97 Mimmo Paladino, Musee de Strasbourg, France 1996 Paladino Painting and Sculpture, Sperone Westwater, New York, USA L A R S B O H M A N G A L L E R Y Mimmo Paladino: 60 Works on Paper, Galerie Bernd Kluser, Munich, Germany 1995 Ulysses, Galerie Bernd Kluser, Germany Mimmo Paladino: Cities, Waddington Galleries, London, UK Paladino a Napoli, Museo Diego Aragona Pignatelli Cortes, Piazza dei Plebisciti and Scuderie di Palazzo Reale, Naples, Italy 1994 Museo de Arte Contemporaneo de Monterrey, A.C., Monterrey, Mexico Waddington Galleries, London, UK Mimmo Paladino, Olii, sculture, disegni, Galleria Nazionale di Belle Arti-Pechino, Bologna, Italy 1993 Mimmo Paladino, Sculpture, Forte di Belvedere, Florence, Italy 1992 Mimmo Paladino, Opere su Carta 1970 - 1992 , Galleria Civica Di Arte Contemporanea, Trento, Italy Mimmo Paladino, Gravuras, Museu de Arte de Sao Paulo, Brazil Museo da Gravura, Curituba, Brazil; Museo de Arte Moderna, Belo Horizonte, Brazil Museo de Arte Moderna, Brasilia, Brazil; Museo de Arte Moderna, Rio de Janero, Brazil Mimmo Paladino: Paladino s Voyage," Galeria Ramis F. Barquet, Monterrey, Mexico in colaboration with Sperone Westwater Mimmo Paladino, Hortus Conclusus in Corte San Domenico, Convento San Domenico, Benevento, Italy Mimmo Paladino, 7 Paintings from Prague, Galerie Templon, Paris, France Gian Enzo Sperone, FIAC, Paris, France 1991-92 Mimmo Paladino "Schmerzen", Galerie Bernd Kluser, Munich, Germany 1991 Mimmo Paladino: Recent Prints, Waddington Graphics, London, UK Mimmo Paladino: En Do Re, Galerie Daniel Templon, Paris, France Mimmo Paladino, The Art Show, Seventh Regiment Armory, New York, USA Mimmo Paladino: Prints, Marian Locks Gallery, Philadelphia, Pennsylvania, USA Galerie Papierski, Paris, France Galleria Gian Enzo Sperone, Rome, Italy Mimmo Paladino, Duson Gallery, Seoul, Korea and Ana Gallery, Seoul, Korea Mimmo Paladino: Drawings, Galleri Lars Bohman, Stockholm, Sweden Mimmo Paladino: Il Respiro della Bellezza, Sperone Westwater, New York, USA Mimmo Paladino: Il Respiro della Bellezza, Waddington Galleries, London, UK Mimmo Paladino: Teckningar Och Skulptur, Galleri Lars Bohman, Stockholm, Sweden Mimmo Paladino: Endore, Musees Royaux des Beaux-Arts de Belgique Art Moderne, Brussels, Belgium Mimmo Paladino: Piece Unique, Ameliobrachot, Paris, France Bila Hora of Mimmo Paladino: drawings, oils, sculptures, Belvedere, Royal Gardens of Prague Castle, Prague, Czech Republic 1990 Mimmo Paladino, Galleri Lars Bohman, Stockholm, Sweden Mimmo Paladino, Galleria Communale d Art Moderna, (Villa delle Rose), Bologna, Italy Mimmo Paladino: Eclisse, Galerie Bernd Kluser, Munich, West Germany Mimmo Paladino: 7 Veroniche, Galerie Daniel Gervis, Cannes, France Mimmo Paladino, Galerie Hadrien Thomas, Paris, France Mimmo Paladino: Dessins 1973-1990 Collection de l artiste, Palais de Beaux-Arts de Charleroy, Belgium Drill Hall Gallery, Canberra, Australia Waddington Galleries, London, UK Galerie Piece Unique, Paris, France 1987 Gallerie Thaddaeus Ropac, Salzburg, Austria Etchings, Woodcuts, Linocuts, Richard Gray Gallery, Chicago, USA Galleria Franco Toselli, Milan, Italy New Works, Fuji SELECTED PUBLIC COLLECTIONS Art Gallery of NSW, Sydney Art Gallery of Ontario, Toronto Australian National Gallery, Canberra Fogg Art Museum, Cambridge, Massachusetts Fonds National d Art Contemporain Fonds Regional d Art Contemporain Midi-Pyrenees Fukuyama Museum, Okayama L A R S B O H M A N G A L L E R Y Kunstmuseum, Basel Kunstmuseum, Dusseldorf Lenbachhaus, Munich Los Angeles County Art Museum, Los Angeles Metropolitan Museum of Art, New York Monchehaus Museum fur Moderne Kunst, Goslar Musee d Art Contemporain de Lyon Musee d Art Contemporain de Strasbourg Musee de Nimes Museum of Modern Art, New York National Art Gallery of New South Wales, Sydney Nationalgalerie, Berlin Neue Galerie, Kassel Queensland Art Gallery, Queensland Scottish National Gallery of Modern Art, Edinburgh Setegaya Museum, Tokyo Solomon R Guggenheim Museum, New York Staatsgemaldesammlung, Munich Tate Gallery, London Virginia Musuem, Richmond, Virginia .
Recommended publications
  • Mimmo Paladino. Biography 1948 Born in Paduli (Benevento) On

    Mimmo Paladino. Biography 1948 Born in Paduli (Benevento) On

    Mimmo Paladino. Biography 1948 Born in Paduli (Benevento) on December 18th. 1964 He visits the Venice Biennial where Robert Rauschemberg’s work in the American Pavilion make a strong impression on him, revealing to him the reality of art. 1968 He graduates from the arts secondary school of Benevento. He holds an exhibition presented by Achille Bonito Oliva, at the Portici Gallery (Naples). 1969 Enzo Cannaviello’s Lo Studio Oggetto in Caserta organizes his solo exhibition. 1973 He begins to combine images in mixed technique, creating a complex iconography that takes into account an extraordinary mix of messages, strangely opposed and divergent, yet blended together. 1977 He moves to Milan. 1978 First trip to New York. 1980 He is invited by Achille Bonito Olivo to participate in the Aperto ’80 at the Venice Biennial along with Sandro Chia, Francesco Clemente, Enzo Cucchi and Nicola De Maria. He publishes the book EN-DE-RE with Emilio Mazzoli in Modena. 1981 He participates in A New Spirit in Painting at the London Royal Academy of Art. The Kunstmuseum of Basel and the Kestner-Gesellshaft of Hannover organize a large exhibitions of drawings made from 1976 to 1981. The exhibition moves from the Kestner-Gesellshaft in Hannover to the Mannheimer Kunstverein in Mannheim and the Groninger Museum in Groningen, launching Paladino as an international artist. 1982 He participates in Documenta 7 in Kassel and the Sydney Biennial. He makes his first bronze sculpture, Giardino Chiuso. First trip to Brazil, where his father lives. 1984 He builds a house and studio in Paduli near Benevento and from this point on divides his time between Paduli and his Milan apartment.
  • Mimmo Paladino (1948 - )

    Mimmo Paladino (1948 - )

    Mimmo Paladino (1948 - ) Isola Watercolour. Signed, titled, inscribed and dated Agosto 1982 ISOLA / Argentouli.(?) casa pellica(?) / Mimmo Paladino on the verso. 255 x 333 mm. (10 x 13 1/8 in.) As the artist has stated, ‘I really draw. It is easy for me. In reality, the less struggle there is for me the better I produce. It is not that I have a mentality that preplans, but I feel that drawing is about the impalpable…transparency.’ Executed in August 1982, this watercolour can be related to a later painting of the same title L’Isola (The Island), dating from 1993 and depicting a human figure resting alongside a small island in the midst of a sea, in the Würth collection in Germany. Provenance: Acquired from the artist by Galerie Bel’Art, Stockholm Anonymous sale, London, Sotheby’s, 27 June 1985, lot 763 Stanley J. Seeger, London. Artist description: A sculptor, painter and printmaker, Domenico (Mimmo) Paladino was a leading member of the Italian artistic movement known as Transavanguardia. The term, which can be translated as ‘beyond the avant- garde’, was coined by the art critic and curator Achille Bonito Oliva in 1979 to refer to a small group of young Italian artists - Sandro Chia, Francesco Clemente, Enzo Cucchi, Nicolo de Maria and Paladino - who each displayed a neo-expressionist tendency in their work. The artists of the Transavanguardia group came to public prominence at the 1980 Venice Biennale, and at the height of its success in the 1980s was to become one of the most influential artistic movements of post-war Italian art.
  • Large Print Guide the Return of the Spirit in Painting 5 February – 23 August 2020

    Large Print Guide the Return of the Spirit in Painting 5 February – 23 August 2020

    Large Print Guide The Return of the Spirit in Painting 5 February – 23 August 2020 Gallery 4 This document includes large print of all the wall labels found within The Return of the Spirit in Painting in Gallery 4. The document begins with the first wall label outside the entrance of Gallery 4, and then moves in a clockwise direction inside the space, it finishes with the high vitrine in the centre of the gallery. Continues on next page. The Return of the Spirit in Painting 5 February – 23 August 2020 Gallery 4 This exhibition focuses on the Royal Academy of Arts’ seminal A New Spirit in Painting (1981) and its connection with important solo shows that took place at the Whitechapel Gallery during the 1980’s. A New Spirit in Painting, co-curated by Christos M. Joachimides, independent curator, Normal Rosenthal, Exhibitions Secretary at the Royal Academy and Nicolas Serota, then director of the Whitechapel Gallery, bought painting to the forefront of contemporary art discourse. Including works by three generations of Western European and American artists, it featured mostly figurative painting after a decade of conceptual art. The exhibition’s curators were criticised at the time, both for showing artwork perceived as commercial, and for the unconventional nature of the paintings on display. Continues on next page. The Return of the Spirit in Painting brings together five of the 38 artists from the influential exhibition. During his tenure at Whitechapel Gallery, between 1976 and 1988, Serota invited 14 artists including Georg Baselitz, Philip Guston, Anselm Kiefer, Malcolm Morley, Julian Schnabel and Cy Twombly to have their first major solo shows in the UK.
  • Francesco Clemente

    Francesco Clemente

    FRANCESCO CLEMENTE Francesco Clemente: on cloud nine by Claire Price December 11, 2019 Francesco Clemente, Clouds VI, 2018, oil on canvas, 71 x 87 inches (180.3 x 221 cm); © Francesco Clemente; Courtesy the artist and Vito Schnabel Gallery A nomadic spirit, Francesco Clemente has enthralled art Softly spoken and elegantly dressed, Clemente is the lovers for more than 40 years with his exploration of identity surprisingly mild face behind vivid, often confrontational, and spirituality. Now, his distinctive art is being celebrated artworks that espouse mysticism and ambiguity as well with a new exhibition in St Moritz. Claire Price tells us more as expressive portrayals of the human body. His sartorial elegance has also given him an unexpected entry into Bold, erotic, distorted and spiritual, the work of artist popular culture, with photoshoots in GQ magazine and a Francesco Clemente has drawn crowds to galleries all over guest turn as a psychiatrist in the award-winning film Good the world, from the Guggenheim Museum in New York City Will Hunting. to The Royal Academy in London. “Francesco has consistently built a visual language that is Friend of artistic A-listers Andy Warhol and Jean-Michel unique to his work but is actually quite universal,” enthuses Basquiat, collaborator of writers Allen Ginsberg and Salman art dealer and gallery owner Vito Schnabel. “He has Rushdie, and a leader in the Transavanguardia movement, pioneered a very special kind of figuration that draws on Clemente has been hailed as both a nomad and a sage. But the influences of history, literature and ancient stories to the artist himself has a simpler view of his life and art.
  • Bibliography Francesco Clemente

    Bibliography Francesco Clemente

    Bibliography Francesco Clemente BIBLIOGRAPHY—Solo Exhibition Catalogues (chronological) (Gratis 1978) Gratis. Exhibition catalogue and artist’s book. Geneva: Centre d’Art Contemporain, 1978. (P.M.F.C. 1978) Francesco Clemente P.M.F.C. Exhibition catalogue. Cologne: Galerie Paul Maenz, 1978. (Undae Clemente flamina pulsae 1978) Undae Clemente flamina pulsae. Exhibition catalogue and artist’s book. Amsterdam: Art & Project, 1978. (Lisson 1979) Exhibition catalogue. London: Lisson Gallery, 1979. (Non Scopa 1979) Francesco Clemente: Non Scopa. Exhibition catalogue and artist’s book. Turin: Gian Enzo Sperone, 1979. (Milan 1980) Padiglione d’Arte Contemporanea, Milan, “Francesco Clemente,” dates unknown, 1980. Catalogue with text by Germano Celant. (Sperone Westwater Fischer 1980) Exhibition catalogue. New York: Sperone Westwater Fischer, 1980. (Maenz 1980) Francesco Clemente. Exhibition catalogue. Cologne: Galerie Paul Maenz, 1980. (Art & Project 1980–81) New Works. Exhibition catalogue. Amsterdam: Art & Project, 1980–81. (Matrix 1981) Francesco Clemente/Matrix 46. Exhibition brochure. Berkeley: University Art Museum, University of California, 1981. (Pinxit 1981) Francesco Clemente Pinxit. Exhibition catalogue and artist’s book. London: Anthony d’Offay Gallery, 1981. (Bischofberger 1981) Francesco Clemente: New Works. Exhibition catalogue. Zurich: Galerie Bruno Bischofberger, 1981. (Viaggatore Napoletano 1982) Francesco Clemente: Il viaggiatore napoletano. Exhibition catalogue and artist’s book. Cologne: Galerie Paul Maenz, 1982. (Bischofberger 1982–83) Francesco Clemente: Watercolours. Exhibition catalogue and artist’s book. Zurich: Galerie Bruno Bischofberger, 1982–83. (Fourteen Stations 1983) Francesco Clemente: The Fourteen Stations. Exhibition catalogue. London: Whitechapel Art Gallery, 1983. (Sperone Westwater/Boone 1983) Francesco Clemente. Exhibition catalogue. New York: Sperone Westwater; New York: Mary Boone Gallery, 1983. (White Shroud 1984) Allen Ginsberg/Francesco Clemente: White Shroud.
  • Modern TATE London Guggenheim New York Moderna Museet

    Modern TATE London Guggenheim New York Moderna Museet

    WORLD of ISSUEART 6 VolUME 3 MoMA New York Modern TATE London Guggenheim New York Getty Los Angeles Moderna Museet Stockholm Castello di Rivoli Torino N 1404-3408 Oliva . Eco . Pagnes . Pasztor SS I USA $7,95 CANADA $8.95 EuROPe€7,95 ART CONSIDERED A GOOD INVESTMENT MoMA The Museum of P Modern Art New York E ICA SS SS ati O M THE MUSEUM OF MODERN ART TO PRESENT MATISSE PICASSO GROUNDBREAKING INTErnational EXHIBITION EXPLORES COMPLEX RElationSHIP BETWEEN TWO MODERN MASTERS HENRI MATISSE PABLO PICASSO INterior WitH A VioLIN GUitar 1917-18 1924 OIL ON CANVAS PAINTED SHEET METAL 45 3/4 X 35” 43 3/4 X 23 3/4 X 10 5/8” (116 X 89 CM) (111 X 63 X 27 CM). STATENS MuSEUM FOR KUNST, COPENHAGEN MuSÉE PICASSO, PARIS, M.P.260 JOHANNES RuMP COLLECTION © 2003 ESTATE OF PABLO PICASSO/ © 2003 SuCCESSION H. MATISSE/ ARTISTS RIGHTS SOCIETY (ARS), NEW YORK ARTISTS RIGHTS SOCIETY (ARS), NEW YORK Guggenheim IMAGES 1-3. PIERRE HUYGHE LES GRANDS ENSEMBLES, 1994-2001 VISTAVISION TRANSFERRED TO DIGITAL HARD DISC. 7 MINUTES, 41 SECONDS (CONTINUOUS LOOP). MUSIC BY PAN SONIC AND CÉDRIC PIGOT (RANDOM PROGRAM). EDITION OF 5, 2 A .P. COURTESY OF THE ARTIST AND MARIAN GOODMAN GALLERY, NEW YORK AND PARIS. Solomon R. Guggenheim Museum New York SOLOMON R. GUGGENHEIM MUSEUM NEW YORK “We are extremely pleased to present the work of Pierre Huyghe, the 2002 winner of the Hugo Boss Prize,” said HUGO BOSS PRIZE Thomas Krens, Director, Solomon R. Guggenheim Museum. ‘Through his remarkable body of work, which includes film, photography, video, sound, computer animation, sculpture, PIERRE HUYGHE design, and architecture, Huyghe examines the narrative PRIZE WINNER’S EXHIBITION FEATURES FilM structures of popular culture and the relationships between INSTALLATION AND SCULPTURE fiction and reality, memory and history.” “For me, art signifies innovation, creativity, and AN EXHIBITION OF THE WORK OF FRENCH ARTIST cosmopolitanism in its true sense,” said Bruno Sälzer, Chairman and CEO of Hugo Boss AG.
  • Solo Exhibitions

    Solo Exhibitions

    Solo Exhibitions 2019 THE BRANT FOUNDATION, US MOSCOW MUSEUM OF MODERN ART, RU 2018 DALLAS ART CONTEMPORARY, US FRANCESCO CLEMENTE : BLACK LIGHT, CENTRE DE CULTURE CONTEMPORANIA DE BARCELONA, ES FRANCESCO CLEMENTE : AFTER GARCIA LORCA IN NEW YORK, LORCAN O'NEILL GALLERY, ROME, IT FRANCESCO CLEMENTE : NAPOLI È, CASAMADRE GALLERY, NAPLES, IT 2017 ALBA, GALERÍA JAVIER LÓPEZ & FER FRANCES, MADRID, SPAIN FRANCESCO CLEMENTE : STNDING WITH TRUTH, VILLA RUFOLO, RAVELLO FESTIVAL, IT 2016 FRANCESCO CLEMENTE, MARUANI MERCIER, BRUSSELS, BELGIUM FRANCESCO CLEMENTE: A NOMADIC LIFE, SPRINGS ART CENTER, BEIJING, CHINA FRANCESCO CLEMENTE: PIRATE HEART, DANIEL TEMPLON GALLERY, PARIS, FR FRANCESCO CLEMENTE: ENCAMPMENT, CARRIAGEWORKS, SYDNEY, AUSTRALIA 2015 FERGUS MCCAFFREY GALLERY, SAINT-BARTHÉLEMY, FRANCE, FR EMBLEMS OF TRANSFORMATION, BLAIN|SOUTHERN, LONDON, UK MASSACHUSETTS MUSEUM OF CONTEMPORARY ART (MASS MOCA), MASSACHUSETTS, US 2014 FRANCESCO CLEMENTE: INSPIRED BY INDIA, THE RUBIN MUSEUM OF ART, NEW YORK, US FRANCESCO CLEMENTE, TWO TENTS, MARY BOONE GALLERY, NEW YORK, US FRANCESCO CLEMENTE: INDIA, BELOVED, GALERIE BRUNO BISCHOFBERGER, ST, MORITZ, CH FRANCESCO CLEMENTE, CASAMADRE ARTE CONTEMPORANEA, NAPLES, IT 2013 FRANCESCO CLEMENTE, PALAZZO SANT'ELIA, PALERMO, IT (NOVEMBER 2013 - MARCH 2014) FRANCESCO CLEMENTE, THE CHINESE SHADOWS AND SELECTED WATERCOLORS, JAMES COHAN GALLERY, SHANGHAI, CN (NOVEMBER 2013 - MARCH 2014) FRANCESCO CLEMENTE, THOMAS AMMANN FINE ART, ZURICH, CH FRANCESCO CLEMENTE, “CLEMENTE > BRAZIL > YALE”, YALE SCHOOL OF ART, 32 EDGEWOOD
  • The Artist and the Book in Twentieth-Century Italy

    The Artist and the Book in Twentieth-Century Italy

    The Artist and the book in twentieth- century Italy : the Museum of Modern Art, New York, October 14, 1992- February 16, 1993 Date 1992 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/377 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art The Artist and the Book IN Twentieth-Century Italy THE MUSEUM OF MODERN ART NEW YORK October 14, 1992-February 16, 1993 f\ r cU.:v<2. HoHA 16*95b contemporary objects in dramatic and psychologically charged settings from an illustrious, ancient past. In contrast, other writers and artists were enthralled by I the speed and freedom that technology gave to life, and as Futurists they put this new spirit into art, and ummn into the arts of the book. 1 Futurism was born through the verbally and picto- rr . rially iconoclastic writings of Filippo Tommaso Marinetti, and through the energetic paintings, stage designs, music, and dance of other Italians, such as i/il.tAffflYfc Giacomo Balla and Carlo Carra. Marinetti's Futurist Lipffi ' Manifesto was published in 1909 in France, a year before the flamboyant D'Annunzio, whom he had called an "adventurer," fled there to escape his credi uvoum* tors. Marinetti's extremely vivid language needed no wtllW2i DrAVOWuM i¥m illustration, since the words of his writings were made up of a variety of styles and sizes of letters, arranged in dynamic patterns.
  • ABO THEATRON. Art Or Life ENG

    ABO THEATRON. Art Or Life ENG

    MUSEO D’ARTE CONTEMPORANEA Piazza Mafalda di Savoia - 10098 Rivoli (Torino) - Italia tel. +39/011.9565222 – e-mail: [email protected] www.castellodirivoli.org PRESS RELEASE Achille Bonito Oliva in his studio in Rome, 2021 Gino De Dominicis, Il tempo, lo spazio, lo sbaglio (Time, Space, Mistake), Photo Carolyn Christov-Bakargiev 1969, and Senza titolo (I gemelli) (Untitled – The Twins), 1973 Courtesy Castello di Rivoli Museo d’Arte Contemporanea with Asta in bilico (Hanging Rod), 1967 in ‘Contemporanea’, Villa Borghese car park, Rome, 1973-1974. © Archivio Gino De Dominicis, Foligno Courtesy Archivio Massimo Piersanti. Photo © Massimo Piersanti Courtesy Castello di Rivoli Museo d’Arte Contemporanea A.B.O. THEATRON. Art or Life Curatorial development and coordination by Andrea Viliani Concept by Carolyn Christov-Bakargiev and Achille Bonito Oliva 25 June 2021 – 9 January 2022 Opening: 24 June 2021 Castello di Rivoli Museo d’Arte Contemporanea presents ‘A.B.O. THEATRON. Art or Life,’ an exhibition dedicated to one of the most important Italian contemporary art historians, critics and curators, Achille Bonito Oliva (Caggiano, 1939). ‘A.B.O. THEATRON. Art or Life’ is part of the overall project Espressioni which investigates the multiple forms of expressivity that cross the history of art and society seeking an understanding of “Expression” that transcends the Eurocentric canon and any unique artistic movement. Following the exhibition dedicated to Harald Szeemann in 2019, organized in collaboration with the Getty Research Institute of Los Angeles, this exhibition, organized by the CRRI (Castello di Rivoli Research Institute), focuses on Achille Bonito Oliva and constitutes the second chapter of an overall project that Regione Piemonte | Città di Torino | Città di Rivoli | Fondazione CRT Castello di Rivoli Museo d’Arte Contemporanea and CRRI are dedicating to the most prominent contemporary art curators of the 20th and 21st centuries.
  • Download the Exhibition Guide

    Download the Exhibition Guide

    EXHIBITION GUIDE ENG PART Piazza Cavour 26, 47921 Rimini (RN) INFO [email protected] +39 0541 793879 – are essentially intended as a physical ne- 3. CARSTEN HÖLLER HALL 1 cessity and the manifestation of a state of Born in Brussels, Belgium in 1961. He lives mind. The work at the entrance of the PART and works between Stockholm and Biriwa emerged from this context. It comes from in Ghana. the temporary floor of Cantiere1 / Terrazzo After graduating in agronomy from the 000, created in Naples for the SS. Trinità University of Kiel in 1993 with a doctorate delle Monache with the Matronage of the on insect behaviour, Carsten Höller has Donnaregina Foundation for Contempo- been one of the most interesting artists on rary Arts / MADRE. A great architectural the international scene since the 1990s. His painting: a dialogue between Piazza work is aimed at identifying new possibili- Cavour, the back garden and the Federico ties for the perception of existence through Fellini International Museum. Roberto Coda a rigorous method of investigation that Zabetta trained in Rome at the Art Institute, comes close to the scientific one, and whi- and later at the Brera Academy in Milan. He ch reflects on the various forms that natural worked as an assistant to Aldo Mondino evolutionary forces can take on in their from 1995 to 2005. relationship with human emotivity. By invi- ting the public to undergo highly controlled 2. ALESSANDRO BUSCI experiences of participation (psychological Born in Milan, 1971, where he lives and and perceptive experiments, which are works today. often also playful), the ‘sensory mechani- Busci’s pictorial research is characterised sms’ and structures designed by Höller are by constant experimentation with uncon- in fact able to stimulate states of attraction, ventional techniques and supports such as excitement, doubt and confusion in the enamels and acids on steel, iron, alumi- individual user.
  • Modena, Berlin Mimmo Paladino

    Modena, Berlin Mimmo Paladino

    GALLERIA MAZZOLI - MODENA, BERLIN WWW.GALLERIAMAZZOLI.COM MIMMO PALADINO IT Nato nel 1948 a Paduli (BN) !i!e e lavo"a t"a Ro#a e Paduli. La "i$le%%ione artistica di Mi##o Paladino si %!ilu''a a 'arti"e dalla $ine de(li anni )*+. A$$ascinato dal cli#a cultu"ale dell)e'oca, t"a a"te &oncettuale e Po' A"t ame"icana i cui arti%ti 'i, "ap'"esentati!i ave!ano e%'osto alla Biennale di Vene.ia del /64, Paladino incent"a la sua '"i#a atti!it0 sulla $oto("afia, associata %'esso al dise(no tecnica a lui 'articolar#ente con(eniale. La sua '"i#a 'e"sonale !iene '"esentata a Case"ta nel 1969. Ne(li anni )1+ si af$e"#a se#'"e 'i, incisi!a#ente nel suo 'e"co"%o l)inte"esse 'e" la $i(u"a: dalle ini.iali %'e"i#entazioni &oncettuali l)arti%ta t"asfe"isce la '"o'"ia atten.ione sulla 'ittu"a $i(u"ati!a. 3t"uttu"e (eo#et"i&4e e o((etti 5uali "ami e #asche"e cam'e((iano sulle tele dai colo"i decisi. Nel 1978 6 a Ne7 8o"9 do!e inau(u"a, l)anno succe%%i!o #ost"e 'e"sonali alla Marian Good#an Galle": e alla Annina Nosei Galle":. Nel 198+ 'arte&i'a alla Biennale di Vene.ia nella se.ione Aperto '80 di A&4ille Bonito Oli!a ed insie#e a 3and"o C4ia, ;"ancesco Cle#ente En.o Cu&&4i e Nicola De Maria dà !ita alla ="ansavan(uardia.
  • Francesco Clemente

    Francesco Clemente

    FRANCESCO CLEMENTE Born 1952 in Naples Lives and works in New York, New Mexico, and India EDUCATION 1970 Architecture, Università degli Studi di Roma, Rome SOLO EXHIBITIONS 2020 Francesco Clemente: Watercolors, Lévy Gorvy with Rumbler, Zürich (forthcoming) Self-Portraits and Sirens, Albertina, Vienna (forthcoming) Moscow Museum of Modern Art (forthcoming) 2019 Francesco Clemente: Pastels, Lévy Gorvy, London Watchtowers, Gates and the Sea of Stories, Blain|Southern, Berlin Watchtowers, Keys, Threads, Gates, Dallas Contemporary, Dallas 2018 Francesco Clemente: 1978-2018, Brant Foundation, Connecticut Francesco Clemente: Napoli è, Casamadre Gallery, Naples Francesco Clemente: After Garcia Lorca in New York, Galleria Lorcan O’Neill, Rome 2017 Francesco Clemente: Standing with Truth, Villa Rufolo, Ravello Francesco Clemente: Alba, Galería Javier López & Fer Frances, Madrid 2016 Francesco Clemente: Pirate Heart, Galerie Templon, Paris Francesco Clemente: Dormiveglia, NSU Art Museum, Fort Lauderdale Francesco Clemente: After Omeros, Coro della Maddalena, Alba Francesco Clemente, Jablonka Maruani Mercier Gallery, Brussels A Nomadic life—Francesco Clemente in China, Springs Art Center, Beijing Francesco Clemente: Encampment, Carriageworks, Sydney Winter Flowers and Tree of Life, Complesso Museale Santa Maria della Scala, Siena Francesco Clemente: After Omeros, Fergus McCaffrey Gallery, Saint Barthélemy 2015 Francesco Clemente: Emblems of Transformation, Blain|Southern, London Francesco Clemente, Art Changsha, Changsha Francesco Clemente: Encampment,