Francesco Clemente
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Francesco Clemente
GALERIE THADDAEUS ROPAC FRANCESCO CLEMENTE JIGSAW PUZZLE PARIS DEBELLEYME 06 Tuesday - 21 Saturday "The images present themselves quickly, in a rushed, hectic, vivid, urgent way. I make raw ink drawings to remember what I see, and then that becomes like a music score." - Francesco Clemente After showing Francesco Clemente's work at our Salzburg gallery in 2004 and 2007, we are very pleased to announce his first solo exhibition of works on paper. Francesco Clemente is one of the most renowned international artists who revitalized figurative painting with the emergence of the Neo- Expressionist movement in the late 1970s early 80s. Clemente's unique style combines the tradition of Indian imagery, the Romanticism of William Blake and of Italian Renaissance frescoes to make evocative and powerful works in a sensuous palette. In this exhibition, the artist will present 21 new pastels and watercolors, all in the form of a puzzle piece, installed to create a mosaic of poetic, colorful figurative images, which do not necessarily reveal a whole picture. As in much of his work, Clemente makes references to non-Western symbols, myth and spirituality, astrology and the four elements, sexuality and senses, as well as dream-like visions. Francesco Clemente was born in 1952 in Naples. From 1970 he studied architecture at the University of Rome, and began to exhibit his drawings, photographs and conceptual works in Europe. From 1973, he travelled regularly to India, and in 1981 he moved to New York. Since the mid-80s, Clemente's work has been the subject of many exhibitions: in the Berlin National Gallery (1984/85), Basel Museum of Contemporary Art (1987), Philadelphia Museum of Art (1990), Royal Academy of Arts, London (1991), Centre Georges Pompidou, Paris (1994/95), Guggenheim Museum, New York (1999/2000), Irish Museum of Modern Art, Dublin (2004), the National Archaeology Museum, Naples (2002/03) and the National Museum of XXIst Century Art, Rome (2006). -
State of the Art New York, Das Epizentrum Der Kunstwelt
Kunst. Werte. Leidenschaft. Galerienszene in Chelsea, Jean-Michel Basquiat im Marktcheck, George Brecht auf der Flucht State of the Art New York, das Epizentrum der Kunstwelt AC0120_001 1 30.03.20 14:28 BRANDNEU DER ARTPRICE KUNSTMARKTBERICHT 2019 Der Kunstmarkt wächst weiter: 2019 wurden weltweit ganze 550.000 Lose versteigert, die höchste jemals ver- zeichnete Anzahl von Kunstwerken, die in einem Jahr verkauft wurden. In Bezug auf den Umsatz verzeichnete der Kunstmarkt einen Rückgang von -14%, verzeichnete aber dennoch ein eindrucksvolles Gesamtvolumen von 13,3 Milliarden US-Dollar. Wichtigster nationaler Markt ist nach wie vor die USA (35%), dicht gefolgt von China (31%). Die Rate weltweit unverkauf- ter Lose blieb mit 38% vollkommen stabil, ebenso wie der Gesamtpreis- index, der um + 0,48% stieg. Diese und viele weitere Informati- onen fi nden Sie im Detail im Kunst- marktbericht 2019 von Artprice. Ab sofort auf Artprice.com als kostenloser Download verfügbar! WELTMARKTFÜHRER FÜR KUNSTMARKTINFORMATIONEN T : +33 (0)4 72 42 17 06 Artmarket.com, Geschäftsbezeichnung Artprice.com, ist im Eurolist by Euronext Paris (PRC 7478-ARTF) geführt AC0120_002 2 30.03.20 13:34 EDITORIAL/CONTENT Kniefall und Verfall In Zeiten von Corona verlagert sich das Galerien und Auktionshäuser ist dies Geschäft mit der Kunst ins Internet. New York. Die USMetropole mit ihrem Der Anbieter Artsy boomt und lässt Wettbewerbslärm bildet das Epizent- sich seine Dienste − laut einem inves- rum des Kunstmarkts und der künst- tigativen Artikel von Paddy Johnson lerischen Produktion. Auf die enorme in „The Art Newspaper“ − noch mehr Dichte an überall in New York verstreu- als vor der Krise kosten. -
JEAN-MICHEL BASQUIAT New York, NY 10014
82 Gansevoort Street JEAN-MICHEL BASQUIAT New York, NY 10014 p (212) 966-6675 allouchegallery.com Born 1960, Brooklyn, NY Died 1988, Manhattan, NY SELECTED SOLO EXHIBITIONS 2018 Boom for Real, Shirn exhibition hall, Frankfurt, Germany 2015 Basquiat: The Unknown Notebooks, Brooklyn Museum, Brooklyn, NY 2015 Jean-Michel Basquiat: Now’s the Time, Art Gallery of Ontario, Ontario, Canada. Travelled to: Guggenheim Bilbao, Bilbao, Spain 2013 Jean-Michel Basquiat: Paintings and Drawings, Galerie Bruno Bischofberger, Zurich, Switzerland 2012 Warhol and Basquiat, Arken Museum of Modern Art, Ishøj, Denmark 2010 Jean-Michel Basquiat, The Fondation Beyeler, Basel, Switzerland. Traveled to: City Museum of Modern Art, Paris, France 2006 The Jean-Michel Basquiat show, Fondazione La Triennale di Milano, Milan, Italy 2006 Jean-Michel Basquiat 1981: The Studio of the Street, Deitch Projects, New York, NY 2005 Basquiat, Curated by Fred Hoffman, Kellie Jones, Marc Mayer, and Franklin Sirmans Brooklyn Museum, New York, NY Traveled to: Museum of Contemporary Art, Los Angeles, CA, The Museum of Fine Arts, Houston, TX 2002 Andy Warhol & Jean-Michel Basquiat: Collaboration Paintings, Gagosian Gallery, Beverly Hills, CA 1998 Jean-Michel Basquiat: Drawings & Paintings 1980-1988, Gagosian Gallery, Beverly Hills, CA 1997 Jean-Michel Basquiat: Oeuvres Sur Papier, Fondation Dina-Vierny-Musée Maillol, Paris, France 1996 Jean-Michel Basquiat, Serpentine Gallery, London, England; Palacio Episcopal de Mágala, Málaga, Spain 1994 Jean-Michel Basquiat: Works in Black and White, -
Ticketing Guide
Ticketing Guide June 2021 1 Contents 1. Games Overview p2 2. Games Venue p3 3. Tickets Rules p7 4. Accessibility p8 5. Competition Schedule p9 6. Full Competition Schedule And Prices p10 Opening and Closing Ceremonies p10 Golf p41 Aquatics (Swimming) p11 Gymnastics (Artistic) p42 Aquatics (Diving) p13 Gymnastics (Rhythmic) p43 Aquatics (Artistic Swimming) p14 Gymnastics (Trampoline) p43 Aquatics (Water Polo) p15 Handball p44 Aquatics (Marathon Swimming) p17 Hockey p46 Archery p18 Judo p48 Athletics p19 Karate p50 Athletics (Marathon) (Race Walk) p21 Modern Pentathlon p51 Badminton p22 Rowing p52 Baseball p23 Rugby p53 Softball p24 Sailing p54 Basketball (3x3 Basketball) p25 Shooting p55 Basketball p26 Skateboarding（Park） p56 Boxing p28 Skateboarding（Street） p56 Canoe（Slalom） p30 Sport Climbing p57 Canoe（Sprint） p31 Surfing p58 Cycling（BMX Freestyle） p32 Table Tennis p59 Cycling（BMX Racing） p32 Taekwondo p61 Cycling（Mountain Bike） p33 Cycling（Road） p33 Tennis p62 Cycling（Track） p34 Triathlon p65 Equestrian/Eventing p35 Beach Volleyball p66 Equestrian/Dressage,Eventing,Jumping p35 Volleyball p68 Fencing p36 Weightlifting p70 Football p38 Wrestling p71 1 1. Games Overview Olympic Sports A total of 33 different sports will be contested at the Olympic Games Tokyo 2020. The 2020 Games are also the first time that the International Olympic Committee (IOC) has enabled the Organising Committee to propose additional sports for that edition of the Olympic Games. The Tokyo 2020 Organising Committee proposed the five additional sports of Baseball/Softball, Karate, Skateboarding, Sport Climbing and Surfing. All five were approved by the IOC for inclusion in the Tokyo 2020 Games. sports including Karate, Skateboarding, Sport Climbing and Surfing, which will be making their Olympic debuts at the Olympic Games Tokyo 2020 23 July – 8 August 2021 (17 days) 2 2. -
CENTRAL PAVILION, GIARDINI DELLA BIENNALE 29.08 — 8.12.2020 La Biennale Di Venezia La Biennale Di Venezia President Presents Roberto Cicutto
LE MUSE INQUIETE WHEN LA BIENNALE DI VENEZIA MEETS HISTORY CENTRAL PAVILION, GIARDINI DELLA BIENNALE 29.08 — 8.12.2020 La Biennale di Venezia La Biennale di Venezia President presents Roberto Cicutto Board The Disquieted Muses. Luigi Brugnaro Vicepresidente When La Biennale di Venezia Meets History Claudia Ferrazzi Luca Zaia Auditors’ Committee Jair Lorenco Presidente Stefania Bortoletti Anna Maria Como in collaboration with Director General Istituto Luce-Cinecittà e Rai Teche Andrea Del Mercato and with AAMOD-Fondazione Archivio Audiovisivo del Movimento Operaio e Democratico Archivio Centrale dello Stato Archivio Ugo Mulas Bianconero Archivio Cameraphoto Epoche Fondazione Modena Arti Visive Galleria Nazionale d’Arte Moderna e Contemporanea IVESER Istituto Veneziano per la Storia della Resistenza e della Società Contemporanea LIMA Amsterdam Peggy Guggenheim Collection Tate Modern THE DISQUIETED MUSES… The title of the exhibition The Disquieted Muses. When La Biennale di Venezia Meets History does not just convey the content that visitors to the Central Pavilion in the Giardini della Biennale will encounter, but also a vision. Disquiet serves as a driving force behind research, which requires dialogue to verify its theories and needs history to absorb knowledge. This is what La Biennale does and will continue to do as it seeks to reinforce a methodology that creates even stronger bonds between its own disciplines. There are six Muses at the Biennale: Art, Architecture, Cinema, Theatre, Music and Dance, given a voice through the great events that fill Venice and the world every year. There are the places that serve as venues for all of La Biennale’s activities: the Giardini, the Arsenale, the Palazzo del Cinema and other cinemas on the Lido, the theatres, the city of Venice itself. -
Kenny Schachter on the Debut of Vito Schnabel's Gallery in St. Moritz
Art World Kenny Schachter on the Debut of Vito Schnabel's Gallery in St. Moritz Kenny Schachter, Saturday, January 2, 2016 Image: Courtesy of Kenny Schachter At 1,822 meters in altitude, St. Moritz, in the Swiss Engadine Valley, is among the highest peaks in the Alps and a sporting mecca, having hosted the Winter Olympic Games in 1928 and 1948, one of only three cities to do so twice (besides Innsbruck, Austria and Lake Placid, New York). The physical effects of high elevation include faster breathing, increased heart rate, and lower mortality rates but a higher number of suicides; it's as though you are charging through time at an accelerated pace, in addition to bombing down the mountain in the gear of your choice. Aside from the altitude and skiing, etc., you'll need all the boost you can muster as there are more galleries per square mile than any resort on the planet. Yippee. With the premiere of Vito Schnabel's (b. 1986) space—it opened December 28 with Urs Fischer's (b. 1966) Bruno & Yoyo and Sterling Ruby's (b. 1972) Stoves—occupying the former digs of his godfather, Bruno Bischofberger (b. 1940), there's now a new kid (literally) in town. Even more so than in the past, St. Moritz has been Basel-ized by the art lifestyle and I am thrilled for my vocation and avocation. After 25 years of visiting my in-laws here, who are all annoyingly good skiers, I'm grateful it's congealed into an art hub. Having recently hung up my snowboard (I was always the hesitant skier), I can't complain too much about the shocking effects of global warming, which have reduced the usually-snowy slopes to a brown parched Arizona landscape. -
Gender and the Collaborative Artist Couple
Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design Summer 8-12-2014 Gender and the Collaborative Artist Couple Candice M. Greathouse Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Greathouse, Candice M., "Gender and the Collaborative Artist Couple." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/art_design_theses/168 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. GENDER AND THE COLLABORATIVE ARTIST COUPLE by CANDICE GREATHOUSE Under the Direction of Dr. Susan Richmond ABSTRACT Through description and analysis of the balancing and intersection of gender in the col- laborative artist couples of Marina Abramović and Ulay, John Lennon and Yoko Ono, and Chris- to and Jeanne-Claude, I make evident the separation between their public lives and their pri- vate lives, an element that manifests itself in unique and contrasting ways for each couple. I study the link between gendered negotiations in these heterosexual artist couples and this divi- sion, and correlate this relationship to the evidence of problematic gender dynamics in the art- works and collaborations. INDEX WORDS: -
Thaddaeus Ropac to Open in Seoul, South Korea
Thaddaeus Ropac to open in Seoul, South Korea We are delighted to announce that we will open a new gallery location in Seoul, South Korea, with our inaugural exhibition taking place in early Autumn 2021. Our inaugural exhibition will be announced in due course. Thaddaeus Ropac’s new gallery will be located in Seoul’s Hannam-dong district, occupying the first floor of an outstanding architectural landmark: the Fort Hill building. Awarded the Korean National Architecture Award 2011 and Seoul Architecture Award 2011, it was designed by SAI architects, led by the celebrated architect Juhwan Park. The bespoke gallery interior will be designed by acclaimed interior designer Teo Yang Studio to create a unique setting for the presentation and experience of exhibitions by the gallery’s artists. It’s with tremendous excitement that we are establishing the gallery in Seoul and a privilege to participate in and contribute to a city that has such strong and long-established foundations for artistic interchange. Our personal ties to South Korea and with the city of Seoul have grown significantly and it has been an honour to work with major Korean institutions on numerous projects over the years. Having worked with the artist Lee Bul since 2007 and staged a memorable show of Lee Ufan’s work in Paris in 2009, as well as collaborating with the National Museum of Modern and Contemporary Art Korea for a Georg Baselitz exhibition in 2007, we look forward to deepening these relationships. The rich cultural history that is integral to the city is exemplified by the historic art academies, the incredible institutional infrastructure and the tradition of nurturing each generation’s artists, and even over the short period of the past decade we’ve witnessed further exciting evolutions. -
Zuzana Rehák Štefečeková
SLOVENSKÁ OLYMPIJSKÁ REVUE .SK OLYMPICJAR / LETO DVAKRÁT STRIEBORNÁ MEDAILISTKA SA PO ROKOCH VRACIA POD PÄŤ KRUHOV AKO DVOJNÁSOBNÁ MAMA ZUZANA REHÁK ŠTEFEČEKOVÁ 01 Titulka OK.indd 1 25.06.2021 13:34 Danka Barteková ŠPORTOVÁ STREĽBA #pripraveninatokio | www.olympic.sk/tokio Ďakujeme nášmu exkluzívnemu partnerovi 002-003 editorial.indd 2 25.06.2021 9:10 FOTO: JÁN SÚKUP EDITORIAL VÁŽENÍ ŠPORTOVÍ PRIATELIA, počas posledného roka som dostával veľa otázok, či sa budú vôbec konať olympijské hry v Tokiu. Od vlaňajšieho marca, keď Medzinárodný olympijský výbor (MOV) prijal po vypuknutí pandémie COVID-19 bezprecedentné rozhodnutie o presune Hier II. olympiády na rok 2021, sa objavilo veľa skeptických hlasov. U nás, i v samotnom Japonsku. Bol som opti- mista, v čom ma utvrdzovali správy od organizátorov. Od začiatku tvrdili, že hry usporiadajú a ich prioritou je predovšet- kým bezpečnosť. Otázka teda nemala znieť, či hry budú, ale ako budú vyzerať. Som presvedčený, že nás čakajú zlo- mové olympijské hry. Počas sedemnás- tich dní medzi 23. júlom a 8. augustom dostane celé ľudstvo novú nádej. Podu- jatie však rozhodne aj o budúcej podobe športu. Ak nevzniknú problémy a nestúp- ne chorobnosť, šport sa na dlhšie obdo- bie neobmedzí a budú sa konať aj ďalšie významné podujatia. Všetci sme zvedaví, ako bude podujatie moríne. Na návštevníkov čakajú dni plné múzeum. Športové srdce na Slovensku tak vyzerať. Pre fanúšikov doma pred obra- športu, zábavy či dobrého jedla. začína biť nanovo. zovkami sa toho veľa nezmení, ale pre Presun Hier II. olympiády o rok ne- Významným naším projektom je športovcov to bude iné. Zažili sme si však skôr zapríčinil, že len pol roka po ich skon- Olympijský odznak všestrannosti. -
Robert Mapplethorpe
GALERIE THADDAEUS ROPAC ROBERT MAPPLETHORPE ROBERT MAPPLETHORPE CURATED BY HEDI SLIMANE PARIS DEBELLEYME 13 Thursday - 19 Saturday The Thaddaeus Ropac Gallery is pleased to present an important exhibition of works by American photographer Robert Mapplethorpe. Hedi Slimane, the artistic director of Dior Homme, also a photographer in his own right, will curate the show. The concept of the show is to invite a contemporary artist to rediscover a major body of work such as Mapplethorpe's, by reframing the whole, based on his own sensibilities and tastes thus helping us to view the renowned works in a new light. This show follows in the footsteps of a series of exhibits. Previous shows include- « Robert Mapplethorpe: Eye to Eye » organized in 2003 by the American artist Cindy Sherman in New York, as well as the exhibit « Robert Mapplethorpe curated by David Hockney » which took place in London in early 2005. Both Slimane and Mapplethorpe share a passion for photography, and both, by different means, each in his own generation, have defined the mood and aesthetic of the artistic community to which they belong. Hedi Slimane has been given free reign to explore themes that inspire him in Mapplethorpe's work. Last May, in conjunction with the release of his book of photographs of rocks bands, Slimane also edited the layout for the daily paper Libération. We can expect to find, in his selection of works for the show, images that reflect themes in both he and Mapplethorpe's lives where their sensibilities, moods and observations converge. By offering this face-to-face between two creative forces, this event allows us to revisit the work in an intimate, rather than critical manner. -
Oscar-Bony-El-Mago.Pdf
Oscar Bony El mago 2 Buenos Aires, Argentina 2007 4 Malba - Fundación Costantini Museo de Arte Latinoamericano de Buenos Aires Presidente Eduardo F. Costantini Staff Curador en Jefe Marcelo E. Pacheco Sistemas Javier Séré Gerente General Emilio Xarrier Intendencia Claudio Paz Asistente Diego Osuna Coordinadora General Ana Goldman Guardianes de Sala Darío Aguilar, Gabriela Albornoz, Bárbara Asistente María Costantini Monserrate Gutiérrez, Virginia Spinelli, Fiorella Tálamo, Juan Valenzuela Cruzat, Patricia Busoni, Licia Capizzi, Mariano Curaduría Inés Katzenstein Asistente Mercedes Elgarte Laurora, Juan Pablo Scott Museografía y Diseño de Exposiciones Gustavo Vásquez Ocampo Auditorio Andrés Smith Asistentes Alejandro Vautier, Jorge Cícero Asistente Pablo Duggan Montaje Fernando Brizuela, Mariano Dal Verme, Proyectoristas Evangelina Loguercio, Georgina Tosi José Luis Rial, Andrés Toro Coordinación de Exposiciones Maraní González del Solar Informes y Cajas María Paz Gómez Bajo, María Agustina Producción de Exposiciones Victoria Giraudo Perretta, Mónica Lizzi, Matías Méndez, Carlos Orlando, Registro y Documentación Cintia Mezza Mariana Muñoz, María Marta Mongelli Educación y Acción Cultural Eleonora Cardoso Cis Maestranza Laly Largo Torres, Pedro Coronel Asistente Laura Scotti Coord. Programa Adultos Florencia González de Langarica Visitas Guiadas María Eva Llamazares, María José Kahn Silva Coord. Programa Niños Judith Meresman Guías Niños Bárbara Kaplan, Diego Murphy, Gisela Manusovich, Alejandro Rozenholc Cine Fernando Martín Peña Asistentes -
Mimmo Paladino. Biography 1948 Born in Paduli (Benevento) On
Mimmo Paladino. Biography 1948 Born in Paduli (Benevento) on December 18th. 1964 He visits the Venice Biennial where Robert Rauschemberg’s work in the American Pavilion make a strong impression on him, revealing to him the reality of art. 1968 He graduates from the arts secondary school of Benevento. He holds an exhibition presented by Achille Bonito Oliva, at the Portici Gallery (Naples). 1969 Enzo Cannaviello’s Lo Studio Oggetto in Caserta organizes his solo exhibition. 1973 He begins to combine images in mixed technique, creating a complex iconography that takes into account an extraordinary mix of messages, strangely opposed and divergent, yet blended together. 1977 He moves to Milan. 1978 First trip to New York. 1980 He is invited by Achille Bonito Olivo to participate in the Aperto ’80 at the Venice Biennial along with Sandro Chia, Francesco Clemente, Enzo Cucchi and Nicola De Maria. He publishes the book EN-DE-RE with Emilio Mazzoli in Modena. 1981 He participates in A New Spirit in Painting at the London Royal Academy of Art. The Kunstmuseum of Basel and the Kestner-Gesellshaft of Hannover organize a large exhibitions of drawings made from 1976 to 1981. The exhibition moves from the Kestner-Gesellshaft in Hannover to the Mannheimer Kunstverein in Mannheim and the Groninger Museum in Groningen, launching Paladino as an international artist. 1982 He participates in Documenta 7 in Kassel and the Sydney Biennial. He makes his first bronze sculpture, Giardino Chiuso. First trip to Brazil, where his father lives. 1984 He builds a house and studio in Paduli near Benevento and from this point on divides his time between Paduli and his Milan apartment.