KINSELLA, THOMAS. Thomas Kinsella Papers, 1951-2016
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The Role of Cú Chulainn in Old and Middle Irish Narrative Literature with Particular Reference to Tales Belonging to the Ulster Cycle
The role of Cú Chulainn in Old and Middle Irish narrative literature with particular reference to tales belonging to the Ulster Cycle. Mary Leenane, B.A. 2 Volumes Vol. 1 Ph.D. Degree NUI Maynooth School of Celtic Studies Faculty of Arts, Celtic Studies and Philosophy Head of School: An tOllamh Ruairí Ó hUiginn Supervisor: An tOllamh Ruairí Ó hUiginn June 2014 Table of Contents Volume 1 Abstract……………………………………………………………………………1 Chapter I: General Introduction…………………………………………………2 I.1. Ulster Cycle material………………………………………………………...…2 I.2. Modern scholarship…………………………………………………………...11 I.3. Methodologies………………………………………………………………...14 I.4. International heroic biography………………………………………………..17 Chapter II: Sources……………………………………………………………...23 II.1. Category A: Texts in which Cú Chulainn plays a significant role…………...23 II.2. Category B: Texts in which Cú Chulainn plays a more limited role………...41 II.3. Category C: Texts in which Cú Chulainn makes a very minor appearance or where reference is made to him…………………………………………………...45 II.4. Category D: The tales in which Cú Chulainn does not feature………………50 Chapter III: Cú Chulainn’s heroic biography…………………………………53 III.1. Cú Chulainn’s conception and birth………………………………………...54 III.1.1. De Vries’ schema………………...……………………………………………………54 III.1.2. Relevant research to date…………………………………………………………...…55 III.1.3. Discussion and analysis…………………………………………………………...…..58 III.2. Cú Chulainn’s youth………………………………………………………...68 III.2.1 De Vries’ schema………………………………………………………………………68 III.2.2 Relevant research to date………………………………………………………………69 III.2.3 Discussion and analysis………………………………………………………………..78 III.3. Cú Chulainn’s wins a maiden……………………………………………….90 III.3.1 De Vries’ schema………………………………………………………………………90 III.3.2 Relevant research to date………………………………………………………………91 III.3.3 Discussion and analysis………………………………………………………………..95 III.3.4 Further comment……………………………………………………………………...108 III.4. -
Daddy, Daddy/Mammy, Mammy: Sylvia Plath and Thomas Kinsella Andrew Browne, National University of Ireland, Galway
Plath Profiles 50 Daddy, Daddy/Mammy, Mammy: Sylvia Plath and Thomas Kinsella Andrew Browne, National University of Ireland, Galway In his memoir The Kick: a Life among Writers , Richard Murphy recalls Thomas and Eleanor Kinsella joining Sylvia Plath, Ted Hughes and himself in Ireland (Murphy, 226-27). Kinsella softens any profound inferences from this meeting in a 1989 interview with Dennis O’Driscoll. In response to O’Driscoll’s comment on the ‘torrid atmosphere’ of the meeting Kinsella says: It doesn’t strike me in retrospect as having been very torrid. It was just a couple of people having trouble. It didn’t have the heavy implications that her subsequent suicide gave it. We went out fishing and, as far as I am concerned, those fish coming up on the hooks were the exciting thing. But we did enjoy her company, and we did drive her back to Dublin; and that’s as much as I remember of it. (O’Driscoll, 59) This remark does not support any spectacular influence between Kinsella and Plath, and this critic is in no position to infer a direct impact upon Kinsella’s work from Plath’s, yet this essay will show connections between Plath’s and Kinsella’s poetry in their psychological imagery. I will also highlight differences while making certain assumptions about the way images of the masculine and feminine are interrogated, and how they impact their personal lives. There is a significant influence from Lowell’s work and there are resonances between the confessional style and parts of Kinsella’s oeuvre. -
Contemporary Irish Women Poets and the National Tradition
Colby College Digital Commons @ Colby Senior Scholar Papers Student Research 1998 From Image to Image Maker: Contemporary Irish Women Poets and the National Tradition Rebecca Troeger Colby College Follow this and additional works at: https://digitalcommons.colby.edu/seniorscholars Colby College theses are protected by copyright. They may be viewed or downloaded from this site for the purposes of research and scholarship. Reproduction or distribution for commercial purposes is prohibited without written permission of the author. Recommended Citation Troeger, Rebecca, "From Image to Image Maker: Contemporary Irish Women Poets and the National Tradition" (1998). Senior Scholar Papers. Paper 548. https://digitalcommons.colby.edu/seniorscholars/548 This Senior Scholars Paper (Open Access) is brought to you for free and open access by the Student Research at Digital Commons @ Colby. It has been accepted for inclusion in Senior Scholar Papers by an authorized administrator of Digital Commons @ Colby. Rebecca Troeger From Image to Image Maker: Contemporary Irish Women Poets and the National Tradition • The Irish literary tradition has always been inextricably bound with the idea of image-making. Because of ueland's historical status as a colony, and of Irish people's status as dispossessed of their land, it has been a crucial necessity for Irish writers to establish a sense of unique national identity. Since the nationalist movement that lead to the formation of the Insh Free State in 1922 and the concurrent Celtic Literary Re\'ivaJ, in which writers like Yeats, O'Casey, and Synge shaped a nationalist consciousness based upon a mythology that was drawn only partially from actual historical documents, the image of Nation a. -
The 'Nothing-Could-Be-Simpler Line': Form in Contemporary Irish Poetry
The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry Brearton, F. (2012). The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry. In F. Brearton, & A. Gillis (Eds.), The Oxford Handbook of Modern Irish Poetry (pp. 629-647). Oxford University Press. Published in: The Oxford Handbook of Modern Irish Poetry Document Version: Early version, also known as pre-print Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:26. Sep. 2021 OUP UNCORRECTED PROOF – FIRST PROOF, 04/19/2012, SPi c h a p t e r 3 8 ‘the nothing-could- be-simpler line’: form in contemporary irish poetry f r a n b r e a r t o n I I n ‘ Th e Irish Effl orescence’, Justin Quinn argues in relation to a new generation of poets from Ireland (David Wheatley, Conor O’Callaghan, Vona Groarke, Sinéad Morrissey, and Caitríona O’Reilly among them) that while: Northern Irish poetry, in both the fi rst and second waves, is preoccupied with the binary opposition of Ireland and England . -
Irish Anthologies and Literary History
UvA-DARE (Digital Academic Repository) A commodious vicus of recirculation: Irish anthologies and literary history Leerssen, J. Publication date 2010 Document Version Submitted manuscript Link to publication Citation for published version (APA): Leerssen, J. (2010). A commodious vicus of recirculation: Irish anthologies and literary history. (Working papers European Studies Amsterdam; No. 10). Opleiding Europese Studies, Universiteit van Amsterdam. http://www.uva.nl/disciplines/europese- studies/onderzoek/working-papers.html General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 WORKING PAPERS EUROPEAN STUDIES AMSTERDAM 10 Joep Leerssen A Commodious Vicus of Recirculation: Irish Anthologies and Literary History Opleiding Europese Studies, Universiteit van Amsterdam 2010 Joep Leerssen is professor of Modern European Literature at the University of Amsterdam and Royal Netherlands Academy of Arts and Sciences Professor. -
Call No. Responsibility Item Publication Details Date Note 1
Call no. Responsibility Item Publication details Date Note TKNC0001 Roberts, H. Song, to a gay measure Dublin: printed at the Dolmen 1951 "200 copies." Neville Press TKNC0002 Promotional notice for Travelling tinkers, a book of Dolmen Press ballads by Sigerson Clifford TKNC0003 Promotional notice for Freebooters by Mauruce Kennedy Dolmen Press TKNC0004 Advertisement for Dolmen Press Greeting cards &c Dolmen Press TKNC0005 The reporter: the magazine of facts and ideas. Volume July 16, 1964 contains 'In the 31 no. 2 beginning' (verse) by Thomas Kinsella TKNC0006 Clifford, Travelling tinkers Dublin: Dolmen Press 1951 Of one hundred special Sigerson copies signed by the author this is number 85. Insert note from Thomas Kinsella. TKNC0007 Kinsella, Thomas The starlit eye / Thomas Kinsella ; drawings by Liam Dublin: Dolmen Press 1952 Set and printed by hand Miller at the Dolmen Press, Dublin, in an edition of 175 copies. March 1952. (p. [8]). TKNC0008 Kinsella, Thomas Galley proof of Poems [Glenageary, County Dublin]: 1956 Galley proof Dolmen Press TKNC0009 Kinsella, Thomas The starlit eye / Thomas Kinsella ; drawings by Liam Dublin : Dolmen Press 1952 Of twenty five special Miller copies signed by the author this is number 20. Set and printed by hand at the Dolmen Press, Dublin, in an edition of 175 copies. March 1952. TKNC0010 Promotional postcard for Love Duet from the play God's Dolmen Press gentry by Donagh MacDonagh TKNC0011 Irish writing. No. 24 Special issue - Young writers issue Dublin Sep-53 1 Thomas Kinsella Collection Listing Call no. Responsibility Item Publication details Date Note TKNC0012 Promotional notice for Dolmen Chapbook 3, The perfect Dolmen Press 1955 wife a fable by Robert Gibbings with wood engravings by the author TKNC0013 Pat and Mick Broadside no. -
Louis Le Brocquy Is a Self-Taught Artist Who Has Come to Be Louis Recognised Both at Home and Internationally As the Foremost Irish Painter of the 20Th Century
stoney road press Born in Dublin in 1916, Louis le Brocquy is a self-taught artist who has come to be Louis recognised both at home and internationally as the foremost Irish painter of the 20th Century. Le Brocquy left Ireland in 1938 to study the major European art collections in le Brocquy London, Paris, Venice, Spain and Geneva. His return to Dublin signaled the advent of the Irish Exhibition of Living Art, which established an effective forum for contempo- rary art in Dublin in 1943. In 1946 le Brocquy moved to London and became prominent in the contempo- rary art scene. He began to exhibit internationally, winning a major prize at the Venice Biennale in 1956. In 1958, he was included in the historic exhibition Fifty Years of Mod- ern Art, at the Brussels World Fair. The same year he married the Irish painter Anne Madden and left London to work in the South of France. His work has received much international attention and many accolades in a career that spans seventy years of creative practice. Widely acclaimed for his evocative heads of literary figures and fellow artists, including W.B. Yeats, James Joyce and his friends Samuel Beckett, Francis Bacon, Seamus Heaney and Bono, Le Brocquy’s inqui- ry into the human condition is seminal to his motivation as a painter. Acknowledged by museum retrospective exhibitions worldwide, the artist’s work is represented in numerous public collections, from the Guggenheim, New York to the Tate, London. In Ireland he was elected Saoi of Aosdána in 1994 and is honoured as the first and only living painter to be included in the Permanent Irish Collection of the National Gallery. -
CELTIC MYTHOLOGY Ii
i CELTIC MYTHOLOGY ii OTHER TITLES BY PHILIP FREEMAN The World of Saint Patrick iii ✦ CELTIC MYTHOLOGY Tales of Gods, Goddesses, and Heroes PHILIP FREEMAN 1 iv 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Philip Freeman 2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. CIP data is on file at the Library of Congress ISBN 978–0–19–046047–1 9 8 7 6 5 4 3 2 1 Printed by Sheridan Books, Inc., United States of America v CONTENTS Introduction: Who Were the Celts? ix Pronunciation Guide xvii 1. The Earliest Celtic Gods 1 2. The Book of Invasions 14 3. The Wooing of Étaín 29 4. Cú Chulainn and the Táin Bó Cuailnge 46 The Discovery of the Táin 47 The Conception of Conchobar 48 The Curse of Macha 50 The Exile of the Sons of Uisliu 52 The Birth of Cú Chulainn 57 The Boyhood Deeds of Cú Chulainn 61 The Wooing of Emer 71 The Death of Aife’s Only Son 75 The Táin Begins 77 Single Combat 82 Cú Chulainn and Ferdia 86 The Final Battle 89 vi vi | Contents 5. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Birth Narratives in Indo-European Mythology Permalink https://escholarship.org/uc/item/71m1f09s Author Pagé, Anna June Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Birth Narratives in Indo-European Mythology A dissertation submied in partial satisfaction of the requirements for the degree Doctor of Philosophy in Indo-European Studies by Anna June Pagé 2014 © Copyright by Anna June Pagé 2014 ABSTRACT OF THE DISSERTATION Birth Narratives in Indo-European Mythology by Anna June Pagé Doctor of Philosopy in Indo-European Studies University of California, Los Angeles, 2014 Professor Joseph F. Nagy, Chair is dissertation presents a study of the shared themes and parallel narrative structures of a set of stories about extraordinary birth. Stories about extraordinary birth form a universal story-type that displays widespread and striking similarities in narrative traditions throughout the world. Stories of this nature are typically told about various types of important persons, such as heroes, kings, gods, and saints, and have most frequently been treated within the context of the “heroic biography’’ paern. Because of how well-aested this type of story is in all narrative traditions, a comparison of birth narratives from different Indo-European mythologies offers an ideal case study in the comparison and reconstruction of aspects of the Proto-Indo-European mythological system. While my primary focus is on stories from Indo-European sources, and particularly from Celtic, Greek, and Indic myth, several non-Indo-European examples of this type of narrative are also included in my discussion. -
1 FIONN in HELL an Anonymous Early Sixteenth-Century Poem In
1 FIONN IN HELL An anonymous early sixteenth-century poem in Scots describes Fionn mac Cumhaill as having ‘dang þe devill and gart him ʒowle’ (‘struck the Devil and made him yowl’) (Fisher 1999: 36). The poem is known as ‘The Crying of Ane Play.’ Scots literature of the late medieval and early modern period often shows a garbled knowledge of Highland culture; commonly portraying Gaels and their language and traditions negatively. Martin MacGregor notes that Lowland satire of Highlanders can, ‘presuppose some degree of understanding of the language, and of attendant cultural and social practices’ (MacGregor 2007: 32). Indeed Fionn and his band of warriors, 1 collectively Na Fiantaichean or An Fhèinn0F in modern Scottish Gaelic, are mentioned a number of times in Lowland literature of the period (MacKillop 1986: 72-74). This article seeks to investigate the fate of Fionn’s soul in late medieval and early modern Gaelic literature, both Irish and Scottish. This is done only in part to consider if the yowling Devil and his encounter with Fionn from the ‘The Crying of Ane Play’ might represent something recognizable from contemporaneous Gaelic literature. Our yowling Devil acts here as something of a prompt for an investigation of Fionn’s potential salvation or damnation in a number of sixteenth-century, and earlier, Gaelic ballads. The monumental late twelfth- or early thirteenth-century (Dooley 2004) text Acallam na 2 Senórach (‘The Colloquy of the Ancients’) will also be considered here.1F Firstly, the Scots poem must be briefly investigated in order to determine its understanding of Gaelic conventions. -
The Irish Language and the Irish Legal System:- 1922 to Present
The Irish Language and The Irish Legal System:- 1922 to Present By Seán Ó Conaill, BCL, LLM Submitted for the Award of PhD at the School of Welsh at Cardiff University, 2013 Head of School: Professor Sioned Davies Supervisor: Professor Diarmait Mac Giolla Chríost Professor Colin Williams 1 DECLARATION This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date………………………… STATEMENT 1 This thesis is being submitted in partial fulfillment of the requirements for the degree of …………………………(insert MCh, MD, MPhil, PhD etc, as appropriate) Signed ………………………………………… (candidate) Date ………………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ………………………… 2 STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date ………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… -
Stamford St. Patrick's Day Parade Friday, March 1, 2019 6:00Pm
Stamford St. Patrick’s Day Parade Friday, March 1, 2019 6:00pm Shamrock is a commercial cleaning company based in Connecticut with offices across the United States. A Green Cleaning Company www.shamrockclean.com 203.395.7162 Welcome to the 24th Annual Stamford St. Patrick’s Day Parade Grand Marshal’s Dinner Friday, March 1, 2019 2019 Parade Grand Marshal Polly O’Brien Morrow Polly is the adopted daughter of John Robert and Brigid Hume O’Brien. She came home to her new family on St. Patrick’s Day. Since finding her birth families in Germany and Norway, Polly likes to say, “I’m half German, half Norwegian, and ALL IRISH!” Her parents set an example that strongly influenced her interest in community service and her earliest volunteer efforts included working with the Girl Scouts, the Long Island Sound Task the Stamford Bartlett Arboretum. Force (now known as Save the She has received multiple awards Sound) and as a “big sister” in the for her charitable work, including Friends of Youth Program offered the Stamford Advocate by Family & Children’s Services Community Leader of the Year (now Family Centers). Award, the City of Stamford Polly is the Program Manager Citizen of the Year Award, in for Global Corporate Citizenship addition to many more. and Philanthropy for Pitney Bowes. Polly is a graduate of She serves as vice president of the Stamford (now Trinity) Catholic Pitney Bowes Foundation and the High School. She earned her Pitney Bowes Relief Fund. She bachelor’s degree from Wells manages the company’s global College, a paralegal degree from volunteer programs and employee the University of Bridgeport giving campaign, as well as the School of Law, and an M.B.A.