The Ithacan, 1996-02-29
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
May 16, 2014 WFAN's BOOMER & CARTON TEAM
May 16, 2014 WFAN’S BOOMER & CARTON TEAM UP WITH GIN BLOSSOMS ON MAY 23 FOR THE ‘SUMMER KICKOFF PARTY’ AT D’JAIS IN BELMAR, NEW JERSEY WFAN-AM/FM is counting down the days to summer and planning an exciting celebration to kick it off in style, with a live broadcast from morning show hosts Boomer & Carton at D’JAIS on Ocean Avenue in Belmar, New Jersey. Next Friday, May 23, Boomer Esiason & Craig Carton will host their inaugural Memorial Day “Summer Kickoff Party” with a live broadcast from 6AM – 10AM. In addition, there will be live performances by the GRAMMY® nominated band Gin Blossoms and special guests on-air during the show. Admission to the public is free, and the WFAN fan van crew will be on hand with giveaways. Tune in to WFAN on-air, streaming online at www.wfan.com and through the Radio.com app for mobile devices to hear Boomer & Carton and Gin Blossoms live from D’JAIS. Boomer & Carton – Broadcast on-air and online from 6 a.m. – 10 a.m. ET and simulcast on CBS Sports Network, the show features former NFL quarterback Boomer Esiason and radio veteran Craig Carton discussing New York sports talk with sports icons, league personnel, and a variety of national celebrities from the entertainment and music industries. For more than two decades, Gin Blossoms have defined the sound of jangle pop. From their late 80s start as Arizona’s top indie rock outfit, the Tempe-based combo has drawn critical applause and massive popular success for their trademark brand of chiming guitars, introspective lyricism, and irresistible melodies. -
The Daily Egyptian, February 09, 1983
Southern Illinois University Carbondale OpenSIUC February 1983 Daily Egyptian 1983 2-9-1983 The aiD ly Egyptian, February 09, 1983 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_February1983 Volume 68, Issue 95 Recommended Citation , . "The aiD ly Egyptian, February 09, 1983." (Feb 1983). This Article is brought to you for free and open access by the Daily Egyptian 1983 at OpenSIUC. It has been accepted for inclusion in February 1983 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Daily 'Egyptian WedDesda),. February 9 19f13-\'oI. 68, No. 95 Faculty members want voice in possible University furlough By PlaUUp FkriDi cut - possibly larger than the session." S&aff Writer last of 2 percent - may be iD But, be said, if the furlough store for tbe state's univer were to occur over spring If the UDiversity ill faced with sities. break, the faculty and staff a furlough 1l!I a respollSe to Some members of the Faculty would "once again bear the another budget cutback, the Senate voiced concern about a entire burden of financial faculty and staff sl:"uld not possible faculty and staff exingency." bave to carry thl:: Durden of it furlough an(! maintained that Somit said he had been alone, some SIU-C faculty they should bave some say in "considering the possibility of a members sa:d Tuesday at the the decision as to wben such a furlough which, if absolutely Faculty Senate meeting. furlough would occur. essential and if there were no Pre~ident Albert Somit Somit, who spoke at tbe other alternatives, could take Thursday announced the meeting, told tbe Faculty place during the vacation possibility 0' closing the Senate that the possibility of a period to millirlWe the impact Uniwrsity over apr'.ng break, iD furlougb was a "worst-case on educational programs." light of GoY. -
Brian Seidman
ABSTRACT AND NOTHING BUT by Brian H. Seidman Steven Matthews’ family encouraged him to pursue acting, until rejection turns him away. Betrayed by those he trusted—their love keeping them from telling the truth—Matthews closes himself off from the world. Later, as a programmer, co-workers take advantage of Matthews, ruining his career. Disillusioned, unable to accept the help he needs, Matthews hires the company’s doorman as the most unlikely confidant. His request to the wizened James is as initially inexplicable as James’ acceptance, to take a stipend to tell Matthews the truth about himself. What follows is a picaresque San Francisco journey, from the Haight to the Golden Gate Bridge to the Tenderloin, from the minimum wage grind to the jetsetting lives of movie stars. Throughout, praise, criticism, lies, and the truth test their artificial friendship, examining truth in personal relationships and questioning the responsibilities we have to others as employees, as friends, and as human beings. AND NOTHING BUT A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Brian H. Seidman Miami University Oxford, Ohio 2003 Advisor _____________________________________ Kay Sloan Reader ______________________________________ Constance Pierce Reader ______________________________________ Keith Banner © Brian H. Seidman 2003 Table of Contents PART I Chapter One How Much Does a Doorman Make? 2 Chapter Two Majordomo 12 Chapter Three The Thorn Field -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
3. Poster Presentations
©Journal of Sports Science and Medicine (2009) Suppl. 11, 1-198 79 http://www.jssm.org 3. POSTER PRESENTATIONS Roles of skeletal muscles impairment and brain oxygenation in limiting oxidative metabolism during exercise after bed rest 1 3 2 2 3 3,4 Porcelli S , Marzorati M , Lanfranconi F , Vago P , Cerretelli P and Grassi B 1 2 Scuola di Specializzazione in Medicina dello Sport, Univ. Milano, Italia, Dipartimento di Scienze e Tecnologie 3 4 Biomediche, Univ. Milano, Italia, Istituto Bioimmagini e Fisiologia Molecolare, CNR, Milano, Italia, Dip. Scienze e Tecnologie Biomediche, Univ. Udine, Italia “Central” and “peripheral” limitations to oxidative metabolism during exercise were evaluated on 10 young males following a 35-day horizontal bed rest (BR). Incremental (IE), moderate- and heavy-intensity constant-load exercises (CLE) were carried out on a cycloergometer before and after (1-2 days after subjects rose from bed) BR. Pulmonary gas exchange, heart rate (HR) and cardiac output (Q) (by impedance cardiography), skeletal muscle (vastus lateralis) and brain (frontal cortex) oxygenation (by near-infrared spectroscopy) were determined. After BR, “peak” (values at exhaustion during IE) workload (Wpeak), peak O2 uptake (VO2peak), peak stroke volume, Qpeak and peak skeletal muscle O2 extraction were decreased (-18%, -18%, -22%, -19%, -33%, respectively), whereas HRpeak was unaffected. The gas exchange threshold was ~60% of VO2 peak both before and after BR. The efficiency of cycling (ratio between external mechanical power output and oxidative energy output) was unaffected by BR. At the highest workloads brain oxygenation data suggest an increased O2 extraction, unaffected by BR. VO2 kinetics during CLE (same % of Wpeak before and after BR) were slower (time constant of the “fundamental” component 31.1±2.0 s before vs. -
Culture, Tradition, Honor Highlight Annual Tribal Fair and Pow
Brighton Field Day Project AWARE in Rodeos come to lights up reservation Tribe’s schools Hollywood COMMUNITY v 6A EDUCATION v 1B SPORTS v 4C www.seminoletribune.org Free Volume XLIV • Number 2 February 28, 2020 Hard Rock builds on Culture, tradition, honor highlight momentum annual Tribal Fair and Pow Wow BY BEVERLY BIDNEY of first Staff Reporter Super Bowl ad HOLLYWOOD — Ancient traditions met the thoroughly modern world at the BY DAMON SCOTT Seminole Tribal Fair and Pow Wow from Staff Reporter Feb. 7 to Feb. 9 at the Seminole Hard Rock Hotel & Casino Hollywood. The 49th annual celebration focused on Native American art, culture, dance and HOLLYWOOD — The Super Bowl tradition even though it occurred in the took place at Hard Rock Stadium in Miami most modern hotel around, complete with Gardens on Feb. 2 in front of more than its iconic guitar shape. But not a guitar was 65,000 spectators. About 102 million people heard as the dancing and drumming filled watched the game on television, too. the Seminole Ballroom during the pow wow The viewer numbers include those competitions who watched it on FOX, FOX Deportes (in About 300 dancers and 14 drum groups Spanish) and on live streaming services. competed for a piece of the prize money as It was a 4% increase over last year’s Super they donned colorful regalia, replete with Bowl. feathers, beads and ribbons, and showed off That reach doesn’t take into account their skills to the judges. They came from all other online components and a huge social over the U.S. -
Crossfit Gymnastics Training Guide
GYMNASTICS TRAINING GUIDE Copyright 2015 © CrossFit, Inc. All Rights Reserved. CrossFit is a registered trademark ® of CrossFit, Inc. All content herein is Copyright © CrossFit, Inc. No content, in part or in whole, may be reproduced without prior written consent from CrossFit, Inc. V.3.0_20150809.KW Gymnastics Training Guide | TABLE OF CONTENTS COURSE OVERVIEW. .3 WHAT IS GYMNASTICS? . 4 WHY DO WE DO IT? . 6 CROSSFIT GYMNASTICS TERMINOLOGY . 8 UNDERSTANDING SKILL PROGRESSION. .9 SPOTTING ...................................................................10 WHY DO WE SPOT? . 10 WHAT TO LOOK FOR WHILE SPOTTING . 10 GRIP. .11 SHOULDERS .................................................................13 COURSE MOVEMENTS .......................................................15 HOLLOW AND ARCH POSITIONS . 15 PULL-UP . 17 KNEE-TO-ELBOW AND TOE-TO-BAR . 19 BALL-UP . 21 PASS THROUGH . 22 FRONT LEVER . 22 BACK LEVER . 23 RING SUPPORT . 24 IRON-CROSS . 24 DIP . 25 MUSCLE-UP . 26 PISTOLS . 29 HANDSTANDS . 31 HANDSTAND PUSH-UP . 33 HANDSTAND WALK . 33 HEADSTAND . 34 HAND BALANCE . .. 34 PARALLETTES . 35 RING AUXILIARY DRILLS . 36 PROGRAMMING ............................................................ 37 GYMNASTICS & TUMBLING ..................................................41 A MESSAGE FROM TUCKER ..................................................51 2 of 53 Copyright 2015 © CrossFit, Inc. All Rights Reserved. V.3.0_20150809.KW COURSE OVERVIEW Gymnastics Training Guide | The CrossFit Gymnastics course was developed by Coach Jeff Tucker and is taught by his team of instructors. The goal is to empower you as a coach and student of gymnastics. The seminar is designed to educate coaches about basic gymnastics movements. Understanding and practice of these movements with proper form undoubtedly helps athletes progress and improve their general physical preparedness. Athletes have different goals. For some, the goal is to live a more comfortable and health- ier life. -
Descriptive Metadata in the Music Industry 1
DESCRIPTIVE METADATA IN THE MUSIC INDUSTRY 1 Descriptive Metadata In The Music Industry: Why It Is Broken And How To Fix It Tony Brooke December 2014 Author Note Tony Brooke is a media asset manager in San Francisco, California. He holds a Master’s degree in Library and Information Science (with a concentration in media asset management and audiovisual metadata) from San José State University, and has been an audio engineer in San Francisco since 1992. Correspondence regarding this should be made to Tony Brooke, Silent Way Media Asset Management, San Francisco, (415) 826-2888. http://www.silentway.com/research This is a corrected postprint of an article originally published in two parts, February- March 2014 in the Journal of Digital Media Management. Keywords: metadata, standards, music, descriptive, open, proprietary, database, identifier, credits, schema, persistent DESCRIPTIVE METADATA IN THE MUSIC INDUSTRY 2 Table Of Contents Abstract 3 Introduction 4 Descriptive Metadata: Now And Then 5 Terminology 8 Reasons for the Lack of Descriptive Metadata 17 The Silos 20 The DDEX Suite of Standards and CCD 30 Part Two 33 Why Hasn’t This Been Fixed Yet? 33 Toward A Globally Unique Abstracted Persistent Identifier (GUAPI) 40 Proposed Study: Quantifying Descriptive Metadata Value 49 Research Questions 49 Participants 50 Data Collection Instrument 50 Procedure 51 Conclusion And Recommendations 53 References 59 Appendix: Acronym Reference 67 Document Control Version history Version Date Version notes 1.0 June 19, 2013 Initial draft, circulated privately, APA citations. 1.1 July 14, 2013 Revised draft. 2.0 October 15, 2013 Significant rewrite, with different conclusion. -
Feminism Ain't Funny: Woman As “Fun-Killer,” Mother As Monster In
Advances in Journalism and Communication 2013. Vol.1, No.1, 1-12 Published Online March 2013 in SciRes (http://www.scirp.org/journal/ajc) http://dx.doi.org/10.4236/ajc.2013.11001 Feminism Ain’t Funny: Woman as “Fun-Killer,” Mother as Monster in the American Sitcom Jack Simmons1, Leigh E. Rich2 1Department of Languages, Literature and Philosophy, Armstrong Atlantic State University, Savannah, USA 2Department of Health Sciences, Armstrong Atlantic State University, Savannah, USA Email: [email protected] Received February 1st, 2013; revised March 2nd, 2013; accepted March 10th, 2013 Whether America has realized President Herbert Hoover’s 20th-century vision of a “chicken in every pot”, there is a television in nearly every home. Powerful and accessible, television programs, whether explic- itly, convey values and messages to viewers and, thus, can play a role in reifying the status quo or affect- ing social change. Given comedy programming’s roots in radio and Vaudeville, it is no surprise that a re- current theme in situational comedies is the “war between the sexes”. Despite a surfeit of studies ex- amining specific programs, however, there exists no comprehensive project exploring how gender depic- tions have changed since television’s proliferation in post-WWII America. This time span is especially important because it is bisected by second wave feminism. Regarding gender, TV shows need not fortify traditional ideals. But how far has television come? Findings from a pilot study employing a Grounded Theory analysis of selected US sitcoms from 1952 to 2004 suggest that, regardless of the progressive na- ture of some programming, the most-watched sitcoms reaffirm mainstream stereotypes of women. -
Cherishing the Small and Ordinary
CHERISHING THE SMALL AND ORDINARY Poems by Robert H. Deluty Otter Bay Books Copyright © 2021 by Robert H. Deluty All rights reserved. Permission to reproduce in any form must be secured from the author. Please direct all correspondence and book orders to: Robert H. Deluty 4783 Ilkley Moor Lane Ellicott City, Maryland 21043 Library of Congress Control Number 2020922815 ISBN 978-1-7323826-5-7 Published by Otter Bay Books, Ltd. 3507 Newland Road Baltimore, MD 21218-2513 Printed in the United States of America In loving memory of my wife of 37 years, my very best friend, and the most extraordinary human being I have ever known, Barbara Medine Deluty Other books by Robert H. Deluty Within and Between: Poems (2000) The Long and Short of It: Essays and Poems(2003) Observed and Imagined: Poems and Essays (2004) The Essence of Moments: Poems(2004) Treasuring the Details: Poems (2005) Present Sense: New and Selected Poems (2005) Glimpses and Snapshots: Poems (2005) Specks and Flashes: Poems (2006) Infinity in the Palm of One’s Hand: Poems(2006) Giving Subtilty to the Simple: Poems (2006) In the Moment: Poems (2007) A Handful of Sand: Poems (2007) The Thread of Revelation: Poems & Prose(2007) Hearing the Grass Grow: Poems (2007) In Praise of the Commonplace: Poems (2008) Hour/Minute/Second Helpings: Poems (2008) Ripples to the Horizon: Poems (2008) As With Sunbeams: Poems (2008) Walking Through Many Lives: Poems(2009) Fractions of Eternity: Poems (2009) Giving the Mundane Its Due: Poems (2009) Unfolding: Poems (2009) Right Simple: Poems (2009) -
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project.