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Tartan As a Popular Commodity, C.1770-1830. Scottish Historical Review, 95(2), Pp
Tuckett, S. (2016) Reassessing the romance: tartan as a popular commodity, c.1770-1830. Scottish Historical Review, 95(2), pp. 182-202. (doi:10.3366/shr.2016.0295) This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/112412/ Deposited on: 22 September 2016 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk SALLY TUCKETT Reassessing the Romance: Tartan as a Popular Commodity, c.1770-1830 ABSTRACT Through examining the surviving records of tartan manufacturers, William Wilson & Son of Bannockburn, this article looks at the production and use of tartan in the late eighteenth and early nineteenth centuries. While it does not deny the importance of the various meanings and interpretations attached to tartan since the mid-eighteenth century, this article contends that more practical reasons for tartan’s popularity—primarily its functional and aesthetic qualities—merit greater attention. Along with evidence from contemporary newspapers and fashion manuals, this article focuses on evidence from the production and popular consumption of tartan at the turn of the nineteenth century, including its incorporation into fashionable dress and its use beyond the social elite. This article seeks to demonstrate the contemporary understanding of tartan as an attractive and useful commodity. Since the mid-eighteenth century tartan has been subjected to many varied and often confusing interpretations: it has been used as a symbol of loyalty and rebellion, as representing a fading Highland culture and heritage, as a visual reminder of the might of the British Empire, as a marker of social status, and even as a means of highlighting racial difference. -
160 Argyle St. S. Caledonia
LIBRARY AND ARCHIVES CANADA 1\fJ .OR N } Bib iotheq ie et Archives Canada t I 1,31181151,011,612111,1 3 38 54056 8 3 1111, ir- 11 r... - and Archives Canada , l Library `, Collection I II Newspaper St. y. I 395 Wellington ..y ON4 Ottawa, ON KIA i . Reg. No. 10963 North America's 4 Pub. No. 40016309 194 Celebrating 15 years Okarahshona kenh Onkwehonwene, Six Nations of the Grand Wednesday July 29, 2009 AFN National Chief Shawn. Atleo Atleo takes helm when Bellegarde concedes .^ a a, By Lynda Powless vri t. Editor +. Y... CALGARY- Shawn Atleo is the new national chief of the As- -444to,yt.3 sembly of First Nations (AFN) after a 22 hour marathon vote N .4* 'ISi . the crowd on a rollercoaster ride all night. that sent .r After the nerve racking election unity, as he addressed a crowd of night Atleo has already made his onlookers and dancers in colourful, t first appearance as head of feathered costumes. Canada's national First Nations or- "It's time to come together across y ganization. all of our territories and support His first stop was to the home one another - treaty and non - province of the man he defeated. treaty," Atleo said to loud applause. On Sunday, Atleo, was the guest of Atleo, who is from the Ahousaht honour at a pow wow on the Carry First Nation on Vancouver Island, ' the Kettle First Nation, which is wore a traditional pointed cedar hat T /7 about 85 kilometres east of Regina. and shawl, which were passed . -
The Balmoral Tartan
The Balmoral Tartan Introduction The Balmoral tartan (Fig 1) is said to have been designed in 1853 by Prince Albert, The Prince Consort, Queen Victoria's husband. It is unique in several respects: it is the only tartan known to have been designed by a member of the Royal Family; has a unique construction; and is reserved for members of the Royal Family. It is worn by HM The Queen and several members of the Royal Family but only with the Queen's permission. The only other approved wearers of the Balmoral tartan are the Piper to the Sovereign and pipers on the Balmoral Estate (estate workers and ghillies wear the Balmoral tweed). Fig 1. Specimen of the original Balmoral Tartan c1865. © The Author. There is some confusion over the exact date of the original design. In 1893 D.W. Stewarti wrote, ''Her Majesty the Queen has not only granted permission for its publication here, but has also graciously afforded information concerning its inception in the early years of the reign, when the sett was designed by the Prince Consort.'' Harrison (1968) ii states that both the Balmoral tartan and Tweed were designed by Prince Albert. Writing of the tartan specimen in Stewart’s Old & Rare Harrison noted that “The illustrations were all woven in fine silk which did not allow of (sic) the reproduction of the pure black and white twist effect of the original. Mr Stewart compromised by using shades of dull mauve as the nearest that his materials allowed. Thus, for generations the Balmoral was looked upon not as a pure grey scheme but as a scheme of very quiet mauves” (Fig 2). -
Kilts & Tartan
Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions.......................................................................................... -
10.92 14.99 *V
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The Journal of Dr. Tiberius Hess Librarian’S Introduction
The Journal of Dr. Tiberius Hess Librarian’s Introduction A few months ago, a longtime Hamilton resident donated a battered cloth-bound journal she discovered during a renovation. It’s a vivid story written by Dr. Tiberius Hess, a doctor who lived and practised in Hamilton during the Victorian era. In it, Hess claims to have invented a time machine, powered by electricity and steam, and governed by mysterious “nautilus gears”. He wrote of using that machine, called a “Chronocycle”, to travel to present-day Hamilton. The enigmatic Hess wrote of things far beyond the period in which he lived. Fascinating. His journal is divided into two parts. The primary section contains first-person entries about his experiences in Hamilton from 1854 - 1860, with a brief sojourn to 2019. The second section is made up of six “clue sets”. Hess claims these clues point to the location of a set of nautilus gears that he hid somewhere in Hamilton during his brief time-travel here. You can delve into those clues, and try to locate his nautilus gears, elsewhere on this website. The journal entries offer a fascinating glimpse into life in Victorian Hamilton. As befits a time traveller, Hess’s entries jump about in time, capturing his experience more as a rousing tale than a strict chronological account. They mention real historical figures such as: Isaac Buchanan, Sir Allan Napier McNab, James McFarlane and others. Hess lived through actual historic events such as the cholera outbreak of 1854, the Desjardins Canal rail disaster of 1857 and the visit to Hamilton by the Prince of Wales in 1860. -
View Lookbook
BEhiND thE COLLECtiON AUTUMN WINTER 17/18 Sands & Hall has rapidly become synonymous with luxury outerwear and timeless elegance. This collection 2 transforms classic tweeds from Britain and Ireland into 3 innovative and unique fashion forward pieces. THE FITTED CAPE: 4 5 THE FITTED CAPE: A fitted coat with cape overlay. Belted to accentuate the waist. Beautiful finishing with maroon piping, cotton binding and half lining. 6 7 RUBY BLUSH DAMSON WINE ASHEN BLACK MABEL STONE Harris Tweed Donegal Merino/Mohair Mix Harris Tweed Harris Tweed THE OVErsiZED COat: 8 9 THE OVErsiZED COat: An oversized coat with large collar and fold up cuffs. A key outerwear piece with an oversized and cosy fit. Fully lined with beautiful maroon piping. 10 11 MACEY SKY PINK LODEN TayLOR CLassiC ASH EN B L A C K Harris Tweed Loden Steiner Wool Donegal Tweed Harris Tweed THE thrOW CapE: 12 13 THE thrOW CapE: A diverse, multi-functional piece easily draped over the shoulders. Layers well with a multitude of styles for all seasons. Edged with cotton binding. 14 15 GREY HARPER RUBY BLUSH HEPBURN EARTH Harris Tweed Harris Tweed Harris Tweed THE ORIGINAL CAPE: 16 17 THE ORIGINAL CAPE: Our original and classic cape with double breasted leather buttons and high collar that can be worn up or styled down. Fully lined with beautiful maroon piping. 18 19 HEPBURN EARTH PINK HARPER DAMSON WINE MABEL STONE NAVY GRACE BRAXTON ASH Harris Tweed Harris Tweed Donegal Merino/Mohair Mix Harris Tweed Harris Tweed Harris Tweed THE BIKER JACKET: 20 21 THE BIKER JACKET: A classic biker jacket perfectly made from Harris Tweed with metal teeth zips and flat poppers. -
Baseball Caps
HILLS HATS WINTER LOOKBOOK 2019 TWEED HATS Eske Donegal English Luton Check English Tweed Cheesecutter Tweed Cheesecutter 2540 2541 Navy, Black, Olive Brown, Grey S, M, L, XL, XXL S, M, L, XL, XXL Herefordshire Check English Wiltshire Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2542 2544 Blue, Green Brown, Grey, Beige, Blue, Fawn S, M, L, XL, XXL S, M, L, XL, XXL Devon Houndstooth Swindon Houndstooth Lambswool Tweed Cheesecutter Lambswool English Tweed Cheesecutter 2552 2573 Blue, Rust Blue, Green, Wine, Fawn S, M, L, XL, XXL S, M, L, XL, XXL 1 Chester Overcheck Hunston Overcheck Lambswool English Tweed Cheesecutter English Tweed Cheesecutter 2574 2554 Blue, Olive, Brown Black, Blue, Brown, Green S, M, L, XL, XXL S, M, L, XL, XXL Saxilby Overcheck English Glencoe Overcheck Lambswool Tweed Cheesecutter Tweed Cheesecutter 2567 2537 Brown, Green Green, Mustard S, M, L, XL, XXL S, M, L, XL, XXL Bingley Check Lambswool Bramford Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2551 2556 Olive, Blue Blue, Green S, M, L, XL, XXL S, M, L, XL, XXL 2 TWEED HATS Warrington Herringbone English Tweed Cheesecutter 2576 Charcoal, Brown, Khaki S, M, L, XL, XXL English Wool Tweed Patchwork Cheesecutter 300 Blue, Green, Brown S, M, L, XL, XXL Eske Donegal English Tweed 4 Piece Cheesecutter 2570 Black, Navy, Olive S, M, L, XL, XXL 3 Dartford Herringbone English Tweed 4 Piece Cheesecutter 2570 Black, Brown, Blue, Green S, M, L, XL, XXL Bingley Check English Tweed 7 Piece Cheesecutter 2571 Blue, Olive S, M, L, XL, XXL Warrington Herringbone -
[Tweed and Textiles from Early Times to the Present Day]
[Tweed and Textiles from Early Times to the Present Day] The crofting way of life as it was lived in the Calbost area occupied the time of the whole population; both male and female during the four seasons of the year in a fully diversified way of life. Their work alternated from agriculture, fishing, kelping, weaving and knitting, cattle and sheep etc. etc. Some of that work was seasonal and some work was carried on inside during the winter months when it was difficult to participate in outdoor work because of the weather and the long winter evenings. Distaff – ‘Cuigeal’ The manufacture of cloth on order to protect him from the elements was one of man’s most ancient occupations and spinning was carried out by the distaff and spindle from an early date, yet it is believed that the distaff is still in use in parts of the world today. The distaff was also used extensively in Lewis in times past. A distaff is simply a 3 ft x 1½ inch rounded piece of wood with about 8 inches of one end flattened in order to hold the wool on the outer end as the distaff protrudes out in front of the spinner as she held it under her arm with a tuft of wool at the end. The wool from the distaff was then linked to the spindle ‘Dealgan’ or ‘Fearsaid’ which is held in the opposite hand and given a sharp twist by the fingers at the top of the spindle, in order to put the twist in the yarn as the spindle rotates in a suspended position hanging from the head. -
Trend Collection 14/15 Winter Denim
WINTER DENIM TREND COLLECTION 14/15 WINTER DENIM TREND COLLECTION 14/15 4 INSPIRATION A NEW COLLECTION AND A NEW MACHINE LOOK FOR THE WORLD OF DENIM After the great response to our first denim collection Spring/Summer 2014, we took on the challenge to create a collection of wintery denim knits for Autumn/Winter 2014/15. The novelty of the current collection is based on extraordinary pattern techniques but also the combination of seasonal mixed materials, merino wool connects in this context with indigo-dyed cotton. This is unparalleled in the denim industry. The outcomes are soft and warm fabrics, which still reflect the classic denim look. This approach has not been seen before and opens up a whole new variety of applications. As STOLL celebrates its 140th anniversary this year, some of the looks represent this event. Our Certificate of Incorporation is lasered onto an indigo seamless top and the STOLL devoré-technique quotes our 140 years of history. Most of the creations in this collection would not have been possible without the new STOLL ADF technology. To highlight the importance of this technology and how it contributes to the denim industry we have dressed the ADF machine in a new denim look with a unique signature. 5 6 1310080 / CMS ADF-3 MULTI GAUGE / E 7.2 Felted jacket with denim inserts and striped 2-colour inverse plated float jacquard transfer structure in 1x1 technique 7 1310127 / CMS 822 HP MULTI GAUGE / E 7.2 STOLL-KNIT AND WEAR® Jersey long pullover with knitted-on patch pockets 9 1310056 / CMS ADF-3 / E 12 Fully Fashion pullover in argyle Intarsia pattern with 29 (31) yarn carriers; tubular cuffs with curled edges and shoulder straps in Stoll-multi gauges®. -
The Scottish Highland Regiments in the French and Indian
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1968 The cottS ish Highland Regiments in the French and Indian War Nelson Orion Westphal Eastern Illinois University This research is a product of the graduate program in History at Eastern Illinois University. Find out more about the program. Recommended Citation Westphal, Nelson Orion, "The cS ottish Highland Regiments in the French and Indian War" (1968). Masters Theses. 4157. https://thekeep.eiu.edu/theses/4157 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #3 To: Graduate Degree Candidates who have written formal theses. Subject: Permission to reproduce theses. The University Library is rece1v1ng a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements. Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced -
Tweed Brochure
TWEED From our establishment in 1957, we have become one of the oldest exclusive manufacturers of commercial ooring in the United States. As one of the largest privately held mills, our FAMILY-OWNERSHIP provides a heritage of proven performance and expansive industry knowledge. Most importantly, our focus has always been on people... ensuring them that our products deliver the highest levels of BEAUTY, PERFORMANCE and DEPENDABILITY. (cover) Tweed Pleat, ashlar. (right) Tweed Stitch, ashlar. TWEED 3 Tweed Pleat, herringbone. Tweed Pleat, herringbone with Boucle Knot, ashlar. Tweed Pleat, herringbone. FIRETWEED & ICE 5 tweed 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 color 2978 color 2979 color 2980 color 2981 color 2982 color 2983 color 2984 color 2985 color 2986 stitch pleat hem needle tailor serge weft woolen measure style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 color 2987 color 2988 color 2989 color 2990 color 2991 color 2992 color 2993 color 2994 selvage thread placket dart seam flannel thimble suit Tweed Hem, herringbone. TWEED 7 coordinating palette 1 2 3 4 6 8 5 7 Beyond the beauty of individual products, our flooring coordinates effortlessly with each other. This offering enables you to blend a range of designs with tonal simplicity to create palettes that reflect the demands of each unique space. 1 Tweed 7588 #7083 Stitch Modular 2 Modern Classics V5002 #1029 Annie LVT 3 Boucle 7081 #2703 Texture Modular 4 Fractured Plaid 7587 #2873 Calico Modular 5 Analog Mono 1822 #1555 Equivalent Kinetex 6 Legend V5010 #1059 Fiction LVT 7 Boucle 3081 #2703 Texture Broadloom 8 Stria 7585 #2741 Merino Modular Tweed Stitch, ashlar with Modern Classics Annie, ashlar.