Opera Creation WORKSHOP
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Premieren Der Oper Frankfurt Ab September 1945 Bis Heute
Premieren der Oper Frankfurt ab September 1945 bis heute Musikalische Leitung der Titel (Title) Komponist (Composer) Premiere (Conductor) Regie (Director) Premierendatum (Date) Spielzeit (Season) 1945/1946 Tosca Giacomo Puccini Ljubomir Romansky Walter Jokisch 29. September 1945 Das Land des Lächelns Franz Lehár Ljubomir Romansky Paul Kötter 3. Oktober 1945 Le nozze di Figaro W.A. Mozart Dr. Karl Schubert Dominik Hartmann 21. Oktober 1945 Wiener Blut Johann Strauß Horst-Dietrich Schoch Walter Jokisch 11. November 1945 Fidelio Ludwig van Beethoven Bruno Vondenhoff Walter Jokisch 9. Dezember 1945 Margarethe Charles Gounod Ljubomir Romansky Walter Jokisch 10. Januar 1946 Otto und Theophano Georg Friedrich Händel Bruno Vondenhoff Walter Jokisch 22. Februar 1946 Die Fledermaus Johann Strauß Ljubomir Romansky Paul Kötter 24. März 1946 Zar und Zimmermann Albert Lortzing Ljubomir Romansky Heinrich Altmann 12. Mai 1946 Jenufa Leoš Janáček Bruno Vondenhoff Heinrich Altmann 19. Juni 1946 Spielzeit 1946/1947 Ein Maskenball Giuseppe Verdi Bruno Vondenhoff Hans Strohbach 29. September 1946 Così fan tutte W.A. Mozart Bruno Vondenhoff Hans Strohbach 10. November 1946 Gräfin Mariza Emmerich Kálmán Georg Uhlig Heinrich Altmann 15. Dezember 1946 Hoffmanns Erzählungen Jacques Offenbach Werner Bitter Karl Puhlmann 2. Februar 1947 Die Geschichte vom Soldaten Igor Strawinsky Werner Bitter Walter Jokisch 30. April 1947 Mathis der Maler Paul Hindemith Bruno Vondenhoff Hans Strohbach 8. Mai 1947 Cavalleria rusticana / Pietro Mascagni / Werner Bitter Heinrich Altmann 1. Juni 1947 Der Bajazzo Ruggero Leoncavallo Spielzeit 1947/1948 Ariadne auf Naxos Richard Strauss Bruno Vondenhoff Hans Strohbach 12. September 1947 La Bohème Giacomo Puccini Werner Bitter Hanns Friederici 2. November 1947 Die Entführung aus dem W.A. -
Operaharmony
#OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too . -
Brian Jagde Has Quickly Emerged As One of the Most Engaging and Exciting Artists of His Generation
Saverio Clemente Andrea De Amici Luca Targetti American tenor Brian Jagde has quickly emerged as one of the most engaging and exciting artists of his generation. Jagde begins the 2017/18 season in his highly anticipated role debut as Calaf in Turandot at San Francisco Opera, under the baton of Nicola Luisotti. He then travels to Switzerland for his debut at Opernhaus Zürich as Cavaradossi (Tosca) and sings the role later in the season at the Deutsche Oper Berlin. In February 2018, Jagde makes his first appearance at the Het Concertgebouw in Amsterdam as the tenor soloist for a live radio broadcast performance of Verdi's Requiem, with conductor Edo de Waart and the Radio Filharmonisch Orkest. Mr. Jagde will debut as Der Fremde in a new Christof Loy production of Korngold's rarely performed Das Wunder der Heliane at Deutsche Oper Berlin, and returns to the US for his house debut at Seattle Opera as Radamès in Aida. His most recent seasons have featured important role debuts, including Maurizio (Adriana Lecouvreur) at the Royal Opera House; Radamès in a new production of Aida at San Francisco Opera; and Froh (Das Rheingold) in his first appearance with the New York Philharmonic. House debuts have included Pinkerton (Madama Butterfly) at the Brian Jagde Teatro Massimo, Washington National Opera, and Staatsoper Tenor Hamburg; Don José (Carmen) in a new production at the Teatro San Carlo and the Bayerische Staatsoper; Houston Grand Opera as the Prince (Rusalka); Macduff (Macbeth) at the Teatro Real; Cavaradossi (Tosca) at Oper Stuttgart and Bacchus (Ariadne auf Naxos) at Palm Beach Opera. -
Download Biography
HAYDN RAWSTRON LIMITED Kammersänger EIKE WILM SCHULTE was surrounded by music from the beginning as both parents were passionate choral singers. The young Schulte began serious piano studies aged 7, before a singing career crystalized, a decade later. At the age of 17, Schulte made his preparatory studies for the Cologne Music Conservatorium in Schloss Morsbroich in Leverkusen and in the Salzburg Mozarteum. At the time, the entrance age for the Cologne Conservatorium was 21 and so he required special permission to enter the Conservatorium as a nineteen year old. His studies lasted 4 years, in the final year of which he was engaged by General Manager Grisha Barfuss for a beginner’s company contract with the Deutsche Oper am Rhein, Düsseldorf’s renowned opera company. His first role in Düsseldorf was Sid in Benjamin Britten’s Albert Herring. In the German system, a young singer’s ambition is however to achieve a ‘Fach’-contract, a contract Eike Wilm Schulte guaranteeing him a certain repertoire, with which he can develop his vocal potential. Schulte was offered Baritone such a contract two year later, with the opera company of the city of Bielefeld where, in the following three years, he was given the opportunity to perform almost all the principal roles of a lyric baritone’s standard repertoire, from Papageno to Germont. After a successful audition for the Hessen State Opera Company, he moved from Bielefeld to Wiesbaden where, under the guidance of Musical Directors, Heinz Wallberg and later Siegfried Köhler, he was able to expand his repertoire by a total of 75 additional roles. -
Boris Godunov
Modest Mussorgsky Boris Godunov CONDUCTOR Opera in a prologue and four acts Valery Gergiev Libretto by the composer, based on the play by PRODUCTION Alexander Pushkin (1875 version, with additions Stephen Wadsworth from the 1869 version) SET DESIGNER Ferdinand Wögerbauer Saturday, October 23, 2010, 12:00–4:15 pm COSTUME DESIGNER Moidele Bickel New Production LIGHTING DESIGNER Duane Schuler CHOREOGRAPHER Apostolia Tsolaki This production of Boris Godunov was made possible by generous gifts from Karen and Kevin Kennedy, Mr. and Mrs. Howard Solomon, and Mr. and Mrs. Wilmer J. Thomas, Jr. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 268th Metropolitan Opera performance of Modest Mussorgsky’s Boris Godunov Conductor Valery Gergiev in o r d e r o f v o c a l a p p e a r a n c e Nikitich, a police officer Xenia, daughter of Boris Valerian Ruminski Jennifer Zetlan Mitiukha, a peasant Feodor, son of Boris Mikhail Svetlov Jonathan A. Makepeace Shchelkalov, a boyar Nurse, nanny to Boris’s Alexey Markov children Larisa Shevchenko Prince Shuisky, a boyar Oleg Balashov Boyar in Attendance Brian Frutiger Boris Godunov René Pape Marina Ekaterina Semenchuk Pimen, a monk Mikhail Petrenko Rangoni, a Jesuit priest Evgeny Nikitin Grigory, a monk, later pretender to the Russian throne Holy Fool Aleksandrs Antonenko Andrey Popov Hostess of the Inn Chernikovsky, a Jesuit Olga Savova Mark Schowalter Missail Lavitsky, a Jesuit Nikolai Gassiev Andrew Oakden Varlaam Khrushchov, a boyar Vladimir Ognovenko Dennis Petersen Police Officer Gennady Bezzubenkov Saturday, October 23, 2010, 12:00–4:15 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. -
Christian Schmidt
Christian Schmidt Christian Schmidt (*1966) is a German stage and costume designer. He studied stage design at the Mozarteum in Salzburg and at the Academy of Fine Arts in Vienna. He has been collaborating closely with director Claus Guth. Alongside Claus Guth, he produced “Iphgénie en Tauride” (Iphigenia in Tauris) at the Salzburg Festival as well as Wagner’s “Der fliegende Holländer” (The Flying Dutchman) for the Bayreuth Opera Festival and for the ‘Staatstheater am Gärtnerplatz’ in Munich. Other projects were “Der Wildschütz” (The Poacher) by Albert Lortzings, “Der Revisor” (The Government Inspector) by Werner Egks, and Richard Wagner’s early work “Das Liebesverbot” (The Ban on Love). He also designed sets for La Scala in Milan for the productions of “Die Frau ohne Schatten” (The Woman Without A Shadow) and “Lohengrin”, at the Opéra Nationale in Paris for “Rigoletto”, the Vienna Festival Week in 2005, the Gran Teatre del Liceu in Barcelona for “Parsifal”, the Zurich Opera House (such as “Tristan & Isolde” (Tristan and Iseult), “Ariane et Barbe-Bleue” (Ariadne and Bluebeard ) and “Ariadne auf Naxos” (Ariadne on Naxos), the State Opera at the Schiller Theater Berlin for “The Turn of the Screw”, the Frankfurt Opera House (such as “Der Rosenkavalier” (The Knight of thee Rose) and “Daphne”), and the Theater an der Wien (among others, the “Messiah”, “Lazarus” and a Monteverdi cycle). At the Munich Biennale and at the Semper Opera in Dresden, he created the entire original stage and costume design for world premieres of operas by the composers Giorgio Battistelli, Chaya Czernowin, Johannes Maria Staud, and Peter Ruzicka. -
Biography EN
MAURO PETER … a dreamy song recital and a flawless, multi-faceted performance – thus Mauro Peter’s perfor- mance at the 2019 Salzburg Festival, according to the Salzburger Nachrichten. This expressive fascination has won him enthusiastic audiences since his spectacular debut at the Schubertiade Schwarzenberg in 2012. Ever since, he has appeared on concert and opera stages everywhere in Europe. The Swiss tenor begins the 2020/21 season with a song recital at the internationally renowned Lucerne Festival. Mauro Peter’s opera season starts with his role debut as Nemorino in Donizetti’s L’elisir d’amore at the Zurich Opera House, where he has been an ensemble member since 2013, celebrating major success, most recently in Zender’s Winterreise and in the title role of Handel’s Belshazzar. Another highlight of the season is his December debut at the Teatro Real in Madrid, where he sings Don Ottavio in Mozart’s Don Giovanni. He will also embody this role at the 2021 Mozart Week in Salzburg. Furthermore, Mauro Peter will perform Schubert’s cycle Schwanengesang for the first time at Vien- na’s Konzerthaus and at the Schubertiade Schwarzenberg in June. In addition, he will make his debut with the Berlin Philharmonic under the baton of Kirill Petrenko, appearing in the orchestra’s Europe Day Concert in 2021. Mauro Peter has celebrated international operatic success performing Wolfgang Amadeus Mo- zart’s music. Roles such as Belmonte, Ferrando, Don Ottavio and Tamino have taken him to the Canadian Opera Company in Toronto, the Bavarian State Opera, the Opéra de Lyon, the Opéra national de Paris, the Royal Opera House in London, the Teatro alla Scala in Milan, the Theater an der Wien, the Zurich Opera House and the Salzburg Festival. -
Internationaler Richard Wagner Kongress 2021 Willkommen in München Welcome to Munich Bienvenu À Munich 14.10.2021
Internationaler Richard Wagner Kongress 2021 Willkommen in München Welcome to Munich Bienvenu à Munich 14.10.2021 - 17.10.2021 Richard Wagner Verband International e.V. Richard Wagner Verband München e.V. Unsere Sponsoren Stadt München Münchner Verkehrsgesellschaft Blomhert-Watjen Fonds Amsterdam (Niederlande) Dres. Gerda & Stefan Frauendorfer Hannes F. Hofer Dr. Viktoria Moench Rainer & Burghilde Neumann Gisela Roer Dres. Angela & Hermann Sommer Zahlreiche Mitglieder des Richard Wagner Verband München e.V. Grußwort S.K.H. Herzog Franz von Bayern Der Richard Wagner Verband München kann im Jahr 2021 auf sein 150jähriges Bestehen zurückblicken. Als Schirmherr des Internationalen Richard Wagner Kongresses im Oktober 2021 möchte ich dem Verein zu seinem runden Jubiläum herzlich gratulieren. Über die Verbindung zwischen Richard Wagner und König Ludwig II. von Bayern ist bereits viel veröffentlicht worden. Zwischen beiden Persönlichkeiten bestand eine enge persönliche, aber auch von einer gemeinsamen schöpferischen Leidenschaft für die Kunst geprägte Be- ziehung. Richard Wagner war 1864 auf Einladung Ludwigs II. nach München gekommen. Nur sieben Jahre später wurde der Deutsche Allgemeine Richard-Wagner-Verein von Emil Heckei im pfälzischen Mannheim gegründet. Dieser Verein, der ein Vorläufer des heutigen Verbandes ist, hatte sich für die Verwirklichung des Bayreuther Festspielhauses eingesetzt, ebenso wie das Ludwig II. als Mäzen Richard Wagners tat. Ludwig II. ordnete in München Uraufführungen und Privataufführungen von Werken des Komponisten an. Dazu gehören die Uraufführung von „Tristan und lsolde“ im Jahr 1865 und der „Meistersinger von Nürnberg“ drei Jahre später. In diesem Sinne ist München eine Wagner-Stadt und so findet der Internationale Richard Wagner Kongress im Jahr 2021 hier statt. -
PARSIFAL Parsifal| Temporada 2015-2016
TEMPORADA 2015-2016 PARSIFAL RICHARD WAGNER Parsifal| Temporada 2015-2016 PARSIFAL Página 2 Ficha artística Página 3 Sinopsis Página 4 La trampa de la redención, por Joan Matabosch Página 6 Bychkov y Wagner [de la Revista del Real] Páginas 7-10 Biografías principales Parsifal| Temporada 2015-2016 PARSIFAL Richard Wagner (1813 – 1883) Festival escénico sacro en tres actos. Libreto de Richard Wagner, basado en el poema épico medieval Parzival de Wolfram von Eschenbach. Coproducción de la Ópera de Zúrich y el Gran Teatre del Liceu de Barcelona Equipo artístico Director musical Semyon Bychkov (Abr. 2, 6, 9, 18, 21, 24, 27, 30) Paul Weigold (Abr. 12, 15) Director de escena Claus Guth Escenógrafo y figurinista Christian Schmidt Iluminador Jürgen Hoffmann Coreógrafo Volker Michl Director del coro Andrés Máspero Realizador de la dirección de escena Christoph Zauner Ayudante del director de escena Marcelo Buscaino Ayudante del figurinista Ulrike Zimmermann Ayudante del iluminador Nicolás Fischtel Supervisor de dicción alemana Dominik Dengler Reparto Amfortas Detlef Roth Titurel Ante Jerkunica Gurnemanz Franz Josef Selig Klingsor Evgeny Nikitin Kundry Anja Kampe Parsifal Christian Elsner Dos caballeros del Grial Vicenç Esteve, David Sánchez Escuderos Ana Puche, Kai Rüütel, Alejandro González, Jordi Casanova Seis muchachas flor Ilona Krzywicka, Khatouna Gadelia, Kai Rüütel Samantha Crawford, Ana Puche, Rosie Aldridge Una voz Rosie Aldridge Coro y Orquesta Titulares del Teatro Real Figurantes Magdalena Aizpurua, Javier Cabrera, José Cameán, Santiago -
Donald Runnicles Leads Cso in Program of Works by Elgar, Strauss, and Britten
For Immediate Release: Press Contacts: April 29, 2016 Eileen Chambers, 312-294-3092 Photos Available By Request [email protected] DONALD RUNNICLES LEADS CSO IN PROGRAM OF WORKS BY ELGAR, STRAUSS, AND BRITTEN May 5, 7 and 10, 2016 CHICAGO—Conductor Donald Runnicles leads the Chicago Symphony Orchestra (CSO) in concerts on Thursday, May 5, at 8:00 p.m., Saturday, May 7, at 8:00 p.m., and Tuesday, May 10, at 7:30 p.m. The program includes Benjamin Britten’s Sinfonia da requiem, Richard Strauss’ gripping tone poem Death and Transfiguration, and Edward Elgar’s Enigma Variations. Britten’s Sinfonia da requiem, opens the program. Written in 1940 as a commission for the 2600th anniversary celebrations of the Japanese emperor Hirohito’s ruling dynasty, the piece went unused for the occasion due to its notably mournful tone. Britten’s beautifully orchestrated and strikingly powerful work was later premiered by the New York Philharmonic in Carnegie Hall in 1941. The program continues with one of Richard Strauss’ early tone poems, Death and Transfiguration, which traces a man’s journey through the pain of death to his eventual redemption. Concluding the evening’s program is Elgar’s Variations on an Original Theme, Op. 36 (Enigma) which contains 14 charming and witty musical portraits of the composer’s circle of acquaintances and one of Elgar himself. Arguably one of the most popular English classical works of the 20th century, the Enigma Variations was given its U.S. premiere by the CSO in 1902. Internationally renowned conductor Donald Runnicles serves as General Music Director of the Deutsche Oper Berlin, Chief Conductor of BBC Scottish Symphony Orchestra, and Music Director of the Grand Teton Music Festival, as well as Principal Guest Conductor with the Atlanta Symphony Orchestra. -
Adriana Lecouvreur
FRANCESCO CILEA adriana lecouvreur conductor Opera in four acts Gianandrea Noseda Libretto by Arturo Colautti, based production Sir David McVicar on the play Adrienne Lecouvreur by Eugène Scribe and Ernest Legouvé set designer Charles Edwards Saturday, January 26, 2019 costume designer 8:00–11:20 PM Brigitte Reiffenstuel lighting designer New Production Adam Silverman Last time this season choreographer Andrew George The production of Adriana Lecouvreur associate director Justin Way was made possible by a generous gift from The Sybil B. Harrington Endowment Fund Co-Production of the Royal Opera House, Covent Garden, London; Gran Teatre del Liceu, Barcelona; Wiener Staatsoper; San Francisco Opera; and general manager L’Opéra National de Paris Peter Gelb jeanette lerman-neubauer This production was first seen at the Royal Opera music director Yannick Nézet-Séguin House, London, on November 18, 2010. 2018–19 SEASON The 81st Metropolitan Opera performance of FRANCESCO CILEA’S adriana lecouvreur conductor Gianandrea Noseda in order of vocal appearance mlle. jouvenot Sarah Joy Miller michonnet Ambrogio Maestri poisson Tony Stevenson* mlle. dangeville Samantha Hankey quinault Patrick Carfizzi the abbé of cha zeuil Carlo Bosi the prince of bouillon Maurizio Muraro adriana lecouvreur Jennifer Rowley Saturday, January 26, 2019, 8:00–11:20PM maurizio Piotr Beczała the princess of bouillon Anita Rachvelishvili major- domo Christian Rozakis chambermaid Anne Dyas mlle. duclos Snezhana Chernova pantalone Bill Corry judgment of paris ballet paris Kfir -
The Fires of London
The Fires of London THE FIRES OF LONDON (FORMERLY THE PIERROT PLAYERS) 1967 – 1987 1. The Pierrot Players and The Fires of London – a history 1967-75 2. Eight songs for a Mad King - 1969 3. Vesalii Icones - 1969 4. Miss Donnithorne’s Maggot - 1974 5. Ave Maris Stella - 1975 6. Arts Council Contemporary Music Network Tour - 1975 7. Charity Commission 1975-76 8. Peter Maxwell Davies’ Disappearance/First visit to Orkney – January 1976 9. Television relay of Eight Songs for a Mad King 10. North American Tour – October-November 1976 11. Latin American Tour – March- April 1977 12. First St. Magnus Festival/ The Martyrdom of St. Magnus June 1977 13. Tour of Hungary – October 1977 14. Residency at Bayerische Staatsoper, Munich – April 1978 15. Le Jongleur de Notre Dame 1978 16. Touring The Martyrdom of St. Magnus 1978-79 17. Tour of Australia and New Zealand March 1980 18. Musicians Union Strike Prom July August 1980 19. The Lighthouse – 1980 20. Touring The Lighthouse – Summer 1981 21. Arts Council Contemporary Network Tour – 1982 22. Image Reflection shadow - 1982 23. Sacra Umbra Festival - Sept 1982 24. Birthday Music for John 25 - Jan 1983 25. Britain Salutes New York Festival – April 1983 26. The No. 11 Bus –March 19844 27. Tour of North America - November 1985 28. Other Composers 29. Elliott Carter/Hans Werner Henze 30. Fires Farewell – January 1987 31. Composers performed by The Fires of London 32. Principal Players and Associates of The Fires of London Note In my memories of The Fires of London, hereinafter referred to as The Fires, I will attempt to give the main outline of the history and chief events during my period as Manager from October 1975 until January 1987.