DOCSLIB.ORG

Willcox Inn 921 N

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Willcox Inn 921 N Executive Summary Willcox Inn 921 N. Bisbee Ave, Willcox, AZ 85643 96 Rooms Table of Contents: • Property Information • Location Information • Property Pictures Property Information OFFERING SUMMARY: No. Stories 2 No. Rooms 96 Year Built 1983 Building Size 24,000 SF Corridor Exterior Property Type Hospitality Los Size 2.45 AC Property Sub-Type Motel Building Class C Sale Type Investment Description: Willcox Inn in Willcox, Arizona is a 2 story, exterior corridor hotel with 96 guest rooms that was built in 1983. The property currently under new management and have made improvements. The property does include a Manager’s quarters with two bedrooms, a full kitchen, laundry and a living room. The property is priced far below replacement cost and conveniently located in Southern Arizona on the busy Interstate 10, which runs across Southern United States, from California to Florida. Property Highlights: • Motivated Seller • Highway I-10 Exposure • Huge Parking Lot Location Information: About Willcox Arizona Willcox is a city in Cochise County, Arizona, United States. Originally known as "Maley", the town was founded in 1880 as a whistle stop on the Southern Pacific Railroad. It was renamed in honor of a visit by General Orlando B. Willcox in 1889. In the early 20th century, Willcox had the distinction of being a national leader in cattle production. Agriculture remains important to the local economy, but Interstate 10 has replaced the railroad as the major transportation link, and much of the economy is now tied to the highway, which runs immediately north of the town. Willcox is the birthplace of Rex Allen, known as "The Arizona Cowboy", who wrote and recorded many songs, starred in several Westerns during the early 1950s and in the syndicated television series Frontier Doctor (1958–1959). Willcox was among the locations of 26 Men (1957–1959), another syndicated series that depicted true stories of the Arizona Rangers starring Tristram Coffin and Kelo Henderson. Parts of the 1993 American neo-noir film Red Rock West starring Nicolas Cage, Lara Flynn Boyle, J. T. Walsh and Dennis Hopper were filmed in Willcox, AZ. Willcox Wine Country Willcox is home to Arizona's upcoming wine country. Grape varietals grown include Petit Sirah, Malvasia Bianca, Sangiovese, Chenin Blanc, Syrah, Colom bard, Sauvignon Blanc, Corvina, Merlot, Malbec, Tannat, Cabernet Franc, Chardonnay, Tempranillo, Cabernet Sauvignon and Mourvedre. The Willcox wine region produces 74% of the wine grapes grown in the state of Arizona. Nearby Attractions • Fort Bowie Histroic Site • Chiricahua National Monument • Chiricahua Regional Museum • Rex Allen Museum & Cowboy Hall of Fame • Cochise Stronghold • Kartchner Caverns • Amerind Museum/Foundation • Tomstone – OK Corral Nearest Major City • Tucson, AZ – 85 Miles • Phoenix AZ – 195 Miles Nearest Major Airport • Tucson International Airport – 77.4 Miles • Phoenix Sky Harbor International Airport – 191 Miles Businesses Nearby: • Ace hardware Store • Safeway • Northern Cochise Community Hospital • Sierra Lumber • TA Truck Stop • Inde Motorsports Ranch • Nature Sweet Tomatoes Farms • Valley TeleComm Group • Apple Annie’s Country Store • Carlson Creek Vineyard • Coronado Vineyard • Zaprpara Vineyard Daily Traffic Count on I-10: (14350) Weather: Hospitals and medical centers in Willcox: CHARLES W LEIGHTON, JR HOSPICE (524 WEST MALEY PLACE) NORTHERN COCHISE COMMUNITY HOSPITAL (Government - Hospital District or Authority, provides emergency services, 901 WEST REX ALLEN DRIVE) NORTHERN COCHISE NURSING HOME (901 WEST REX ALLEN DRIVE) Political contributions by individuals in Willcox, AZ Airports and heliports located in Willcox: Airports and heliports located in Willcox: Cochise County Airport (P33) (Runways: 1, Itinerant Ops: 7,500, Local Ops: 500, Military Ops: 500) Ammon Airport (AZ14) (Runways: 1) Inde Motorsports Ranch Airport (93AZ) (Runways: 1) Leroy Airport (4AZ9) (Runways: 1) Northern Cochise Community Hospital Heliport (AZ16) Colleges/universities with over 2000 students nearest to Willcox: • Eastern Arizona College (about 41 miles; Thatcher, AZ; Full-time enrollment: 3,810) • Pima Community College (about 62 miles; Tucson, AZ; FT enrollment: 18,794) • Cochise College (about 63 miles; Douglas, AZ; FT enrollment: 8,597) • Pima Medical Institute-Tucson (about 64 miles; Tucson, AZ; FT enrollment: 2,357) • University of Arizona (about 66 miles; Tucson, AZ; FT enrollment: 36,324) • Western New Mexico University (about 98 miles; Silver City, NM; FT enrollment: 2,456) • Central Arizona College (about 117 miles; Coolidge, AZ; FT enrollment: 4,893) STR Report: April 22, 2018 - April 28, 2018 Sunday Monday Tuesday Wednesday Thursday Friday Saturday Total % Chg % Chg % Chg % Chg % Chg % Chg % Chg % Chg My Property 5.2% -61.5 10.4% -33.3 7.3% -30.0 13.5% -7.1 7.3% -53.3 9.4% -50.0 18.8% 12.5 10.3% -31.7 Occupancy Comp Set 27.8% -16.6 35.4% -16.7 41.5% -22.8 41.9% -17.1 28.2% -35.3 25.3% -55.2 30.3% -29.5 32.9% -28.7 Index (MPI) 18.7 -53.9 29.4 -20.0 17.6 -9.4 32.3 12.1 25.9 -27.8 37.1 11.7 61.8 59.6 31.2 -4.2 My Property 45.81 11.1 45.76 13.1 48.20 36.2 48.84 24.7 47.85 13.1 47.77 22.9 40.93 2.6 45.80 15.2 ADR Comp Set 57.12 -2.3 56.48 1.2 56.56 -3.5 54.33 -6.3 56.14 -3.9 56.75 -3.0 57.84 -0.6 56.35 -2.9 Index (ARI) 80.2 13.7 81.0 11.7 85.2 41.1 89.9 33.1 85.2 17.8 84.2 26.7 70.8 3.3 81.3 18.6 My Property 2.39 -57.3 4.77 -24.6 3.51 -4.6 6.61 15.8 3.49 -47.2 4.48 -38.5 7.67 15.4 4.70 -21.3 RevPAR Comp Set 15.88 -18.5 19.98 -15.7 23.48 -25.4 22.75 -22.4 15.81 -37.9 14.34 -56.6 17.54 -30.0 18.54 -30.8 Index (RGI) 15.0 -47.6 23.9 -10.6 15.0 27.9 29.1 49.1 22.1 -15.0 31.2 41.5 43.8 64.8 25.4 13.7 Property have only 25% Market share. New Owner can take it to the new level with minimum efforts. April 2018: Competitor performed at $19.01 Revenue Per Available Room Running 28 Days (by Day of Week) Sunday Monday Tuesday Wednesday Thursday Friday Saturday Total % Chg % Chg % Chg % Chg % Chg % Chg % Chg % Chg My Property 6.5% -63.8 8.6% -50.7 8.3% -48.4 8.1% -50.8 6.8% -50.0 10.2% -35.0 14.1% -12.9 8.9% -44.8 Occupancy Comp Set 23.6% -47.2 31.0% -41.5 39.3% -30.0 34.6% -35.9 31.3% -38.4 32.8% -40.0 36.0% -35.1 32.6% -38.0 Index (MPI) 27.6 -31.4 27.8 -15.7 21.2 -26.3 23.4 -23.3 21.6 -18.9 31.0 8.3 39.1 34.3 27.4 -11.0 My Property 42.34 7.8 45.49 14.1 47.56 17.3 47.72 16.5 46.14 13.1 46.47 13.0 40.23 -2.8 44.77 10.5 ADR Comp Set 58.35 -4.6 58.46 -2.3 57.77 -2.7 56.61 -5.7 58.31 -2.9 58.58 -3.4 59.86 -2.6 58.27 -3.4 Index (ARI) 72.6 12.9 77.8 16.8 82.3 20.6 84.3 23.6 79.1 16.5 79.3 16.9 67.2 -0.2 76.8 14.4 My Property 2.76 -61.0 3.91 -43.8 3.96 -39.4 3.85 -42.7 3.12 -43.4 4.72 -26.5 5.66 -15.4 4.00 -39.1 RevPAR Comp Set 13.75 -49.6 18.10 -42.9 22.68 -31.9 19.57 -39.5 18.26 -40.1 19.19 -42.0 21.55 -36.8 19.01 -40.1 Index (RGI) 20.1 -22.5 21.6 -1.6 17.5 -11.1 19.7 -5.2 17.1 -5.5 24.6 26.6 26.2 34.0 21.0 1.8 Under $7,000 per room – will not last long .
Load more

Recommended publications
  • Over the Past Ten Years, Good Machine, a New York-Based
    MoMA | press | Releases | 2001 | Good Marchine: Tenth Anniversary Page 1 of 4 For Immediate Release February 2001 THE MUSEUM OF MODERN ART TO CELEBRATE TENTH ANNIVERSARY OF GOOD MACHINE, NEW YORK-BASED PRODUCTION COMPANY Good Machine: Tenth Anniversary February 13-23, 2001 The Roy and Niuta Titus Theatre 1 Over the past ten years, Good Machine, a New York-based production company helmed by Ted Hope, David Linde and James Schamus, has become one of the major forces in independent film culture worldwide. Dedicated to the work of emerging, innovative filmmakers, Good Machine has produced or co-produced films by, among others, Ang Lee, Todd Solondz, Nicole Holofcener, Ed Burns, Cheryl Dunye and Hal Hartley. Beginning with Tui Shou (Pushing Hands) (1992), the first collaboration between Good Machine and director Ang Lee, The Museum of Modern Art presents eight feature films and five shorts from February 13 through 23, 2001 at the Roy and Niuta Titus Theatre 1. "Good Machine proves that audiences do want to be entertained intelligently and engaged substantively," remarks Laurence Kardish, Senior Curator, Department of Film and Video, who organized the series. "Their achievements are reflected in this Tenth Anniversary series and are, in large part, due to Good Machine's collaborations with filmmakers and its respect for the creative process." In addition to producing and co-producing films, Good Machine has gone on to establish an international sales company involved in distributing diverse and unusual works such as Joan Chen's Xiu Xiu: The Sent-Down Girl (1998) and Lars Von Trier's Dancer in the Dark (2000).
    [Show full text]
  • Here That I Realized I Wanted to Produce
    Luxe Fashion Dress luxefashionline.com MR: So you moved to LA when you were 17? Pictures. It was there that I realized I wanted to produce. I became friends with the talented Oscar-winning actor Benicio Asos Coat JN: Yes, I came out to LA to audition for a show called Rags to del Toro through his manager, Rick Yorn. Benicio asked if I asos.com Riches. I graduated from high school when I was 17 and I knew wanted to help with a short film so I produced a short film for I wanted to come out here and act. him. It was a passion project — not a lot of money. It really Sam Edelman Shoes felt like a student project! We worked really hard to make his samedelman.com MR: You graduated when you were 17. How did that dream come true. happen? You must be smart. Luv AJ Jewelry luvaj.com MR: What became of the short film with Benicio del Toro? JN: I skipped the 8th grade. I was smart in 7th grade. I don’t know what happened after that. It’s a bad year to skip. That one JN: The film was called Submission. It went to the Venice year makes a big difference. I entered Freshman year and all of Film Festival and it was after that event that I was offered the my girlfriends were sexy and had boobs and I was still in an opportunity to interview and produce a local morning talk awkward puberty stage! show in Tokyo called Tea Time.
    [Show full text]
  • They're Tasty!
    The Goodland Star-News / Tuesday, October 14, 2003 5 abigail it’s too late. The following are some of the (6) Anyone who wants to avoid say that neither I nor my husband Flu shots are FACT: Although it’s best to be people for whom influenza vac- the risk of spreading the flu (and has contracted the flu since we be- van buren vaccinated in October or Novem- cine is recommended in the United its possible complications) to a gan getting flu shots. Other excel- ber for maximum protection States: loved one or friend. Flu vaccine lent candidates who should con- good protection throughout the flu season, people (1) People 50 and older. protects not only you, but also the sider being immunized include •dear abby who are immunized in December, (2) Anyone 6 months and older people you care about. police and fire personnel, teachers, for people January and February are pro- who has medical problems such as A nasal spray form of influenza bus drivers, and people who come DEAR ABBY: Each year in the mended fail to get immunized. tected. heart or lung disease (including vaccine is newly licensed in the in contact with the public. United States, influenza kills Some presumptions that keep MYTH 3: Only people 65 and asthma), diabetes, kidney disease U.S. this year. For more informa- Readers, if you have questions 36,000 people and hospitalizes people from being vaccinated: older need the influenza vaccine. or a weak immune system. tion about it, your readers should about influenza vaccine, or any 110,000 more.
    [Show full text]
  • Executive Producer) – Jack Grossbart Is an Independent Producer Who Has Produced Nearly 40 Telefilms in the Last 20 Years
    ‘MRS. WASHINGTON GOES TO SMITH’ PRODUCTION BIOS JACK GROSSBART (Executive Producer) – Jack Grossbart is an independent producer who has produced nearly 40 telefilms in the last 20 years. Partnered with Linda Kent in Grossbart Kent Productions, their recent credits include “Heartless,” starring Melanie Griffith for CBS, and Lifetime’s “Why I Wore Lipstick to my Mastectomy,” starring Sarah Chalke, for which they received the 2007 Gracie Award, were finalists for the 2007 Humanitas Prize, and received a 2007 Emmy nomination for Outstanding Made for Television Movie. Before forming Grossbart Kent Productions, Grossbart was partnered with Joan Barnett in Grossbart/Barnett Productions for 15 years and produced telefilms for CBS, NBC, ABC and HBO, as well as some of the newly emerging cable channels. Among their productions have been “Any Mother’s Son,” “The Marriage Fool,” starring Walter Matthau and Carol Burnett, “Unforgivable” starring John Ritter, the award winning “Something to Live For: The Alison Gertz Story” starring Molly Ringwald, “Leave of Absence” starring Brian Dennehy and Jacqueline Bisset, “Last Wish” starring Patty Duke and Maureen Stapleton, and HBO’s “The Comrades of Summer” starring Joe Mantegna. Grossbart executive produced the Emmy® nominated miniseries “Echoes in the Darkness,” based on the best selling Joseph Wambaugh book, “The Preppie Murder,” starring Billy Baldwin and Lara Flynn Boyle, and “Rockabye” and “I Was a Mail Order Bride,” both starring Valerie Bertinelli. In the half-hour series arena, Grossbart executive produced the Bertinelli series “Sydney” for CBS and “Café Americain” for NBC. Grossbart graduated from Rutgers University with a B.A. in English and Dramatic Arts and started working in the mailroom at ICM, where he worked his way up to become an agent in their Theater Department.
    [Show full text]
  • PRODUCTION BIOS JACK GROSSBART (Executive Producer)
    ‘SURPRISED BY LOVE’ PRODUCTION BIOS JACK GROSSBART (Executive Producer) – Jack Grossbart is an independent producer who has produced nearly 40 telefilms in the last 20 years. Partnered with Linda Kent in Grossbart Kent Productions, they have produced “Heartless,” starring Melanie Griffith for CBS and Lifetime’s “Why I Wore Lipstick to my Mastectomy,” starring Sarah Chalke, for which they received the 2007 Gracie Award, were finalists for the 2007 Humanitas Prize and received a 2007 Emmy® nomination for Outstanding Made for Television Movie. Before forming Grossbart Kent Productions, Grossbart was partnered with Joan Barnett in Grossbart/Barnett Productions for 15 years and produced telefilms for CBS, NBC, ABC and HBO, as well as some of the newly emerging cable channels. Among their productions have been “Any Mother’s Son,” “The Marriage Fool” starring Walter Matthau and Carol Burnett, “Unforgivable” starring John Ritter, the award-winning “Something to Live For: The Alison Gertz Story” starring Molly Ringwald, “Leave of Absence” starring Brian Dennehy and Jacqueline Bisset, “Last Wish” starring Patty Duke and Maureen Stapleton and HBO’s “The Comrades of Summer” starring Joe Mantegna. Grossbart executive produced the Emmy® nominated miniseries “Echoes in the Darkness,” based on the best-selling Joseph Wambaugh book, “The Preppie Murder,” starring William (Billy) Baldwin and Lara Flynn Boyle, “Rockabye” and “I Was a Mail Order Bride,” both starring Valerie Bertinelli. He also executive produced the Hallmark Channel Original Movie’s “Edge of the Garden” and “Smart Cookies,” as well as the Hallmark Movie Channel Original “After All These Years.” In the half-hour series arena, Grossbart executive produced the Bertinelli series “Sydney” for CBS and “Café Americain” for NBC.
    [Show full text]
  • Columbia Chronicle College Publications
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 2-17-1992 Columbia Chronicle (02/17/1992) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (02/17/1992)" (February 17, 1992). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/136 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. THE COLUMBIA COLLEGE HRONICLE THE EYES AN D EARS OF COLUMBIA FEBRUA RY II, 1992 College president faces final term Other than the four years he A Chronicle exclusivi: An interview with Mike Alexandroff spent in the army, Chicago has By Elizabeth Rodriguez barely reached 200. In August, Alexandroff will been Alexandroffs permanent SU!fWrittr The vision has become a retire after a 30-year tenure as home. He attended Wilson reality. A college with an open president and a 41-year as­ Junior College, the University At the age of 42, Mirron admissions policy focusing on sociation with Columbia. of Chicago and received his "Mike" Alexandroff gave up arts and communication, Columbia arose from what B.S. in psychology from his ambition to play second Columbia's enrollment has in­ Alexandroff anticipated as the Roosevelt University.
    [Show full text]
  • A Feminist Rhetorical Analysis of Legally Blonde and How to Get Away with Murder
    Abilene Christian University Digital Commons @ ACU Electronic Theses and Dissertations Electronic Theses and Dissertations Spring 5-2017 From Blonde to Brutal: A Feminist Rhetorical Analysis of Legally Blonde and How to Get Away With Murder Jazmine M. Moreno [email protected] Follow this and additional works at: https://digitalcommons.acu.edu/etd Recommended Citation Moreno, Jazmine M., "From Blonde to Brutal: A Feminist Rhetorical Analysis of Legally Blonde and How to Get Away With Murder" (2017). Digital Commons @ ACU, Electronic Theses and Dissertations. Paper 50. This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at Digital Commons @ ACU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ ACU. ABSTRACT Feminism is a word that strikes up many connotations, but has no set definition. Though it might take on different definitions, its overall goal is equality. Feminism has appeared throughout history in various waves, the third-wave is currently in progress. Two artifacts from this wave of feminism include Legally Blonde and How to Get Away With Murder. This thesis utilizes feminist rhetorical criticism to analyze how third-wave feminism appears in each artifact, and what implications that has for the progression of feminism. The research identified two types of feminism, girlie feminism in Legally Blonde, and intersectional in How to Get Away With Murder, respectively. The different types of feminism in each artifact lead to the finding that each is indicative of what third wave feminism was concerned with at the time. Legally Blonde and girlie feminism were geared towards making femininity acceptable in the workplace and compatible with feminism.
    [Show full text]
  • An Analysis of Tom Tykwer's Polyamorous Film Three
    “Three (Is Not a Crowd)”: An Analysis of Tom Tykwer’s Polyamorous Film Three Nataša Pivec ABSTRACT: Many contemporary films about non-monogamies still depict them as adultery or side-notes of an ‘unconventional lifestyle’, but Tom Tykwer’s Three manages to be a trailblazer for a more realistic and mature portrayal of polyam- orous relationships in cinema. Centred on an upper-middle class, childless, het- ero couple in their early 40s who get romantically and sexually involved with the same man, the film narrative follows the transformation from a monogamous to a polyamorous relationship. This paper uses critical discursive analysis (CDA) for the analysis and finds that Three, besides dismantling monogamy as a futile intimate arrangement, also addresses social issues, such as mononormative adultery, male bisexuality, changes of emotional and sexual selfhood, ageism, childless- ness, pregnancy and body image, and new familial forms. KEYWORDS: polyamory, film, CDA, sociology In Western societies where monogamy remains and continues to be promoted as the key principle – legally and societally – on how to organize intimate and family relationships, the negative or plainly ignorant portrayals of non-monogamies in cinema can further deepen misconceptions about polyamory for mainstream au- diences. Representations of polyamory are therefore crucial for constructing poly- amorous realities on- and off-screen, because popular media (e.g. film, television, social media) contribute to the public’s general understanding of what intimacy (love, sexuality, relationships, family) is. Popular narratives can serve as stand-in educational tools for a wider audience, the vast majority of whom might not be Graduate Journal of Social Science January 2018, Vol.
    [Show full text]
  • MOVIES Revised 04/11/2019 12 YEARS a SLAVE: (2013) 134 Minutes
    MOVIES Revised 04/11/2019 12 YEARS A SLAVE: (2013) 134 minutes. Chiwetel Ejiofor, Michael Fassbender. Based on the true story of Solomon Northup. In 1841, Northup, an accomplished, free citizen of New York, is kidnapped and sold into slavery. Stripped of his identity and deprived of all dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength within to survive. DVD ABSENCE OF MALICE: (1981) 116 minutes. Paul Newman, Sally Field. A labor leader disappears. The prosecutor leaks false information about a businessman (Newman), whose father was a gangster, to a reporter (Fields) in the hopes of pressuring the businessman into providing information. DVD ABSOLUTE POWER: (1997) 121 minutes. Clint Eastwood, Gene Hackman, Ed Harris. The President believes that everything he does is beyond reproach, including an affair or two. That leads to murder and everyone around him is involved. There is only one witness, a thief named Luther Whitney. They are sure he'll talk, but when? DVD THE ACCUSED: (1988) 106 minutes. Jodie Foster, Kelly McGillis. District Attorney (McGillis) encourages rape victim (Foster) to press charges. The film focuses on the legal system's treatment of the crime and its victim. Jodie Foster won an Oscar for her performance. DVD ADAM'S RIB: (1949) 101 minutes. Spencer Tracy, Katherine Hepburn. Though married, D.A. (Tracy) and defense counsel (Hepburn) square off in a case involving a woman who shot her cheating husband. B & W. DVD ADVISE AND CONSENT: (1962) 142 minutes. Henry Fonda, Charles Laughton, Walter Pidgeon. Charles Laughton's last performance, the film provides a behind-the-scenes view of the Washington political machine, full of shady characters.
    [Show full text]
  • Elisa Leonelli Photographs and Essays Collection
    http://oac.cdlib.org/findaid/ark:/13030/c8gq74cb No online items Elisa Leonelli Photographs and Essays Collection Finding aid prepared by Alan Schooling and Myles Mikulic Special Collections, Honnold/Mudd Library 800 North Dartmouth Ave Claremont 91711 Email: [email protected] URL: http://library.claremont.edu/scl © 2018 Claremont University Consortium. All rights reserved. Elisa Leonelli Photographs and H.Mss.1102 1 Essays Collection Descriptive Summary Title: Elisa Leonelli Photographs and Essays Dates: 1973-2017 Collection number: H.Mss.1102 Creator: Leonelli, Elisa Extent: 10 Linear Feet(10 record boxes) Repository: Claremont Colleges. Library. Special Collections, Honnold/Mudd Library. Claremont, CA 91711 Abstract: The collection contains 35mm photographic travel slides and international fashion magazine clippings by photo-journalist Elisa Leonelli. The slides cover a wide range of subjects and geographic locations, including extensive coverage of the Los Angeles 1984 Olympics. The fashion magazines are from a variety of countries, predominantly Italy, and include celebrity photographs and interviews. Please consult repository. Language of Material: English Language of Material: Languages represented in the collection: English, German, Japanese, Italian, Russian, and Spanish. Conditions Governing Access Collection open for research. Conditions Governing Use All requests for permission to reproduce or to publish must be submitted in writing to Special Collections. Preferred Citation [Identification of item], Elisa Leonelli Collection, (H.Mss.1102). Special Collections, The Claremont Colleges Library, Claremont California. Immediate Source of Acquisition Gift of Elisa Leonelli, 2018. Accruals No additions to the collection are anticipated. Processing Information Processed in 2018 by graduate students Alan Schooling and Myles Mikulic at Claremont Graduate University, in the Special Collections branch of the Honnold Mudd Library with assistance from Lisa Crane.
    [Show full text]
  • Coll E C T Ion P R O F
    ARSC Study Guide Film Noir Television COLLECTION PROFILE Considered by some to be a movement and others a genre, the classic period of film noir stretched from 1941 to 1958, bookended by the seminal films The Maltese Falcon and Touch of Evil. Film noir (or literally “black film”), a term coined by the French film critic Nino Frank, was often used to describe films that exhibited low- key black and white cinematography reminiscent of German Expressionism and plots centered around moral ambiguity and a rampant fear of sexuality. Often described and studied strictly in terms of its filmic manifestations, many of the stylistic aesthetics and narrative techniques of noir were prevalent on American television in such programs ranging from crime dramas (“Johnny Staccato,” “The Man With a Camera,” Set in the shadows of New York's mean streets, NBC's noir series “77 Sunset Strip”), and police procedurals “Johnny Staccato” (1959-60) starred John Cassavetes as a jazz- (“Dragnet,” “Naked City,” “The Untouchables”), pianist turned private detective. Cassavetes also directed a to science fiction anthologies (“The Outer number of episodes. Limits,” “The Twilight Zone”). Many of these programs not only exhibit noir style, but showcase the artistic efforts of many film noir luminaries. John Brahm (The Lodger, Guest in the House) directed episodes of both “Alfred Hitchcock Presents” and “The Twilight Zone.” John Cassavetes (Shadows, A Woman Under the Influence) starred and directed in “Johnny Staccato.” Joseph Cotten (The Third Man, Shadow of a Doubt)
    [Show full text]
  • WINTER 2008 All Carousel of Hope Photos: © Berliner Studio All Carousel
    children’s diabetes foundaTION At denver — WINTER 2008 All Carousel of Hope photos: © Berliner Studio All Carousel STAR STUDDED 18TH CAROUSEL OF HOPE DELIGHTS GUESTS — Susan Cassell he stars shined brightly for the 18th Carousel of Hope on October 25th as The Beverly Hilton welcomed Barbara T Davis and an array of incredible supporters of the Barbara Davis Center for Childhood Diabetes. (Continued on Page 10) 1. 2. 3. 4. 5. 6. The Carousel of Hope 1. Joan Collins, Barbara Davis 2. Nick, Joe and Kevin Jonas 3. Sharon Lawrence 4. Ashley Hamilton, George Hamilton 5. Holly Robinson Peete 6. Mavis Leno, Barbara Davis, Jay Leno ON THE COVER 1. Pauletta Washington, Barbara Davis, Denzel Washington 2. Nick, Joe and Kevin Jonas 2 The Carousel of Hope 1. 2. 3. 4. 5. 6. 1. Kelsey & Camille Grammer 2. Pauletta & Denzel Washington 3. Lisa Rinna, Maria Menounos, Camille Grammer 4. Jane Seymour, Katie Flynn 5. Nicole Richie, Joel Madden 6. Barbara Davis, Dillon Hunter 2 3 2. 3. 1. Katharine McPhee 4. 5. 2. Harry Hamlin & Lisa Rinna 3. Alexander Davis, Jason Davis, Nancy Davis Rickel, Isabella Rickel, Mariella Rickel, Barbara Davis, Brandon Davis, Ken Rickel The Carousel of Hope 4. Penny Marshall, Frances Fisher 5. Garcelle Beauvais-Nilon, Tisha Campbell-Martin, Taraji P. Henson 4 The Carousel of Hope 1. 2. 3. 4. 5. 6. 7. 1. Raquel Welch 2. Charice 3. Barbara Davis 4. Bob Daly & Carole Bayer Sager 5. Suzanne Somers 6. David Foster & Yolanda Hadid 7. Dakota Johnson, Melanie Griffith 4 5 1. 2. 3. 4. 5.
    [Show full text]