DOCSLIB.ORG

Movie Museum MAY 2006 COMING ATTRACTIONS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Movie Museum MAY 2006 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY THE BIG LEBOWSKI OUT OF THE PAST OUT OF THE PAST CARRIED AWAY THELONIOUS MONK: (1998) (1947) (1947) (1996) STRAIGHT NO CHASER in widescreen in widescreen (1988) with Jeff Bridges, John with Robert Mitchum, Jane with Robert Mitchum, Jane with Dennis Hopper, Amy in widescreen Goodman, Julianne Moore, Greer, Kirk Douglas, Rhonda Greer, Kirk Douglas, Rhonda Irving, Amy Locane, Julie A comprehensive documentary Steve Buscemi, Sam Elliott, Fleming, Richard Webb, Steve Fleming, Richard Webb, Steve Harris, Gary Busey, Hal portrait of the legendary Philip Seymour Hoffman, John Brodie, Virginia Huston, Paul Brodie, Virginia Huston, Paul Holbrook, Priscilla Pointer. innovative jazz pianist and Turturro, Peter Stormare. Valentine, Dickie Moore. Valentine, Dickie Moore. composer. Directed by Directed by Directed by Directed by Directed by Joel Coen. Jacques Tourneur. Jacques Tourneur. Bruno Barreto. Charlotte Zwerin. 12:30, 3, 5:30 & 8pm 4 2, 4, 6 & 8pm 5 3, 5:30 & 8pm Only 6 2, 4, 6 & 8pm 7 2, 4, 6 & 8pm 8 SEOPYEONJE KINGS AND QUEEN Harvey Keitel's Birthday Celebrating Mother's Day & SHADOWS IN THE SUN SHADOWS IN THE SUN (1993-South Korean) (2004-French) L Frank Baum's B'day 5/15/1856 (2005-Italian/British/French) THE WIZARD OF OZ (2005-Italian/British/French) In Korean with English in French with English in widescreen (1939) in widescreen subtitles & in widescreen subtitles & in widescreen with Harvey Keitel, Joshua with Judy Garland, Ray Bolger, with Harvey Keitel, Joshua with Myung-gon Kim, Jung- Jackson, Claire Forlani, John Bert Lahr, Jack Haley, Frank Jackson, Claire Forlani, John hae Oh, Kyu-chul Kim, Sae-kil with Emmanuelle Devos, Mathieu Amalric, Catherine Rhys-Davies, Giancarlo Morgan, Billie Burke, Margaret Rhys-Davies, Giancarlo Shin, Byeong-kyeong Ahn. Deneuve, Maurice Garrel, Giannini, Armando Pucci. Hamilton, Charles Grapewin. Giannini, Armando Pucci. Nathalie Boutefeu. Directed by Written and Directed by Directed by Written and Directed by Kwon-taek Im. Directed by Brad Mirman. Victor Fleming. Brad Mirman. Arnaud Desplechin. 12:30, 3, 5:30, 8pm 11 1, 4 & 7pm 12 2, 4, 6 & 8pm 13 2, 4, 6 & 8pm 14 2, 4, 6 & 8pm 15 Celebrating Dennis THE PRODUCERS CRIMSON TIDE DUMA Hopper's Birthday 5/17/36 THE PRODUCERS RED ROCK WEST (2005) Extended Version (2005) (2005) in widescreen (1995) in widescreen in widescreen (1993) with Nathan Lane, Matthew in widescreen, 7 min longer with Nathan Lane, Matthew in widescreen Broderick, Uma Thurman, Will with Denzel Washington, with Alex Michaeletos, Broderick, Uma Thurman, Will with Dennis Hopper, Nicolas Ferrell, Gary Beach, Roger Gene Hackman, Matt Craven, Campbell Scott, Mary Ferrell, Gary Beach, Roger Cage, Lara Flynn Boyle, Bart, Michael McKean, Eileen George Dzundza, Viggo Makhatho, Nthabiseng Kenoshi, Bart, Michael McKean, Eileen Timothy Carhart, J. T. Walsh, Essell, David Huddleston, Mortensen, James Gandolfini, Hope Davis, Jennifer Steyn, Essell, David Huddleston, Dan Shor, Dwight Yoakam. Debra Monk, Jon Lovitz. Ryan Phillipe. Nicky Rebello, Garth Renecle. Debra Monk, Jon Lovitz. Directed by Directed by Directed by Directed by Directed by John Dahl. Susan Stroman. Tony Scott. Carroll Ballard. Susan Stroman. 2, 4, 6 & 8pm 18 12:30, 3, 5:30 & 8pm 19 12:30, 3, 5:30 & 8pm 20 2, 4, 6 & 8pm 21 12:30, 3 & 5:30 Only 22 YELLOW SKY RED ROCK WEST DUMA KINGDOM OF HEAVEN CRIMSON TIDE (1948) (1993) (2005) Director's Cut Extended Version in widescreen in widescreen (2005-UK/Spanish/US/German) (1995) with Gregory Peck, Anne with Alex Michaeletos, in widescreen, 45 addt'l min. in widescreen, 7 min longer Baxter, Richard Widmark, with Dennis Hopper, Nicolas Campbell Scott, Mary w/ Orlando Bloom, Eva Green, with Denzel Washington, Robert Arthur, John Russell, Cage, Lara Flynn Boyle, Makhatho, Nthabiseng Liam Neeson, Jeremy Irons, Gene Hackman, Matt Craven, Henry (Harry) Morgan, Timothy Carhart, J. T. Walsh, Kenoshi, Hope Davis, Jennifer David Thewlis, Jon Finch, George Dzundza, Viggo Steyn, Nicky Rebello, Garth Mortensen, James Gandolfini, James Barton. Dan Shor, Dwight Yoakam. Ghassan Massoud. Renecle. Ryan Phillipe. Directed by Directed by Directed by Directed by Directed by Ridley Scott. William Wellman. John Dahl. Carroll Ballard. Tony Scott. 2, 4, 6 & 8pm 25 2, 4, 6 & 8pm 26 2, 4, 6 & 8pm 27 12:30, 4 & 7:30pm 28 12:30, 3, 5:30 & 8pm 29 $5 General Admission / $4 Members All films will be presented Reservations Recommended. Call 735-8771. with digital sound. MOVIE MUSEUM May 2006 $5 General Admission / $4 Members COMING ATTRACTIONS Reservations Recommended. Call 735-8771. THE BIG LEBOWSKI (1998) 117m *** D: Joel Coen. Jeff Bridges, John Goodman, RED ROCK WEST (1993) 98m *** D: John Dahl (THE LAST SEDUC- Julianne Moore, Steve Buscemi, Peter Stormare, David Huddleston, Philip Seymour TION). Nicolas Cage, Dennis Hopper, Lara Flynn Boyle, Timothy Carhart, Hoffman (CAPOTE), Sam Elliott, John Turturro, David Thewlis, Ben Gazzara. Jeff J. T. Walsh, Dan Shor, Dwight Yoakam. This rock-solid thriller, packed “The Dude” Lebowski (Bridges), the laziest man in Los Angeles County, lives to go with twists, turns and suspense; is about honest and unemployed Cage, bowling with his buddies Walter (Goodman) and Donny (Buscemi), but is mistaken for who is mistaken for a contract killer hired to do in seductive, adulterous a millionaire named the Big Lebowski, whose wife is involved in a kidnapping. Created Boyle. Things become complicated (and very humorous) when he decides by the Coen brothers (FARGO), this delightfully meandering comedy/thriller is filled to play along, especially when the real hired killer (Hopper, in a marvel- with bizarre incidents, screwball characters and wonderfully odd dialogue. ously twisted performance) shows up. Winner of Independent Spirit Awards for Best Director and Screenplay. Dennis Hopper was born 5/17/1936. OUT OF THE PAST (1947) 97m *** ½ D: Jacques Tourneur. Robert Mitchum, Jane Greer, Kirk Douglas, Rhonda Fleming, Richard Webb, Steve Brodie, Virginia Huston. THE PRODUCERS (2005) 134m *** D: Susan Stroman. Nathan Lane, Mitchum (in his greatest role) is a detective hired by hoodlum Douglas to find his homi- Matthew Broderick, Uma Thurman, Will Ferrell, Gary Beach, Roger Bart, cidal girlfriend Greer. Mitchum finds her in Mexico, and falls in love with her. For its Michael McKean, Eileen Essell, David Huddleston, Jon Lovitz. This movie archetypal characterizations, great dialogue, moody photography (by Nicholas Musuraca) version of the smash hit Broadway production boasts the same cast with and masterful direction, OUT OF THE PAST is considered a key film noir of the ‘40s. the added glamour of Thurman as sexy receptionist Ulla, and Ferrell as a Script by Geoffrey Homes (aka Daniel Mainwaring) from his novel Build My Gallows mad Nazi playwright. THE PRODUCERS tells the story of a down-on-his- High. This film was added to the National Film Registry in 1991. luck producer (Lane) and his neurotic accountant (Broderick) and their get-rich-quick plan. With hilarious performances by a flamboyantly tal- CARRIED AWAY (1996) 107m *** D: Bruno Barreto (BOSSA NOVA). Dennis ented cast, terrific choreography and heartfelt (and side-splitting) songs, Hopper, Amy Irving (BOSSA NOVA), Amy Locane, Julie Harris, Gary Busey, Hal you’ll have all the dash and pizzazz of the Big City production without Holbrook, Priscilla Pointer. Hopper gives a thoughtful performance as a rural school- having to shell out $100 to see it! teacher who keeps putting off marriage to his best friend’s widow (Irving). Things start to heat up when Major Wheeler (Busey) arrives at the village with his family, which CRIMSON TIDE Extended Version (1995) 123m *** D: Tony Scott (SPY includes Loncrane, a seventeen-year-old who is smart and sexually aggressive. This GAME). Denzel Washington (INSIDE MAN), Gene Hackman, Matt Cra- film sets up familiar situations, but resolves them in surprising ways. Based on the novel ven, George Dzundza, Viggo Mortensen, James Gandolfini, Rocky Carroll, Farmer by Jim Harrison (Legends of the Fall). Bruno Barreto is Amy Irving’s hus- Jaime P. Gomez, Michael Milhoan, Scott Burkholder, Ryan Phillippe. On a band, and Priscilla Pointer is her mother. Siskel and Ebert rated this film “Two thumbs Navy nuclear submarine, tensions run high when the US is pushed to the up. Way up!” Rated R for nudity and sexual situations. brink of war with Russia. Unconfirmed orders to launch nuclear missiles spark a power struggle between the trigger-happy veteran Captain Ramsey THELONIOUS MONK: STRAIGHT NO CHASER (1988) 90m *** D: Char- (Hackman) and his new first officer Lt. Cmdr. Hunter (Washington). With lotte Zwerin (GIMME SHELTER). Jimmy Cleveland, Harry Colomby, John Coltrane, nail-biting suspense and seven never-before-seen minutes of footage, this Ray Copeland, Nica De Koenigswarter, Tommy Flanagan, Thelonious Monk, Jr., Nellie action thriller will keep you at the edge of your seat. Nominated for three Monk, Thelonious Monk (archive footage). This comprehensive documentary of the Oscars for editing and sound, CRIMSON TIDE was also a nominee for legendary and innovative jazz pianist-composer is packed with footage of Monk in per- the coveted American Society of Cinematographers Award for director of formance. Much of the footage was shot by Michael Blackwell in 1968, but the inter- photography Dariusz Wolski. views were shot new for this picture (Monk died in 1982), and his associates friends give deep insight into his genius. DUMA (2005) 100m *** D: Carroll Ballard (THE BLACK STALLION). Alex Michaeletos, Campbell Scott, Mary Makhatho, Nthabiseng Kenoshi, SEOPYEONJE (1993-South Korean) 112m **** D: Kwon-taek Im (CHUNHYANG). Hope Davis, Jennifer Steyn, Nicky Rebello, Garth Renecle. Duma (Swahili Myunggon Kim, Jung-hae Oh, Kyu-chul Kim, Sae-kil Shil. Set in the time of social for “cheetah”) is the name 12-year-old Xan (Michaeletos) gives an or- upheaval just after the Korean War, this haunting film follows Yubong, a pansori (Ko- phaned cheetah cub he and his rancher father (Scott) rescues and raises as rean folk opera) master who is relegated to a nomad’s life.
Recommended publications
  • Les Suites II / the Exorcist III, William Peter Blatty, États-Unis, 1990, 105

    Les Suites II / the Exorcist III, William Peter Blatty, États-Unis, 1990, 105

    Document généré le 1 oct. 2021 14:04 Séquences La revue de cinéma Les Suites II The Exorcist III, William Peter Blatty, États-Unis, 1990, 105 minutes Young Guns II, Geoff Murphy, États-Unis, 1990, 110 minutes The Two Jakes, Jack Nicholson, États-Unis, 1990, 138 minutes Martin Girard et Johanne Larue Numéro 149, novembre 1990 URI : https://id.erudit.org/iderudit/50371ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Girard, M. & Larue, J. (1990). Compte rendu de [Les Suites II / The Exorcist III, William Peter Blatty, États-Unis, 1990, 105 minutes / Young Guns II, Geoff Murphy, États-Unis, 1990, 110 minutes / The Two Jakes, Jack Nicholson, États-Unis, 1990, 138 minutes]. Séquences, (149), 36–39. Tous droits réservés © La revue Séquences Inc., 1990 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ ETUDE Les Suites II The Exorcist III de William Peter Blatty Nous abordons ici trois films qui complètent le cru estival 1990 dire que Boorman a profité du train qui passe pour faire oeuvre THE EXORCIST III — des suites cinématographiques, dont le premier arrivage a été traité personnelle (ou pour faire n'importe quoi, selon qu'on aime ou pas).
  • Pulp Fiction © Jami Bernard the a List: the National Society of Film Critics’ 100 Essential Films, 2002

    Pulp Fiction © Jami Bernard the a List: the National Society of Film Critics’ 100 Essential Films, 2002

    Pulp Fiction © Jami Bernard The A List: The National Society of Film Critics’ 100 Essential Films, 2002 When Quentin Tarantino traveled for the first time to Amsterdam and Paris, flush with the critical success of “Reservoir Dogs” and still piecing together the quilt of “Pulp Fiction,” he was tickled by the absence of any Quarter Pounders with Cheese on the European culinary scene, a casualty of the metric system. It was just the kind of thing that comes up among friends who are stoned or killing Harvey Keitel (left) and Quentin Tarantino attempt to resolve “The Bonnie Situation.” time. Later, when every nook and cranny Courtesy Library of Congress of “Pulp Fiction” had become quoted and quantified, this minor burger observation entered pop (something a new generation certainly related to through culture with a flourish as part of what fans call the video games, which are similarly structured). Travolta “Tarantinoverse.” gets to stare down Willis (whom he dismisses as “Punchy”), something that could only happen in a movie With its interlocking story structure, looping time frame, directed by an ardent fan of “Welcome Back Kotter.” In and electric jolts, “Pulp Fiction” uses the grammar of film each grouping, the alpha male is soon determined, and to explore the amusement park of the Tarantinoverse, a the scene involves appeasing him. (In the segment called stylized merging of the mundane with the unthinkable, “The Bonnie Situation,” for example, even the big crime all set in a 1970s time warp. Tarantino is the first of a boss is so inexplicably afraid of upsetting Bonnie, a night slacker generation to be idolized and deconstructed as nurse, that he sends in his top guy, played by Harvey Kei- much for his attitude, quirks, and knowledge of pop- tel, to keep from getting on her bad side.) culture arcana as for his output, which as of this writing has been Jack-Rabbit slim.
  • THE WIZARD of OZ an ILLUSTRATED COMPANION to the TIMELESS MOVIE CLASSIC by John Fricke and Jonathan Shirshekan with a Foreword by M-G-M “Munchkin” Margaret Pellegrini

    THE WIZARD of OZ an ILLUSTRATED COMPANION to the TIMELESS MOVIE CLASSIC by John Fricke and Jonathan Shirshekan with a Foreword by M-G-M “Munchkin” Margaret Pellegrini

    THE WIZARD OF OZ AN ILLUSTRATED COMPANION TO THE TIMELESS MOVIE CLASSIC By John Fricke and Jonathan Shirshekan With a foreword by M-G-M “Munchkin” Margaret Pellegrini The Wizard of Oz: An Illustrated Companion to the Timeless Movie Classic is a vibrant celebration of the 70th anniversary of the film’s August 1939 premiere. Its U.S. publication coincides with the release of Warner Home Video’s special collector’s edition DVD of The Wizard of Oz. POP-CULTURE/ ENTERTAINMENT over the rainbow FALL 2009 How Oz Came to the Screen t least six times between April and September 1938, M-G-M Winkie Guards); the capture and chase by The Winkies; and scenes with HARDCOVER set a start date for The Wizard of Oz, and each came and went The Witch, Nikko, and another monkey. Stills of these sequences show stag- as preproduction problems grew. By October, director Norman ing and visual concepts that would not appear in the finished film: A Taurog had left the project; when filming finally started on the A • Rather than being followed and chased by The Winkies, Toto 13th, Richard Thorpe was—literally and figuratively—calling the shots. instead escaped through their ranks to leap across the castle $20.00 Rumor had it that the Oz Unit first would seek and photograph whichever drawbridge. California barnyard most resembled Kansas. Alternately, a trade paper re- • Thorpe kept Bolger, Ebsen, and Lahr in their Guard disguises well ported that all the musical numbers would be completed before other after they broke through The Tower Room door to free Dorothy.
  • 2Friday 1Thursday 3Saturday 4Sunday 5Monday 6Tuesday 7Wednesday 8Thursday 9Friday 10Saturday

    2Friday 1Thursday 3Saturday 4Sunday 5Monday 6Tuesday 7Wednesday 8Thursday 9Friday 10Saturday

    JULY 2021 1THURSDAY 2FRIDAY DAYTIME THEME: DAYTIME THEME: TCM BIRTHDAY TRIBUTE: WILLIAM WYLER KEEPING THE KIDS BUSY PRIMETIME THEME: PRIMETIME THEME: SELVIS FRIDAY NIGHT NEO-NOIR Seeing Double 8:00 PM Harper (‘66) 8:00 PM Kissin’ Cousins (‘64) 10:15 PM Point Blank (‘67) 10:00 PM Double Trouble (‘67) 12:00 AM Warning Shot (‘67) 12:00 AM Clambake (‘67) 2:00 AM Live A Little, Love a Little (‘68) 3SATURDAY 4SUNDAY DAYTIME THEME: DAYTIME THEME: SATURDAY MATINEE HAPPY INDEPENDENCE DAY PRIMETIME THEME: PRIMETIME THEME: GABLE GOES WEST HAPPY INDEPENDENCE DAY 8:00 PM The Misfits (‘61) 8:00 PM Yankee Doodle Dandy (‘42) 10:15 PM The Tall Men (‘55) 10:15 PM 1776 (‘72) JULY JailhouseThes Stranger’s Rock(‘57) Return (‘33) S STAR OF THE MONTH: Elvis 5MONDAY 6TUESDAY 7WEDNESDAY P TCM SPOTLIGHT: Star Signs DAYTIME THEME: DAYTIME AND PRIMETIME THEME(S): DAYTIME THEME: MEET CUTES DAYTIME THEME: TY HARDIN TCM PREMIERE PRIMETIME THEME: SOMETHING ON THE SIDE PRIMETIME THEME: DIRECTED BY BRIAN DE PALMA PRIMETIME THEME: THE GREAT AMERICAN MIDDLE TWITTER EVENTS 8:00 PM The Bonfire of the Vanities (‘90) PSTAR SIGNS Small Town Dramas NOT AVAILABLE IN CANADA 10:15 PM Obsession (‘76) Fire Signs 8:00 PM Peyton Place (‘57) 12:00 AM Sisters (‘72) 8:00 PM The Cincinnati Kid (‘65) 10:45 PM Picnic (‘55) 1:45 AM Blow Out (‘81) (Steeve McQueen – Aries) 12:45 AM East of Eden (‘55) 4:00 AM Body Double (‘84) 10:00 PM The Long Long Trailer (‘59) 3:00 AM Kings Row (‘42) (Lucille Ball – Leo) 5:15 AM Our Town (‘40) 12:00 AM The Bad and the Beautiful (‘52) (Kirk Douglas–Sagittarius)
  • Over the Past Ten Years, Good Machine, a New York-Based

    Over the Past Ten Years, Good Machine, a New York-Based

    MoMA | press | Releases | 2001 | Good Marchine: Tenth Anniversary Page 1 of 4 For Immediate Release February 2001 THE MUSEUM OF MODERN ART TO CELEBRATE TENTH ANNIVERSARY OF GOOD MACHINE, NEW YORK-BASED PRODUCTION COMPANY Good Machine: Tenth Anniversary February 13-23, 2001 The Roy and Niuta Titus Theatre 1 Over the past ten years, Good Machine, a New York-based production company helmed by Ted Hope, David Linde and James Schamus, has become one of the major forces in independent film culture worldwide. Dedicated to the work of emerging, innovative filmmakers, Good Machine has produced or co-produced films by, among others, Ang Lee, Todd Solondz, Nicole Holofcener, Ed Burns, Cheryl Dunye and Hal Hartley. Beginning with Tui Shou (Pushing Hands) (1992), the first collaboration between Good Machine and director Ang Lee, The Museum of Modern Art presents eight feature films and five shorts from February 13 through 23, 2001 at the Roy and Niuta Titus Theatre 1. "Good Machine proves that audiences do want to be entertained intelligently and engaged substantively," remarks Laurence Kardish, Senior Curator, Department of Film and Video, who organized the series. "Their achievements are reflected in this Tenth Anniversary series and are, in large part, due to Good Machine's collaborations with filmmakers and its respect for the creative process." In addition to producing and co-producing films, Good Machine has gone on to establish an international sales company involved in distributing diverse and unusual works such as Joan Chen's Xiu Xiu: The Sent-Down Girl (1998) and Lars Von Trier's Dancer in the Dark (2000).
  • I'm a Sicilian American

    I'm a Sicilian American

    I’m a Sicilian American Dedicated to my parents Gaetano and Rosa Alessi Coniglio and my eldest brother Guy , who came to America in 1913 and 1914 from Serradifalco, SICILY . I’m a Sicilian American. I’m a Sicilian American. I’m the son of immigrants who left a land of history and beauty, of poets and dreamers, volcanoes and olive trees. A land that taught the world what a modern nation could be, before most modern nations existed. A land that formed the largest country, The Kingdom of the Two Sicilies , from Naples and Abruzzo to Messina and Palermo, that was subsumed into the new ‘Kingdom of Italy’ after the ‘unification’. My parents left because for all its lore and loveliness, and their fierce pride in it, Sicily was poor and demeaned, and could offer little hope for their family’s future. I’m a Sicilian American. My heritage includes mythical Persephone, Vulcan, and Icarus; Greek scholars Archimedes, Empedocles and Diodorus Siculus; composers Bellini and Scarlatti, and writers Verga and Sciascia. I’m a Sicilian American. I’m Antonio Crisafi. I came before there was a United States and in 1696 commanded the fort at Onondaga. I’m Padre Saverio Saetta, who died in 1695 while bringing Christianity to the New World. I’m Enrico Fardella, who fought against the Bourbons in Sicily, one of the first people’s revolutions in Europe, in 1848, and then became a brigadier general in America’s Civil War. I’m a Sicilian American. I’m a descendant of Southern Italian immigrants who formed 80% of the ‘Italians’ who came to America in the ‘Great Migration’ of the late 1800s and early 1900s, most, from the island of Sicily.
  • Recommend Me a Movie on Netflix

    Recommend Me a Movie on Netflix

    Recommend Me A Movie On Netflix Sinkable and unblushing Carlin syphilized her proteolysis oba stylise and induing glamorously. Virge often brabble churlishly when glottic Teddy ironizes dependably and prefigures her shroffs. Disrespectful Gay symbolled some Montague after time-honoured Matthew separate piercingly. TV to find something clean that leaves you feeling inspired and entertained. What really resonates are forgettable comedies and try making them off attacks from me up like this glittering satire about a writer and then recommend me on a netflix movie! Make a married to. Aldous Snow, she had already become a recognizable face in American cinema. Sonic and using his immense powers for world domination. Clips are turning it on surfing, on a movie in its audience to. Or by his son embark on a movie on netflix recommend me of the actor, and outer boroughs, leslie odom jr. Where was the common cut off point for users? Urville Martin, and showing how wealth, gives the film its intended temperature and gravity so that Boseman and the rest of her band members can zip around like fireflies ambling in the summer heat. Do you want to play a game? Designing transparency into a recommendation interface can be advantageous in a few key ways. The Huffington Post, shitposts, the villain is Hannibal Lector! Matt Damon also stars as a detestable Texas ranger who tags along for the ride. She plays a woman battling depression who after being robbed finds purpose in her life. Netflix, created with unused footage from the previous film. Selena Gomez, where they were the two cool kids in their pretty square school, and what issues it could solve.
  • American Music Research Center Journal

    American Music Research Center Journal

    AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007

    1,000 Films to See Before You Die Published in the Guardian, June 2007

    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.

  • Magic Mike August 2012

    MAGA MAGIC MIKE AUGUST 2012... ““UnnhheessiiittaattiiinngglllyyThheeReexxiiisstthheebbeessttcciiinneemaaIIIhhaavveeeevveerrkknnoownn…”” ((SSuunnddaayyTiiimeess2012)) ““ppoossssiiibblllyyBrriiittaaiiinn’’’ssmoossttbbeeaauuttiiiffuulllcciiinneemaa.........””((BBC)) AUGUST 2012 Issue 89 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6pm Sun 4.30-5.30pm To advertise email [email protected] INTRODUCTION Gallery 4-5 BEST IN AUGUST August Evenings 11 Coming Soon 26 August Films at a glance 26 August Matinees 27 Rants and Pants 42-43 SEAT PRICES (+ REX DONATION £1.00) Circle £8.00+1 Concessions £6.50+1 At Table £10.00+1 Concessions £8.50+1 Royal Box (seats 6) £12.00+1 From infidelity in Caramel, Nadine takes her or for the Box £66.00+1 All matinees £5, £6.50, £10 (box) +1 women to war. Where Do We Go Now BOX OFFICE : 01442 877759 Mon to Sat 10.30 – 6.00 Mon 6 7.30. Egypt/France/Italy/Lebanon 2012 Sun 4.30 – 6.30 FILMS OF THE MONTH Disabled and flat access: through the gate on High Street (right of apartments) Some of the girls and boys you see at the Box Office and Bar: Dayna Archer Liam Parker Julia Childs Amberly Rose Ally Clifton Georgia Rose Nicola Darvell Sid Sagar Romy Davis Liam Stephenson Karina Gale Tina Thorpe Ollie Gower Beth Wallman Elizabeth Hannaway Jack Whiting Billie Hendry-Hughes Olivia Wilson Thanks to McConaughey's oily power, it's not Abigail Kellett Roz Wilson Amelia Kellett Keymea Yazdanian all sex, violence & chicken legs. Lydia Kellett Yalda Yazdanian Killer Joe Fri 3 7.30/Sat 4 7.00 USA 2012 Ushers: Amy, Amy P, Annabel, Ella, Ellie, Ellen W, Hannah, India, James, Kitty, Luke, Meg, Tyree Sally Rowbotham In charge Alun Rees Chief projectionist (Original) Jon Waugh 1st assistant projectionist Martin Coffill Part-time assistant projectionist Anna Shepherd Part-time assistant projectionist Jacquie Rose Chief Admin Oliver Hicks Best Boy Simon Messenger Writer Jack Whiting Writer "Like a whole series of The Wire in a single Jane Clucas & Lynn Hendry PR/Sales/FoH film..."?? Luckily it's French.
  • Here That I Realized I Wanted to Produce

    Here That I Realized I Wanted to Produce

    Luxe Fashion Dress luxefashionline.com MR: So you moved to LA when you were 17? Pictures. It was there that I realized I wanted to produce. I became friends with the talented Oscar-winning actor Benicio Asos Coat JN: Yes, I came out to LA to audition for a show called Rags to del Toro through his manager, Rick Yorn. Benicio asked if I asos.com Riches. I graduated from high school when I was 17 and I knew wanted to help with a short film so I produced a short film for I wanted to come out here and act. him. It was a passion project — not a lot of money. It really Sam Edelman Shoes felt like a student project! We worked really hard to make his samedelman.com MR: You graduated when you were 17. How did that dream come true. happen? You must be smart. Luv AJ Jewelry luvaj.com MR: What became of the short film with Benicio del Toro? JN: I skipped the 8th grade. I was smart in 7th grade. I don’t know what happened after that. It’s a bad year to skip. That one JN: The film was called Submission. It went to the Venice year makes a big difference. I entered Freshman year and all of Film Festival and it was after that event that I was offered the my girlfriends were sexy and had boobs and I was still in an opportunity to interview and produce a local morning talk awkward puberty stage! show in Tokyo called Tea Time.
  • Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24

    Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24

    BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre.