July–December 2017
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Richard Flanagan's the Narrow Road to the Deep North and Matsuo
Coolabah, No.21, 2017, ISSN 1988-5946, Observatori: Centre d’Estudis Australians / Australian Studies Centre, Universitat de Barcelona Richard Flanagan’s The Narrow Road to the Deep North and Matsuo Basho’s Oku no Hosomichi Yasue Arimitsu Doshisha University [email protected] Copyright©2017 Yasue Arimitsu. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged, in accordance with our Creative Common Licence. Abstract. This paper investigates Australian author Richard Flanagan’s novel, The Narrow Road to the Deep North, and attempts to clarify the reason why Flanagan chose this title, which is linked to the travel writings of the Japanese author Matsuo Basho, for his novel. The novel focuses on the central character’s prisoner of war experience on the Thai-Burma Death Railway during World War II, and depicts the POW camp as well as cruel Japanese behaviour and atrocities in a realistic way. The work seems to provide a postcolonial framework in the sense that there is a colonial and postcolonial relationship between the colonizer, and the colonized. However, in this novel, the colonizer is Eastern, and the colonized is Western, and this fact reverses postcolonial theory which postulates a structure in which the colonizer is usually considered as Western and the colonized, Eastern. Postcolonial theory, thus, cannot be applied in this novel, which attempts to fuse the two opposites, the Western view and the Eastern view, through the work of the Japanese poet. As a result, Flanagan, in writing The Narrow Road to the Deep North, goes beyond being a postcolonial writer to become a writer in a globalizing age. -
Jahrgang 2020 - Empfehlungen BE
DOI: 10.7892/boris.153595 BEFUND Jahrgang 2020 | downloaded: 15.4.2021 | downloaded: 30.9.2021 Belletristik-Empfehlungen der Fachreferent*innen der https://doi.org/10.48350/155890 https://doi.org/10.7892/boris.153595 Universitätsbibliothek Bern (digital) www.unibe.ch/ub/belletristik source: Januar 2020 GABRIELA SCHERRER HARTMUT ABENDSCHEIN Elif Shafak: 10 Minutes 38 Peter Reichen, Roland Reichen; Seconds in this Strange Fotografie Jonathan Liechti: World Druffä. Aus dem Leben eines Berner Drogensüchtigen Lebendige und überraschende Dies ist ein photographisch- Beschreibungen des literarischer Essay und kein nahöstlichen Lebens in Aufklärungswerk, liebe Berner eindringlicher Prosa. Zeitung. JAN DUTOIT GABRIELA SCHERRER Olga Tokarczuk: Księgi Bernardine Evaristo: Girl, Jakubowe, albo, Wielka Woman, Other podróż przez siedem granic, pięć języków i trzy duże Leben und Kämpfe von zwölf religie, nie licząc tych małych sehr unterschiedlichen Charakteren, die Geschichten Für die, die Polnisch lesen, ihrer Familien, Freunde und haben wir «Die Liebhaber halten den Leser in Jakobsbücher» neu auch im Bann. Original! Und für die, die einmal reinhören möchten: bald liest Tokarczuk in Bern. ARTURO RUIZ Gleich 2 welsche fiktionale Antworten auf die Problematik des Klimawandels Tato Cabal: La forma del mundo Bruno Pellegrino, Audo Seigne, Daniel Vuataz: Stand-by, Novela sobre el histórico Saison 2 viaje protagonizado por Magallanes al frente de la Das Autorentrio - Bruno llamada Flota de la Pellegrino, Aude Seigne und Especiería, narrada desde Daniel -
Tim Flannery, the Weather Makers: the History and Future Impact of Climate Change
Tim Flannery, The Weather Makers: The History and Future Impact of Climate Change. Melbourne: Text Publishing, 2005. ISBN 1-920-88584-6 Paul Starr There are three modes of analysis in Tim Flannery’s recent climate change book: the historical, the diagnostic, and the prescriptive. The first two modes – charting the history of climate change, the history of climate science, and working out the parameters of our current predicament – take up almost all of the book. The move into prescription out of diagnosis, into what people can do to avoid or mitigate the impacts of climate change, happens in the last pages of the book, and this imbalance points to an important bind in which popular non-fiction writing about climate change for a general audience often finds itself. I will come back to this bind at the end of this review. Tim Flannery is well known in Australia, and to a lesser extent overseas, as a science- based provocateur. Earlier books based on his fieldwork in Papua New Guinea have drawn on archaeology and anthropology to explain issues such as biodiversity loss to a general audience. Books such as The Future Eaters and Throwim Way Leg contributed to popular debates on issues as diverse as the impacts of human cultures on historical ecosystems and the causes of past extinction events (such as those of Australian giant marsupials), through to the capacity of current societies to see how their behaviours contribute to, or detract from, the quality of human and non-human futures. Climate change was in many ways a new subject for Flannery. -
Exoticism Or Visceral Cosmopolitanism: Difference and Desire in Chinese Australian Women's Writing
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2019 Exoticism or visceral cosmopolitanism: difference and desire in Chinese Australian women's writing Wenche Ommundsen University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Ommundsen, Wenche, "Exoticism or visceral cosmopolitanism: difference and desire in Chinese Australian women's writing" (2019). Faculty of Law, Humanities and the Arts - Papers. 4002. https://ro.uow.edu.au/lhapapers/4002 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Exoticism or visceral cosmopolitanism: difference and desire in Chinese Australian women's writing Abstract In Visceral Cosmopolitanism, Mica Nava posits a positive and, by her own admission, utopian alternative to postcolonial readings of the sexualisation of difference: a cosmopolitanism located with the antiracist 'micro-narratives and encounters of the emotional, gendered and domestic everyday' (2007: 14). Olivia Khoo, in The Chinese Exotic, defines a new, diasporic Chineseness which 'conceives of women and femininity, not as the oppressed, but as forming part of the new visibility of Asia' (2007: 12). My reading of recent fiction by Chinese Australian women writers proposes to test these theories against more established models for understanding East/West intimate encounters such as exoticism, Orientalism and Occidentalism, speculating that they may offer a more nuanced understanding of both the complexity and the normalisation of difference in the affective cultures of the twenty-first century. -
PAT HOFFIE: Skatebowl in a Gallery, Ipswich Essay by Julianne Schultz
PAT HOFFIE: Skatebowl in a Gallery, Ipswich essay by Julianne Schultz MONA – the Museum of Old and New Art – is a glamorous curiosity box on the banks of the Derwent River at Glenorchy in working class Hobart. In just a few years it has been the catalyst of and economic and social transformation – crystallising the cultural essence of early twenty-first century Tasmania, and changing notions of productive work. In the process it has put the state on the global tourism agenda, providing opportunities for artists, craftspeople, performers and thinkers to find like minded souls and develop new businesses and to stretch the horizons and possibilities for countless others. Similar interventions are occurring around the world, as artists, entrepreneurs, local administrators and communities stretch the boundaries of engagement, creativity and art. Skatebowl in a Gallery, Ipswich is the most recent move into this space by the important Brisbane artist, Pat Hoffie. That this work, titled Immaterial Labour: Skatebowl Prounspace has found a home at the Ipswich Art Gallery is itself important – it is the juxtapostion of works like this in unexpected places, and with people who may not routinely visit a gallery, that adds to their power and impact. MONA is a great example. It is itself arguably as much a work of art – of genius – as some of the works assembled in its subterranean galleries and inspiring spaces. It is a product of vision and skill of one man, David Walsh, executed with unstinting precision using the proceeds of a form of work (gambling), which is more often thought of as play. -
Fall2011.Pdf
Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa. -
Thinking About Climate Change Change Climate About Thinking
THINKING ABOUT CLIMATE CHANGE A GUIDE FOR TEACHERS AND STUDENTS THINKING ABOUT THINKING ABOUT CLIMATE CHANGE A GUIDE FOR TEACHERS AND STUDENTS Written for teachers by teachers, this resource is designed to make teaching about climate change easy and accessible. It provides ideas for teachers in all states across key learning areas, and prepared worksheets appropriate for years 7–10. Including material drawn from Tim Flannery’s CLIMATE We Are the Weather Makers, it offers a valuable learning opportunity for students and will help develop both their thinking skills and understanding of climate change—the science, impacts and solutions. Also available online at www.theweathermakers.com NOT FOR SALE This is a free publication. Based on Tim Flannery’s CHAWE ARE THE A GUIDENG FOR TEACHERS AND STUDENTSE WEATHER MAKERS TEXT PUBLISHING COVER PHOTOGRAPH: GETTY IMAGES DESIGN: SUSAN MILLER THINKING ABOUT CLIMATE CHANGE A GUIDE FOR TEACHERS AND STUDENTS devised by: David Harding Rose Iser Sally Stevens TEXT PUBLISHING The Text Publishing Company Swann House 22 William Street Melbourne Victoria 3000 Australia www.textpublishing.com.au Copyright © Text Publishing 2007 Excerpts © Tim Flannery ALL RIGHTS RESERVED. All or part of this publication may be photocopied or printed providing it is for educational, non-profit purposes only. No part may be otherwise reproduced, stored in or introduced into a retrieval system, or transmitted in any form by any means electronic, mechanical or recording without the prior consent of the copyright owner and the publisher of this book. Book design & typesetting: Susan Miller Illustrations: Angela Ho Printed and bound in Australia by Print Bound NOT FOR SALE This is a free publication. -
The Public Humanities
The Public Humanities 10-11-12 November 2016 Hosted by the ARC Centre for the History of Emotions, the ACHRC, and Flinders University in Adelaide, South Australia The ACHRC conference on the Public Humanities focuses on a core aspect of humanities research that is particularly germane to research centres in universities and collecting institutions: the integral role of engagement with publics. This is really how the impact of our sector needs to be understood: in the long and dynamic threads of dialogue between researchers and publics on issues such as justice, creativity, decolonization, and heritage. The capacity of the humanities to deal with qualitative emotion as well as the quantitative facts of history and culture is crucial here. Any understanding of a cultures past, present, and future requires an articulation of feelings as well as of facts. Our aim is to bring together speakers with practical experience of programs that work so that our discussions are grounded in the pragmatics of public humanities. In Australia and New Zealand, government-led discussions of innovation and impact are mired in metrics that traduce the real public values of the sciences almost as completely as they ignore the HASS disciplines as a whole. We know about public value – its impact over time and in the lives of individuals – so this conference will be an opportunity build our case as a sector. Keynotes from: Professor Julianne Schulz, ‘Culture in the Age of Innovation’ Professor Thomas Dixon, ‘Unfriending and Weeping in Public’ 1 PROGRAMME Thursday -
THE ANNUAL FICTION EDITION Edited by Julianne Schultz Griffithreview34
Griffith 34 A quARTeRly oF wRiT inG & ideAs The AnnuAl GriffithReview34 The annual Fiction edition FicTion Claire aMan Mrs Dogwether’s bird moment ediTion roMy asH underwater e •the Re z ri g p r Tony BirCH The lovers ’ i s f f r i t GeorGia Blain enlarged + heart + child e h t i r KaTHleen BleaKley islands r v e w v i g e sally Breen sunny lodge w n i g e r m BarBara BrooKs searching for Monty ie e W H CHonG an abstract art CraiG CliFF offshore service w Dianne D’alpoiM archipelago Georgia Blain aMy espeseTH Free lunch 34 Craig Cliff asHley Hay elsie’s house ashley Hay Xavier HenneKinne The new capital Xavier Hennekinne KaTe laHey The big one-eyed dork Annual Fiction The Benjamin law BenJaMin laW post-nuclear Melissa lucashenko Maya linDen Forgetting Favel parrett niColas loW octopus Melissa luCasHenKo Friday night at the nudgel Chris Womersley MarGareT Merrilees sighting rottnest and more raCHael s MorGan Tryst Favel parreTT no man is an island JosepHine roWe The tank Julianne sCHulTz Time to don the bat wings THoMas sHapCoTT His grandfather Cory Taylor Continental drift elena WilliaMs Finding a florist in lidcombe Jane WilliaMs a matter of instinct CHris WoMersley The middle of nowhere e dition picTuRe GAlleRy MirDiDinGKinGaTHi JuWarnDa sally GaBori Girt by water www.griffithreview.com online-only essays from laurie Brinklow, Barbara Brooks, Jay Griffiths, pat Hoffie, ournal Mette Jakobsen and Miriam zolin J erly erly T ‘as engaging as it is prescient.’ Weekend Australian Cover image by Jennifer Mills. -
A Good and Pleasant Thing
A Good and Pleasant Thing RR2020_Melanie Cheng_Good and Pleasant Thing [Music] Welcome to the Victorian Seniors Festival, In The Groove, Radio Reimagined in 2020. This project has been produced on the lands of the Woi Wurrung and Boon Wurrung peoples of the Kulin Nation. We pay our respects to Elders, past, present and emerging, and welcome all First Nations people listening today. As part of our Spoken Word series, please enjoy Melanie Cheng’s A Good and Pleasant Thing. Twenty years ago, supermarkets didn’t stock Chinese mushrooms. Now they had a whole aisle dedicated to international cuisine. Lebanese, Greek and Mexican on one side, Chinese, Vietnamese and Indian on the other. Mrs Chan hardly ever went to the shops by herself. On Wednesdays her eldest daughter, Lily, took her to Footscray Market to buy fresh vegetables, and every Friday her youngest daughter, Daisy, ordered bulky items, like toilet paper, for her online. But today was her grandson Martin’s twentieth birthday, and Mrs Chan wanted to surprise him—to surprise all of them—by cooking a family favourite. Chinese clay pot chicken and mushroom rice. She found the chicken thighs towards the front of the supermarket, cradled in polystyrene. The meat would be days old by now, but it would have to do. In Hong Kong, Mrs Chan would have sent her maid to choose a live chicken at Wan Chai Market and pick it up an hour later— dead, plucked and washed. When the Chan family feasted on the flesh for dinner, the meat would be less than six hours old. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Book Kit List with Summaries.Xlsx
Hornsby Library Book Club Kits Prize ficton Kit No. AUTHOR No.Pages Australian? TITLE winner? or nf DESCRIPTION It is 1939. Nazi Germany. By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left there by accident, and it is her first act of 1 BOOK THIEF, THE Zusak, Markus 584 pages Y Y f book thievery. So begins a love affair with books and words, as Liesel learns to read. When Liesel's foster family hides a Jewish fist-fighter in their basement, Liesel's world is both opened up, and closed down. The Lieutenant is a story about a man discovering his true self in extraordinary circumstances. This powerful 2 LIEUTENANT, THE Grenville, Kate 307 pages Y Y f novel will enthral readers of Kate Grenville's bestselling The Secret River, winner of the Commonwealth Writers' Prize. Gina Davies is a 26-year-old pole dancer in Sydney. When she has a one-night stand with a man suspected of Flanagan, 5 UNKNOWN TERRORIST, THE 325 pages Y Y f plotting to plant bombs, Gina finds that she, too, is a wanted person who must endure trial by an increasingly Richard. hysterical media, as every truth of her life is turned into a lie. A small village on a lush tropical island in the South Pacific. War is encroaching from the other end of the island. When the villagers' safe, predictable lives come to a halt, Bougainville's children are surprised to find the 9 MISTER PIP Jones, Lloyd 220 pages n y f island's only white man, a recluse, re-opening the school.