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Writing Cultures 11/11
.. Aboriginal and Torres Strait Islander Arts Board, Australia Council PO Box 788 Strawberry Hills NSW 2012 Tel: (02) 9215 9065 Toll Free: 1800 226 912 Fax: (02) 9215 9061 Email: [email protected] www.ozco.gov.au cultures . WRITING ..... Protocols for Producing Indigenous Australian Literature An initiative of the Aboriginal and Torres Strait ISBN: 0 642 47240 8 Islander Arts Board of the Australia Council Writing Cultures: Protocols for Producing Indigenous Australian Literature Recognition and protection 18 contents Resources 18 Introduction 1 Copyright 20 Using the Writing Cultures guide 2 What is copyright? 20 What are protocols? 3 How does copyright protect literature? 20 What is Indigenous literature? 3 Who owns copyright? 20 Special nature of Indigenous literature 4 What rights do copyright owners have? 21 Collaborative works 21 Indigenous heritage 5 Communal ownership vs. joint ownership 21 Current protection of heritage 6 How long does copyright last? 22 Principles and protocols 8 What is the public domain? 22 Respect 8 What are moral rights? 22 Acknowledgement of country 8 Licensing for publication 22 Representation 8 Assigning copyright 23 Accepting diversity 8 Publishing contracts 23 Living cultures 9 Managing copyright to protect your interests 23 Indigenous control 9 Copyright notice 23 Commissioning Indigenous writers 9 Moral rights notice 24 Communication, consultation and consent 10 When is copyright infringed? 24 Creation stories 11 Fair dealings provisions 24 © Commonwealth of Australia 2002 Recording oral stories 11 -
Exoticism Or Visceral Cosmopolitanism: Difference and Desire in Chinese Australian Women's Writing
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2019 Exoticism or visceral cosmopolitanism: difference and desire in Chinese Australian women's writing Wenche Ommundsen University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Ommundsen, Wenche, "Exoticism or visceral cosmopolitanism: difference and desire in Chinese Australian women's writing" (2019). Faculty of Law, Humanities and the Arts - Papers. 4002. https://ro.uow.edu.au/lhapapers/4002 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Exoticism or visceral cosmopolitanism: difference and desire in Chinese Australian women's writing Abstract In Visceral Cosmopolitanism, Mica Nava posits a positive and, by her own admission, utopian alternative to postcolonial readings of the sexualisation of difference: a cosmopolitanism located with the antiracist 'micro-narratives and encounters of the emotional, gendered and domestic everyday' (2007: 14). Olivia Khoo, in The Chinese Exotic, defines a new, diasporic Chineseness which 'conceives of women and femininity, not as the oppressed, but as forming part of the new visibility of Asia' (2007: 12). My reading of recent fiction by Chinese Australian women writers proposes to test these theories against more established models for understanding East/West intimate encounters such as exoticism, Orientalism and Occidentalism, speculating that they may offer a more nuanced understanding of both the complexity and the normalisation of difference in the affective cultures of the twenty-first century. -
A Good and Pleasant Thing
A Good and Pleasant Thing RR2020_Melanie Cheng_Good and Pleasant Thing [Music] Welcome to the Victorian Seniors Festival, In The Groove, Radio Reimagined in 2020. This project has been produced on the lands of the Woi Wurrung and Boon Wurrung peoples of the Kulin Nation. We pay our respects to Elders, past, present and emerging, and welcome all First Nations people listening today. As part of our Spoken Word series, please enjoy Melanie Cheng’s A Good and Pleasant Thing. Twenty years ago, supermarkets didn’t stock Chinese mushrooms. Now they had a whole aisle dedicated to international cuisine. Lebanese, Greek and Mexican on one side, Chinese, Vietnamese and Indian on the other. Mrs Chan hardly ever went to the shops by herself. On Wednesdays her eldest daughter, Lily, took her to Footscray Market to buy fresh vegetables, and every Friday her youngest daughter, Daisy, ordered bulky items, like toilet paper, for her online. But today was her grandson Martin’s twentieth birthday, and Mrs Chan wanted to surprise him—to surprise all of them—by cooking a family favourite. Chinese clay pot chicken and mushroom rice. She found the chicken thighs towards the front of the supermarket, cradled in polystyrene. The meat would be days old by now, but it would have to do. In Hong Kong, Mrs Chan would have sent her maid to choose a live chicken at Wan Chai Market and pick it up an hour later— dead, plucked and washed. When the Chan family feasted on the flesh for dinner, the meat would be less than six hours old. -
Book Kit List with Summaries.Xlsx
Hornsby Library Book Club Kits Prize ficton Kit No. AUTHOR No.Pages Australian? TITLE winner? or nf DESCRIPTION It is 1939. Nazi Germany. By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left there by accident, and it is her first act of 1 BOOK THIEF, THE Zusak, Markus 584 pages Y Y f book thievery. So begins a love affair with books and words, as Liesel learns to read. When Liesel's foster family hides a Jewish fist-fighter in their basement, Liesel's world is both opened up, and closed down. The Lieutenant is a story about a man discovering his true self in extraordinary circumstances. This powerful 2 LIEUTENANT, THE Grenville, Kate 307 pages Y Y f novel will enthral readers of Kate Grenville's bestselling The Secret River, winner of the Commonwealth Writers' Prize. Gina Davies is a 26-year-old pole dancer in Sydney. When she has a one-night stand with a man suspected of Flanagan, 5 UNKNOWN TERRORIST, THE 325 pages Y Y f plotting to plant bombs, Gina finds that she, too, is a wanted person who must endure trial by an increasingly Richard. hysterical media, as every truth of her life is turned into a lie. A small village on a lush tropical island in the South Pacific. War is encroaching from the other end of the island. When the villagers' safe, predictable lives come to a halt, Bougainville's children are surprised to find the 9 MISTER PIP Jones, Lloyd 220 pages n y f island's only white man, a recluse, re-opening the school. -
Australian Literature: Culture, Identity and English Teachingi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Australian literature: culture, identity and English teachingi ANNETTE PATTERSON Queensland University of Technology The development of the Australian Curriculum has reignited a debate about the role of Australian literature in the contexts of curricula and classrooms. A review of the mechanisms for promoting Australian literature including literary prizes, databases, surveys and texts included for study in senior English classrooms in New South Wales and Victoria provides a background for considering the purpose of Australian texts and the role of literature teachers in shaping students’ engagement with literature. In taking the pulse of Australian literature generally it is worth pausing to think about some of Australia’s literary prizes and their accompanying guidelines and criteria. Many texts set for study in classrooms first appear on our radar through these prize lists. One of the most prestigious and oldest awards is the Miles Franklin Award which commenced in 1957. The winner of that year was Patrick White for his novel Voss. In the 54 years since the prize was established it has been won by female writers on 12 occasions, including four-time winner Thea Astley. Given Thea Astley’s repeat performances, the prize has been awarded to nine individual female authors. Male authors have won the award on 39 occasions including repeat wins by Patrick White (2) Kim Scott (2) Alex Miller (2) Tim Winton (4) Thomas Keneally (2) and Peter Carey (3). Overall, the award went to 30 individual male authors. -
Aborigines in Australian Literature, Kunapipi, 10(1), 1988
Kunapipi Volume 10 Issue 1 Article 8 1988 Signifier Resignified: Aborigines inustr A alian Literature Terry Goldie Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Goldie, Terry, Signifier Resignified: Aborigines in Australian Literature, Kunapipi, 10(1), 1988. Available at:https://ro.uow.edu.au/kunapipi/vol10/iss1/8 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Signifier Resignified: Aborigines in Australian Literature Abstract If the image of Aborigines in Australian literature is analyzed in semiotic terms, the signifier, the literary image, does not lead back to the implied signified, the Aborigines of‘real life’, but rather to other images. This could be seen as simply another version of Jacques Derrida’s analysis of semiosis, which might be termed the cereal box view of the sign. The person on the box is holding a box with a picture of the same person holding a box with a picture of the same person holding a box... etc. The root image cannot exist for there must always be another image on the box being held, no matter how small. In the same way, each signifier can efr er only to another signifier. Any implied signified is unreachable. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol10/iss1/8 TERRY GOLDIE Signifier Resignified: Aborigines in Australian Literature1 If the image of Aborigines in Australian literature is analyzed in semiotic terms, the signifier, the literary image, does not lead back to the implied signified, the Aborigines of‘real life’, but rather to other images. -
Directory of Chinese-Australian Writers a Resource for Literary Organisations, Programmers and Publications
Directory of Chinese-Australian Writers A resource for literary organisations, programmers and publications This resource has been created as a directory of Chinese-Australian writers (mostly living in Victoria, Australia) to assist literary organisations, programmers and publications increase the diversity of their programs and journals. Adrian Yeung Her work appears in The Oxford Book of Australian Schooldays and Growing Up Asian in Australia. Adrian is the Managing Editor of Centrethought, an online publication focussing on politics and current Contact: amychoirevival.blogspot.com.au affairs. He is currently studying at the University of Melbourne and in his spare time acts on a television show on Channel 31 Ashley Brown Contact: [email protected] Ashley Brown is an Australian who spent eight and a half years teaching in Chinese universities - primarily in Wuhan and Nanjing - and wrote about all of his Alice Pung experiences there. These writings are shortly to be online, and, eventually, in print form. His writings Alice is the author of 'Unpolished Gem' which won the have been compared to the styles of Douglas Australian Book Industry Newcomer of the Year Adams/Bill Bryson, but with a particularly sarcastic Award and was shortlisted in the Victorian and NSW Australian flavour. Premiers’ Literary awards. Her other works include: 'Her Father’s Daughter' and 'Laurinda'. She edited the Contact: [email protected] collection 'Growing Up Asian in Australia' which is studied in secondary schools. Bella Li Website: www.alicepung.com Bella Li is a freelance writer and editor. Her work has been published in a range of journals and anthologies, Alistair Ong including Meanjin, Cordite and Best Australian Poems. -
Memory in a Fractured Island: an Introduction to the Literature of the Island at the End of the Earth
MEMORY IN A FRACTURED ISLAND: AN INTRODUCTION TO THE LITERATURE OF THE ISLAND AT THE END OF THE EARTH Pete Hay The island of Tasmania is introduced. Almost literally ‘the island at the end of the earth’, its turbulent past and divisive politics (over radically opposed future ‘dreamings’) are outlined, and a landscape saturated in an inherent passion is described. The conflicted past manifests in a determination on the part of economic and social elites to blur history – to reduce the island’s past to a series of whitewashing clichés, and to engage in a systematic forgetting. The best-known literary engagement with Tasmania’s ambiguous past, its conflicted present, and the deep elementality of its natural world, is that of Richard Flanagan, 2015 winner of the Man Booker Prize for his novel, The Narrow Road to the North. Flanagan’s fiction is structured around an insistence that the past not be elided but be confronted; its darknesses and ambiguities looked full in the face. The paper discusses the central place within Tasmania’s literary corpus of Flanagan’s first book, Death of a River Guide, in which he resurrects suppressed narratives from the past, installing those narratives at the front of a reluctant community’s idea of itself. Flanagan notwithstanding, though, the real keepers of the island’s communal memory are its poets. Tasmania is really ‘an island of poets’, and some of that poetry is presented. It is noted that Tasmanian poetry is self-consciously an island poetry, engaging with the particularity of the island in which its authors ply their craft. -
Australian Literature / World Literature: Borders, Skins, Mappings
Australian Literature / World Literature: Borders, Skins, Mappings BRIGID ROONEY University of Sydney BRIGITTA OLUBAS University of New South Wales The essays in this issue of JASAL were developed from selected papers presented at the 2014 annual ASAL conference ‘Worlds Within’ held at the University of Sydney. Drawing on Vilashini Cooppan’s book, Worlds Within: National Narratives & Global Connections in Postcolonial Writing (2009), the conference yielded diverse responses to the imperatives of conceptualising ‘Australia’ and ‘literature’ as categories, terms and entities in the world. The resulting essays here traverse questions about literature, nation and globe, about borders, skins and mappings. Suvendrini Perera’s Dorothy Green keynote address ‘Burning Our Boats’ works unflinchingly with these categories as categories. Beginning with a point of disciplinary protocol—a pause, a hesitation in the face, if not of literature, then of the practice of national literary studies—Perera plunges her readers into what Joseph Pugliese calls, in his Afterword, the ‘ground zero of state violence’ of Australia’s current border policies. Literature is here a point of departure, a vertiginous and immersive engagement with the excesses of state violence, the diabolical secrecies of ‘on-water’ activities, and the burning boats of Perera’s title. The literary writings of Michael Ondaatje and Channa Wikremesekera provide Perera’s essay with its methodology of fragmentation and diaspora; at the same time, they provide a compelling starting point for a dialogue that must take place between Australian literature and the world. In her keynote address to conference themes, ‘The Corpus of the Continent: Embodiments of Australia in World Literature,’ Vilashini Cooppan takes up with a purposeful obliquity and indirection the question of Australia in, or as, world literature, in an essay that thinks through a series of key interlocking categories of space, time, literary form and affective being. -
Media Release
Media Release Perpetual announces longlists for the 2018 Nita B Kibble Literary Awards Longlist authors are competing for $35,000 in prizes Friday, 20 April 2018 16 female authors were announced on the longlists today for this year’s Kibble and Dobbie Awards (the Kibble Awards), as the proud legacy established by Nita May Dobbie to celebrate and recognise Australian female writers continues in 2018. The Awards, run biennially, are presented to female authors lauded for “improving and advancing literature for the benefit of our community” and recognise both established (Kibble Award) and first-published authors (Dobbie Award). This year, applications were open for works published since the last awards in 2016. Eight authors have been announced on each of the longlists for 2018. The judging panel of the Kibble Awards includes Emeritus Professor Elizabeth Webby AM, State Library of New South Wales Coordinator – Education and Scholarship, Dr Rachel Franks, and Author Dr Eleanor Limprecht. Speaking on behalf of the panel, Ms Webby said: “Australian women’s life writing has continued its remarkable growth in both quantity and quality, requiring us once again to expand the size of the longlists for both the Kibble and Dobbie Awards. “Most of the sixteen titles longlisted this year focus on life in contemporary Australia and demonstrate the increasing diversity of Australian women’s lives and voices,” Ms Webby said. The 2018 longlisted authors are: Kibble Literary Award for an established author ($30,000 prize) Maxine Beneba Clarke The Hate Race -
The Roving Party &
The Roving Party & Extinction Discourse in the Literature of Tasmania. Submitted by Rohan David Wilson, BA hons, Grad Dip Ed & Pub. School of Culture and Communication, Faculty of Arts, University of Melbourne. October 2009. Submitted in total fulfilment of the requirements of the degree of Master of Arts (Creative Writing). Abstract The nineteenth-century discourse of extinction – a consensus of thought primarily based upon the assumption that „savage‟ races would be displaced by the arrival of European civilisation – provided the intellectual foundation for policies which resulted in Aboriginal dispossession, internment, and death in Tasmania. For a long time, the Aboriginal Tasmanians were thought to have been annihilated, however this claim is now understood to be a fallacy. Aboriginality is no longer defined as a racial category but rather as an identity that has its basis in community. Nevertheless, extinction discourse continues to shape the features of modern literature about Tasmania. The first chapter of this dissertation will examine how extinction was conceived of in the nineteenth-century and traces the influence of that discourse on contemporary fiction about contact history. The novels examined include Doctor Wooreddy’s Prescription for Enduring the Ending of the World by Mudrooroo, The Savage Crows by Robert Drewe, Manganinnie by Beth Roberts, and Wanting by Richard Flanagan. The extinctionist elements in these novels include a tendency to euglogise about the „lost race‟ and a reliance on the trope of the last man or woman. The second chapter of the dissertation will examine novels that attempt to construct a representation of Aboriginality without reference to extinction. -
Tune Into 2020 Victorian Seniors Festival Radio Reimagined Programs
Tune into 2020 Victorian Seniors Festival Radio reimagined programs The Festival has produced more than 80 Also, we are also excited to announce that radio programs in 2020. These programs are 25 Victorian community radio stations are very diverse in nature. They include many airing our programs. For information on your music features, radio plays, spoken word and local broadcaster and where to find them on discussion forums. your radio dial, visit our website at: This active PDF enables you to click at the top www.seniorsonline.vic.gov.au/ of each page to go directly to the relevant festivalsandawards/local-radio-schedule www.seniorsonline page to listen to programs. The categories available to you are: • Music Features • Radio Plays • Spoken Word • Design and Ideas Check out the Festival reimagined website for more great Festival content, leave us a comment, and share with your friends: www.seniorsonline.vic.gov.au/festival Music Features Click here to listen: https://www.seniorsonline.vic.gov.au/festivalsandawards/listen-now/music-features Music and entertainment features from Golden Days Radio Remembering Wireless Music of the 60s Part Two Seniors Dance Hall The Great American Parts 1 & 2 Song Book Featuring the music, popular Old time dance favourites to Remembering the role that culture and history of this sit back and listen to or get up Song and jazz standards from radio has played in our pivotal period. Hosted by Carol and dance along. Hosted by the 20th century performed by lives since the 1930s with Farman. Larry James. some of the greatest singers. a selection of music and Hosted by Peter Thomas.