Axanar: the Card a Player Uses Has Been Fulfilled, It Is Placed Face up in Their Respective Discard Spaces
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Case 2:15-cv-09938-RGK-E Document 88 Filed 11/28/16 Page 1 of 25 Page ID #:4146 1 LOEB & LOEB LLP DAVID GROSSMAN (SBN 211326) 2 [email protected] JENNIFER JASON (SBN 274142) 3 [email protected] 10100 Santa Monica Blvd., Suite 2200 4 Los Angeles, CA 90067 Telephone: 310.282.2000 5 Facsimile: 310.282.2200 6 LOEB & LOEB LLP JONATHAN ZAVIN (admitted pro hac vice) 7 [email protected] 345 Park Avenue 8 New York, NY 10154 Telephone: 212.407.4000 9 Facsimile: 212.407.4990 10 Attorneys for Plaintiffs PARAMOUNT PICTURES 11 CORPORATION and CBS STUDIOS INC. 12 13 UNITED STATES DISTRICT COURT 14 CENTRAL DISTRICT OF CALIFORNIA 15 16 PARAMOUNT PICTURES Case No.: 2:15-cv-09938-RGK-E CORPORATION, a Delaware 17 corporation; and CBS STUDIOS INC., a Delaware corporation, PLAINTIFFS’ OPPOSITION TO 18 DEFENDANTS’ MOTION FOR Plaintiffs, SUMMARY JUDGMENT 19 v. 20 Date: December 19, 2016 AXANAR PRODUCTIONS, INC., a Time: 9:00 a.m. 21 California corporation; ALEC PETERS, Dept.:850 an individual, and DOES 1-20, 22 Defendants. Discovery Cutoff: November 2, 2016 23 Pre-Trial Conference: January 9, 2017 Trial: January 31, 2017 24 25 26 27 28 PLAINTIFFS’ OPPOSITION TO Loeb & Loeb 100302458 DEFENDANTS’ MOTION FOR SUMMARY A Limited Liability Partnership Including Professional 202828-10048 JUDGMENT Corporations Case 2:15-cv-09938-RGK-E Document 88 Filed 11/28/16 Page 2 of 25 Page ID #:4147 1 TABLE OF CONTENTS 2 Page 3 I. INTRODUCTION ........................................................................................1 4 II. FACTS .........................................................................................................4 5 A. The Axanar Works Are Not A “Fan Film.”.........................................4 6 B. -
The Original Series, Star Trek: the Next Generation, and Star Trek: Discovery
Gender and Racial Identity in Star Trek: The Original Series, Star Trek: The Next Generation, and Star Trek: Discovery Hannah van Geffen S1530801 MA thesis - Literary Studies: English Literature and Culture Dr. E.J. van Leeuwen Dr. M.S. Newton 6 July, 2018 van Geffen, ii Table of Contents Introduction............................................................................................................................. 1 1. Notions of Gender and Racial Identity in Post-War American Society............................. 5 1.1. Gender and Racial Identity in the Era of Star Trek: The Original Series........... 6 1.2. Gender and Racial Identity in the Era of Star Trek: The Next Generation......... 10 1.3. Gender and Racial Identity in the Era of Star Trek: Discovery........................... 17 2. Star Trek: The Original Series........................................................................................... 22 2.1. The Inferior and Objectified Position of Women in Star Trek............................ 23 2.1.1. Subordinate Portrayal of Voluptuous Vina........................................... 23 2.1.2. Less Dependent, Still Sexualized Portrayal of Yeoman Janice Rand.. 25 2.1.3. Interracial Star Trek: Captain Kirk and Nyota Uhura.......................... 26 2.2. The Racial Struggle for Equality in Star Trek..................................................... 28 2.2.1. Collaborating With Mr. Spock: Accepting the Other........................... 28 3. Star Trek: The Next Generation........................................................................................ -
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 LOEB & LOEB LLP DAVID GROSSMAN (SBN 211326) Dgros
Case 2:15-cv-09938-RGK-E Document 62 Filed 10/27/16 Page 1 of 19 Page ID #:672 1 LOEB & LOEB LLP DAVID GROSSMAN (SBN 211326) 2 [email protected] JENNIFER JASON (SBN 274142) 3 [email protected] 10100 Santa Monica Blvd., Suite 2200 4 Los Angeles, CA 90067 Telephone: 310.282.2000 5 Facsimile: 310.282.2200 6 LOEB & LOEB LLP JONATHAN ZAVIN (admitted pro hac vice) 7 [email protected] 345 Park Avenue 8 New York, NY 10154 Telephone: 212.407.4000 9 Facsimile: 212.407.4990 10 Attorneys for Plaintiffs PARAMOUNT PICTURES 11 CORPORATION and CBS STUDIOS INC. 12 13 UNITED STATES DISTRICT COURT 14 CENTRAL DISTRICT OF CALIFORNIA 15 16 PARAMOUNT PICTURES ) Case No.: 2:15-cv-09938-RGK-E CORPORATION, a Delaware ) 17 corporation; and CBS STUDIOS INC., ) a Delaware corporation, ) (DISCOVERY MATTER) 18 ) Plaintiffs, ) PLAINTIFFS’ EX PARTE 19 ) APPLICATION FOR ORDER (A) v. ) THAT DEFENDANTS ARE TO 20 ) PRODUCE DEFENDANT ALEC AXANAR PRODUCTIONS, INC., a ) PETERS FOR FURTHER 21 California corporation; ALEC PETERS, ) DEPOSITION AFTER HE an individual, and DOES 1-20, ) COMPLETES PRODUCTION OF 22 ) RELEVANT DOCUMENTS; (B) Defendants. ) THAT FINANCIAL SUMMARY 23 ) REGARDING DEFENDANTS’ ) EXPENDITURES OF FAN FUNDS 24 ) BE DE-DESIGNATED; (C) THAT ) DEFENDANTS PROVIDE A 25 ) PRIVILEGE LOG ) 26 ) Discovery Cutoff: November 2, 2016 ) Pre-Trial Conference: January 9, 2017 27 ) Trial: January 31, 2017 28 Loeb & Loeb 10871461.2 EX PARTE APPLICATION A Limited Liability Partnership Including Professional 202828-10048 Corporations Case 2:15-cv-09938-RGK-E Document 62 Filed 10/27/16 Page 2 of 19 Page ID #:673 1 TO ALL PARTIES AND THEIR ATTORNEYS OF RECORD: 2 PLEASE TAKE NOTICE that Plaintiffs Paramount Pictures Corporation 3 and CBS Studios, Inc. -
Download the Borg Assimilation
RESISTANCE IS FUTILE… BORG CUBES Monolithic, geometric monstrosities capable of YOU WILL BE ASSIMILATED. defeating fleets of ships, they are a force to be Adding the Borg to your games of Star Trek: Ascendancy feared. introduces a new threat to the Galaxy. Where other civilizations may be open to negotiation, the Borg are single-mindedly BORG SPIRES dedicated to assimilating every civilization they encounter into Borg Spires mark Systems under Borg control. the Collective. The Borg are not colonists or explorers. They are Over the course of the game, Borg Spires will build solely focused on absorbing other civilizations’ technologies. new Borg Cubes. The Borg are not controlled by a player, but are a threat to all the forces in the Galaxy. Adding the Borg also allows you to play BORG ASSIMILATION NODES games with one or two players. The rules for playing with fewer Borg Assimilation Nodes are built around Spires. Built than three players are on page 11. Nodes indicate how close the Spire is to completing a new Borg Cube and track that Borg System’s current BORG COMPONENTS Shield Modifier. • Borg Command Console Card & Cube Card BORG TECH CARDS • 5 Borg Cubes & 5 Borg Spires Players claim Borg Tech Cards when they defeat • 15 Borg Assimilation Nodes & 6 Resource Nodes the Borg in combat. The more Borg technology you • 20 Borg Exploration Cards acquire, the better you will fare against the Borg. • 7 Borg System Discs • 20 Borg Technology Cards BORG COMMAND CARDS • 30 Borg Command Cards Borg Command Cards direct the Cubes’ movement • 9 Borg Dice during the Borg’s turn and designate the type of System each Cube targets. -
2007 EDITION STARFLEET MARINE CORPS Xenostudies Andorian Manual
2007 EDITION STARFLEET MARINE CORPS Xenostudies Andorian Manual 2007 Edition This manual is published by the STARFLEET Marine Corps, a component of STARFLEET, the International Star Trek Fan Association, Inc., and released under the Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License (http://creativecommons. org/licenses/by-nc-nd/2.5/). You may freely copy, distribute, display, and perform this manual, but all other uses are strictly prohibited unless written permission is received from the Commandant or Deputy Commandant, STARFLEET Marine Corps. The STARFLEET Marine Corps holds no claims to any trademarks, copyrights, or other properties held by Paramount, other such companies or individuals. Published: October 2007 XA Manual Contents Part 1 - Introduction ��������������������������������������������������������1 Copyright and Disclaimer ��������������������������������������������������������������������������������������� 1 Pronoun Disclaimer ����������������������������������������������������������������������������������������������� 1 Acknowledgements ������������������������������������������������������������������������������������������������ 1 Reporting Authority ����������������������������������������������������������������������������������������������� 1 Part 2 - Andoria ����������������������������������������������������������������2 The Solar System ��������������������������������������������������������������������������������������������������� 2 Andoria (Procyon VIII) ������������������������������������������������������������������������������������������ -
2014 FEATURE Press Kit
2014 FEATURE Press Kit CONTACT: Alec Peters — Axanar Productions — 10901 Whipple St. #208, Toluca Lake, CA 91602 phone: 404-918-1701 — email: [email protected] — www.StarTrekAxanar.com ©2014 Star Trek: Axanar. STAR TREK and all related marks, logos and characters are owned by CBS Studios Inc. This website, the promotion thereof and/or any exhibi- tion of material created by the operators of this website are not endorsed or sponsored by or affiliated with CBS/Paramount Pictures or the STAR TREK franchise. Table of Contents The Story of Star Trek: Axanar Page 3 Synopsis & Essential Information Page 4 Featured Cast Page 5 Featured Crew Page 9 Production F.A.Q. Page 12 Star Trek Continuity F.A.Q. Page 13 Internet Resources & Video Links Page 15 Interview & Podcast Links Page 16 Production Contacts Page 17 Publicity Stills Page 18 CONTACT: Alec Peters — Axanar Productions — 10901 Whipple St. #208, Toluca Lake, CA 91602 phone: 404-918-1701 — email: [email protected] — www.StarTrekAxanar.com ©2014 Star Trek: Axanar. STAR TREK and all related marks, logos and characters are owned by CBS Studios Inc. This website, the promotion thereof and/or any exhibi- tion of material created by the operators of this website are not endorsed or sponsored by or affiliated with CBS/Paramount Pictures or the STAR TREK franchise. 2 The Story of Star Trek: Axanar “Axanar” takes place 21 years before the events of “Where No Man Has Gone Before”, the first Kirk episode of the original Star Trek. Axanar is the story of Garth of Izar, the legendary Starfleet captain who is Captain Kirk’s hero. -
Parties in Star Trek Fan Litigation Don't Boldly Go Into the Unknown
INCONTESTABLE® BLOG Parties in Star Trek Fan Litigation Don’t Boldly Go Into the Unknown; Sele Claims February 27, 2017 By Jonathan Uffelman Edited by Naresh Kilaru; Julia Anne Matheson The Central District of California recently denied both parties’ motions for summary judgment in a copyright infringement case involving a fan Star Trek film, setting the dispute up for a jury trial. However, the Court’s findings that defendant Axanar Productions, Inc.’s film was objectively similar to Plaintiffs’ copyrighted Star Trek works, and that Defendants had no valid fair use defense, was sufficient to lead the parties to settlement. Since 1966, Plaintiffs have produced six Star Trek television series totaling more than 700 episodes, and thirteen Star Trek motion pictures. Additionally, Plaintiffs have licensed numerous derivative works, including books, games, merchandise, and audio-visual works. These works incorporate stories taking place in time periods both before and after the original television series. Collectively, these works constitute the Star Trek canon, used by many Trekkers to create fan fiction. As avid Star Trek fans, Defendants intended to make a fan film about a character called Garth of Izar, who appeared in one episode of the original television series. In that episode, Garth is a former starship captain, famous among Starfleet officers for his exploits in the Battle of Axanar with the Klingons twenty-one years earlier. The Defendants’ film was to depict Garth’s exploits. Defendants sought to make “a professional production” with a professional crew, “many of whom have worked on Star Trek itself.” Defendants raised money and produced a twenty-one minute film called “Star Trek: Prelude to Axanar” (“Prelude”) and released it on YouTube to raise funds for a full-length feature film. -
STAR TREK the TOUR Take a Tour Around the Exhibition
R starts CONTents STAR TREK THE TOUR Take a tour around the exhibition. 2 ALL THOSE WONDERFUL THINGS.... More than 430 items of memorabilia are on show. 10 MAGIC MOMENTS A gallery of great Star Trek moments. 12 STAR TREK Kirk, Spock, McCoy et al – relive the 1960s! 14 STAR TREK: THE NEXT GENERATION The 24th Century brought into focus through the eyes of 18 Captain Picard and his crew. STAR TREK: DEEP SPACE NINE Wormholes and warriors at the Alpha Quadrant’s most 22 desirable real estate. STAR TREK: VOYAGER Lost. Alone. And desperate to get home. Meet Captain 26 Janeway and her fearless crew. STAR TREK: ENTERPRISE Meet the newest Starfleet crew to explore the universe. 30 STARSHIP SPECIAL Starfleet’s finest on show. 34 STAR TREK – THE MOVIES From Star Trek: The Motion Picture to Star Trek Nemesis. 36 STAR trek WELCOMING WORDS Welcome to Star TREK THE TOUR. I’m sure you have already discovered, as I have, that this event is truly a unique amalgamation of all the things that made Star Trek a phenomenon. My own small contribution to this legendary story has continued to be a source of great pride to me during my career, and although I have been fortunate enough to have many other projects to satisfy the artist in me, I have nevertheless always felt a deep and visceral connection to the show. But there are reasons why this never- ending story has endured. I have always believed that this special connection to Star Trek we all enjoy comes from the positive picture the stories consistently envision. -
Beyond the Final Frontier: Star Trek, the Borg and the Post-Colonial
Beyond the Final Frontier: Star Trek, the Borg and the Post-colonial Lynette Russell and Nathan Wolski Over the last three decades, Star Trek has become, to use Bernardi's term, a "mega-text" (1998: 11). Star Trek's mega-text consists of much more than the various studio-produced television series and films - it also includes (among other things) novels, Internet chat groups, conventions and fanzines. That Star Trek's premise of space exploration is a thinly disguised metaphor for colonialism has been extensively analysed (see Bernardi, 1998; Hastie, 1996; Ono 1996; Richards, 1997). Boyd describes the utopian future presented in Star Trek the Next Generation (STNG) as based on "nineteenth-century essentialist definitions of human nature, building ... on faith in perfection, progress, social evolution, and free will" (1996: 96-97). Exploration, colonisation and assimilation are never far from the surface of the STNG text. Less apparent, however, are aspects of the series which challenge the hegemonic view of this narrative and which present a post-colonial critique. In this paper we will explore a range of post-colonial moments and an emerging self reflexivity in the second generation series, focusing on those episodes of Star Trek: the Next Generation (STNG) and Star Trek: Voyager which feature an alien race known as the Borg. Others in space Much has been written about the role of the alien in science fiction as a means of exploring issues of otherness. As Wolmark notes: "Science fiction provides a rich source of metaphors for the depiction of otherness and the 'alien' is one of the most familiar: it enables difference to be constructed in terms of binary oppositions which reinforce relations of domination and subordination" (1994: 2). -
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Case 2:15-cv-09938-RGK-E Document 1 Filed 12/29/15 Page 1 of 19 Page ID #:1 1 LOEB & LOEB LLP DAVID GROSSMAN (SBN 211326) 2 [email protected] JENNIFER JASON (SBN 274142) 3 [email protected] 10100 Santa Monica Blvd., Suite 2200 4 Los Angeles, CA 90067 Telephone: 310.282.2000 5 Facsimile: 310.282.2200 6 LOEB & LOEB LLP JONATHAN ZAVIN (pro hac vice pending) 7 [email protected] 345 Park Avenue 8 New York, NY 10154 Telephone: 212.407.4000 9 Facsimile: 212.407.4990 10 Attorneys for Plaintiffs PARAMOUNT PICTURES 11 CORPORATION and CBS STUDIOS INC. 12 13 UNITED STATES DISTRICT COURT 14 CENTRAL DISTRICT OF CALIFORNIA 15 16 PARAMOUNT PICTURES Case No.: __________ CORPORATION, a Delaware 17 corporation; and CBS STUDIOS INC., a Delaware corporation, COMPLAINT FOR: 18 1. COPYRIGHT Plaintiffs, INFRINGEMENT; 19 2. CONTRIBUTORY v. COPYRIGHT 20 INFRINGEMENT AXANAR PRODUCTIONS, INC., a 3. VICARIOUS COPYRIGHT 21 California corporation; ALEC PETERS, INFRINGEMENT; AND an individual, and DOES 1-20, 4. DECLARATORY 22 JUDGMENT Defendants. 23 DEMAND FOR JURY TRIAL 24 25 26 27 28 Loeb & Loeb LA2466220.9 A Limited Liability Partnership COMPLAINT Including Professional 202828-10048 Corporations Case 2:15-cv-09938-RGK-E Document 1 Filed 12/29/15 Page 2 of 19 Page ID #:2 1 Plaintiffs Paramount Pictures Corporation (“Paramount”) and CBS Studios 2 Inc. (“CBS”) (collectively, “Plaintiffs”), by their attorneys, hereby bring this 3 complaint against Axanar Productions, Inc. (“AP”), Alec Peters (“Peters”), and 4 Does 1-20 (collectively, “Defendants”), and allege as follows: 5 NATURE OF THE ACTION 6 1. -
Translating Trek: Rewriting an American Icon in a Francophone Context Caroline-Isabelle Caron
Translating Trek Caroline-Isabelle Caron 329 Translating Trek: Rewriting an American Icon in a Francophone Context Caroline-Isabelle Caron Italian translators use a now well-known stage direction of Michel Georges.1 The transla- cliche´: ‘‘Traduttore, traditore.’’ Translating is tion available to all French audiences is Patrouille betraying. It refers to the tension between the du Cosmos, though in France it was re-entitled necessity of rendering meaning (or interpretation) Star Trek: Classique.2 and that of rendering style, metaphors, and images Dubbers often translate for audiences that may within the original source text. This tension is a or may not be familiar with the universe of the profound one in literature. In translating televi- story being told (Dutter; Luyken 155). When sion dialogues and in dubbing episodes, many dealing with TOS, these difficulties are more than more exigencies come into play. Television obvious. Patrouille du Cosmos was one of the translators have to take into account questions very first television series ever dubbed in Que- of synchrony, linguistic limitations, the various bec.3 The Quebec dubbing tradition was still dubbing traditions of different countries, and being invented when this translation was pro- their own poetic license. The main challenge of duced. The dubbers had to adapt and interpret television translation is to find a balance between dialogues taking place on other planets, pro- being true to the source text and the sometimes nounced by aliens in silly make-up and starship necessary falsification of the original dialogue in officers wearing goofy clothes. Furthermore, order to accurately render the story being told. -
INDIE FILM FESTIVALS Are Starting to Add a NEW Category: FAN FILMS!
12/7/2017 Berlin Sci-Fi Filmfest – Fan Film Factor Tag: Berlin Sci-Fi Filmfest INDIE FILM FESTIVALS are starting to add a NEW category: FAN FILMS! While studios like Paramount, CBS, Warner Brothers, Disney, Fox, and others try to gure out what to do about fan lms, Independent Film Festivals already have a solution: CREATE SPECIAL CATEGORIES FOR THEM! Up until recently, if you were a Star Trek fan lm, your options were pretty limited when it came to entering your production into a lm festival or contest. For the last few years, the annual Treklanta convention has held the Independent Star Trek Film Awards (now called the “Bjos”). Obviously, entries are limited to only Star Trek fan lms. And then there are the independent lm festivals that allow entrants from all genres and production backgrounds. There’s a lot of these. In fact, Prelude to Axanar won awards in 19 dierent lm festivals, including the Los Angeles Independent Film Festival, Creative Arts Film Festival, Widescreen Film & Music Video Festival, Nevada Film Festival, IndieFEST Film Awards, and California International Shorts Festival. Star Trek Continues has also taken in its fair share of awards at the Accolade Global Film Competition, The Burbank International Film Awards, and most recently https://fanfilmfactor.com/tag/berlin-sci-fi-filmfest/ 1/2 12/7/2017 Berlin Sci-Fi Filmfest – Fan Film Factor was given awards in ve categories of the International Independent Film Awards. And while some award shows, like the Geekie Awards, limit the range of entrees to specic genres like sci-, fantasy, horror, etc., Trek fan lms are still competing with “real” independent lms with professional production teams and budgets that are often into the six or even seven gures.