Excellence and Productivity in Digital Textile Printing
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Care Label Recommendations
CARE LABEL RECOMMENDATIONS RECOMMENDED CARE FOR APPAREL PRODUCTS Fiber content, fabric construction, color, product construction, finish applications and end use are all considered when determining recommended care. Following are recommended care instructions for Nordstrom Products, however; the product must be tested to confirm that the care label is suitable. GARMENT/ CONSTRUCTION/ FIBER CONTENT FABRICATION CARE LABEL Care ABREVIATION EMBELLISHMENTS Knits and Sweaters Acetate/Acetate Blends Knits / Sweaters K & S Dry Clean Only DCO Acrylic Sweater K & S Machine Wash Cold, Gentle Cycle With Like Colors Only Non-Chlorine Bleach If Needed MWC GC WLC ONCBIN TDL RP CIIN Tumble Dry Low, Remove Promptly Cool Iron If Needed Acrylic Gentle Or Open Construction, Chenille K & S Turn Garment Inside Out Or Loosely Knit Machine Wash Cold, Gentle Cycle With Like Colors TGIO MWC GC WLC ONCBIN R LFTD CIIN Only Non-Chlorine Bleach If Needed Reshape, Lay Flat To Dry Cool Iron If Needed Acrylic / Rayon Blends Sweaters / Gentle Or Open K & S Professionally Dry Clean Construction, Chenille Or Loosely Knit Short Cycle, No Steam PDC SC NS Acrylic / Wool Blends Sweaters with Embelishments K & S Hand Wash Cold, Separately Only Non-Chlorine Bleach If Needed, No Wring Or Twist Reshape, Lay Flat To Dry Cool Iron If Needed HWC S ONCBIN NWOT R LFTD CIIN DNID Do Not Iron Decoration Acrylic / Wool Blends Sweaters K & S Hand Wash Cold, Separately Only Non-Chlorine Bleach If Needed Roll In Towel To Remove Excess Moisture Reshape, Lay Flat To Dry HWC S ONCBIN RITTREM -
Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Spring Twenty Two Women's Headwear
SPRING 2022 SPRING TWENTY TWO WOMEN’S HEADWEAR & APPAREL DONE PROPER NH SPRING 2022 WOMEN THIS SEASON WE CELEBRATE THE NEW EXPLORERS. THE COLLECTION IS INSPIRED BY VINTAGE MILITARY AND WORKWEAR SILHOUETTES, BLENDED WITH SPRING THE JOYFUL RETRO AESTHETIC OF THE 1970’S. WOMEN 2022 WITH A PALETTE OF CLASSIC SEASONAL COLORS AND PRINTS, WE SET OUT TO DESIGN A RANGE THAT BALANCES STYLE THAT IS AT HOME ON CITY STREETS, OR THE ROADS LESS TRAVELED. SPRING 2022 2 SPRING 2022 3 RANCHER COLLECTION JO RANCHER RANCHER COLLECTION SPRING 2022 4 SPRING 2022 5 JO STRAW RANCHER RANCHER COLLECTION A NEW ICON | ELEGANT SILHOUETTE | PREMIUM DETAILS SPRING 2022 6 SPRING 2022 7 RENO FEDORA RANCHER COLLECTION REFINED AND RESPONSIBLY SOURCED | PREMIUM DETAILS AND FINISHES SPRING 2022 8 SPRING 2022 9 JO RANCHER RANCHER COLLECTION THE RANCHER REBORN | CRUELTY-FREE WOOL CONSTRUCTION SPRING 2022 10 SPRING 2022 11 JO RANCHER (10cm/4” Brim) XS-S-M-L (6_-7-7_-7_) • 100% wool felt • Metal headwear plaque • Adjustable Velcro strap under sweatband • Grosgrain outside band and brim taping DOVE WASHED NAVY/NAVY *BLACK 11035-DOVE 11035-WSNVY 11035-BLACK RANCHER COLLECTION BRASS 11035-BRASS PRODUCT PAGE JOANNA FELT HAT (10cm/4” Brim) XS-S-M-L (6_-7-7_-7_) • 100% wool felt • Grosgrain band • Metal headwear plaque • Adjustable Velcro strap under sweatband *BLACK PHOENIX ORANGE MOJAVE 10783-BLACK 10783-PHEOR 10783-MOJAV SPRING 2022 12 SPRING 2022 13 JOANNA PACKABLE HAT DUKE COWBOY HAT (7.5cm/3.5” Brim) (7.5cm/3” Brim) XS-S-M-L (6_-7-7_-7_) XS-S-M-L-XL (6¾-7-7¼-7½-7¾) • 100% wool felt • 100% wool felt • Grosgrain band • 5mm Grosgrain band • Metal headwear plaque • Metal headwear plaque • Adjustable Velcro strap under • D2 sweatband *BLACK MERMAID CASA BLANCA BLUE *BLACK COFFEE 10628-BLACK 10628-MERMD 10628-CABLB 10998-BLACK 10998-COFFE RENO FEDORA COHEN COWBOY (9cm/3. -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Jayoma Digital
+91-8048372252 Jayoma Digital https://www.indiamart.com/jayoma-digital/ Offering digital printing services on fabric cotton, viscose, silk, hosiery, bed sheet and pillow cover. Digital Printing On cotton BedSheets Kurtis Scarves and all type Of cotton Viscous Quality About Us We Jayoma Digital introduces ourselves as Textile Digital Printers, using latest digital printing technology to provide a short runs and production scale projects. We were the pioneer in the digital printing technology as we are the first one in Gujarat region to installed a digital textile printer (Size: 74” width) which can print in high resolution with significantly high production capacity. Currently, we have a total 2 digital printing machines which can print 200 mtrs. a day Digitally printing presents no limitations on color and through our specialist software we are able to color match from monitor to printed fabric, a large selection of which we hold in year round stock. Fabrics used range from the sheerest of silks to heavy cottons and include chiffon Georgette, poplin, canvas, cotton lawn, fine wool, lycra and also other stretch materials. Jayoma Digital is recognized for its work in pioneering the industries to using digital print technology. With it, came a new world where the use of color had no limitations, minimum orders were a thing of the past and there was no limit of repeat sizes. Jayoma Digital is also care of Designing we have our own designing studio to create and modification of design has proven to be invaluable in the digital revolution. To ensure the correct chemistry is used on each fabric our machines are set up on all available dyestuffs reactive, disperse, sublimation with different fabrics requiring different methods.. -
Nylon Wool Fiber Columns
U.S. Corporate Headquarters Polysciences Europe GmbH Polysciences Asia-Pacific, Inc. 400 Valley Rd. Badener Str. 13 2F-1, 207 DunHua N. Rd. Warrington, PA 18976 69493 Hirschberg an der Taipei, Taiwan 10595 1(800) 523-2575 / (215) 343-6484 Bergstrasse, Germany (886) 2 8712 0600 1(800)343-3291 fax +(49) 6201 845 20 0 (886) 2 8712 2677 fax [email protected] +(49) 6201 845 20 20 fax [email protected] [email protected] TECHNICAL DATA SHEET 425A Page 1 of 2 Nylon Wool Fiber Columns BACKGROUND NYLON WOOL FIBER VS. SHEEP RBC ROSETTING METHODS Researchers have been using nylon wool fiber procedures to separate T-cell and Wong and Mittal (1981)9 did extensive research comparing the methods of Nylon B-cell lymphocytes for more than 20 years. In the early 1970’s M. H. Julius et al Wool Fiber separation and the commonly- used and well-studied sheep RBC (1973),1 Eisen et al (1972),2 and Greaves & Brain (1974)3 described specific (SRBC) rosetting.10,11 Wong and Mittal were interested in isolating B-cells for conditions for the use of Nylon Wool Fiber in columns or plastic straws. These serologic typing of HLA-DR antigen. protocols resulted in yields of 50-90% T-cell recovery and 10-100 fold B-cell depletion. Wong and Mittal concluded that “Due to its simplicity and reliability, nylon wool adherence may be preferred over the SRBC rosette method for the routine pheno- These early researchers found it necessary to scrub or wash their Nylon Wool Fiber typing of B-cells.” Their findings are illustrated in Table 1. -
Re:Mix –Separation and Recycling of Textile Waste Fiber Blends
Re:Mix –Separation and recycling of textile waste fiber blends by Åsa Östlund, Per-Olof Syrén, Christina Jönsson, Doris Ribitsch and Marie Syrén report funded by: Titel: Re:Mix - Separation and recycling of textile A Mistra Future Fashion Report waste fiber blends Mistra Future Fashion is a cross-disciplinary Authors: Åsa Östlund1,Per-Olof Syrén2, Christina research program, initiated and primarily fun- Jönsson3, Doris Ribitsch4 and Marie Syrén1 ded by Mistra. It holds a total budget of SEK 110 Affiliations: 1) RISE Research Institutes of Sweden, millions and stretches over 8 years, from 2011 2) KTH/SciLifeLab, 3) BOKU, 4) Swerea IVF to 2019. It is hosted by RISE in collaboration with 13 research partners, and involves more Edition: Only available as PDF for individual printing than 40 industry partners. ISBN: 978-91-88695-06-2 Mistra Future Fashion report number: 2017:6 www.mistrafuturefashion.com Task deliverable MFF phase 2: D.SRF.4.1.1 RE:Source Project No.: 42520-1 © Åsa Östlund, Per-Olof Syrén, Christina Jönsson, Doris Ribitsch, Marie Syrén RISE Research Institutes of Sweden Box 857, 501 15 Borås www.ri.se Images: Swerea IVF, Pixabay Layout: Charlotte Neckmar 1 Table of contents Introductory remark.................................................. 2 Table of contents...................................................... 3 Sammanfattning...................................................... 4 Summary................................................................ 5 1 Introduction and Background................................... 7 Introductory remark 1.1 Scope......................................................... 8 2 Execution of work.................................................. 8 This project ‘Re:Mix - Separation and recycling of textile waste fibre blends’, refer- 2.1 Project constellation and actors..................... 9 red to as Re:Mix I, was a pre-study and thereby included a start-up and consorti- 2.1.1 Management.................................. -
India's Textile and Apparel Industry
Staff Research Study 27 Office of Industries U.S. International Trade Commission India’s Textile and Apparel Industry: Growth Potential and Trade and Investment Opportunities March 2001 Publication 3401 The views expressed in this staff study are those of the Office of Industries, U.S. International Trade Commission. They are not necessarily the views of the U.S. International Trade Commission as a whole or any individual commissioner. U.S. International Trade Commission Vern Simpson Director, Office of Industries This report was principally prepared by Sundar A. Shetty Textiles and Apparel Branch Energy, Chemicals, and Textiles Division Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 TABLE OF CONTENTS Page Executive Summary . v Chapter 1. Introduction . 1-1 Purpose of study . 1-1 Data and scope . 1-1 Organization of study . 1-2 Overview of India’s economy . 1-2 Chapter 2. Structure of the textile and apparel industry . 2-1 Fiber production . 2-1 Textile sector . 2-1 Yarn production . 2-4 Fabric production . 2-4 Dyeing and finishing . 2-5 Apparel sector . 2-5 Structural problems . 2-5 Textile machinery . 2-7 Chapter 3. Government trade and nontrade policies . 3-1 Trade policies . 3-1 Tariff barriers . 3-1 Nontariff barriers . 3-3 Import licensing . 3-3 Customs procedures . 3-5 Marking, labeling, and packaging requirements . 3-5 Export-Import policy . 3-5 Duty entitlement passbook scheme . 3-5 Export promotion capital goods scheme . 3-5 Pre- and post-shipment financing . 3-6 Export processing and special economic zones . 3-6 Nontrade policies . -
Fabricating Carbon Fiber Airframes, Part 2: Finishing
In This Issue Fabricating Carbon Fiber Airframes, Part 2: Finishing Cover Photo: Lift-off shot by Erin Card at NARAM56 in Pueblo, CO Apogee Components, Inc. — Your Source For Rocket Supplies That Will Take You To The “Peak-of-Flight” 3355 Fillmore Ridge Heights Colorado Springs, Colorado 80907-9024 USA www.ApogeeRockets.com e-mail: [email protected] Phone: 719-535-9335 Fax: 719-534-9050 ISSUE 371 AUGUST 12, 2014 Fabricating Carbon Fiber Airframes Part 2: Finishing By Alex Laraway Congratulations! You’ve moved onto what is frankly the most Start by releasing the lip of the mylar from around one side tedious part of fabricating tubing: getting it to look pretty. of the tube. Once you are finished, use a long dowel to be- One of the reasons carbon fiber is so highly valued is its aes- gin breaking the bond between the mylar and the epoxy on thetic characteristics. For this reason, bare carbon fiber is an the inside of the tube. Ram the dowel to the opposite end of attractive option for the finish on high-end sports cars, bikes, the tube and slowly work it around so that the entire mylar motorcycles and, of course, rockets. Getting a smooth gloss layer is broken out from the epoxy. After this step, the mylar “naked” carbon fiber is tiresome at best, especially starting should slide out with ease! with a peel ply texture. The basic idea is to give it a series of epoxy coats and sand each coat down with a different series of sandpaper grits with each epoxy pass. -
Wool Is 100% Biodegradable
WOOL FACTS WOOL IS 100% BIODEGRADABLE Wool is a natural and renewable resource. As long as there is grass to eat, sheep will continue to produce wool. When wool is disposed of, it will naturally decompose in soil in a matter of months or years, slowly releasing valuable nutrients back into the earth. Synthetic fibres, on the other hand, can be extremely slow to degrade and significantly contribute to the world’s overflowing landfills. BIODEGRADATION N, S & other OF WOOL nutrients All materials of animal and vegetable origin have some degree HOW DOES of biodegradability, meaning that they are capable of being WOOL decomposed by the action of living organisms, such as fungi BIODEGRADE? and bacteria. Wool is composed of the natural protein keratin, which is similar to the protein that makes up human hair. When keratin is broken down naturally by microorganisms, the products do not pose any environmental hazard. On disposal, if wool is kept warm and moist or buried in soil, WOOL READILY fungal and bacterial growths develop which produce enzymes that BIODEGRADES digest wool. IN MOIST, WARM On the other hand, thanks to the unique chemical structure of keratin and wool’s tough, water-repellent outer membrane, clean and dry CONDITIONS wool fibres do not readily degrade. This allows wool products to be resilient and long-lasting in normal conditions. WOOL IS 100% BIODEGRADABLE WOOL BIODEGRADES QUICKLY Wool biodegrades readily in as little as three to four months but the rate varies with soil, climate and wool characteristics. This releases essential elements such as nitrogen, sulphur and magnesium back to the soil, able to be taken up by growing plants. -
Pashmina Wool–A Valuable Commodity
International Journal of Avian & Wildlife Biology Mini Review Open Access Pashmina wool–a valuable commodity Abstract Volume 3 Issue 6 - 2018 The conversion of goat hair into Pashmina was investigated. Pashmina is obtained Herbert W Ockerman from the Changthangi goats found in the Himalayan regions. The nomadic herders and The Ohio State University, USA animals that live in these regions have to adapt to harsh environments. The Pashmina goats play an important role in the livelihoods of the nomadic herders. Correspondence: Herbert W Ockerman, The Ohio State University, Ohio, USA, Email Keywords: changthangi, pashmina, goat, cashmere, himalayas, ladakh Received: November 01, 2018 | Published: November 16, 2018 Introduction The study investigated the ethnozoological aspects of agriculture in hostile environments and the production of the finest wool in the world. Changthangi or Pashmina goats can tolerate high altitude and the harsh environment of the Himalayan desert by growing an undercoat of fine hair which serves as insulation to keep them warm. This is the origin of pashmina wool. The research showed that the animals found in these regions such as yak, sheep and goats play a critical role in allowing humans to exist in a harsh environment. The elevation of these regions is upwards of 4,350 m (14,270 ft.) which causes a lack of oxygen, cold temperatures ranging from –20°C (–4°F) to –40°C (–40°F), strong winds, meager rainfall and lack of vegetation. This report will focus on the domestic Changthangi (or Pashmina) breed which produces wool that is known for its firmness, warmth, durability, lightness, softness and ability to Figure 2 Pashmina goat, sheep and yak herding. -
Colaris Digital Textile Printing
ZIMMER AUSTRIA | DIGITAL PRINTING SYSTEMS COLARIS DIGITAL TEXTILE PRINTING HOME TEXTILES APPAREL DECORATION AUTOMOTIVE FLAGS & BANNERS www.zimmer-austria.com 2020.01.15 page 1 CONTENT 1. INNOVATION IS IN OUR DNA 1.1. HISTORIC MILESTONES 3 2. INK CLASSES 2.1. TYPES | PRODUCTS | PROCESS | REQUIREMENTS 4 2.2. TYPES | PRODUCTS | PROCESS | REQUIREMENTS 5 3. PRINT TECHNOLOGY 3.1. PROCESSING DIAGRAM 6 3.2. PROCESS EQUIPMENT 7 4. REACTIVE PRINTING 4.1. GENERAL INFORMATION 8 4.2. EXAMPLE: TERRY TOWEL PRINT PRODUCTION 9 5. ACID PRINTING 5.1. GENERAL INFORMATION 10 5.2. EXAMPLE: UPHOLSTERY PRINT LINE 11 6. DISPERSE / SUBLIMATION PRINTING 6.1. GENERAL INFORMATION 12 6.2. EXAMPLE: PES BLANKET PRINT LINE 13 7. VAT INDANTHRENE® PRINTING 7.1. GENERAL INFORMATION 14 7.2. APPLICATION DIVERSITY 15 8. PIGMENT PRINTING 8.1. GENERAL INFORMATION 16 8.2. APPLICATION DIVERSITY 17 9. CATIONIC PRINTING 9.1. GENERAL INFORMATION 18 10. COLARIS - CHARACTERISTICS AND FEATURES 10.1. COLARIS MODELS 19 11. COLARIS FEATURES AND COMPONENTS 11.1. INTEGRATED MACHINE COMPONENTS 20 11.2. INTEGRATED MACHINE COMPONENTS 21 12. PROCESS EQUIPMENT 12.1. INLINE COMPONENTS 22 12.2. OFFLINE COMPONENTS 23 13. PRINT HEAD 13.1. TECHNOLOGY 24 13.2. RECONDITION CENTER 25 14. ZIMMER TECHNOLOGY & APPLICATION CENTER 14.1. GENERAL INFORMATION 26 14.2. EQUIPMENT & FACILITIES 27 www.zimmer-austria.com 2020.01.15 page 2 1. INNOVATION IS IN OUR DNA 1.1. HISTORIC MILESTONES Vertical Duplex blanket printer from 1951 First commercial rotary screen printer 1958 The broad digital competence of ZIMMER AUSTRIA is based on an innovation introduced more than 4 decades ago.