Conference Highlights Achievements in Rural Child Development

Total Page:16

File Type:pdf, Size:1020Kb

Conference Highlights Achievements in Rural Child Development 18 | Friday, August 6, 2021 HONG KONG EDITION | CHINA DAILY LIFE Raising their voices An ongoing chorus festival in Beijing gives a platform to music drawn from the rich cultures of China’s ethnic groups, Chen Nan reports. he annual China NCPA “Being a school choir has been a started in 2009, has built a large fan August Chorus Festival is long tradition for Chinese people. base among Chinese music lovers, set to take place from We have choirs in primary schools, especially fans of choral singing. August 3 to 21 at the high school, colleges and even in This year, the festival was opened TNational Center for the Performing kindergartens. It’s a popular art by the China National Symphony Arts in Beijing. form enjoyed by people of all ages, Orchestra Chorus, which performed Kazak ethnic The highlight of this year’s festival including senior citizens, for whom under the baton of conductor Wang group musician are choruses from over 10 Chinese singing in choruses is a major form Linlin, with a repertoire including Haoxi Kelide plays ethnic groups, such as the Yi, Dong, of entertainment after retirement,” Song of Guerrillas by Chinese song- the musical Lahu and Zhuang. says Wang Luli, deputy director of writer He Luting and On the Hope- instrument dombra, Over the course of the festival, 23 the programming department of ful Field by songwriters Chen a long-necked lute choruses were scheduled to deliver the NCPA. “Chinese ethnic groups Xiaoguang and Shi Guangnan. with two strings. 13 shows at the NCPA, including are known for their versatility in On August 18 and 19, shows by PHOTOS PROVIDED TO performances by 31 singers who are singing and dancing. We have many five ethnic group choruses from CHINA DAILY inheritors of intangible cultural her- art forms from Chinese ethnic Southwest China will perform itage. However, due to a recent spike groups that are listed as national some of the oldest songs from their in cases of the coronavirus pandem- intangible cultural heritage items. respective cultures. Highlights will ic, as a precautionary measure, Among those valuable art forms, include a chorus, from Poya village three shows have since been can- choral singing is well-known.” in Yunnan province, who will per- celed. Wang adds that the festival, which form the Poya songbook, an ancient collection of folk songs written in hieroglyphic symbols on a piece of hand-woven cloth, and originated them are getting old and are dying. Conservatory of Music in 1987 and in the village. In 2011, the Poya Many of those folk songs have main- later obtained her master’s degree songbook was added to the list of ly been passed down as an oral tradi- as a conductor from the Central national intangible cultural heri- tion, which means that there are no Conservatory of Music in Beijing in tage. written lyrics or musical notes. It is 1998. Singers from the Dong ethnic crucial that they are put down on In 1987, the conductor founded group of Liping county, Guizhou paper, recorded on CD or in videos, the Inner Mongolia Youth Choir, province, will also bring their folk and adapted into songs, which are which is dedicated to promoting music, including the polyphonic teachable,” says Liu. “The value of folk music of the Inner Mongolia Dongzu Dage (“grand song of the those songs goes beyond music autonomous region. Besides adapt- Yi ethnic group Dong people”) choir, which was list- itself. They need to be preserved ing local folk songs into a choral musician A-tie ed as a national intangible cultural because they provide accesses to the singing style, the conductor also Shuori from heritage in 2006. origins of the cultural identity of gathers Mongolian ethnic musi- Yunnan province “When you visit the villages of those ethnic groups.” cians to display traditional Mongoli- plays the musical those Chinese ethnic groups, On August 20 and 21, veteran con- an ethnic musical instruments, such instrument yueqin. you listen to songs and ductor Wu Lingfen will perform as sihu (a four-stringed bowed watch them dance. with the China NCPA Chorus at a instrument) and morin khuur There is a saying concert featuring musical works (horse-headed fiddle). that: ‘they sing adapted from Chinese folk songs, “We travel around the region when they learn to including One Bamboo Pole is Easy looking for singers and musicians, speak and they dance to Bend, a folk song traditional to especially talented children. Since when they learn to Hunan province, Ascending a Hill to 2007, every three years we recruit walk’. It’s a natural We travel around Look at the Plain, a folk song origi- new students to our chorus to train gift,” says compos- nating from Qinghai province, and them as professional musicians,” er Liu Xiaogeng, the region looking Clouds Flying in the Still Sky, a folk says Yalungerile. who was born and for singers and song from Guangxi Zhuang autono- The other two shows that have raised in Yunnan province’s mous region. been canceled include a perform- Luquan Yi and Miao musicians, One of the canceled concerts was ance by seven ethnic group chorus- autonomous county. He especially talented to be a performance by the Inner es, that were supposed to perform graduated from Yun- Mongolia Youth Choir, which was under the baton of conductor Hu nan Arts University as a children.” set to perform traditional Mongoli- Manxue on August 10, and a per- composer in 1981 and Yalungerile, leader and an ethnic folk songs, such as Beau- formance by Gong Linna on August has traveled around the conductor of the Inner tiful Grassland — My Home, 15, who planned to perform songs country collecting, Mongolia Youth Choir Father’s Grassland and Mother’s based on Chinese poems that depict researching and adapt- River, Four Seas and the Hanggal the 24 solar terms — the traditional ing ethnic music into songs Concerto. Chinese calendar that summarizes for choral singing. So far, he “The choir sings a cappella — with different seasonal phenomena — has collected over 6,000 folk songs no conductor and no accompani- which were written by her German from ethnic groups in Southwest ment,” says the choir’s leader, con- husband, songwriter Robert Zol- China. ductor Yalungerile. A member of litsch. “It’s a pity that some of those eth- Mongolian ethnic group, she gradu- nic folk songs are disappearing ated from the department of compo- Contact the writer at because the people who can sing sition and conducting at Shanghai [email protected] Conference highlights achievements in rural child development By CHENG YUEZHU mental work that is needed to eradi- by the village’s collective income gen- The foundation in 2007 piloted its joined in the plan. [email protected] cate the intergenerational transmis- erated from developing agriculture. nutrition improvement program in Li Bin, secretary-general of the sion of poverty,” Li said. Li’s project is among the numer- rural boarding schools of Guangxi 13th National Committee of the Chi- The Seventh International Con- When he first arrived in the vil- ous community-based early child- I came to this Zhuang autonomous region and nese People’s Political Consultative ference on Poverty Reduction and lage, most of the villagers in their hood educational programs that are Hebei province, providing nutri- Conference, gave a keynote speech Child Development took place in 20s and 30s stopped receiving edu- being carried out throughout China. village to help tional lunches in canteens for 2,000 at the conference. She remarked Beijing on July 24, hosted by China cation after primary school, and China Development Research alleviate poverty. students. that the government has been prior- Development Research Foundation because there was no kindergarten Foundation has been implementing In 2011, the national Nutrition itizing the development of children under the supervision of the Devel- nearby, the children went to prima- a series of projects with the goal to We introduced to Improvement Plan for Rural Stu- and taken effective measures to opment Research Center of the ry school without even a basic promote equitable development the village new dents in Compulsory Education was reduce poverty, enhance welfare State Council. knowledge of Mandarin, causing and support children’s growth, espe- implemented, and the foundation and guarantee the rights of chil- Themed as “investing in children obstacles to their in-class compre- cially the “left-behind” children in industries that launched the School Nutrition dren. for sustainable prosperity”, the con- hension, he said. rural areas. significantly Improvement Initiative under the China’s Vice-Minister of Educa- ference discussed issues pertaining His team opened up a children’s With the goal to provide aid “from commission of the Ministry of Edu- tion Sun Yao also said at the confer- to the sustainable development activity center that has been offering womb to job”, the foundation’s social increased the cation in 2015, which serves to mon- ence that China has built a goals of the United Nations, child preschool education to all children experiments start with prenatal income of farmers.” itor and examine the plan’s comprehensive educational aid poli- development, and the construction in the village, so that the children care, and continue through the age effectiveness. cy system which covers the entire of public services and policy systems can go to the primary school with a range of zero to 15, from ensuring Li Xiaoyun, professor at According to statistics provided span from preschool to postgraduate China Agricultural University for children. solid foundation. children’s nutrition and education, by the foundation, up to September, education, which, since 2012, has The conference was joined by The activity center also offers free to enhancing vocational education the number of students benefiting supported a total of 640 million stu- around 300 representatives from nutritional breakfasts to the chil- and preparing them for their from the plan exceeded 40 million, dents with their financial difficulties.
Recommended publications
  • Special Wuhan Composition Makes European Debut
    18 | Monday, February 24, 2020 HONG KONG EDITION | CHINA DAILY LIFE Museums exhibit tech Shows of solidarity nous for home users XI’AN — Li Bin, an avid visitor of museums from the northwestern Chinese city of Xi’an, has never had a better view of the upholstery of a chair in Beijing’s Palace Museum. Sitting comfortably at home and putting on a device featuring virtual reality technology, Li toured the museum through its online exhibi- tion program, getting an up-close and personal view of the precious exhibits presented in crystal-clear 3D. “During a field trip to the Palace Museum, it can be tough to visit some of its hidden places and view all of the palace decorations in detail,” says Li. “VR technology has made these expe- The nation’s performing arts riences possible.” Amid the coronavirus outbreak, industry is working hard to many museums and galleries in Chi- na have been closed to visitors to pre- lessen the potential financial vent the spread of the epidemic. impact of COVID-19, as well as However, they have launched or repackaged various online exhibi- using technology to serve tions to provide a satisfactory touring audiences as best it can now, experience for the country’s vast number of stay-at-home visitors. Chen Nan reports. In Chongqing in Southwest China, the Chongqing China Three Gorges Museum and the Chongqing Natural History Museum are among those offering exhibitions online. Visitors can find audio guides to nevitably, the novel coronavi- promoting charity performances According to Zheng Honglin, who more than 30 exhibitions and videos rus outbreak has had a mas- and offering free shows to medical is in charge of Gong’s program, it is on 10 others through CCTGM’s offi- sive impact on China’s workers on the front line of the about training young talent to cial account on WeChat during their performing arts market.
    [Show full text]
  • 2015 Next Wave Festival DEC 2015
    2015 Next Wave Festival DEC 2015 Shinique Smith, Abiding Light, 2015 Published by: Season Sponsor: #BAMNextWave #SteelHammer Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Steel Hammer BAM Harvey Theater Dec 2—5 at 7:30pm; Dec 6 at 3pm Running time: one hour & 55 minutes, no intermission Julia Wolfe and SITI Company Bang on a Can All-Stars Directed by Anne Bogart Music & lyrics by Julia Wolfe Original text by Kia Corthron, Will Power, Carl Hancock Rux, and Regina Taylor Music performed by Bang on a Can All-Stars Play performed & created by SITI Company Scenic & costume design by James Schuette Lighting by Brian H Scott Sound design by Andrew Cotton and Christian Frederickson Choreography by Barney O’Hanlon Season Sponsor: Steel Hammer premiered at Actors Theatre of Louisville in the 2014 Humana Festival of New American Plays In memory of Robert W. Wilson, with gratitude for his visionary and generous support of BAM STEEL HAMMER Akiko Aizawa Ashley Bathgate Eric Berryman Robert Black Patrice Johnson Vicky Chow David Cossin Emily Eagen Chevannes Katie Geissinger Gian-Murray Gianino Barney O’Hanlon Molly Quinn Mark Stewart Ken Thomson Stephen Duff Webber Steel Hammer CAST Akiko Aizawa* Eric Berryman* Patrice Johnson Chevannes* Gian-Murray Gianino* Barney O’Hanlon* Stephen Duff Webber* BANG ON A CAN ALL-STARS Ashley Bathgate cello Robert Black bass Vicky Chow piano David Cossin
    [Show full text]
  • Stanley Cowell Samuel Blaser Shunzo Ohno Barney
    JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian.
    [Show full text]
  • October 2017 New Releases
    new releases october 2017 2 LABELS p.9 p.30 p.10 p.30-32 p.10-17 p.32-33 p.17-19 p.33 p.19-20 p.68 p.21 p.34 p.21 p.35 p.22-23 p.36 p.65-67 p.36 p.23 p.37 p.24 p.25-26 p.38-39 p.27-28 p39 p.28 p.68-69 p.28-29 p.39 p.29 p.40-41 LABELS p.41 p.69-70&74 see attachment p.52-53 p.73 p.41-42 p.54 p.43 see attachment p.54 p.54-55 p.43-44 p.55 p.45 p.56 p.45 p.56-58 p.58-60 p.46-47 p.47-48 p.61 p.48-49 p.49-50 p.51 BREAKING NEWS Hello everybody, Starting October Outhere Music will do the honour to distribute our label in the Benelux. Then we would like to introduce you briefly Bonsaï Music. Bonsaï Music takes its first steps in 2004 in the music industry and has been quickly catalogued as a “Jazz record label”. However this image is a little simplistic because we believe that “Jazz” is more a musical philosophy than a specific musical genre. For thirteen years our work consisted in reconciling jazz and popular music and then promote and release Artists albums that can be enjoyed by jazz fans and lay people with this musical genre. The characteristics that most defines Bonsaï Music is our constant search of melody and/or great voices.
    [Show full text]
  • De La Música Tradicional De China. Selección
    Discografía de la música tradicional de China. Selección Biblioteca Fundación Juan March Esta selección discográfica ha sido preparada con motivo de la exposición El principio Asia. China, Japón e India y el arte contemporáneo en España (1957-2017) y del ciclo de cinco conciertos Oriente y la música occidental. Durante la preparación de esta discografía no han sido incluidos numerosos registros publicados en China de muy difícil localización en Occidente. Tampoco se mencionan grabaciones sonoras anteriores al vinilo. Las músicas que aparecen en estos discos son un breve apunte de la riqueza musical tradicional que aún se practica en este país. Muchos de estos soportes sonoros han sido y son, además, fuente de estudio para compositores e intérpretes occidentales. La influencia de estas músicas sobre las técnicas compositivas, el timbre vocal e instrumental o sobre la concepción del tiempo musical es esencial para comprender una gran parte de la historia musical del siglo XX. Selección discográfica de José Luis Maire Biblioteca Fundación Juan March Abril de 2018 Música y canto budista La liturgia budista y taoísta en China tiene una historia de casi 2000 años y todavía se practica ampliamente en la actualidad. Desde su llegada a China hasta las llamadas tres dinastías del Norte y del Sur (420-589 d. C.), el budismo sufrió un proceso de consolidación hasta su profunda adaptación. Como numerosos documentos históricos demuestran (textos, pinturas y esculturas), el budismo introdujo en China nuevos géneros y prácticas rituales de una manera progresiva. Uno de los géneros más representativos y específicos de la liturgia vocal china es el denominado canto fanbei, caracterizado por la construcción de melodías melismáticas surgidas como consecuencia de un proceso de transculturación con las formas nativas de China.
    [Show full text]
  • Official Guide 21 June to 9 September
    <^]S^]" !"6TbcXeP[ Official guide 21 June to 9 September Welcome to the London 2012 Festival! When the UK won the bid for the 2012 Olympic and Paralympic Games, we promised that this ‘once in a lifetime’ event would include a great cultural programme that could involve people nationwide. When we are asked why, we go back to the example of Ancient Greece, where the Olympic Games included artists as well as athletes. As recently as the London 1948 Games, artists were awarded medals along with the athletes. This Festival has invited artists from all over the world to create amazing events from Shetland to Cornwall, from Enniskillen to Edinburgh, from Hackney to Hadrian’s Wall – with more than 10 million FREE opportunities to take part. The Festival would not be possible without our cultural and community partners throughout the UK. But most of all, it simply would not have happened without our great funding partners and sponsors. We offer our huge thanks to them for what we hope will be a fantastic Festival for the Olympic and Paralympic Games. 9]bXSTcWTVdXST 5 Have a fabulous Festival 6 The Director’s cut Director Ruth Mackenzie gives a taste of the Seb Coe Tony Hall Festival programme Chair, London 2012 Chair, Cultural Organising Committee Olympiad Board 8 Where will you be on 21 June? Four sensational performances taking place on opening day The London 2012 Festival is only possible thanks to the exceptional 12 The unforgettable and generous support of our funders, sponsors and partners. We summer of 2012 are enormously grateful to the
    [Show full text]
  • Downloaded on 2018-08-23T18:35:31Z 1
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Cork Open Research Archive Title Sounding the Bromance: The Chopstick Brothers' 'Little Apple' music video, genre, gender and the search for meaning in Chinese popular music Author(s) Stock, Jonathan P. J. Publication date 2016-01 Original citation Stock, Jonathan P. J. (2016) 'Sounding the Bromance: The Chopstick Brothers' 'Little Apple' music video, genre, gender and the search for meaning in Chinese popular music'. Journal Of World Popular Music, 3 (2):167-196. doi: 10.1558/jwpm.v3i2.32607 Type of publication Article (peer-reviewed) Link to publisher's https://journals.equinoxpub.com/index.php/JWPM/article/view/32607 version http://dx.doi.org/10.1558/jwpm.v3i2.32607 Access to the full text of the published version may require a subscription. Rights © Equinox Publishing Ltd 2017, Office 415, The Workstation, 15 Paternoster Row, Sheffield S1 2BX. Embargo information Access to this article is restricted until 12 months after publication by the request of the publisher. Embargo lift date 2018-01-31 Item downloaded http://hdl.handle.net/10468/3852 from Downloaded on 2018-08-23T18:35:31Z 1 Name & Contact Details Prof. Jonathan P. J. Stock Head, Department of Music University College Cork Sunday’s Well Road Cork, Ireland +353 21 4904535 (t) [email protected] (e) University College Cork Brief Biography Jonathan P.J. Stock is Professor and Head of Music at University College Cork. A former chair of the British Forum for Ethnomusicology, he’s currently co-editor of Ethnomusicology Forum and an Executive Board Member of the International Council for Traditional Music.
    [Show full text]
  • Storyteller in Song
    20LIFEMonday, July 24, 2017 CHINA DAILY » CHINADAILY.COM.CN/LIFE STORYTELLER IN SONG Cloud River Mountain, a collaborative work by four Western composers, is based on Chinese myths and legends and features the expressive voice of Chinese folk singer Gong Linna. Chen Nan reports. ne day in 2011, while on a tour of China with four other international Ocomposers, the American composer Michael Gordon We had an amazing walked into a small music experience of store filled with televisions, all playing different music videos. cross-cultural One in particular caught his attention. It was Gong Linna, a musical Chinese folk singer known for her expressive voice. communication.” “I had never seen or heard anything like Gong Linna and Gong Linna, folk singer I was deeply impressed by her performance artistry,” recalls Gordon, who, through hand than I expected,” says Zol- signals, asked the store owner litsch. to write down the name of the He also brought Chinese artist. sheng (a traditional Chinese A few days later, Gordon wind instrument) player Nie attended a symposium on con- Yunlei to the project for the temporary Chinese music, and first time. one of the speakers was the “When the sound of the German composer Robert Zol- sheng was mixed with Western litsch, Gong’s husband. instruments, such as an elec- Gordon and Zollitsch kept tric guitar and clarinet, it func- in touch and decided to tioned as a secret ingredient, explore the possibilities of powerful and very Chinese,” cooperation. says Zollitsch. Along with fellow compos- The German composer ers, Julia Wolfe — his wife— grew up in Munich, Germany, and David Lang, Gordon is the and came to China on a schol- co-founder of Bang on a Can, a arship to study guqin (the Chi- New York-based musical orga- nese seven-stringed zither) in nization, which is known for Shanghai in 1993.
    [Show full text]
  • The Glimmerglass Festival
    A 2017 Guide FEATURE ARTICLE Training Opera’s Next Generation A Tale of Two Festivals April 2017 Festivals Editor’s Note In our largest and most varied Guide to Summer Festivals yet, we focus on a common thread: training the next generation of performers and the artistic personnel who support them. At many festivals, young artists receive private lessons, coaching sessions, master classes, or all of the above during the day. By night they are either performing, observing the seasoned pros who train them by day, or a combination of the two. But honing or developing the skills of tomorrow’s generation of musicians is only part of the equation. It’s summertime, after all, and while the living may not exactly be “easy,” it’s certainly a lot more relaxed than during the season or school year. Consider the difference between waiting in the green-room line post-concert A 2017 Guide to shake the maestro’s hand vs. running into him in the festival cafeteria line, or at the local pub after the concert, or on a morning jog. Such is the kind of cross-fertilization for which festivals are known, and one of the reasons they are such ideal settings for rising artists. Sometimes the trainees are fully integrated into the schedule, such as at the Santa Fe Opera, where young artists are featured, often in leading roles. Sometimes they work independently of the main event, such as at Tanglewood, where the Tanglewood Music Center Orchestra, for instance, is comprised entirely of TMC Fellows and plays its own concerts, alongside the center-stage Boston Symphony Orchestra (whose members form much of the faculty).
    [Show full text]
  • ARC Music CATALOGUE
    WELCOME TO THE ARC Music CATALOGUE Welcome to the latest ARC Music catalogue. Here you will find possibly the finest and largest collection of world & folk music and other related genres in the world. Covering music from Africa to Ireland, from Tahiti to Iceland, from Tierra del Fuego to Yakutia and from Tango, Salsa and Merengue to world music fusion and crossovers to mainstream - our repertoire is huge. Our label was established in 1976 and since then we have built up a considerable library of recordings which document the indig- enous lifestyles and traditions of cultures and peoples from all over the world. We strive to supply you with interesting and pleasing recordings of the highest quality and at the same time providing information about the artists/groups, the instruments and the music they play and any other information we think might interest you. An important note. You will see next to the titles of each album on each page a product number (EUCD then a number). This is our reference number for each album. If you should ever encounter any difficulties obtaining our CDs in record stores please contact us through the appropriate company for your country on the back page of this catalogue - we will help you to get our music. Enjoy the catalogue, please contact us at any time to order and enjoy wonderful music from around the world with ARC Music. Best wishes, the ARC Music team. SPECIAL NOTE Instrumental albums in TOP 10 Best-Selling RELEASES 2007/2008 our catalogue are marked with this symbol: 1.
    [Show full text]
  • Magazin Für Folk, Lied Und Weltmusik
    „1 Seite Inhaltsverzeichnis für jede erschienene Ausgabe des FOLKER“, Magazin für Folk, Lied und Weltmusik Folker-Archiv In welcher Folker -Ausgabe wurde über Reinhard Mey berichtet? Was hab ich in den Jahren 1999 oder 2002 verpasst? Für diese eigenständigen Themen gibt es das Folker-Archiv – Auf www.folker.de Aber wir haben auch noch etwas anderes für Euch, das viel vergnüglicher zu lesen ist: auf rund 100 Seiten haben wir, eine Ausgabe nach der anderen, das jeweils genaue Inhaltsverzeichnis und das Titelbild festgehalten. Hier, auf den nachfolgenden Seiten Noch schöner (und durchaus clever von uns, dass wir das hier erwähnen): viele dieser alten Ausgaben könnt Ihr auch noch käuflich erwerben. Zu Preisen ab 1 Euro (für die ganz alten Hefte) oder bis zu 3 oder 5 Euro für Hefte der letzten Jahre (plus eine einmalige Versandkostenpauschale von 3.95 Euro). Einfach mal durchblättern, Appetit bekommen und bestellen: im www.irish-shop.de – der Folker hat einen eigenen Menüpunkt. Es soll ja Leute geben, die nicht von Anfang an dabei waren – oder die sich die vielen, spannenden Ausgaben nicht für ihr Archiv haben binden lassen… Mit folkigen Grüßen und alles Gute! Christian Ludwig, Verleger (Das kann man natürlich alles noch viel schöner machen. Und auch anderes auf dem Internet zugänglich machen. Ja, das wissen wir. Nur hat bei uns keiner Zeit dafür. Wer uns also bei solchen Projekten helfen kann, weil er sooo viel Zeit hat, melde sich doch bitte beim Verlag.) Folker im Christian Ludwig Verlag, Niederfeldweg 5, 47447 Moers. T: 02841-35034; F:
    [Show full text]
  • Museum Tinguely Thematisiert Destruktion in Der Seit Einem Jahr Wird Unsere Website Vom ‹All- Kunst (U S
    1001 Ausgehtipps | Neu: Kursangebote CHF 6.90 | EUR 5.00 Zeitung| ProgrammKultur im Raum Basel November 2010 Nr. 256 10 Jahre Kinderbüro Comeback der ‹BuchBasel› Kreativität im Stellwerk 2010_12_08 Inserat ProgrammZeitung Herta Müller.ai 1 18.10.2010 12:55:14 Openair 16.-23. Juli 2011 g ert/Carl Hanser Verla e Pohn Annett ld Bild: Bild B C Im Hof der Kaserne Basel M mit Spitzenformationen Herta Müller aus der ganzen Welt! Y Literaturnobelpreisträgerin CM Start Vorverkauf MY 3. Dezember 2010 spricht über ihren Roman "Atemschaukel". CY Basel Tattoo Shop CMY Tel. +41 61 266 10 00 Mittwoch, 8. Dezember 2010 www.baseltattoo.ch K (Abendkasse ab 18.30 Uhr) 19.30 Uhr Ticketcorner 0900 800 800 Hans Huber-Saal Stadtcasino, Steinenberg 14, Basel (CHF 1.19/Min. Festnetztarif) www.ticketcorner.ch Eintritt: CHF 25.-/20.- (Vorverkauf empfohlen!) Vorverkauf www.ticketino.com, an allen Ticketino-Vorverkaufsstellen oder beim Hauptsponsoren Partner Kulturhaus Bider & Tanner an der Aeschenvorstadt 2 in Basel, T +41 61 206 99 96, [email protected]. Literaturhaus Basel | T +41 61 261 29 50 | www.literaturhaus-basel.ch 92x130_programmzeitung_4c.indd 1 15.10.2010 14:29:57 J a n GarbarekGroup feat. Tr i l o k GurTu Jan GarBarek sax rainer BrüninGhaUS piano/keys Architektur studieren Juri Daniel bass in der Region Basel Trilok GUrTU percussion Dienstag, 30.11.10 Informationsanlass Bachelor- und Masterstudiengang Stadtcasino Basel 20.00 Uhr Mittwoch 24. November 2010, 16:00 – 18:00 Uhr Studieninformation und Apéro VORVERKAUF: www.allblues.ch • www.ticketcorner.ch Institut Architektur FHNW Die Post, Manor, SBB, Coop City, Au Concert, BaZ, Bivoba, Stadtcasino Tel.
    [Show full text]