1997 Avril Bulletin

Total Page:16

File Type:pdf, Size:1020Kb

1997 Avril Bulletin Bulletin de LEW SOCIETE D'HISTOIRE DE TORONTO FONDEE EN I 984 C. P. 93 - 552, rue Church. Toronto (ON) M4Y 2E3 EE T616phone 416.769.1040 T616copieur 416.769.1046 Volume 2 num6ro 2 Printemps l997 ASSEMBELEE@ENERAELEANNUEELELE DE LA SOCIETE D'HISTOIRE DE TORONTO LE DIMANCHE 22 JUIN 1997 Does lct solle "C'', a 14h c]u Squclre Me] Lesmon, 5100, rue Yonge a North Yori{, M6fro Sheppc]rd LES RUES DE MA VILLE. Ies temoins d'une Nous avons le plaisir de vous histoire vivante convoquer a la onzieme assembl6e Dans Ctrez nous, le Bulletin public 96n6rale annuelle de la Soci6te d'histoire de Toronto. Cette reunion aura lieu le par les Centres d'Accueil H€n.tage dimanche 22 juin 1997 a 14 heures a la (volume 1, num6ro 1, printemps salle ''C" du Square Mel Lastman a 1996) on pouvait lire que: «Le 22 aoot North York (5100, rue Yonge, au nord de l'avenue Sheppard). 1978, un organisme a but non-lucratif, Les membres sont convoqu6s incorpor6 en Ontario, compose de 12 afin d'elire un nouveau conseil administrateurs francophones, obtenait d'administration et d'approuver le bilan une charte provinciale sous le nom de des activit6s de 1997. Les postes ''Les Centres d'Accueil H6ritage''. Un a combler sont ceux de la pr6sidence, Ia vice-pr6sidence, le secretariat, le des buts premiers de cet organisme ShlNT'LNIR€NT tr6sorier et au moins 3 postes €tait la construction de residences 33, place Hahn d'administrateurs. Tout membre en pour personnes ag6es od les services Toronto, Ontario regle est eligible a etre mis en Sous lo dlrectlon de lo corporation seraient en fransais. Une enqu€te ` Les Centres d`Accilell H6rlfage- nomination et a voter. Est en iegle, toute avait alors d€monrfe un pressant personne ayant paye son adhesion au besoin d'offrir aux personnes prix de 20,00 S avant 14hl5 le 22 juin 33 place Hahn, a proximite de 1997. Les mises en candidature seront ag6es francophones de Toronto I'avenue Esplanade et de la rue accept6es jusqu'au moment du vote. une residence oil elles pourraient se Nous proposons l'ordre du jour Berkeley s'6tablirent, alors, le sentir a I'aise clans leur langue et leur suivant et nous vous invitons a le Centre des Pionniers et l'Accueil completer: culture. La construction de la premiere Medical francophone». residence se compl6ta en d6cembre 1. Ouverture de la stance Les lecteurs de 1`Expness de Toronto 1981 sous le nom de La Place Saint- 2. Choix d'un president et d'un se souviendront d'un article remontant Laurent. Sous ce meme toit au secr€taire d'assemblee a plusieurs mois d6ja otl l'on proposait 3. Adoption de l'ordre du jour > L'assembl6e g6n6rale sera suivie de changer le nom de la place Hahn 4. Adoption du proces-verbal de la d'une conference pr6senfee par pour la place Omer Delauriers. Avant derniare AGA M. Dents H6roun de la Fonclat}on que le changement de nom se fasse, 5. Rapport financier du patrimoine. M. H6roux nous si jamais il se fait, nous vous proposons 6. Bilan des activites parlera du programme de la l'histoire du nom de la rue qui donne Fondation pour la sauvegarde son adresse a une importante 7. Elections des sites historiques. institution pour la collectivite 8. Questions diverses > Pour comm6morer le 110e 9. R6sultat du vote anniversaire de la fondation torontoise. D'od nous vient donc la rue place Hahn? Pour le savoir, 10. C16ture de I'assembl6e de la paroisse du Sacr6-Coeur de Le#:_i_Lfr Toror\to, le peTe Edouard |ackman retra€ons l'histoire et la carriere offrira a la Soci6te d'histoire d'Emanuel Otto Hahn, sculpteur une courte-pointe repr6sentant dont nous pouvons admirer le travail differents aymboles prfeents clans Lina Chopin l'6glise de la paroisse. tous les jours sur nos pieces de 1 0 et 25 sous! Emanuel Otto Hahn est n6 a Dans les actes du Conseil de ville Reutlingen, Wurtemberg, en de Toronto pour l'ann6e 1980, on Allemagne le 30 mai 1881. Sa famille peut lire a la page 11064 pourquoi €migre au Canada en 1888 et elle l'adresse des Centres d'Accueil choisit de s'installer a Toronto. Heritage est au 33 de la rue Hahn. Emanuel Hahn poursuit des 6tudes a Les terrains qu'occupent Les Centres Toronto et en Allemagne. A son retour d'Accueil Heritage avaient 6t6 r6serv6s a Toronto, il travaille avec Walter pour l'expansion du r6seau routier. Seymour AIIward (le monument de Quand le Conseil de ville de Toronto Vlmy), avant d'ouvrir son studio et d6cidera de changer la vocation de d'enseigner a l'Ecole des Beaux-Arts ces terrains, on devra trouver un nom de l'Ontario. Hahn est un sculpteur pour la rue. 11 avait d'abord €te d€cid6 reconnu pour ses nombreux que se serait le prolongement de la monuments et pour son travail de rue Berkeley. Cependant cette option exigerait de changer la num6rotation graveur de monnaies et de timbres canadiens. Sculpteur realiste, il a d'un edifice, jug6 d'une grande valeur 6galement consu le ''Pioneer Arch" architecturale et historique, a l'angle construit pies du Rainbow Bridge a des rues Berkeley et Esplanade. Les Niagara Falls pour comm€morer le propri€taires s'y opposeront. Alors souvenir de William Lyon MacKenzie. on proposera le nom de Hahn. A la fin de la Premiere Guerre On peut aussi se demander pourquoi mondiale, Ie besoin de m6moriaux un tel choix? Suite a un concours, SAVIEZ-VOUSQUE... c€16brant la participation canadienne organis6 par le quotidien Toronto 5tor, clans le conflit va nourrir l'imagination en vue de choisir des noms de rue > La derniere edition de ['Amfe du sculpteur. On lui doit de nombreux pour le projet immobilier St. Lawrence francophone intemationale ¢6d. 1997 , a l'Est du St. Lawrence Market, Ie nom monuments aux morts, en Ontario qui couvre en fait l'ann6e 1996) est et au Quebec et il dessine la piece de Emanuel Otto Hahn avait re€u des sortie en mars dernier. Deux membres canadienne de 1 0 sous avec la commentaires favorables des juges de la Soci6te d'histoire sont au nombre mais, il n'avait pas 6te retenu parmi les go6lette Bluenose et la piece de 25 des collaborateurs pour le chapitre `- sous avec la tote de caribou. De plus, 7 noms de rue choisis pour le nouveau consacr6 a l'Am6rique du Nord. Nos il a consu des timbres et des sculptures quartier. Quand le Conseil de ville fut lecteurs seront heureux d'apprendre architecturales. 11 est un des membres appel6 a trouver un nouveau nom qu'on parle de la Soci6te d'histoire fondateurs de la Soci6te des Sculpteurs pour la partie sud de la rue Berkeley, de Toronto aux pages 117 et suivantes du Canada en 1 928 et il en fut le il parcourut la liste des noms proposes rappelant que «La Soci6te d'histoire a l'occasion de ce concours. Le choix de Toronto poursuit ses efforts en premier president. 11 a particip6 a des expositions de groupes au Canada, s'arreta sur Emanuel Otto Hahn. C'est vue de l'am€nagement d'un parc en Angleterre et aux Etats-Unis. On ainsi que le 11 mars 1982 le choix de historique particulierement riche en Hahn a 6te fait. histoire puisque s'y sont succ€d6s peut voir de ses oeuvres a la Galerie nationale du Canada, au Mus6e des les diff€rents peuples fondateurs de Beaux-Arts de l'Ontario et au Mus6e l'Ontario (Hurons, lroquois, Objiw6s, Royal de l'Ontario. Emanuel Hahn Votre participcition Fran¢ais et Anglais)». On peut lire d€cede a Toronto, le 14 fevrier 1957. nous est ch6re 6galement que les efforts de la Soci6te d'histoire pour la preservation du Vous pouvez voir, en vous d6placant Vous avez des suggestions pour des clans Toronto, des ceuvres de Emanuel conferences ou des activites? Venez patrimoine ont €te reconnus par la VIIle de Toronto qui a octroy6 «des Hahn. Un bronze repr6sentant un a l'une ou encore mieux a toutes les reunions administratives de la rameur (Edward Hanlan 1855-1908) prix a quatre des membres de la Soci6te. Soci6te d'histoire, entre autres pour la pres du Mus€e de la marine (Marine Les prochaines reunions auront lieu r6dactiion des Trois cireuits historiques Museum) sur les terrains de > le dimanche 22 juin 1997 a 14h, dr Toronto fran fa;s». Une place toute l'Exposition nationale du Canada `a la salle C7 du Square Mel Lastman sp6ciale est faite 6galement au film (CNE), ou encore, en traversant la rue > le lundi 25 aoQt 1997 a 19h, Maman et Eve du cin6aste Paul Universit€ (au niveau de la rue Queen) clans les salons du faourty C/tib Carriere, qui a reeu le prix Genie pour vous pouvez voir le monument de Sir de I'univers.Iie Victoria. le meilleur documentaire canadien Adam Beck, fondateur et president de Si toutefois vous n'avez pas le temps de 1996.11 nous fait plaisir de rappeler la Commission hydro-electrique de de participer aux reunions, alors faites mareher vos doigts: l'Ontario de 1906 a 1925 et, a l'angle que ce film a 6te produit par Daniele Caloz, membre fondateur de la SHT et de la rue College, le monument a la telephone 416.769.1040 m€moire de Robert H. Saunders (1903- t616copieur416.769.1046. presidente de la maison de production M6di.atl.que.
Recommended publications
  • Network Map of Knowledge And
    Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W.
    [Show full text]
  • J1ke1fca JPLAN Oj . .§U1f:If;/Jor I
    ; . i I I j1KE1fCA JPLAN oJ ..§U1f:if;/Jor 1 WATR. .MEMO IRifAJL.. I \ '\ \ • \ I l I 1 I \ \ \ \ \ \ \ Ro ck ...o l 1t1:, I t. \ I l I 1 I 1 · Oaks' <> .., 027 EMJneer' s Departmsnt THE CORPORATION OF THE DISTRICT OF OAK BAY BYLAW NO. 4205 A Bylaw to designate portions of municipal property as protected heritage sites WHEREAS a local government may designate real property in whole or in part ns protected pursuant to Section 967 of the Local Government Act; and WHEREAS the Municipal Council of The Corporation of the District of Oak Bao' considers that the real property described herein has sufficient heritage value and heritage character to warrant heritage designa~ ~~~~ : NOW TIIBREFORE the Municipal Council of The Corporation of the Distri<rt of Oak Bay, in open meeting assembled, enacts as follows: · 1 The following real property is hereby designated as protected pursuant to Part 27 of the Local Government Act: (1) the stone pier and iron gate structures situate on the portion of L[ot 2, Sections 2 and 61, Victoria District, Plan 11985, shown shaded grey on the plan atta&hed as Schedule "A" to this Bylaw (the "Bowker Gates''); (2) the World War II Observation Post situate on the portion of Lof 1, Section 46, Victoria District, Plan 6325 (except part in Plan 32428), shown shaded grey on the plan attached as Schedule "B" to this Bylaw (the "Gonzales Observation Post"}! (3) the "Uplands" stone and concrete gate posts, and where applicabJe the iron fencing, situ­ ate on the portions of highway shown shaded grey on the plan attached as
    [Show full text]
  • The Maple Leaf Rag
    The Maple Leaf Rag Friends of the Canadian Collections Amis des collections canadiennes Spring 201 3 Keep your calendar open for these two "must attend" talks. y s l ) e a l g 2 l i a 3 K m 8 s I a e 1 i - g c M i 4 l a O 9 A m I R 7 o , t 1 n ( M d t w O e n t o R u n a r k b i n B r t u t n t A s h i t o r J A Brushing it in the Rough: The First Nations’ Role in the Women Artists in Canada in the War of 1 81 2-1 81 4 1 9th Century It was a war between the British/Canadians and You may have seen Susanna Moodie’s delicate the Americans, but the First Nations played an sketches of Canadian wildflowers. But are you familiar important part. with the work of the explorer Anna Jameson? Or those of Alicia Killaly, one of Krieghoff’s students? Dr Trudy Nicks, Senior Curator, World Cultures Department at the ROM Dr Arlene Gehmacher, ROM Curator of explains this added dimension to the Canadian Paintings, Prints and War of 1812-1814 Drawings, talks about early Canadian women artists. Learn what these works tell us about life in . pioneer times. Wednesday May 29, 201 3 Wednesday March 6, 201 3 4 - 6 pm 4 - 6 pm Education Classrooms 3 & 4, Level 1, ROM Brought to you by the Friends of The Canadian Education classrooms 3 & 4, Level 1 , ROM Collections/Amis des collections canadiennes Brought to you by the Friends of Canadian Collections/Amis des collections canadiennes Following the Annual General Meeting FREE for FCC/ACC members FREE for FCC/ACC members $1 5.00 (not including ROM Admission) $1 0.00 (not including ROM Admission) Light refreshments Light refreshments Registration required for all: 41 6.586.5797; Registration required for all: 41 6.586.5797; www.rom.on.ca/whatson and select by date.
    [Show full text]
  • Painting and Sculpture in Canada
    PAINTING AND SCULPTURE IN CANADA M. 0. HAMMOND HEN Louis Jobin, the wood carver of Ste. Anne de Beaupre, W passed away in 1928, at the age of 86, he severed a link which united primitive and modern art in Canada. Through his long life he had created figures in wood, the last of a noted line of artists in their own field. Ancient calvaires beside Quebec highways, fading wooden Indians in front of cigar stores, surviving figure­ heads on sailing ships, religious figures on the fa~ades of French­ Canadian churches, as at Ste Famille on Isle d 'Orleans, dating from 1749---these are relics of the wood-carving age in Canadian art, that may be found by diligent search. Jobin's own life spanned the developing years of the newer art in Canada, the art of painting. We may pass over the efforts of the Indians, visible in the decorative totem poles, carvings in bone, shell and ivory, and the painted ceremonial faces of the red men, and ignore the efforts of educated Frenchmen in the days of New France. If art in Canada lacked adequate support almost down to the relatively fat times of to-day, how much less could it thrive in the era of the explorer and the coureur-de-bois? There has been virtually a century of painting in Canada, from the days of Paul Kane, Cornelius Krieghoff and George T. Berthon, to the present, and half way down that century occurred in 1880 the organization of the Royal Canadian Academy, the jubilee of whose launching is being observed in this year 1930.
    [Show full text]
  • Enjoy a Walk in Guild Park
    Enjoy a Guild Park & Gardens 201 Guildwood Pkwy. Walk in Operated by the City of Toronto. Owned by Toronto & Region Conservation Authority Guild Park Sculptor’s Entry Cabin to Walk at Laurier High School board (weekends only) walk Parking Off-site Public Construction Zone Washrooms Monument Walk Suggested walking route Entry from Livingston Road © 2019 10 Unique Sites at Guild Park & Gardens ❽ Greek Theatre: Guild Park’s landmark Welcome to Guild Park – Where Art ❸ The Clark Plaque: Recognizes the was built from the white marble columns and Meets Nature. Hundreds of fascinating life work ofInterest philanthropists Rosa and Spencer arches salvaged from the Bank of Toronto sights and stories await you on these 88 Clark. On this site, the couple founded the building (1914-1965). The bank’s design was Guild of All Arts in 1932. It evolved into their acres. Here are 10 of the most popular: inspired by the Paris stock market. The ornate popular Guild Inn, which closed in 2001. Provincial Panels: The 12 sculpted building was replaced by the modern TD panels at Guild Park came from the Bank of ❹ Musidora: The oldest art piece on Centre. Canadian architect Ron Thom designed the Greek Theatre by repurposing Montreal building (1948-72) at King and Bay site. Sculpted in 1875 by Marshall Wood, it the fragments. It opened in 1982 on the 50th in Toronto. The bas-reliefs display the was inspired by a maiden in a Greek poem by anniversary of the Guild of All Arts. The stage dynamism and natural resources of Canada’s Ovid.
    [Show full text]
  • Contractors: P
    Mou toh bo,,d th•t comf"s to C•n•d• from So.•n S'4rU !h l w4y. CORK 1\ rn!croscoo•c view of cork showing its un•que: air~ce:ll structure. CORK IS LIGHT WEIGHT-MOISTURE RESISTING - FIRE RETARDANT AND ROT PROOF T HE enormous load the little burro is carrying absorbtion factor in addition to its high is mostly air, and entrapped air is ra ted insu lating value. very highly as an insulation against heat Armstrong's Corkboard roof insulation resists and cold. The microscopic view shows the deterioration and where subjected to moisture structure of cork very clearly and due through damaged roofing will not absorb water to its cellular nature has a very low moisture as fibrous materials are liable to do. CON DUCTI V IT Y O F A RMSTRO NG'S CORKBOARD - A recent test conducted by A. E. Aleut!, Professor of applied MechaniCS, Un1versity of Toronto, shows the conductivity (K) = 0. 28 b. t.u. per 1 " per ' F per hour at 47" F. mean temperature. £ng,neertng lnformi!Jtlon gladly wpplied. ARMSTRONG CORK & INSU LATION CO. LIMITED MONTREAL TORONTO WINNIPEG Armstrong's Cork Products FOR· THE ·AGES The "step-pyramid", the oldest survivi11g buildiug of stone. Built of limestoue by the Eg,rptio~t Royal Arcllitect, lmhotep, abot<t 3000 B.C. New Customs House, Toronto. Architect: T. W. Fuller. General Contractors: P. Lyall & Sons Con- struction Co. L imited. .__""'.;;..,_""-·'-"-- ~..__ __.,;;.;., .......... ...;.......-J,t~........,.-.,.,...._,_,.......,_.;..,..,.,. o&...,: __ ......:::..;..,_~.. ~ ......... ......:::.J It is significant that the earliest stone structure re .
    [Show full text]
  • Guild Park: Various Sandstone Carvings and Front Entrance from the Bank’S Main Building at 39 King St
    11. Solstice (1982) 17. The Bear (1979) Modern, black painted steel sculpture by Stylized brown bear carved on-site by E.B. Russian artist Kosso Eloul. One of 35 works Cox and Michael Clay. Nearby is the Music displayed for the Contemporary Outdoor Wall (1897-1968) from the Toronto Sculpture Exhibition hosted at the Guild in Conservatory of Music, at University & College, which highlights renowned Canadian 1982. The international event was curated by musicians, Dr. Healy Willan and Sir Ernest sculptor Sorel Etrog, a friend of the Clarks. MacMillan; and The Swan (pre-WWII) by British artist Peter Hills, was from a building in 12. Bank of Nova Scotia London’s Piccadilly Circus destroyed in the (1903-69) Blitz. The Clarks later acquired the sculpture. Guild Park: Various sandstone carvings and front entrance from the bank’s main building at 39 King St. W. 18. Toronto Star Building Artifacts (1929-72) Where Art 13. Musidora & Imperial Bank of Canada Art Deco elements saved from the newspaper offices demolished for First Canadian Place. Meets Nature (1875 and 1928-72 respectively) Italian marble figure by English sculptor 19. Terracotta Gates Marshall Wood. It is Guild Park’s oldest (1890-1980) artwork. Wood’s sculptures are displayed From the Produce Exchange Building, near worldwide, including at the Parliamentary today’s King Edward Hotel. Library in Ottawa. Musidora is framed by the marble façade of the Imperial Bank of Canada, 20. Scarborough Bluffs originally located at 802 Yonge St. The vista from Scarborough Bluffs is about 200 feet above Lake Ontario, with New York 14.
    [Show full text]
  • Walter Allward: Sculptor and Architect of the Vimy Ridge Memorial
    ESSAY ESSAI WALTER ALLWARD: SCULPTOR AND ARCHITECT OF THE VIMY RIDGE MEMORIAL LANE BORSTAD rs Chairperson of Fine Ar'tS . >LANE 80RSTAD Grande Pr' air'ie Regional College, Alberta . His 1990 Queen's Universil:y MA thesis, A Catalogue of Ol'awings and Sculpture of Walter Seymour Allward 11876-19551. remains the acknowledged authority on its subject . In November' 2007 INTRODUCTION he or'ganized a conference, Monuments and Memorials, which dealt with Vimy and other' srtes Before the First World War, English Canada reflected the shared values and experiences of remerT1brance . of an emerging nation deeply concerned with national identity and patriotism. Sculp­ ture in English Canada around 1900, similar to nineteenth-century European sculpture from which it derived,' was "dedicated to the celebration of the nation's heroes, institutions, and middle class values. " 2 In 1898, W.A. Sherwood ARCA described the relationship between sculpture and nation­ alism as follows: The Fine Arts could be most effectually used to develop a strong patriotic national pride. The heroic statues of England have made thou sands of heroes. The little schoolboy winding his way t hrough the parks of France and Germany learns more of the true meaning of patriotism as he gazes upon the bronze figures of native celebrities than he could possibly do under the guidance of the most enthusiastic teacher. Our country has no dearth of heroes. 3 4 Hamilton MacCarthy RCA , another aca­ demician and one of the leading Canadian sculptors of the day, gave expression to the traditional canon of sculpture: Sculpture through its beauty and a/ fresco endurance is especially fitted to present and express the incidents and achievements of history; the heroes.
    [Show full text]
  • September 20, 2005: an Electronic Publication of the Canadian Numismatic Association Copyright © 2005, the Canadian Numismatic Association
    Welcome to the C.N.A. E-Bulletin Number 20 – September 20, 2005: An electronic publication of the Canadian Numismatic Association Copyright © 2005, the Canadian Numismatic Association INTRODUCTION I still remember so well when I first signed up with an Internet service provider. Other than my main e-mail account, I set up accounts for my wife, for the Ontario Numismatic Association when I was involved with that fine organization and, currently, four different e-mails for the C.N.A. and one for another non-profit organization. Of course it was dial-up. Three weeks ago, I called my ISP and ordered up high speed. My access codes were changed almost immediately, something I found out the hard way when I tried to access my e-mail. I received my modem and the disk with new software a number of days later. Right at that time, I got such a headache that was the most severe I ever had in my life. Stubborn people do not rush to a doctor or the emergency department of a hospital right away but first wait a few days in agony (what did they say the average wait time is in a hospital these days?). This prevented me from taking my computer in for the installation of an Ethernet board required for high speed. This was followed by a pre-planned trip to the site of the 2006 C.N.A. Convention before I could finally install the required card and new software to be able to access my ISP. I offer this information to explain why you did not receive the C.N.A.
    [Show full text]
  • Master of the Monument
    ART CANADA INSTITUTE INSTITUT DE L’ART CANADIEN FOR IMMEDIATE RELEASE Friday, April 9, 2021 MASTER OF THE MONUMENT Walter S. Allward: Life & Work The new ACI book by Philip Dombowsky Although Walter S. Allward shared the same virtuoso talent as Michelangelo, the visionary artist behind Canada’s iconic Vimy Memorial was nearly forgotten for many years. Now, on the anniversary of the battle that he famously commemorated, a new book documents the revered sculptor’s life and career. Walter S. Allward, Vimy Memorial, 1921–36. April 9, 2021, FOR IMMEDIATE RELEASE— The world-famous Vimy Memorial in France—pictured on our $20 bill—is a symbol of a pivotal touchstone in Canada’s history. Yet its creator, Walter S. Allward (1874–1955), is far from a household name. In honour of the 104th anniversary of the Battle of Vimy Ridge during the First World War, the Art Canada Institute (ACI) is pleased to announce the release of Walter S. Allward: Life & Work by Philip Dombowsky, a new open-source online art book dedicated to the internationally celebrated Canadian sculptor who designed the majestic Vimy Memorial, 1921–36. “Despite his enormous success, Allward was largely ignored after his death until 2001, when he appeared as a fictional character in Jane Urquhart’s novel The Stone Carvers,” says Philip Dombowsky, author of Walter S. Allward: Life & Work. ACI’s new publication offers crucial insight into how Allward thrust Canadian modern sculpture onto the international stage while profoundly influencing the next generation of sculptors, including the renowned Emanuel Hahn (1881–1957), Frances Loring (1887–1968), and Elizabeth Wyn Wood (1903–1966).
    [Show full text]
  • The Making of a Memorial
    THE MAKING OF A MEMORIAL War Memorials in Manitoba: An Artistic Legacy THE MAKING OF A MEMORIAL esigning and building Manitoba’s community war memorials was a remarkably complex enterprise, which is well worth examining. It is likely that we will never know exactly how any given monument came together or who was involved, but we can learn something of the process through a variety of Dsources. Many memorials are the product of several different people or firms: possibly an architect or designer, a sculptor, a carver, and a monument maker, as well as the actual installers. Before a community could even begin thinking much about designers and materials, though, it generally had to gather funds. In the majority of cases, funds were collected—in amounts from as little as fifty cents to quite large sums—from community members and local organizations, such as sports teams, churches, lodges, social clubs and business organizations. Rarely did a local government commit any money, though Neepawa was an exceptional case. Quite often, the whole effort was spearheaded by a women’s organization such as the Women’s Institute or the Imperial Order of the Daughters of the Empire. Energized by the wartime necessity of filling the shoes of men at the front, such groups found themselves with newly‐gained confidence and hard‐won credibility as they forged ahead in the pursuit of the public good (Shipley, 57). War Memorial inscription, advising of the sponsors: “Erected by the Imperial Order/ Daughters of the Empire/ Carberry.” Some communities debated the type of memorial they wanted.
    [Show full text]
  • Universal Nations
    UNIVERSAL NATIONS Dina Torrans Canadian Sculpture Centre April 11 - May 3, 2013 Essay by Mark Lipton The Canadian Sculpture Centre Opening: Saturday, April 13, 11am - 4pm 500 Church Street, Toronto Music by Gordon Hyland & Sam McLellan Adventures on Earth April 11 – May 3, 2013 Remarks by Richard McNeill Catalogue Essay by Mark Lipton Sculptor, Vice President - SSC, Co-Director - CSC “Adventures on Earth” is a series of thirteen Many of these works were painted outside the intricate three-dimensional works on paper. studio, on location in India, Mexico, and Canada. Here, Torrans’ delicately engages in acts of This environment clearly influences the landscape bricolage, playing with the meaning of found and geospatial quality of this collection, capturing objects. Torn maps and sheet music, raw moments in time, and introducing us to Torrans’ The aim of the Sculptors Society of Canada Her previous solo show “Mapping Infinity” elements like bronze, copper, and stone, and focus of attention. For Torrans, each work is a (SSC) is to promote and exhibit contemporary revealed how extensive travels in Europe, India, an assortment of other mixed media such as poem open to multiple to interpretations. Yet acts Canadian sculpture. Founded by Canadian the Far East, and South Pacific broadened and feathers and children’s toys are transported of interpolation, where Torrans’ focus attunes the sculptors Frances Loring, Florence Wyle, influenced her work tremendously. In this past to Torrans’ world in ways that sculpt strong viewer to her understanding of Nature – real and Elizabeth Wyn Wood, Emanuel Hahn, Henri work, as in her current collections, Torrans evokes narratives.
    [Show full text]