DOCSLIB.ORG

October 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

STREET DATE: OCTOBER 18, 2019 OCTOBER NEW RELEASE GUIDE NEW RELEASE GUIDE OCTOBER 2019 Welcome!! Welcome!! It’s All About The Kids---Part 47. I know, I know…we keep saying it but it After a long battle, Mike Wilhelm passed this summer. Mike was one is true and here we are again Emily Arrow Singalong Songs Vol. 3 of the original Charlatans---the band that kinda/sorta kicked o the continues down the path forged by Volumes 1 and 2 as well as San Francisco Sound in the mid-60s. No less than Captain Trips, Jerry Wintertime Singalong (insert shameless plug---we’ve got ‘em all!). Emily Garcia, named MW as his favorite guitarist. He was member of mid- and her ukulele named Bow have kids of all ages singing and reading era Flamin’ Groovies, had his own outt called Loose Gravel and along! made a couple of solo albums over the years including Rocks & Gravel with Freddie Steady Krc and some other crack Austin players including Did I mention Grammy Award winning cellist Sara Sant'Ambrogio is Alejandro Escovedo and Maryann Price. back with a new album featuring the Elgar Cello Concerto, with the Royal Philharmonic alongside her interpretations of An Astor Piazolla Poison Idea just played their nal show last month. They’ve done that piece and a brand new concerto written for her by Bruce Woloso. before. And may indeed do it again some year. The rst time was in Solo or with the Eroica Trio, Sara is a cellist to be reckoned with. 1993 at LaLuna in Portland. The show was captured live and the CD was released by Sub Pop. Good show. So good that the band decided Plus we have CD and LP releases by ZU and also by Norman along with to keep going. And they have. What most folks did not know is that the a we’ve-been-waiting-for-decades album by NY Power Pop unit show was also lmed. A four camera shoot resulted in a DVD of that Diamond Dupree which begs the question---What took them so long? show in its’ entirety. For the rst time, the DVD is available WITH the Throw in some Doug Duey and BADD, Miss Rayon and Spätzer and CD in one nice little highly aordable package. Hear PI originals along balance them all against Seattle's Richard Peterson Orchestra and we with covers by Ramones, Wipers, G.I.S.M. and Bauhaus. Sometimes I have a grand mixed bag elixir of music for you this month. think Poison Idea may outlive us all (except for Keith Richards of course). your friends at bdc… It’s almost THAT time of year. You can almost hear Nat Cole or The Velvet Fog singing “Chipmunks roasting on an open re!” Pages 7, 8, 9 and 10 have the HOLIDAY titles we have available. We range from Swamp Dogg and NRBQ to the Pittsburgh Symphony Brass to Mike Marshall, Jane Siberry and Caspar Babypants! Think about some eggnog and peruse this assortment. You know we have titles you can sell. THE BURNSIDE DISTRIBUTION TEAM MAIN OFFICE SALES STAFF 6635 N. Baltimore Ave. Suite 226 Portland, OR, 97203 SKIP WERNER CLAY PASTERNACK P (503) 231-0876 Vice President Rep area: Midwest F (503) 231-0420 6635 N. Baltimore Ave. Suite 226 21258 Maplewood Ave. Portland, OR 97203 Rocky River, OH 44116-1244 P (503) 231-0876 ext 202 P (440) 333-2208 F (503) 231-0420 F (440) 333-2280 MARLY HAYES [email protected] [email protected] Accounting [email protected] BILL MCNALLY NICOLE PARKER President amazon liaison [email protected] 6635 N. Baltimore Ave. Suite 226 Portland, OR 97203 FRANK BRANDON P (503) 231-0876 Senior Fellow F (503) 231-0420 [email protected] [email protected] ( 2 ) NEW RELEASE GUIDE OCTOBER 2019 ( 3 ) NEW RELEASE GUIDE OCTOBER 2019 AMERICANA Mike Wilhelm, Rocks & Gravel CD Mike Wilhelm was Americana before Americana was cool. As a founding member of the legendary San CAT: Francisco Charlatans, Mike Wilhelm, guitarist and vocalist, pioneered the exploration of America's music SB-0055 of its’ past. Blues, Folk & Jazz from the early 1900's to the then present day of the mid -960s. Mike and LABEL: SteadyBoy Records SteadyBoy Records owner/producer, Freddie Steady Krc, began their musical friendship in the late 1970s- UPC: 614511859929 early 1980s. Mike was playing with Flamin Groovies and Freddie was playing with Austin, TX-based PRICE: $9.90 power poppers, The Explosives. After Mike and Freddie completed a successful acoustic tour of Norther California and Nevada in the 1990s, Freddie got the idea to do a recording with Mike in Austin. Randy Poe came on board as co-producer with Freddie. They assembled a crack band including guests Maryann Price and Alejandro Escovedo and, in two days, cut this Americana oering titled Rocks & Gravel. BLUES Doug Duffey and BADD, Play The Blues CD Doug Duey and BADD are a Louisiana-based quartet that plays 100% original Blues, Delta Soul, Bayou CAT: Funk and Swampadelica. The band name is an acronym of the band members' names. Duey (National OOTP 011 Blues and Louisiana Halls of Fame, P-Funk alumnus), called “one of the most prolic songwriters living in LABEL: Out Of The Past Louisiana,'' draws on ‘old-school’ Louisiana/Memphis styles, creating songs that showcase his rockin’ UPC: 888295937306 piano, and inimitable soulful voice. Dan Sumner is an internationally-acclaimed guitarist, songwriter and PRICE: $9.90 producer. Adam Ryland (drums) and Ben Ford (bass) lay down powerful, funky and soulful grooves that energize Duey’s vivid songs. Their sophomore release Play the Blues takes listeners on an image-lled Southern Blues journey through the Mississippi Delta from Memphis to New Orleans. CHILDRENS Emily Arrow, Storytime Singalong, Vol. 3 CD Award-winning children's songwriter Emily Arrow's Storytime Singalong, Volume 3 is here! Arrow shares CAT: all new songs about picture books, including her own book STUDIO: A PLACE FOR ART TO START EA0004 (3/3/2020, Tundra Books). Other fun Vol. 3 tunes include the interactive "If You Can Hear Me" and "Dance LABEL: Emily Arrow Like The Sun," Emily Arrow's original freeze dance song. Emily performs around the country to inspire UPC: 614511859226 listeners to sing, read, and play the ukulele. PRICE: $8.15 CLASSICAL Sara Sant'Ambrogio, Elgar, Piazolla, Wolosoff CD Grammy Award winning cellist Sara Sant'Ambrogio rst hit the international stage by winning the CAT: Tchaikovsky International Violoncello Competition in Russia which resulted in her Carnegie Hall debut SEB1901 televised nationally in the US. Since then, she has performed thousands of concerts on six continents LABEL: Sebastian Records both as a soloist and with her ensemble, the Eroica Trio. Sara has nally fullled her lifelong dream of UPC: 051497089023 recording the romantic masterpiece, Elgar Cello Concerto, with the Royal Philharmonic Orchestra-one PRICE: $10.90 of England's nest orchestras. She pairs the Elgar with a lush, new romantic cello concerto written for her by Bruce Woloso and her own arrangements of Astor Piazzolla's sultry Libertango and Oblivion to complete a recording designed to delight the listeners ears and linger in their souls. ( 4 ) NEW RELEASE GUIDE OCTOBER 2019 ELECTRONIC Spätzer, Dérive LP Dérive is the debut by Spätzer, a new project by emerging multidisciplinary artist Aiken Bömers-Muller. As CAT: generative-based compositions, Spätzer’s sound designs balance the formalist traditions of ambient RMR1 music with an insouciant kismet, creating compelling soundscapes that gently invigorate the senses. LABEL: REALMOREREAL Bömers-Muller has done his homework: Dérive conceptually draws on both Debord’s Situationalist texts UPC: 683332672161 as conceptual inspiration, and his direct experience as a matriculated stage actor. After several trips to PRICE: $11.40 Berlin’s MaerzMusik festival to participate in workshops and eld recording, Bömers-Muller’ work has evolved radically from his Bellingham-based folk indie band laughingstock (sic) and their 2017 full-length release “Thank You, Laughingstock” on Flat Field Records. One can literally hear this new awareness of the tensions between randomness versus structure, and intentionality versus emergence in these algorithmically-driven soundscapes. Some have described these creations as post-ambient. More precisely, they are soundscapes for the future. PUNK Poison Idea, Pig's Last Stand CD/DVD Recorded live at LaLuna in Portland in June 1993 at one of the rst Ocial Poison Idea Last Shows Ever CAT: (there have been several over the years), the 15 track CD was released by Sub Pop in 1996. Long out of AL-0020 print, this Poison Idea concert is now available once again on CD and for the rst time, accompanied by a LABEL: American Leather four camera DVD shoot of that evening’s epic show. Flipside at the time wrote of “the heavy sounds of Records this Portland hardcore juggernaut…hard as nails tunage…they belt them out with much venom and UPC: 798576915124 sweat…”. This is the classic PI lineup of Pig Champion, Mondo, Myrtle Tickner, Thee Slayer Hippy and Jerry PRICE: $9.40 A. in all their splendor...Pig's Last Stand. This is a CD/DVD two disc package. NOTE: This title has a Street Date of October 11th ROCK/POP Byre, Here In Dead Lights 12" Vinyl EP The stand alone release of Byre - Here in Deadlights EP from Rob Crow's 2018 Artist in Residency at Joyful CAT: Noise Recordings. Byre crafts catchy and captivating bass and synth driven songs. Byre is a stand out DWD006 release from Rob Crow's (Pinback and many others) AIR output. Byre has a completely unique vibe LABEL: Dowd Records thanks to the musical contributions of Spencer Seim (Hella and Solos), Ryan Grisham (Mock Orange), UPC: 614511857529 Aaron Tanner (o-ox) and Zach Zint (Thunder Dreamer).
Recommended publications
  • Economists Calling All Angels PERSPECTIVES

    Economists Calling All Angels PERSPECTIVES

    PERSPECTIVES Todd Hirsch Economists calling all angels ack in the ‘90s, Canadian the past 50 years. He said they failed conference, we had brazenly referred songstresses Jane Siberry and — failed! — to predict what happened to low-income Canadians as “the bot- B k.d. lang sang a hauntingly in 2008, and offer little help in get- tom quintile” as if they were a scientif- beautiful duet about the beauty and ting the global economy out of this ic category. We needed a reminder that pain of life, and all its unanswerable current mess. Considering the audi- we are talking about the lives of questions. “Calling all angels, walk me ence, this is a serious statement. The Canadians and their families. through this one, don’t leave me average attendee was probably The tricky part, of course, is know- alone. Calling all angels: we’re trying, around 45 years old, which implies ing how to raise up the incomes, the we’re hoping…but we’re not sure how that most everyone in the room had skills and the literacy levels of those this goes.” either studied macroeconomic theory Canadians most vulnerable to falling Little did they know that they or worked under its assumptions for through the economic cracks. could have been singing about the about 25 years. With close to a hun- Handouts aren’t the solution, and gov- Canadian economy in 2010. dred economists in the room, that ernment programs have been hit-and- Near the end of August, close to a works out to 2,500 years of cumula- miss.
  • Until the End of the World Music Credits

    Until the End of the World Music Credits

    (Below are the credits for the music in the English version, followed by the credits, in German, for the extended restored version): English-language music credits: Musical Score Graeme Revell Musical Score Graeme Revell Solo Cello and Additional Improvisation David Darling Music Supervision Gary Goetzman and Sharon Boyle Picture and Music Editor Peter Przygodda MUSIC Music Coordinators Barklie K. Griggs Jennifer Quinn-Richardson Dana K. Sano Music Recording and Mixing Studios Tritonus Studios, Berlin Music Editor (Synch) Dick Bernstein (Offbeat Systems) Music Mixing Engineer Gareth Jones 2nd Sound Engineer Gerd Krüger Assistant Maro Birkner Additional Music Recordings Hansa Tonstudios, Berlin MUSIC TITLES IN ORDER OF APPEARANCE: "GALKAN" Appears on "Les Aborigènes, Chants et Danses de l'Australie du Nord" Phonogramme ARN 64056 Courtesy of Arion "SAX & VIOLINS" Performed by Talking Heads Lyrics and Music by David Byrne Music by Chris Frantz, Jerry Harrison, Tina Weymouth Producer Steve Lillywhite and Talking Heads Mixed by Kevin Killen Publisher Bleu Disque Music Co. Inc./ Index Music admin. by WB Music Corp./ASCAP Courtesy of Warner Bros. Records Inc./Sire Records Company/FLY Talking Heads Appear Courtesy of EMI Records Ltd. "SUMMER KISSES, WINTER TEARS" Performed by Elvis Presley Writers Jack Lloyd, Ben Weissman, Fred Wise Publisher WB Music Corp./Erica Music/ ASCAP Courtesy of RCA Records Label of BMG Music "MOVE WITH ME" Performed by Neneh Cherry Writers Neneh Cherry/Cameron Mcvey Producer Booga Bear/Jonny Dollar Publisher Virgin Music Ltd/Copyright Control/ BMI/PRS Courtesy of Circa Records, Ltd. "IT TAKES TIME" Performed by Patti Smith and Fred Smith Writers Fred Smith and Patti Smith Producer Fred Smith Publisher Druse Music Inc/Stratium Music, Inc./ASCAP Courtesy of Arista Records, Inc.
  • Cuff the Duke Youtube

    Cuff the Duke Youtube

    Cuff the duke youtube Paper Bag Records Purchase Cuff The Duke's new album 'Union': Paper Bag Records. 'Count On Me' is from the Cuff The Duke album, Morning Comes, out now in Canada. Cuff The Duke drop into Studio for a CBC Radio 2 Drive session performing music. From the CUFF THE DUKE album 'UNION' out Oct. 2, [CN] / Oct. 29, [UK] / Feb. 12th, [US. Paper Bag Records - Cuff The Duke Buy it from the online store here: Paper Bag Records - Cuff The Duke Buy it from the online store here. From the album 'Way Down Here', released (NOT MY SONG!). Cuff The Duke - Take My Money And Run performed live @ Piebird B&B d. 'Like' us on Facebook - Follow us on Twitter - Cuff The Duke's Wayne Petti and François Turenne perform an acoustic version of "You Were Right" - full. Live at Lee's Palace in Toronto on March 20, Great set. This was my first time getting to see these guys. A favourite of mine not represented on youtube. Label: Hardwood Off their album Sidelines of the City! Visit our channel or for more great. CUFF THE DUKE 'So Many Times Before' [Paper Bag Session / Pt.4] From the album 'Morning Comes. Music video by Cuff The Duke performing It's All A Blur. (C) Noble Recording Co./Universal Canada. Cuff The Duke - Failure to Some - Duration: UGottaHearThis 1, views · Joel Plaskett - On and. Stay Lyrics: In the summer that I met you / I was lost and in search of proof / Oh when the autumn leaves started falling / I've found a proof that was here with you.
  • Chapters in Canadian Popular Music

    Chapters in Canadian Popular Music

    UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Ilona Šoukalová Chapters in Canadian Popular Music Diplomová práce Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Chapters in Canadian Popular Music (Diplomová práce) Autor: Ilona Šoukalová Studijní obor: Anglická filologie Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Počet stran: 72 Počet znaků: 138 919 Olomouc 2015 Prohlašuji, že jsem diplomovou práci na téma "Chapters in Canadian Popular Music" vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne 3.5.2015 Ilona Šoukalová Děkuji vedoucímu mé diplomové práce panu Mgr. Jiřímu Flajšarovi, Ph.D. za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Poděkování patří také pracovníkům Ústřední knihovny Univerzity Palackého v Olomouci za pomoc při obstarávání pramenů a literatury nezbytné k vypracování diplomové práce. Děkuji také své rodině a kamarádům za veškerou podporu v době mého studia. Abstract The diploma thesis deals with the emergence of Canadian popular music and the development of music genres that enjoyed the greatest popularity in Canada. A significant part of the thesis is devoted to an investigation of conditions connected to the relation of Canadian music and Canadian sense of identity and uniqueness. Further, an account of Canadian radio broadcasting and induction of regulating acts which influenced music production in Canada in the second half of the twentieth century are given. Moreover, the effectiveness and contributions of these regulating acts are summarized and evaluated. Last but not least, the main characteristics of the music style of a female singer songwriter Joni Mitchell are examined.
  • A Dynamic, Unforgettable Artist Whose Signature Style Has Made Him a Legend Among Blues Musicians. Terry Robb Is One of The

    A Dynamic, Unforgettable Artist Whose Signature Style Has Made Him a Legend Among Blues Musicians. Terry Robb Is One of The

    A dynamic, unforgettable artist whose signature style has made him a legend among blues musicians. Terry Robb is one of the top acoustic blues guitarists of our time. His signature fingerpicking style has earned him international acclaim from worldwide audiences, music critics and his distinguished peers. Incorporating elements from the Mississippi Delta music tradition, ragtime, country, swing and free jazz, Robb has built a unique blues sound that has made him a legend in his prolific music career spanning more than four decades. The multitude of awards Terry Robb has received speak to his seminal talent as a blues guitarist. Robb has been inducted into both the Oregon Music Hall of Fame and the Cascade Blues Association Hall of Fame. He single-handedly defined the Muddy Award for Best Acoustic Guitar, winning the honor 19 consecutive years from 1992 until 2011. Upon his retirement from the competition in 2011, the award was renamed the “Terry Robb Best Acoustic Guitar” Muddy Award to honor his landmark contributions to blues music. Robb was born in British Columbia, raised in the United States and currently resides in Portland, Oregon. He achieved greatness at an early age, performing with Ramblin’ Rex of Frank Zappa / Captain Beefheart fame, Canned Heat’s Henry Vestine, and steel­ string guitar icon John Fahey. At age twenty-four, Robb produced and played accompaniment on Fahey’s 1984 release “Let Go,” which received a four-star review by Rolling Stone and led to numerous subsequent collaborations for which Robb served as Fahey’s producer and session guitarist. As an acclaimed producer and session guitarist, Robb has contributed to many award-winning projects.
  • Everything in Its Right Place: Social Cooperation and Artist Compensation Leah Belsky Yale Law School Information Society Project

    Everything in Its Right Place: Social Cooperation and Artist Compensation Leah Belsky Yale Law School Information Society Project

    Michigan Telecommunications and Technology Law Review Volume 17 | Issue 1 2010 Everything in Its Right Place: Social Cooperation and Artist Compensation Leah Belsky Yale Law School Information Society Project Byron Kahr Max Berkelhammer University of Colorado Cooperative Institute for Research in Environmental Studies Yochai Benkler Harvard Law School Follow this and additional works at: http://repository.law.umich.edu/mttlr Part of the Commercial Law Commons, Entertainment, Arts, and Sports Law Commons, and the Internet Law Commons Recommended Citation Leah Belsky, Byron Kahr, Max Berkelhammer & Yochai Benkler, Everything in Its Right Place: Social Cooperation and Artist Compensation, 17 Mich. Telecomm. & Tech. L. Rev. 1 (2010). Available at: http://repository.law.umich.edu/mttlr/vol17/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Telecommunications and Technology Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. EVERYTHING IN ITS RIGHT PLACEt: SOCIAL COOPERATION AND ARTIST COMPENSATION Leah Belsky* Byron Kahr** Max Berkelhammer*** Yochai Benkler**** Cite as: Leah Belsky, Byron Kahr, Max Berkelhammer and Yochai Benkler, Everything in Its Right Place: Social Cooperationand Artist Compensation, 17 MICH. TELECOMM. TECH. L. REV. 1 (2010), available at http://www.mttlr.org/volseventeen/belsky.pdf The music industry's crisis response to the Internet has been the primary driver of U.S. copyright policy for over a decade. The core institutional response has been to increase the scope of copyright and the use of litigation, prosecution, and techni- cal control mechanisms for its enforcement.
  • Bio Files/D. Sharp CV.Pdf

    Bio Files/D. Sharp CV.Pdf

    dean sharp drummersoundscapistREmixerlooperproducer 845.464.0515 [email protected] Tours/Sideman/Live Work (selected) Moby, David Torn, Rachael Sage, Jane Siberry, Brad Mehldau, Liz Gorill (kazzrie jaxon), Cameron Brown, Joe Lovano, Hugh Brodie, Michael Bisio, Shunzo Ono, Steve Swallow, Marc Ribot, Avram Fefer, Todd Sickafoose, Russ Johnson, Michael Bisio, Tony Levin, Elliott Sharp, Mario Pavone, Hermeto Pascoal, Greg Brown, Jill Sobule, John Hall, Rick Danko, Ellis Paul, Fish Love That, Curtis Bahn, Louise Taylor, Christina Wheeler’s Blowout, Zoe B Zak, White Boys on Swing, Francis Dunnery, Scott Weiss Band, Lunch- meat, Donna Lewis, Stephen Vitiello, Defiant Ones (Bad Brains), Nona Hendryx, MACHAN, Leslie Ritter, Happy Rhodes, Artie Traum, Robbie Dupree, Josh Colow, Gwen Laster/Damon Banks, Eugene Ruffolo, Daryl Hall, Billy Ocean, Saphire, Latoya Jackson, Brenda Starr, PUC, ARI UP Discography (•....denotes production/writing credits) Bond Berglund - “Unearth” - Pathfinder Records • Elliott Sharp/ David Fulton - “State of the Union” - Atavistic • “Real Estate” - Ear Rational Records Dawntown(CharlElie Cotour) - Crysalis Records/ France • Lunchmeat - “Woodstock ‘94 Vol.II” - A&M Records Happy Rhodes - “The Keep” - Aural Gratification Records Artie Traum - “The View from Here” - Shanachie Records “Meetings With Remarkable Friends” - Narada Records “The Last Romantic” - Narada Records “South of Lafayette” - Roaring Stream Music Eric Garrison - “Looking For Egypt” - China Moon Music Robbie Dupree - “Smoke and Mirrors” - Miramar Records
  • TWO LOUIES, March 2001 John Fahey 1939-2001

    TWO LOUIES, March 2001 John Fahey 1939-2001

    Joanna Bolme of the Stephen Malkmus Band 2 – TWO LOUIES, March 2001 John Fahey 1939-2001 ohn Fahey was a giant influence on the cultur- Chants, Breakdowns, and Military Waltzes, I al development of America. He was the first asked, “Who are these two guitar players?” I pic- Jperformer to expand American folk-blues tured a couple of 50-year-old masters whose melodies into a concert style similar to Segovia— vision of music and spatial technique reminded that is, one man, one guitar, and one grand vision me of pianist Glenn Gould. Here was a performer that encompassed the spiritual essence of Delta who carried his genre to a higher level, whose Blues, cosmic folk, and classical music. probes were deeper, whose vision was wider, “Here was a performer who carried his genre to a higher level, whose probes were deeper, whose vision was wider, whose understanding of the universe was more complete and profound than any before him.” Without John Fahey, there may not have whose understanding of the universe was more been a Windham Hill label of acoustic guitar mas- complete and profound than any before him. John ters. There would have been no Takoma label, gave us the same kind of breakthroughs that we which featured John’s first seven albums and got from Debussy and Stravinsky. It may not have more. There may not have been a Music been possible without him. Millennium... certainly not as we know it. It was It’s incredible that so much talent was John Fahey’s music that inspired the Millennium brought out in a guitarist in his twenties from a founders to open their little Portland record shop little town in Maryland.
  • September 2019

    September 2019

    STREET DATE: SEPTEMBER 20, 2019 SEPTEMBER NEW RELEASE GUIDE NEW RELEASE GUIDE SEPTEMBER 2019 Welcome!! Welcome!! On the Children’s side of things, Oran Etkin is a jazz clarinetist who Kevin Burke is considered one of the nest living Irish ddlers. Born in incorporates music of Eastern Europe, the Middle East and Africa into London to Irish parents from Sligo, Kevin has spent time with the his recordings. Finding Friends Far From Home: A Journey With Clara legendary Christy Moore, The Bothy Band, Arlo Guthrie and a host of Net is a family album incorporating these and other sounds on his others. This album has Kevin returning the County Sligo of his parents journey with Clara Net (clarinet). Also Josh Lovelace’s Growing Up is and playing with many friends who are also internationally known now available on vinyl. And we reintroduce a deleted tiotle by Caspar musicians and just happen to live in the Sligo area. This new album is Babypants that was too good to say goodbye to---Welcome Back Away truly Sligo Made. We Go! Bob Dylan is known as a songwriter who rarely co-writes. But he has And we should warn everybody, this new live album from The with Sam Shepard, Robert Hunter and even Gene Simmons (say Beaumonts, This Is Austin, is probably going to upset someone. We what?!) and also with Jude Johnstone who is oftimes know as “a understand there might be some cussin’ on it. There are songs about songwriter’s songwriter”. Johnstone’s songs have been recorded by Hell-raisin’, drinkin’ and probably some other nastiness involved with Trisha Yearwood, Johnny Cash, Stevie Nicks, Bonnie Raitt and these Texas no accounts.
  • Deep Listening, Touching Sound

    Deep Listening, Touching Sound

    WHAT IS DEEP LISTENING? What is Deep Listening? There’s more to listening than meets the ear. Pauline Oliveros describes Deep Listening as “listening in every possible way to everything possible to hear no matter what one is doing.” Basically Deep Listening, as developed by Oliveros, explores the difference between the involuntary nature of hearing and the voluntary, selective nature – exclusive and inclusive -- of listening. The practice includes bodywork, sonic meditations, interactive performance, listening to the sounds of daily life, nature, one’s own thoughts, imagination and dreams, and listening to listening itself. It cultivates a heightened awareness of the sonic environment, both external and internal, and promotes experimentation, improvisation, collaboration, playfulness and other creative skills vital to personal and community growth. The Deep Listening: Art/Science conference provides artists, educators, and researchers an opportunity to creatively share ideas related to the practice, philosophy and science of Deep Listening. Developed by com- poser and educator Pauline Oliveros, Deep Listening is an embodied meditative practice of enhancing one’s attention to listening. Deep Listening began over 40 years ago with Oliveros’ Sonic Meditations and organi- cally evolved through performances, workshops and retreats. Deep Listening relates to a broad spectrum of other embodied practices across cultures and can be applied to a wide range of academic fields and disci- plines. This includes, but not limited to: • theories of cognitive
  • Salem Leaving Takoma Park

    Salem Leaving Takoma Park

    Salem Leaving Takoma Park ~ 43 Years of John Fahey ~ The John Fahey Catalog From The International Fahey Committee Chris Downes, Paul Bryant, Malcolm Kirton, Tom Kremer Thanks to Mitchell Wittenberg and Glenn Jones DISCOGRAPHY...................................................................................................................................................... 4 SUMMARY ............................................................................................................................................................. 4 TRACK LISTING...................................................................................................................................................... 6 THE FONOTONE SESSIONS 1958-1962 ............................................................................................................... 6 BLIND JOE DEATH 1959/1964/1967 ..................................................................................................................... 8 DEATH CHANTS, BREAKDOWNS, AND MILITARY WALTZES 1964/1967........................................................ 8 THE DANCE OF DEATH AND OTHER PLANTATION FAVORITES 1964/67 .................................................... 9 THE TRANSFIGURATION OF BLIND JOE DEATH 1965 ................................................................................... 9 THE EARLY YEARS (FONOTONE) 1965 ............................................................................................................ 10 GUITAR VOLUME 4 THE GREAT SAN BERNARDINO BIRTHDAY
  • Journal in Entirety

    Journal in Entirety

    EDITOR Robert Danielson EDITORIAL BOARD Kenneth J. Collins Professor of Historical Teology and Wesley Studies J. Steven O’Malley Professor of Methodist Holiness History EDITORIAL ADVISORY PANEL William Abraham, Perkins School of Teology David Bundy, New York Teological Seminary Ted Campbell, Perkins School of Teology Hyungkeun Choi, Seoul Teological University Richard Heitzenrater, Duke University Divinity School Scott Kisker, Wesley Teological Seminary Sarah Lancaster, Methodist Teological School of Ohio Gareth Lloyd, University of Manchester Randy Maddox, Duke University Divinity School Nantachai Medjuhon, Muang Tai Church, Bangkok, Tailand Stanley Nwoji, Pastor, Lagos, Nigeria Paul Numrich, Teological Consortium of Greater Columbus Dana Robert, Boston University Howard Snyder, Manchester Wesley Research Centre L. Wesley de Souza, Candler School of Teology Leonard Sweet, Drew University School of Teology Amos Yong, Regent University Hwa Yung, United Methodist Church, Kuala Lampur, Malaysia All inquiries regarding subscriptions, back issues, permissions to reprint, manuscripts for submission, and books for review should be addressed to: Te Asbury Journal Asbury Teological Seminary 204 N. Lexington Avenue, Wilmore, KY 40390 FAX: 859-858-2375 http://place.asburyseminary.edu/asburyjournal/ © Copyright 2017 by Asbury Teological Seminary ISSN 1090-5642 Te Asbury Journal VOLUME 72:1 Spring 2017 TABLE OF CONTENTS 6 From the Editor, Robert Danielson 8 Improvising with the Quadrilateral: An Augustinian Approach to Recovering the Use of the Wesleyan Quadrilateral in the Teology of Preaching Nathan Crawford 20 Waltzing with Wesley: Wesleyan Teology as a Renewing Framework for Chinese Christian Spirituality and Global Identity Samuel K. Law 44 Te Teme of Creation in Old Testament Teology from the Twentieth Century Onwards: Assessing the State of Play David J.