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Jane Siberry, One More Colour Pink Chiquitas Recruits • F I L M R E v I E w 5 One More Colour on lVOntario in the 2nd unit cam. Rhett Morita gaffer Keith Hlady best One can only imagine the script confer­• Don Allan's fall will better serve her considerable boy John Paxton elec. Will Van Halteren spfx ences, a riot, the casting, wow, and the lighting Bob Connolly key grip Edgar Egger grip talents. Mark HotJrnan p .a.igaffer Bob Davidson sd. mix. shoot itself, what a gas. Gord Thompson boom Mike Farrell art d. Danny Ad· Unfortunately, the watching is hell. Jane Siberry, dario set construct Tony Dasilva asst. set construct Those of us who, duped by our own Pat Thompson • John Biggar, Dan Kangas scenic art. Mike Close gra­ phics John Pearson props 2nd asst. ed. Julian Grant patriotic zeal, sat through it, could only One More JANE SIBERRY,ONE MORE COL- props Bora Bulajic special props Mark Arnold ward agree, that Recruits can be most chari­ OUR Half·hour and one hour music special on sets Giulio MuralOr ward. Jessica Daniel, Linda Grim· tably described as a total T&A disaster. baum seamstress Debbie Williams make-up Nicole singer· songwriter Jane Siberry. A TV pilot for series on Strictly for the record now, it is the Colour international pop!rock artists. In production with the Demers hair E1varez Ryan spfx co-ord Brock Jolliffe participation ofCBC. TV·Ontario, Telefilm Canada and ass5. spfx. Dave Granger, Mike Gerace photog Ro­ small-town story, similar to the Police his half-hour music speCial aired in OFDC Shot on location in San Francisco, Los Angeles, bert Stamenov pub. Prudence Emory travel agent Academy series, of a bunch of regular Toronto and Montreal until Dec. '86. p . Bruce Glaw· Phylis Brown cast. d. Karen Hazzard caterer Tony o.k. no-talent guys (and gals) that get February, and was touted .as Jane son, Arnie Zipursky assoc.p.lasst.d. Charles Zamaria Gillina loc. man Brian Dennis driver/p.a. Mark Singer TSiberry's 'CBC feature broadcast d . Don Allan doc. sequ. d. by Bruce Glawson con­ J.p. Frank Stallone, Bruce Pirrie, Liz Edwards, Cindy hired by an unscrupulous police chief debut'. The main difficulty with this cert and post-prod. d. Don Allan prod. man. Valentine, Diana Platts, Gerald Issac, John Hemphill, in order to wreak havoc on the mayor's Charles Zamaria film cam. Colin Allison, John Westh· Claudia Udy, Don Lake, Laura Robinson, Heather plans for the governor's visit and the glimpse of Siberry (and that's all it is) is euser, Len Gilday film sd. John]. Thomson, Peter Smith, David Rigby, Angelo Christo, Bob Bredin, T.]. that it's a thing a snippets, bits and Sawade eds. Bruce Glawson, Arnie Zipursky concert Scott, Kevin Frankoff, Peter McBurnie, Sharon Dyer, new freeway that will boost the local pieces, which don't add up to a rivetting ed. Anthony Corindia concert d.o.p. Allan MacPher· Anne Sketchley, Harold Bachan, Derango Coy, Sean economy. Our gang, already in various whole. This talented woman deserves a son con. prod. man. Scott Mackenzie con. light. de­ Tayor, Bob Aaron, Marcia Bennet, Andrew Paul Ber· troubles of their own, are pressed into sign. Alain Lortie 24-track Marcel Gouin, Karisma Re· nard, Linda Arbuckle, Jan Anderson. Alan Fox, Marlow better showcase. cordin concert sd. engin. Doug McClement concert Vella, Don Legros, Jean Currie, Bora Bujalic, Steve a rigorous police training program Jane Siberry concert footage is heav­ hall mix Bruce Drysdale mobile SpeClei Video. con­ Withrow, Mike Gerace, Ted Hanlan, Tony Gillandro, ily interspersed with her reminiscences, cert sc. assist. Danielle Raymond conc. floor d. Jean Carl Zittrer, Julian Grant, Michael Charrell, Jason RECRUITS A Concorde Maurice Smith Produc· Leduc con. switch Anthony Corindia con. make-up! Shout, Chris Shout, Paul Hembruff, Michael Kennedy, tion. p. Maurice Smith d. Rafal Zielinski assoc. p. Mike opinions, and answers to musical ques­ hair Claudette Casavant con. prod. co-ord. Philippe Eric Mackey, Jack MaCintyre, Gene Mack, Mike fergu· Dolgy, Terrea Smith SC. Charles Wiener, B.K. Roderick tions. It wasn't until she was about 18 Baylauc con. prod. assist. Mark Powers craft servo son, Mike Simone, Sharolyn Sparro, Jo Penny, Carrie orig. story Maurice Smith ed. Stephan Fanfara m. Ste· that she started to "complete songs that lsobel Hardy con. cam Fran~o i s Gill, Ann Mackean, Gleason·Kennedy, Colin Gleason, Karen Mau, Nick ve Parsons art d. Craig Richards d.o.p. Peter Czerski Campbell, Karen Kennedy, Don Richardson, EJeverez I had always composed," and talks about Allan MacPherson, Colin Allison, Pierre Theoret, Paul prod. man. Ken Gord prod co-ord Carl A1kerton Hurteau steadicam Rob Crombie grip Richard Bonin, Ryan. colour 35 mm running time 86 min. prod. acc. Joanne McIntosh loc. man. Tony Morrone the "poSSibility of it making sense." "I Martin Pilon, Daniel Billeneuve tape op. Fran ~o i s unit man. Paul Kahnert prod. sec. Sue Gilbert lst think there is a lot of humour in my Bonnelly ccu Adrien Reeves tech d. Michel SI. Onger a.d. Rob Malenfant 2nd a.d. George Collins 3rd a.d. work. .. ironic, more dry," but adds rue­ assist tech. d. Danny Belanger assist. cam. Marc Chris Geggie 1st asst. cam. Steve Deme 2nd a.d. Mar· Dupart light. Marc Dupart elec. Vincent Brie market! tin McJnalIy cam. trainee Kevin Wright gaffer Jens fully that perhaps people don't see it. pub. Pamela Keary featuring Jane Siberry, AI Cross, Rafa! Zielinski Sturup best boy Ted Fanyeck e1ec. Steven Reddick Her style - musically and visually - is Anne Bourne, Rebecca Jenkins, Ken Myhr, Gina key grip David Zirnmennan best boy Ruth Lyons word-wise, intelligent and off-centre. In Stepaniuk, John Switzer. grip Jack Hilkenwich sd. rec. Urmas John Rosin Recruits boom Chris Leech cost design Eva Gord asst. ward. many ways Siberry is a performance art­ Michael Fernandez, Jody Bielaska, Joe Bano make-up ist, with overtones of Laurie Anderson Tony Currie's Dem Delory assL make-up Odelya cont. Dug Rots· in the spoken passages, and hints of tein stills photog John Phillips props Ray Lorenz set Philip Glass in music. But her abrupt, dresser Nick White art asst. Ian McAffee Bike Wran­ gler Dave Hutton carp Curtis Herbert compo servo tight gestures during performances, and Pink Sean Wenzel storyboard artist Rob Ballantyne 2nd curiously repressed stance, convey an unit d. Randy Bradshaw 2nd unit cam Steve Deme, intensely guarded inner-life. aking movies is a kind of madness. Barry SlOne 2nd unit cam asst David Perkins stunts Chiquitas performed by Stunt Team casting Media Casting Lu· There are a couple of moments in the But an . egalitarian madness. It cinda Still CD.C add. cast. Christian Liedtke, Canda· fiJm that linger on: A 'talking' sequence Mstrikes many. Some talented, sensi­ dian Film (CFCS) unit pub. Linda Mote Ltd. Ist asst with the two back-up singers flapping tive. Others, with more serious handi­ ed. Christy Wilson 2nd asst. ed. Craig Nisker dialo­ gue eds Wayne Griffin, David Giammarco sd. fx eds their hands to indicate typing with caps. David Evans, Steven Munro sd. rec. Jack Heeren, Chris Siberry joining them in a short and umming rock from outer space Imagine if you will, a group of your Cooke ADR rec Peter Shewcuhk sd. transfers Dave funny burst of "Don't Sleep in the Sub­ Cooke transport capt Gabe Fallus prod. assts. Mi· turns typical small-town bimboes average greedy, greasy, but o.k. no-tal­ way, Darling" and, in the final number, ent guys getting together over a few chaela Morris, Franco Spada, Allen Kocman, Robert Hinto rock video slut-style bimboes Howard, Dave Strapko, Mike Strapko, Goran Kalezic, some really beautiful voice harmOnies while Sylvester Stallone's lookalike brew and indulging in a let's-make-a Luciano Nobili, Danny Derry, Blanca Brynda, Robert superbly reinforced by the band. Toppin craft servo Roza Sadowski mixing house brother Frank thuds along as a white­ movie-and-Iots-of-money fantasy. (Sound But Jane Siberry is much more than a familiar?) They reminisce about all the Soundmix tides and opt. Film Effects film proces­ suited private eye and familiar faces sing Film House J.p. Doug Annear, John Canada Ter· couple of memories. At times, the fiJm from commercials perform 33 rpm good bits and pieces from all their rei, Stephen Osmond, Alain Deveau, Mike MacDonald, seemed to resemble another choppy, shtick at 78 in a spirited attempt to gen­ favourite Z pix - you know, the juicy Tony Travis, Annie McAuley, Lolita David, CoUeen tricky music video to add to the six she stuff, and the yuk-yuk parts - and Karney, Tracey Tanner, John Mild Thor, Herb Field, erate big laughs, which are in fact pre­ Mark Blutman, Jason Logan, David Sisak, Carolyn has already made. Perhaps the hour­ sent, but not in such profusion as to scramble them together, maybe talk a Tweedle, Dianne Turgeon, Tom Melissis, Judi Eme· long extended version ofJane Siberry, dampen the viewer's awareness of little distribution. But instead of having dedn, Frank Savage, Lisa Shoesmith, Adrien Dorval, a good laugh and going home, they (and Linda Nantel, Terrence Howson, Dave Strapko, AI • Jane Siberry the film's underlying glorification and Therrian, Mike Strapko, Bob Segarini, Goran Kalezic, expansion of certain proud Canadian here is where the first symptoms ap­ Bruce Bell, Mike Dolgy, Kimberly McCoy, Christian cinematic traditions, exemplified, in the pear) actually write it down, hire some Liedtke, John Wing Jr., Charles Winener, Frank G. supine director to give them what they Thompson, Doug Zebeljan, Dominique St.
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