HELP THEM REACH THEIR Goalsfe
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Miller High Life Theatre Event Advisory
ADDRESS PHONE NUMBER WEBSITE 500 W. Kilbourn Avenue, Milwaukee, WI 53203 414.908.6000 MillerHighLifeTheatre.com FOR IMMEDIATE RELEASE Sarah Maio [email protected] 414-908-6056 King Crimson Announce “Music Is Our Friend” North American Tour Dates 2021 King Crimson comes to the Miller High Life Theatre on August 31, 2021 MILWAUKEE – (June 7, 2021) – The Miller High Life Theatre and Alternative Concert Group are proud to welcome King Crimson with special guest The Zappa Band to the Miller High Life Theatre, August 31, 2021. Artist VIP presale is June 9 at 11 a.m., and venue presale is June 10th at 10 a.m. Tickets go on sale to the public Friday, June 11 at noon at the Miller High Life Theatre box office or Ticketmaster. When King Crimson returns to action this July, it will be the seventh year that the band has toured since returning to performing live in 2014, a run only interrupted by the lockdown in 2020. In that time, the audience has been reinvented, as much as the band itself, something Robert Fripp noted after the band’s performance in Pompeii, Italy’s famous amphitheater: “In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band's position in the world has changed level.” - Robert Fripp The band’s shows regularly include material from twelve of their thirteen studio albums, including many songs from their seminal 1969 album In the Court of the Crimson King, described by Pete Townshend as an “uncanny masterpiece.” The 7-piece line-up play many historic pieces, which Crimson has never previously played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written.” There are also new instrumentals and songs, as well as compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. -
Economists Calling All Angels PERSPECTIVES
PERSPECTIVES Todd Hirsch Economists calling all angels ack in the ‘90s, Canadian the past 50 years. He said they failed conference, we had brazenly referred songstresses Jane Siberry and — failed! — to predict what happened to low-income Canadians as “the bot- B k.d. lang sang a hauntingly in 2008, and offer little help in get- tom quintile” as if they were a scientif- beautiful duet about the beauty and ting the global economy out of this ic category. We needed a reminder that pain of life, and all its unanswerable current mess. Considering the audi- we are talking about the lives of questions. “Calling all angels, walk me ence, this is a serious statement. The Canadians and their families. through this one, don’t leave me average attendee was probably The tricky part, of course, is know- alone. Calling all angels: we’re trying, around 45 years old, which implies ing how to raise up the incomes, the we’re hoping…but we’re not sure how that most everyone in the room had skills and the literacy levels of those this goes.” either studied macroeconomic theory Canadians most vulnerable to falling Little did they know that they or worked under its assumptions for through the economic cracks. could have been singing about the about 25 years. With close to a hun- Handouts aren’t the solution, and gov- Canadian economy in 2010. dred economists in the room, that ernment programs have been hit-and- Near the end of August, close to a works out to 2,500 years of cumula- miss. -
Pdf, 401.41 KB
Wonderful! 96: Quad City Neurosurgeons Published August 14th, 2019 Listen on TheMcElroy.family [theme music plays] Rachel: Hi, this is Rachel McElroy. Griffin: Hello, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: Beep beep beep. It‘s like yarp in here. Those are the machines we‘re hooked up to, checking our health, measuring our health, injecting us with… [sighs] New, clean blood, and all the stuff that they do in doctor houses, which is what I call hospitals. Rachel: We both have these very… nagging, low-level colds… Griffin: Yeah. Rachel: That just kind of cast a pallor over everything in our lives right now. Griffin: It‘s like a 16% cold. Rachel: I just feel its ever-present grip on my shoulder. Griffin: It‘s beatin‘ my butt. It‘s beatin‘ my butt. But I'm a weak boy-man who is like a grandfather clock, and y'know, if I get one mouse stuck in the gears, what? What? Rachel: That‘s gruesome. Griffin: Is that—was I thinking of Hickory Dickory Dock, and then I was thinking of like, Occam‘s Razor, the logical outcome for one of these poor, poor mice? Jeesh. Anyway, this is— Rachel: Should we mention that you've taken some medication? Griffin: Oh, I took some Suda. Rachel: Yeah. Griffin: Um, and so, I'm feelin‘, y'know, a little bit silly. [laughs] Rachel: [laughs] Griffin: But yeah, there‘s gonna be a lot of, uh, ear, nose, and throat noises in this episode, and you're just gonna have to learn to live with that. -
Until the End of the World Music Credits
(Below are the credits for the music in the English version, followed by the credits, in German, for the extended restored version): English-language music credits: Musical Score Graeme Revell Musical Score Graeme Revell Solo Cello and Additional Improvisation David Darling Music Supervision Gary Goetzman and Sharon Boyle Picture and Music Editor Peter Przygodda MUSIC Music Coordinators Barklie K. Griggs Jennifer Quinn-Richardson Dana K. Sano Music Recording and Mixing Studios Tritonus Studios, Berlin Music Editor (Synch) Dick Bernstein (Offbeat Systems) Music Mixing Engineer Gareth Jones 2nd Sound Engineer Gerd Krüger Assistant Maro Birkner Additional Music Recordings Hansa Tonstudios, Berlin MUSIC TITLES IN ORDER OF APPEARANCE: "GALKAN" Appears on "Les Aborigènes, Chants et Danses de l'Australie du Nord" Phonogramme ARN 64056 Courtesy of Arion "SAX & VIOLINS" Performed by Talking Heads Lyrics and Music by David Byrne Music by Chris Frantz, Jerry Harrison, Tina Weymouth Producer Steve Lillywhite and Talking Heads Mixed by Kevin Killen Publisher Bleu Disque Music Co. Inc./ Index Music admin. by WB Music Corp./ASCAP Courtesy of Warner Bros. Records Inc./Sire Records Company/FLY Talking Heads Appear Courtesy of EMI Records Ltd. "SUMMER KISSES, WINTER TEARS" Performed by Elvis Presley Writers Jack Lloyd, Ben Weissman, Fred Wise Publisher WB Music Corp./Erica Music/ ASCAP Courtesy of RCA Records Label of BMG Music "MOVE WITH ME" Performed by Neneh Cherry Writers Neneh Cherry/Cameron Mcvey Producer Booga Bear/Jonny Dollar Publisher Virgin Music Ltd/Copyright Control/ BMI/PRS Courtesy of Circa Records, Ltd. "IT TAKES TIME" Performed by Patti Smith and Fred Smith Writers Fred Smith and Patti Smith Producer Fred Smith Publisher Druse Music Inc/Stratium Music, Inc./ASCAP Courtesy of Arista Records, Inc. -
Cuff the Duke Youtube
Cuff the duke youtube Paper Bag Records Purchase Cuff The Duke's new album 'Union': Paper Bag Records. 'Count On Me' is from the Cuff The Duke album, Morning Comes, out now in Canada. Cuff The Duke drop into Studio for a CBC Radio 2 Drive session performing music. From the CUFF THE DUKE album 'UNION' out Oct. 2, [CN] / Oct. 29, [UK] / Feb. 12th, [US. Paper Bag Records - Cuff The Duke Buy it from the online store here: Paper Bag Records - Cuff The Duke Buy it from the online store here. From the album 'Way Down Here', released (NOT MY SONG!). Cuff The Duke - Take My Money And Run performed live @ Piebird B&B d. 'Like' us on Facebook - Follow us on Twitter - Cuff The Duke's Wayne Petti and François Turenne perform an acoustic version of "You Were Right" - full. Live at Lee's Palace in Toronto on March 20, Great set. This was my first time getting to see these guys. A favourite of mine not represented on youtube. Label: Hardwood Off their album Sidelines of the City! Visit our channel or for more great. CUFF THE DUKE 'So Many Times Before' [Paper Bag Session / Pt.4] From the album 'Morning Comes. Music video by Cuff The Duke performing It's All A Blur. (C) Noble Recording Co./Universal Canada. Cuff The Duke - Failure to Some - Duration: UGottaHearThis 1, views · Joel Plaskett - On and. Stay Lyrics: In the summer that I met you / I was lost and in search of proof / Oh when the autumn leaves started falling / I've found a proof that was here with you. -
Wainwright Sisters Keep It in the Family
SATURDAY, NOVEMBER 14, 2015 Music Review Wainwright Sisters keep it in the family here can be something magical about the voices of siblings singing together, as a lis- Tten to the Beach Boys or the Everly Brothers shows. More proof comes in this subtly haunting album by Martha Wainwright and Lucy Wainwright Roche, for whom music has always been a family affair. The half-sisters are daughters of singer-songwriter Loudon In this file picture taken on May 17, 2015, English-Irish pop band One Direction attend the 2015 Wainwright III and separate musical mothers. Billboard Music Awards at the MGM Grand Garden Arena in Las Vegas, Nevada. — AP photos Martha’s mother, the late Kate McGarrigle, wrote and performed with her sister Anna, while Lucy is the daughter of Suzzy Roche of sister act Bieber, One Direction The Roches. try Themes of family and childhood run through their collaboration “Songs in the Dark,” which Martha Wainwright has described as an album to grow up on new albums of “creepy, morbid lullabies.” Recorded at a fam- ily cabin in the Quebec woods, the album is a nce squeaky clean and baby-faced teen world at large but-many fans presume-to ex-girl- mix of traditional folk tunes and new takes on This CD cover image released by PIAS shows stars, Justin Bieber and One Direction have friend Selena Gomez, a fellow former teen star and songs by the likes of Cindy Walker, Townes Van “Songs in the Dark,” a release by The Oquickly discovered the harsh realities of liv- singer. -
Chapters in Canadian Popular Music
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Ilona Šoukalová Chapters in Canadian Popular Music Diplomová práce Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Chapters in Canadian Popular Music (Diplomová práce) Autor: Ilona Šoukalová Studijní obor: Anglická filologie Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Počet stran: 72 Počet znaků: 138 919 Olomouc 2015 Prohlašuji, že jsem diplomovou práci na téma "Chapters in Canadian Popular Music" vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne 3.5.2015 Ilona Šoukalová Děkuji vedoucímu mé diplomové práce panu Mgr. Jiřímu Flajšarovi, Ph.D. za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Poděkování patří také pracovníkům Ústřední knihovny Univerzity Palackého v Olomouci za pomoc při obstarávání pramenů a literatury nezbytné k vypracování diplomové práce. Děkuji také své rodině a kamarádům za veškerou podporu v době mého studia. Abstract The diploma thesis deals with the emergence of Canadian popular music and the development of music genres that enjoyed the greatest popularity in Canada. A significant part of the thesis is devoted to an investigation of conditions connected to the relation of Canadian music and Canadian sense of identity and uniqueness. Further, an account of Canadian radio broadcasting and induction of regulating acts which influenced music production in Canada in the second half of the twentieth century are given. Moreover, the effectiveness and contributions of these regulating acts are summarized and evaluated. Last but not least, the main characteristics of the music style of a female singer songwriter Joni Mitchell are examined. -
Stevie Ray Vaughan
An the Bullcrafe news US~ that's tH paldpennlt to pitch no. 2419 C' PITCtI KCMO February '1986 Kansas City's ffee music and entertainment newspaper Issue 62 A Texas tidal wave Blues, rock, rarb, ballads, you name it from the latest- Hammond discovery the Chantones, Blackbird and Nightcrawlers. by Roger Naber His senior year of high school, he dropped out He's been the most talked-about guitarist in and left his hometown of Dallas in the early 70s. blues and rock circles for the last three years. He followed his brother Jimmie to AUstin, which He dominated reader's and critic's polls in has been his home base ever since. various magazines. For the last two years he has From 1975-77 Stevie played with Austin's been the recipient of "Best Blues Instrumentalist" most popular r&b club band, the Cobras. He at the W.C. Handy Awards in Memphis. And then formed his own r&b revue, Triple Threat, there is no indication that the crest Stevie Ray which featured vocaUst Lu Ann Barton. In ear ~ Vaughan is riding is ready to level off. ly '81 Lu Ann quit the band in the middle of I first met the guitar genius four-and-a-half a tour, and that forced Vaughan to take over years ago. After spending several weeks trying lead vocals. He regrouped the band and named to locate him, I hired Vaughan and his band it Double Trouble pr an Otis Rush song. The Double Trouble to perform at HarUng's. The group consisted of Tommy Shannon on elec man who urged me to book him was his older tric bass and Chris Layton on drums. -
The History of Rock Music - the Eighties
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Singer-songwriters of the 1980s (These are excerpts from my book "A History of Rock and Dance Music") Female folksingers 1985-88 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Once the effects of the new wave were fully absorbed, it became apparent that the world of singer-songwriters would never be the same again. A conceptual mood had taken over the scene, and that mood's predecessors were precisely the Bob Dylans, the Neil Youngs, the Leonard Cohens, the Tim Buckleys, the Joni Mitchells, who had not been the most popular stars of the 1970s. Instead, they became the reference point for a new generation of "auteurs". Women, in particular, regained the status of philosophical beings (and not only disco-divas or cute front singers) that they had enjoyed with the works of Carole King and Joni Mitchell. Suzy Gottlieb, better known as Phranc (1), was the (Los Angeles-based) songwriter who started the whole acoustic folk revival with her aptly-titled Folksinger (? 1984/? 1985 - nov 1985), whose protest themes and openly homosexual confessions earned her the nickname of "all-american jewish-lesbian folksinger". She embodied the historic meaning of that movement because she was a punkette (notably in Nervous Gender) before she became a folksinger, and because she continued to identify, more than anyone else, with her post- feminist and AIDS-stricken generation in elegies such as Take Off Your Swastika (1989) and Outta Here (1991). -
Everything in Its Right Place: Social Cooperation and Artist Compensation Leah Belsky Yale Law School Information Society Project
Michigan Telecommunications and Technology Law Review Volume 17 | Issue 1 2010 Everything in Its Right Place: Social Cooperation and Artist Compensation Leah Belsky Yale Law School Information Society Project Byron Kahr Max Berkelhammer University of Colorado Cooperative Institute for Research in Environmental Studies Yochai Benkler Harvard Law School Follow this and additional works at: http://repository.law.umich.edu/mttlr Part of the Commercial Law Commons, Entertainment, Arts, and Sports Law Commons, and the Internet Law Commons Recommended Citation Leah Belsky, Byron Kahr, Max Berkelhammer & Yochai Benkler, Everything in Its Right Place: Social Cooperation and Artist Compensation, 17 Mich. Telecomm. & Tech. L. Rev. 1 (2010). Available at: http://repository.law.umich.edu/mttlr/vol17/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Telecommunications and Technology Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. EVERYTHING IN ITS RIGHT PLACEt: SOCIAL COOPERATION AND ARTIST COMPENSATION Leah Belsky* Byron Kahr** Max Berkelhammer*** Yochai Benkler**** Cite as: Leah Belsky, Byron Kahr, Max Berkelhammer and Yochai Benkler, Everything in Its Right Place: Social Cooperationand Artist Compensation, 17 MICH. TELECOMM. TECH. L. REV. 1 (2010), available at http://www.mttlr.org/volseventeen/belsky.pdf The music industry's crisis response to the Internet has been the primary driver of U.S. copyright policy for over a decade. The core institutional response has been to increase the scope of copyright and the use of litigation, prosecution, and techni- cal control mechanisms for its enforcement. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Bio Files/D. Sharp CV.Pdf
dean sharp drummersoundscapistREmixerlooperproducer 845.464.0515 [email protected] Tours/Sideman/Live Work (selected) Moby, David Torn, Rachael Sage, Jane Siberry, Brad Mehldau, Liz Gorill (kazzrie jaxon), Cameron Brown, Joe Lovano, Hugh Brodie, Michael Bisio, Shunzo Ono, Steve Swallow, Marc Ribot, Avram Fefer, Todd Sickafoose, Russ Johnson, Michael Bisio, Tony Levin, Elliott Sharp, Mario Pavone, Hermeto Pascoal, Greg Brown, Jill Sobule, John Hall, Rick Danko, Ellis Paul, Fish Love That, Curtis Bahn, Louise Taylor, Christina Wheeler’s Blowout, Zoe B Zak, White Boys on Swing, Francis Dunnery, Scott Weiss Band, Lunch- meat, Donna Lewis, Stephen Vitiello, Defiant Ones (Bad Brains), Nona Hendryx, MACHAN, Leslie Ritter, Happy Rhodes, Artie Traum, Robbie Dupree, Josh Colow, Gwen Laster/Damon Banks, Eugene Ruffolo, Daryl Hall, Billy Ocean, Saphire, Latoya Jackson, Brenda Starr, PUC, ARI UP Discography (•....denotes production/writing credits) Bond Berglund - “Unearth” - Pathfinder Records • Elliott Sharp/ David Fulton - “State of the Union” - Atavistic • “Real Estate” - Ear Rational Records Dawntown(CharlElie Cotour) - Crysalis Records/ France • Lunchmeat - “Woodstock ‘94 Vol.II” - A&M Records Happy Rhodes - “The Keep” - Aural Gratification Records Artie Traum - “The View from Here” - Shanachie Records “Meetings With Remarkable Friends” - Narada Records “The Last Romantic” - Narada Records “South of Lafayette” - Roaring Stream Music Eric Garrison - “Looking For Egypt” - China Moon Music Robbie Dupree - “Smoke and Mirrors” - Miramar Records