DOCSLIB.ORG

Music Education and Technology

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Teach It... or Experience It. Immerse your students in an interactive cross-cultural learning experience in Cuba To truly learn, theory must be put into practice. Our educational trips engage your students by providing face-to-face in-depth encounters with Cuban music students, master musicians and ensembles. Through workshops, integrated rehearsals and concerts, your students will experience the techniques, unique passion and true excellence of Cuban music. A life changing experience. ! Go beyond the tour bus and museum rope. Let’s talk about CUBA. Log onto www.canadacuba.com to have our informative multimedia package delivered to you. www.canadacuba.com 1-800-818-8840! [email protected] The Ontario Music Educators’ Association and the Canadian Music Industry Education Committee welcome you to Inspired by our Students, Music Education and Technology November 5th to 7th, 2015 International Plaza Hotel (655 Dixon Road, Toronto) www.omea.on.ca TABLE OF CONTENTS Conference at a Glance ................................................... 6 Welcome Letters ............................................................. 7 Keynotes ...................................................................... 17 Concert Performances ................................................... 19 Friday Evening Showcase Concert ................................... 20 Cameo Performances .................................................... 24 Cameo Biographies ....................................................... 24 Annual General Meetings ............................................... 28 Friday Workshops Session 1 ......................................................... 29 Session 2 ......................................................... 34 Session 3 ......................................................... 39 Saturday Workshops Session 4 ......................................................... 43 Session 5 ......................................................... 48 Session 6 ......................................................... 53 Workshop Schedule ...................................................... 60 International Plaza Hotel Floorplan ................................. 62 Exhibitor Floorplan ........................................................ 65 Research Perspectives ................................................. 66 Research Poster Presenter Biographies ......................... 68 Clinician Biographies .................................................... 71 OMEA Corporate Members ............................................ 92 OMEA Board of Directors ............................................... 94 CMIEC Board of Directors .............................................. 94 Clinic Sponsors ............................................................ 96 Thank You .................................................................... 96 iINSPIRE#15 Conference Planning Committee ..................98 Workshop Evaluations ................................................. 101 Band & Orchestra Instruments www.conn-selmer.com 6 CONFERENCE AT A GLANCE THURSDAY NOVEMBER 5, 2015 7:00 to 9:00pm Registration (International lobby) 8:00 to 10:00pm OMEA/CMIEC Reception (International C) – York U Jazz Combo FRIDAY NOVEMBER 6, 2015 7:30am to 12:00pm Registration 8:30 to 9:45am Keynote address with Barbara Freedman, OSA Youth Orchestra (International ABC), 9:00 to 9:45 am CMIEC AGM – Terrace Room 9:45 to 10:15am Break 9:45am to 5:00pm Industry Exhibits in Plaza ABC 10:15 to 11:30am Session 1 11:30am to 1:00pm Lunch/Industry Exhibits in Plaza ABC OBA AGM – Terrace Room OSA AGM – International C 1:00 to 2:15pm Session 2 2:15 to 2:45pm Break/Industry Exhibits in Plaza ABC 2:45 to 4:00pm Session 3 4:15 to 5:15pm OMEA/CMIEC Wine and Cheese (Plaza lobby) - Humber Vocal Jazz Ensemble 5:30 to 7:00pm OMEA/CMIEC Showcase Concert featuring York U Gospel Choir, UT Percussion Ensemble and Quartetto Gelato SATURDAY NOVEMBER 7, 2015 DOWNLOAD THE 7:30am to 12:00pm Registration 8:30 to 9:45am Keynote address by Measha Brueggergosman and OPHB Honour Band (International ABC) 9:45 to 10:15am Break 9:45am to 2:45pm Industry Exhibits in Plaza ABC APP! 10:15 to 11:30am Session 4 You can check it out 11:30am to 1:00pm Lunch/Industry Exhibits in Plaza ABC here: OMEA AGM – Terrace Room www.omea.on.ca/ 1:00 to 2:15pm Session 5 events/iinspire15/app/ 2:15 to 2:45pm Break/Industry Exhibits in Plaza ABC 2:45 to 4:00pm Session 6 4:15 to 5:00pm Prizes (International ABC) 7 WELCOME LETTERS Conference of the Ontario Music Educators’ Association and the Canadian Music Industry Education Committee Toronto, Ontario November 5-7, 2015 Dear Colleague, On behalf of the iINSPIRE#15 Committee, we would like to welcome you to Toronto. This is a wonderful opportunity for us to celebrate music education in Ontario. Our committee has been working for almost three years to bring you all together here today to be inspired and inspire your students. The “i” in iINSPIRE#15 notes our focus on technology at this conference. Barbara Freed- man will be one of our keynote speakers, and she along with many of our clinicians will push your thinking about how we can integrate technology in our programs and prepare our students for the world they are entering. “INSPIRE” is what we do every day in our classroom for our students. We are inspired by them and they seek challenges from us to inspire them and move them to greater under- standing and creativity. Don’t we have the best profession in the world? “#” represents the beginning of our Twitter hashtag (#iInspire15) but it also resembles a sharp. We need to keep ourselves informed of current and upcoming technology, and how our students are using social media to find ways to bring our students’ world into our class- rooms. We need to be “sharp” and stay connected to the realities of our students. At #iINSPIRE15 you will have opportunities to re-connect with our Industry Partners, look for new approaches to how you are delivering the Ontario Curriculum, and hear great student performances throughout the conference. We have many volunteers that we need to thank. We’d like to thank our “Dream Team” of hard-working #iINSPIRE15 Committee Members on page 98, the board of the CMIEC (Canadian Music Industry Education Committee) under the leadership of Mark Della Torre, the OMEA Board of directors for their ongoing support, our sponsors, clinicians, industry participants, student performers, high school and university volunteers, and to all of the committed educators and industry volunteers for making this conference the memorable event that we know it will be! We would also like to thank our families for supporting and encouraging us throughout the almost three years we have been planning #iINSPIRE15. We are proud to have been the Co-Chairs of your 2015 Conference! Tony Leong Kevin Merkley 8 November 6, 2015 Dear Music Colleagues, The Ontario Music Educators’ Association (OMEA) is pleased to be able to welcome you to this year’s conference, iINSPIRE#15. This conference is a wonderful opportunity for us to celebrate music education throughout our province and spend time conversing with like-minded colleagues and friends. The conference committee has selected a diverse list of clinicians who will not only inspire you in your classroom setting but also share new and developing research perspectives. From the many unique performances you will hear, as well as music technology ideas, this weekend will send you back to your teaching environment recharged and excited to try your newest ‘bag of tricks’. Did you know that the OMEA history dates back to 1919, but the revised title of Ontario Music Educators’ Association has represented the dedicated music educators in Ontario since 1949? We are a non-profit organization with an objective to provide leadership in establishing and maintaining high standards of music education throughout Ontario and Canada. Our membership consists of teachers like you, at all levels of education, kinder- garten to post-secondary institutions, in the school system and beyond. I would like to personally thank the conference co-chairs, Kevin Merkley and Tony Leong, for their dedication and outstanding leadership preparing for this weekend. Along with the Board of Directors, I would also like to thank the conference committee for their hard work on behalf of music educators in Ontario. Countless personal hours have been spent in preparation, planning, and organizing this event. A heartfelt thank you for your volunteer work on behalf of the organization. I encourage you to take an opportunity to re-connect with former colleagues this weekend, recognize and thank those who have made contributions in the past and learn from those of the present. We trust you will be inspired! Sincerely, Gena Norbury President, Ontario Music Educators’ Association 9 Dear Conference Participants: Dear Conference Participants: On behalf of the Canadian Music Industry Education Committee Board of Directors I wouldOn behalf like to of Dearwelcome the ConferenceCanadian you to Musicthis Participants: year’s Industry conference Education Fusion Committee 2010. With Board a great of Directors blend of I would Keynotes,like to welcome Clinicians you and to Concertsthis year’s Fusion conference 2010 is iINSPIRE#15 sure to be another. With incredible a great blend event. of keynotes, On behalf of the Canadian Music Industry Education Committee Board of Directors I clinicians, and concerts, iINSPIRE#15 is sure to be another incredibleFusion 2010 conference. The C.M.I.E.C.would
Recommended publications
  • Superstar Soprano Measha Brueggergosman Makes Triumphant Return to the Canadian Opera Stage in Opera Atelier’S Award-Winning Production of Mozart’S –Idomeneo–

    Superstar Soprano Measha Brueggergosman Makes Triumphant Return to the Canadian Opera Stage in Opera Atelier’S Award-Winning Production of Mozart’S –Idomeneo–

    FOR IMMEDIATE RELEASE February 26, 2019 Superstar Soprano Measha Brueggergosman Makes Triumphant Return to the Canadian Opera Stage in Opera Atelier’s Award-Winning Production of Mozart’s –Idomeneo– Lauded Company Makes Ed Mirvish Theatre Debut with Sumptuous Sound, Breathtaking Ballet, and Lavish Scenery Toronto, ON – Opera Atelier is delighted to present their award-winning production of Mozart’s Idomeneo from April 4–13, 2019 at the Ed Mirvish Theatre starring Canadian soprano superstar Measha Brueggergosman, who returns to the Toronto opera stage after an absence of 10 years, in her internationally acclaimed performance as Elettra. Brueggergosman is joined by a luminary cast featuring some of North America’s finest singers including tenor Colin Ainsworth in the title role, mezzo-soprano Wallis Giunta (Young Singer of the Year, 2018 International Opera Awards) as Idamante, soprano Meghan Lindsay as Ilia, bass-baritone Douglas Williams as Neptune, baritone Olivier Laquerre as Arbace, and baritone Bradley Christensen as the Priest. Brimming with Mozart’s show-stopping arias, deeply emotional ensembles, and spectacular ballet, Idomeneo tells the story of the Greek hero who is forced to choose between the life of his son and a terrible promise he has made to the god of the sea. “Idomeneo demands a unique juxtaposition of an extremely formal dramatic and musical structure coupled with an emotional intensity that foreshadows the Romantic movement,” says Opera Atelier Founding Co-Artistic Director Marshall Pynkoski, who also directs the opera. “In Opera Atelier’s production, every element - superbly rendered music, fully-integrated ballet, and historically-informed design - combine to tell this timeless story with precision and clarity.” “We have restored the ballet that closes Idomeneo,” adds Opera Atelier Co-Artistic Director and Choreographer Jeannette Lajeunesse Zingg.
  • The Cord Weekly

    The Cord Weekly

    / Laurier musicians Pierre Berton rock out at Wilf's visits Laurier Page Page THE , 2 CORD WEEKLY * Wednesday November 21, 2001 *Laurier's Official Student Newspaper • Volume 42 • Issue 15 2 News 6 Opinion 10 International 12 Feature 14 Entertainment 17 Sports 20 Student Life 22 Business 23 Classifieds More growing concerns "The reputation of Laurier has has also adversely affected WLU's She went on to say that many Students' Union requests an been tainted," said David public image, most notably in last more people accepted the offers of Wellhauser, Executive Vice week's Maclean's magazine univer- admission than in past years, a immediate freeze on current President of University Affairs. sity rankings. development that WLU was unable "Over-enrollment has had a nega- "WLU sent out too many offers to anticipate. The increase in enrollment levels tive effect on all students. It's irre- of admission," said Wellhauser. "It acceptances was most noticeable sponsible, and has to stop." was an irresponsible mistake that from students for whom Laurier MartinKuebler regarding the unexpected growth The Students' Union pointed should have been caught." was not a first choice. of Laurier's student body in recent to a number of reasons that have However, Undergraduate In order to properly address The issue of responsible growth at years. Of particular concern was contributed to over-crowding. Admissions Manager Gail Forsyth the growth situation, WLUSU pro- Laurier has not been given the what the Union called a "miscalcu- Among them are inadequate said the increased enrollment posed that current enrollment lev- "proper attention or recognition," lation in the admissions formula," provincial funding for universities experienced in 2001 was unfore- els be frozen immediately until stu- and the WLU Students' Union resulting in the surplus of 962 stu- and the deviation from the seeable, and was not as a result of dent concerns are addressed.
  • 2017-18 Season Announcement News Release

    2017-18 Season Announcement News Release

    N E W S R E L E A S E FOR IMMEDIATE RELEASE DATE: February 23, 2017 Yannick Nézet-Séguin and The Philadelphia Orchestra Announce 2017-2018 Season Yannick Nézet-Séguin’s Sixth Season Spans a Vast Range of Sounds Commissions • Oratorio • Chamber Music • Opera A Crowd-Sourced Celebration of Philadelphia • Broadway and a Wide Swath of Orchestral Repertoire Philadelphia Voices, a new work by Tod Machover Tosca Winter Festival focuses on British Isles Hilary Hahn is Artist-in-Residence American Sounds Leonard Bernstein Centenary Including Full Score Performances of West Side Story in Concert Premieres for Orchestra Principals (Philadelphia , February 23, 2017)—Philadelphia Orchestra Music Director Yannick Nézet-Séguin and President and CEO Allison Vulgamore today released The Philadelphia Orchestra’s 2017-18 season. Nézet-Séguin begins his sixth season in Philadelphia with a commitment to lead the world-renowned ensemble through at least 2025-26, continuing a relationship between music director and musicians that has garnered praise around the globe. “This is possibly the most varied season The Philadelphia Orchestra and I have undertaken together,” said Music – more – Yannick Nézet-Séguin and The Philadelphia Orchestra: 2017-18 Season 2 Director Yannick Nézet-Séguin. “It’s thrilling to be able to make music in every way possible, from playing piano with our wonderful principal strings in chamber music, to conducting new works, including commissions, to an oratorio I adore, to a semi-staged production of Tosca. We have some audience favorites, of course, and naturally we are celebrating the centenary of that amazing musical figure Leonard Bernstein. We hope everyone will join us!” “We truly are celebrating Yannick in every musical way this season, and we’re also celebrating our wonderful city of Philadelphia,” added Philadelphia Orchestra President and CEO Allison Vulgamore.
  • Connecting Canada Conference Program

    Connecting Canada Conference Program

    CFMTA / FCAPM VIRTUAL CONFERENCE 20 CONNECTING CANADA 21 Musical diversity from coast to coast to coast CONFERENCE PROGRAM July 8–10, 2021 Dear Friends: I am pleased to extend my warmest greetings to everyone attending Connecting Canada – Musical Diversity from Coast to Coast to Coast, a virtual conference hosted by the Canadian Federation of Music Teachers’ Associations (CFMTA). This event brings together music educators from across the country to share their knowledge, ideas and experiences. I am certain that the wide array of professional development activities planned for this event, focussed on the theme of inclusion and diversity in music education, will stimulate a great deal of thoughtful and meaningful exchange and that attendees will come away inspired to put what they have learned into practice. It continues to be a challenging time for planning and hosting events. That is why I would like to thank the organizers for their hard work and dedication in ensuring this year’s conference could still take place and for putting together an informative program for everyone involved. You can take pride in your commitment to providing leadership in music education. Please accept my best wishes for a rewarding experience. Yours sincerely, The Rt. Hon. Justin P. J. Trudeau, P.C., M.P. Prime Minister of Canada Du 8 au 10 juillet 2021 Chères amies, chers amis, Je suis heureux de présenter mes salutations les plus chaleureuses à celles et ceux qui assistent à Connecter le Canada – La diversité musicale d’un océan à l’autre, un congrès virtuel organisé par la Fédération canadienne des associations de professeurs de musique (FCAPM).
  • Huntsville Town Council Resolution 338-15 on October 26, 2015

    Huntsville Town Council Resolution 338-15 on October 26, 2015

    Town of Huntsville Staff Report Meeting Date: July 25, 2018 To: General Committee Report Number: CS-2018-24 Confidential: No Author(s): Teri Souter, Manager of Arts, Culture & Heritage Subject: Cultural Strategy Update Report Highlights • Cultural Strategic Plan update • Current internal/external situation review • Cultural Strategic visioning/inclusion encouraged for 2018-19 Recommendation That: Motion GC54-16 be rescinded; and Further That: the next term of Council be encouraged to consider an updated Cultural Strategy for the Corporation of the Town of Huntsville when identifying the Strategic Priorities for 2018-2022. Background The Town of Huntsville's Cultural Strategy 2011 contained 27 recommendations. Progress on the Cultural Strategy has been regularly reported. A status update "Culture Strategy Update" was presented to the Arts, Cultural and Heritage Advisory Committee on February 23, 2016: 25 of 27 goals were "finished/ongoing" and the remaining 2 were "started/needs attention." Some of the goals were completed or outdated. "Culture Strategy Direction" Report CS-2016-16 was then presented and Motion ACH8-16, including a commitment for community engagement and collaboration, was passed by the Advisory Committee: "The Manager of Arts, Culture & Heritage work via Advisory Committee, staff, sector professionals and stakeholders to draft a Huntsville Culture Strategy whitepaper, 2016 to 2019, to better reflect the direction of current council and to implement these directions." This motion was amended at General Committee on March 30, 2016. The amended motion GC54-16 is: "that The Manager of Arts Culture and Heritage work to draft a Huntsville Culture Strategy, 2016 to 2019, to better reflect the direction of current Council and further that the Manager of Arts, Culture and Heritage report back to committee." This was ratified via Council Resolution 94- 16, April 27, 2016.
  • Economists Calling All Angels PERSPECTIVES

    Economists Calling All Angels PERSPECTIVES

    PERSPECTIVES Todd Hirsch Economists calling all angels ack in the ‘90s, Canadian the past 50 years. He said they failed conference, we had brazenly referred songstresses Jane Siberry and — failed! — to predict what happened to low-income Canadians as “the bot- B k.d. lang sang a hauntingly in 2008, and offer little help in get- tom quintile” as if they were a scientif- beautiful duet about the beauty and ting the global economy out of this ic category. We needed a reminder that pain of life, and all its unanswerable current mess. Considering the audi- we are talking about the lives of questions. “Calling all angels, walk me ence, this is a serious statement. The Canadians and their families. through this one, don’t leave me average attendee was probably The tricky part, of course, is know- alone. Calling all angels: we’re trying, around 45 years old, which implies ing how to raise up the incomes, the we’re hoping…but we’re not sure how that most everyone in the room had skills and the literacy levels of those this goes.” either studied macroeconomic theory Canadians most vulnerable to falling Little did they know that they or worked under its assumptions for through the economic cracks. could have been singing about the about 25 years. With close to a hun- Handouts aren’t the solution, and gov- Canadian economy in 2010. dred economists in the room, that ernment programs have been hit-and- Near the end of August, close to a works out to 2,500 years of cumula- miss.
  • Until the End of the World Music Credits

    Until the End of the World Music Credits

    (Below are the credits for the music in the English version, followed by the credits, in German, for the extended restored version): English-language music credits: Musical Score Graeme Revell Musical Score Graeme Revell Solo Cello and Additional Improvisation David Darling Music Supervision Gary Goetzman and Sharon Boyle Picture and Music Editor Peter Przygodda MUSIC Music Coordinators Barklie K. Griggs Jennifer Quinn-Richardson Dana K. Sano Music Recording and Mixing Studios Tritonus Studios, Berlin Music Editor (Synch) Dick Bernstein (Offbeat Systems) Music Mixing Engineer Gareth Jones 2nd Sound Engineer Gerd Krüger Assistant Maro Birkner Additional Music Recordings Hansa Tonstudios, Berlin MUSIC TITLES IN ORDER OF APPEARANCE: "GALKAN" Appears on "Les Aborigènes, Chants et Danses de l'Australie du Nord" Phonogramme ARN 64056 Courtesy of Arion "SAX & VIOLINS" Performed by Talking Heads Lyrics and Music by David Byrne Music by Chris Frantz, Jerry Harrison, Tina Weymouth Producer Steve Lillywhite and Talking Heads Mixed by Kevin Killen Publisher Bleu Disque Music Co. Inc./ Index Music admin. by WB Music Corp./ASCAP Courtesy of Warner Bros. Records Inc./Sire Records Company/FLY Talking Heads Appear Courtesy of EMI Records Ltd. "SUMMER KISSES, WINTER TEARS" Performed by Elvis Presley Writers Jack Lloyd, Ben Weissman, Fred Wise Publisher WB Music Corp./Erica Music/ ASCAP Courtesy of RCA Records Label of BMG Music "MOVE WITH ME" Performed by Neneh Cherry Writers Neneh Cherry/Cameron Mcvey Producer Booga Bear/Jonny Dollar Publisher Virgin Music Ltd/Copyright Control/ BMI/PRS Courtesy of Circa Records, Ltd. "IT TAKES TIME" Performed by Patti Smith and Fred Smith Writers Fred Smith and Patti Smith Producer Fred Smith Publisher Druse Music Inc/Stratium Music, Inc./ASCAP Courtesy of Arista Records, Inc.
  • Debut Label Discography

    Debut Label Discography

    Début Label discography Début was established in 1951 by Charles Mingus and possibly others. It was located at 4364 Bryon Avenue in New York City in 1952, relocated to the Grand Central Station in 1954. By 1956 it was located at 331 West 51st Street. Début recorded jazz and pop music. Fantasy Records acquired the Début Catalog in the early 1960’s. This Debut Label discography was compiled using Schwann catalogs from 1950 to 1957, The Jazz Discography Project Website (http://www.jazzdisco.org) and The American Record Label Directory and Dating Guide, 1940-1959 by Galen Gart, 10 Inch Series DLP-1 - Strings and Keys - Charles Mingus [1951] Body and Soul/Blue Moon/Blue Tide/What Is This Thing Called Love/Darn That Dream/Yesterdays DLP-2 - Jazz at Massey Hall Volume 1- Quintet - Various Artists [1952] Perdido/Salt Peanuts//Salt Peanuts Continued/All the Things You Are DLP-3 - Jazz at Massey Hall Volume 2 - Bud Powell [1952] Embraceable You/Sure Thing/Cherokee//Jubilee/Lullabye of Birdland/Basically Speaking DLP-4 - Jazz at Massey Hall Volume 3 - Charles Mingus [1952] Wee//Hot House/A Night in Tunisia DLP-5 - Jazz Workshop Volume 1-Trombone Rapport - J.J. Johnson, Kai Winding, Benny Green & Willie Dennis [1953] Move/Stardust//Yesterdays DLP-6 - Explorations - Ted Macero [1954] Teo/I’ll Remember April/How Low the Earth//Mitzi/Yesterdays/Explorations DLP-7 - Introducing Paul Bley - Paul Bley With Art Blakey and Charles Mingus [1954] Opus 1/Teapot/Like Someone In Love//Spontaneous Combustion/Split Kick/Can’t Get Started DLP-8 - The New Oscar Pettiford
  • Download Booklet

    Download Booklet

    559216-18 bk Bolcom US 12/08/2004 12:36pm Page 40 AMERICAN CLASSICS WILLIAM BOLCOM Below: Longtime friends, composer William Bolcom and conductor Leonard Slatkin, acknowledge the Songs of Innocence audience at the close of the performance. and of Experience (William Blake) Soloists • Choirs University of Michigan Above: Close to 450 performers on stage at Hill Auditorium in Ann Arbor, Michigan, under the School of Music baton of Leonard Slatkin in William Bolcom’s Songs of Innocence and of Experience. Symphony Orchestra University Musical Society All photographs on pages 37-40 courtesy of Peter Smith/University Musical Society Leonard Slatkin 8.559216-18 40 559216-18 bk Bolcom US 12/08/2004 12:36pm Page 2 Christine Brewer • Measha Brueggergosman • Ilana Davidson • Linda Hohenfeld • Carmen Pelton, Sopranos Joan Morris, Mezzo-soprano • Marietta Simpson, Contralto Thomas Young, Tenor • Nmon Ford, Baritone • Nathan Lee Graham, Speaker/Vocals Tommy Morgan, Harmonica • Peter “Madcat” Ruth, Harmonica and Vocals • Jeremy Kittel, Fiddle The University Musical Society The University of Michigan School of Music Ann Arbor, Michigan University Symphony Orchestra/Kenneth Kiesler, Music Director Contemporary Directions Ensemble/Jonathan Shames, Music Director University Musical Society Choral Union and University of Michigan Chamber Choir/Jerry Blackstone, Conductor University of Michigan University Choir/Christopher Kiver, Conductor University of Michigan Orpheus Singers/Carole Ott, William Hammer, Jason Harris, Conductors Michigan State University Children’s Choir/Mary Alice Stollak, Music Director Leonard Slatkin Special thanks to Randall and Mary Pittman for their continued and generous support of the University Musical Society, both personally and through Forest Health Services. Grateful thanks to Professor Michael Daugherty for the initiation of this project and his inestimable help in its realization.
  • Concert Program for October 22 and 23, 2009

    Concert Program for October 22 and 23, 2009

    Concert Program for October 22 and 23, 2009 David Robertson, conductor Measha Brueggergosman, soprano Kate Lindsey, mezzo-soprano Paul Groves, tenor Jubilant Sykes, baritone Saint Louis Symphony Chorus Amy Kaiser, director Saint Louis Symphony IN UNISON® Chorus Robert Ray, director IVES The Unanswered Question (c. 1908) (1874-1954) BARBER Adagio for Strings (1936) (1910-1981) ROLLO DILWORTH Freedom’s Plow (2009) World Premiere (b. 1970) Saint Louis Symphony IN UNISON® Chorus Robert Ray, director Intermission TIPPETT A Child of Our Time (1939-41) (1905-1998) Part I Chorus: The world turns on its dark side The Argument: Man has measured the heavens Scena: Is evil then good? Now in each nation Chorus of the Oppressed: When shall the usurers’ city cease I have no money for my bread How can I cherish my man in such days A Spiritual: Steal away Part II Chorus: A star rises in mid-winter And a time came Double Chorus of Persecutors and Persecuted: Away with them! Where they could, they fled Chorus of the Self-righteous: We cannot have them in our Empire And the boy’s mother wrote a letter Scena: O my son! A Spiritual: Nobody knows the trouble I see Scena: The boy becomes desperate in his agony They took a terrible vengeance. The Terror: Burn down their houses! Men were ashamed of what was done A Spiritual of Anger: Go down, Moses The Boy sings in his Prison: My dreams are all shattered What have I done to you, my son? The dark forces rise like a flood A Spiritual: O, by and by Part III Chorus: The cold deepens The soul of man Scena: The words of wisdom are these General Ensemble: I would know my shadow and my light A Spiritual: Deep river Measha Brueggergosman, soprano Kate Lindsey, mezzo-soprano Paul Groves, tenor Jubilant Sykes, baritone Saint Louis Symphony Chorus Amy Kaiser, director Saint Louis Symphony IN UNISON® Chorus Robert Ray, director David Robertson is the Beofor Music Director and Conductor.
  • This Document Was Retrieved from the Ontario Heritage Act E-Register, Which Is Accessible Through the Website of the Ontario Heritage Trust At

    This Document Was Retrieved from the Ontario Heritage Act E-Register, Which Is Accessible Through the Website of the Ontario Heritage Trust At

    This document was retrieved from the Ontario Heritage Act e-Register, which is accessible through the website of the Ontario Heritage Trust at www.heritagetrust.on.ca. Ce document est tiré du registre électronique. tenu aux fins de la Loi sur le patrimoine de l’Ontario, accessible à partir du site Web de la Fiducie du patrimoine ontarien sur www.heritagetrust.on.ca. ,~, -. ,,.. • . ~·' _, ' ~ • • ••,_II. - City Clerk's Ollice Secret1ri1t Christine Archibald Toronto and East York Community Council City Hall, 12'h Floor, West 100 Oueen Street West Toronto, Ontario M5H 2N2 IN THE MATTER OF THE ONTARIO HERITAGE ACT R.S.O. 1990 CHAPTER 0.18 AND ~!!Cte~VIEIO 915 KING STREET WEST AUG O2 2007 • CITY OF TORONTO, PROVINCE OF ONTARIO --------------- NOTICE OF INTENTION TO DESIGNATE TSCC 1559 - Massey Harris Lofts Ontario Heritage Trust 160 Carrier Drive, #200 10 Adelaide Street East Toronto, Ontario Toronto, Ontario M9W5Rl MSC 1·13 Take notice that Toronto City Council intends to designate the lands and buildings known municipally as 915 King Street West under Part IV of the Ontario Heritage Act. Reasons for Desig11ation Description • The property at 915 King Street West is worthy of designation under Part IV of the Ontario Heritage Act for its cultural heritage value or interest, and meets the criteria for municipal designation prescribed by the Province of Ontario under the three categories of design, historical and contextual value. Located on the south side of King Street West, west of Strachan Aven1;1e, the building was constructed as the administrative offices for the Massey Manufacturing Company, with additions after the finn beca1ne known as Massey-Har·ris Limited.
  • Rotunda ROM Magazine Subject Index V. 1 (1968) – V. 42 (2009)

    Rotunda ROM Magazine Subject Index V. 1 (1968) – V. 42 (2009)

    Rotunda ROM Magazine Subject Index v. 1 (1968) – v. 42 (2009) 2009.12.02 Adam (Biblical figure)--In art: Hickl-Szabo, H. "Adam and Eve." Rotunda 2:4 (1969): 4-13. Aesthetic movement (Art): Kaellgren, P. "ROM answers." Rotunda 31:1 (1998): 46-47. Afghanistan--Antiquities: Golombek, L. "Memories of Afghanistan: as a student, our writer realized her dream of visiting the exotic lands she had known only through books and slides: thirty-five years later, she recalls the archaeoloigical treasures she explored in a land not yet ruined by tragedy." Rotunda 34:3 (2002): 24-31. Akhenaton, King of Egypt: Redford, D.B. "Heretic Pharoah: the Akhenaten Temple Project." Rotunda 17:3 (1984): 8-15. Kelley, A.L. "Pharoah's temple to the sun: archaeologists unearth the remains of the cult that failed." Rotunda 9:4 (1976): 32-39. Alabaster sculpture: Hickl-Szabo, H. "St. Catherine of Alexandria: memorial to Gerard Brett." Rotunda 3:3 (1970): 36-37. Keeble, K.C. "Medieval English alabasters." Rotunda 38:2 (2005): 14-21. Alahan Manastiri (Turkey): Gough, M. "They carved the stone: the monastery of Alahan." Rotunda 11:2 (1978): 4-13. Albertosaurus: Carr, T.D. "Baby face: ROM Albertosaurus reveals new findings on dinosaur development." Rotunda 34:3 (2002): 5. Alexander, the Great, 356-323 B.C.: Keeble, K.C. "The sincerest form of flattery: 17th-century French etchings of the battles of Alexander the Great." Rotunda 16:1 (1983): 30-35. Easson, A.H. "Macedonian coinage and its Hellenistic successors." Rotunda 15:4 (1982): 29-31. Leipen, N. "The search for Alexander: from the ROM collections." Rotunda 15:4 (1982): 23-28.