DOCSLIB.ORG

LABORING for Events in and Around O.C

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LABORING for Events in and Around O.C SEC: Show DT: 06-27-2008 ZN: 1 ED: 1 PG #: 1 PG: Cover_M BY: bwright TI: 06-26-2008 14:59 CLR: CKYM >> Dinosaurs stomp into ShowTHE ORANGE COUNTY REGISTER ● FRIDAY,JUNE 27, 2008 O.C. Page 15 Index Movie times 8-10 Review Television Dear Abby 18 Tom Petty and the You want reality TV? TV listings 19 Heartbreakers show they’re Authenticity is ‘Antiques Comics 20-21 still in their prime > 7 Roadshow’s’ value > 14 Out there LABORING FOR Events in and around O.C. love‘WALL-E’ DIRECTOR ANDREW STANTON TALKS ABOUT THE JOY AND CHALLENGE OF HUMANIZING A ROBOT. MUSIC | 311 By BARRY KOLTNOW deserted the planet. WALL-E, which The funk/rock/reggae group is joined by rapper THE ORANGE COUNTY REGISTER stands for Waste Allocation Load Lif- Snoop Dogg and alt-rock group Fiction Plane at 7:30 ter Earth-Class, spends his days scoop- p.m. Saturday. Tickets are $20-$47.50. Verizon Wire- ndrew Stanton, the man respon- ing up trash, crushing it into cubes and less Amphitheater, 8808 Irvine Center Drive. 949- sible for “Finding Nemo,” is not then arranging the cubes into neat 855-8096. ticketmaster.com resting on his laurels. piles. He has been doing this for hun- He returns today with the dreds of years, and it isn’t until a sleek, most unlikely of movie heroes – updated feminine robot comes along A“WALL-E.” that WALL-E realizes how much he The title character is a lovable but lonely robot left on a post-apocalyptic SEE STANTON ● PAGE 3 Earth after the rest of civilization has VISUAL ART | SAWDUST ART FESTIVAL AND ART-A-FAIR The Sawdust Art Festival kicks off today with Aloha Day. There will be a ribbon cutting, souvenir leis and complimentary cake. The festival offers arts and crafts, a Children’s Art Spot, a ceramics booth and glass-blowing. It continues 10 a.m.-10 p.m. daily until Aug. 31. 935 Laguna Canyon Road, Laguna Beach. 949- 494-3030. sawdustartfestival.org. The Art-A-Fair also kicks off today. This year fea- tures a Venetian theme and a look at 125 internation- ally juried artists, plus music, cultural events and dai- ly workshops. The fair runs 10 a.m.-10 p.m. Fridays and Saturdays, 10 a.m.-9 p.m. Sundays-Thursdays until Aug. 31. 777 Laguna Canyon Road, Laguna Beach. 949- 494-4514. art-a-fair.com APPEALING: NEXT WEEK | THE JUICE TAKES YOU “WALL-E” may be a TO CAMP PENDLETON trash-compacting robot, but he’s got soul. On the Fourth of July, The Juice with Jennifer Ga- PIXAR lardi discovers what it’s like to train with the mil- itary. Galardi will also dedicate a segment to those who are serving the country. On Wednesday, she goes to Anaheim Hills to box with a Land Rover dealer who has some strange tac- tics. Join The Juice weekdays at www.ocregister.com/juice More listings inside | Show 11 Online: complete listings at events.ocregister.com SEC: Show DT: 06-27-2008 ZN: 1 ED: 1 PG #: 7 PG: Movies3_M BY: bwright TI: 06-26-2008 14:21 CLR: CKYM The Orange County Register POP MUSIC Friday, June 27, 2008 Show 7 1 REVIEW Petty in control at the Bowl The Tom Petty and the Heartbreakers Heartbreakers may be the most With: Steve Winwood commanding Where: The Hollywood Bowl When: June 25 ‘heritage’ rock Next: The pairing plays Aug. band out there. 22 at Verizon Wireless Amphi- theater in Irvine How much: $29.50-$115 By BEN WENER Call: 714-740-2000 THE ORANGE COUNTY REGISTER Online: www.ticketmaster.com Desert Jeff loves the Tom Petty and the Heartbreak- whatever splinters of the ers greatest-hits show. You Dead might turn up these know the one: Petty and his days. Maybe the Stones or gang come out, blast ex- the Who on a really good pertly through a half-dozen night? Or Springsteen and classics, toss in a few new the E Street Band when ones because there’s prod- they stick to classics? Or El- uct to promote, then get vis Costello when he re- right back to the smashes, members how to? each one more terrific than No one else springs to the last. mind. No one else is quite as “I could see that show 15 commanding yet virtually times and not get bored,” he flash-free. Only at the very tells me after Steve Win- end, when Campbell’s fin- wood’s jammed-out and gering got chunky trying to funked-up 75 minutes, as hammer out the crazy tri- we start wondering what plets that close out “Ameri- we’re doing back here at can Girl,” could anyone de- the Hollywood Bowl on tect flubs. The Heartbreak- Wednesday night, spending ers remain rock ’n’ rollers another evening with the KELLY A. SWIFT, FOR THE ORANGE COUNTY REGISTER par excellence, in such com- Heartbreakers so soon af- ROCKING OUT: Mike Campbell, left, and Tom Petty trade licks as their show gets under way Wednesday. plete control of every dy- ter the last. namic shift, every subtle Wasn’t there some talk – Bo Diddley is dead and the end of sanity, “Mary Jane’s On one hand, there was that last one could have nuance, that they can call sometimes from Petty him- Who are down to two and Last Dance.” the scarcely touched – the done with more pep – it felt up a European EP cut like self – about their superb the Stones strut across a At the other end of the bluesy, tempo-switching geriatric in its bubbling “Sweet William” and storm 2006 tour being the last for thread that could snap at evening: “You Don’t Know “Sweet William” and the verses, though whenever it through it as if it’s been in a while? Didn’t that Stevie any moment, then there are How It Feels,” delicately lonely memory of “A Face in reached that “so glad we their repertoire for dec- Nicks-studded show under- only so many practitioners sneering; the quieter, gen- the Crowd,” its lovely Ben- made it” rise, man did it ades. neath this shell in the hills of the Real Thing left. And tler arrangement of mont Tench piano solo kick. Still, it was smartly Only the most perfectly play like some sort of fare- those practitioners know “Learning to Fly”; “Don’t draped in cascading arpeg- slotted midset; no way was seasoned groups have such well? Why, it begs to be they have an obligation to Come Around Here No gios and Bill Evans moodin- it smokin’ enough for an en- feel. This one now manages asked, are the Heartbreak- keep the flame alive. More,” with guitarist Mike ess. On the other, there was core. the rarest of feats among ers back on another big Sticking to the 2006 play- Campbell quoting “Angel of the delightful (the might- And yet everything else bands at such an advanced tour (it also stops Aug. 22 at book, the group bookended the Morning”; a roaring as-well cheeriness of the about this two-hour per- stage: It sounds even better Verizon Wireless Amphi- either side of its set with a “Refugee; and an encore Traveling Wilburys’ “End formance was so masterful this time than the time be- theater) just two years lat- half-dozen staples. Yank that reminded you haven’t of the Line”) and the pre- – smooth like well-aged fore … which was better er, when the only thing most “You Wreck Me” from the lived until you’ve spelled dictable but rousing, as Scotch – that you have to than the time before that … of this bunch has done late- encore to pole position, and chanted “Gloria” as a when Winwood re-emerged wonder: Of all the so-called which was better than the ly is return to roots with the then toss in “Even the Los- member of an 18,000- for Blind Faith’s “Can’t heritage acts still touring time before that. resurrection and fulfill- ers” – and you’ve got the strong glee club. Find My Way Home” (one of every other summer or so, And so it goes. And so ment of Mudcrutch, their same start as two years ago, What fell between, how- the most beautiful songs in who can rival these guys at may it still, till they can go first band? filled out by “Listen to Her ever, was both unexpected the English language) and this point? Not Dylan – not no more. Why? Because they can, Heart,” its jangle glistening and thoroughly rewarding, his first hit with the Spen- when so many can’t under- that’s why. and golden, plus robust leaving a fan with that same cer Davis Group, the irre- stand him. Not McCartney Because rock ’n’ roll will takes on “I Won’t Back feeling you get when you’ve pressible “Gimme Some Lo- – still too much sentimen- CONTACT THE WRITER: never die, and rock ’n’ roll Down” and “Free Fallin’ ” caught the Stones dusting vin.’ ” tality. Not ZZ Top, not the 714-796-2248 or never forgets – and when and that fiery party at the off “Sister Morphine.” If I’m honest with myself, Allman Brothers Band, not [email protected] HOT TICKETS ORANGE POP Underwood adds Trout swims against current stop in Ontario By ROBERT KINSLER NOT THE SPECIAL TO THE REGISTER SAME OLD By BEN WENER REFRAIN: THE ORANGE COUNTY REGISTER In an age when countless Walter Trout rockers are has-beens by is broadening We already knew that age 30, Walter Trout is de- his artistic Carrie Underwood’s Carnival fying every rule in the play- horizons at an Ride Tour was on its way, book by continuing his un- age – 57 – with a Nov.
Load more

Recommended publications
  • Monday December 21, 2020
    AXS TV Schedule for Mon. December 21, 2020 to Sun. December 27, 2020 Monday December 21, 2020 6:00 PM ET / 3:00 PM PT 8:00 AM ET / 5:00 AM PT The Big Interview The Big Interview Neil Young - Music legend Neil Young sits down for a rare and candid interview about his career, Buddy Guy - Guitar legend Buddy Guy reflects on his life, career, and the blues on this episode of his music and his environmental activism. The Big Interview with Dan Rather. 7:00 PM ET / 4:00 PM PT 9:00 AM ET / 6:00 AM PT Rock Legends Eric Clapton: The 1970s Review Women Who Rock - Women have sung on jazz, pop and soul tracks since the 1930s, but when Eric Clapton’s musical journey through the seventies is recalled, from his days with musical it came to rock, however, there were few women in the 1950s who wrote and performed their collectives after Cream disbanded, to his hugely successful solo career, as told by musicians and own songs. In the 60s, artists such as Grace Slick and Janis Joplin were fronting A-list bands. biographers who knew him best during that period. All-female garage bands, such as The Runaways and Fanny, achieved limited success. As rock developed in the late 60s and 70s alongside the women’s liberation movement, women refused 12:00 PM ET / 9:00 AM PT to be just the pretty singer or the manufactured glam groups. This episode features bands such B.B. King With Special Guests Terrence Howard, Richie Sambora and Solange as Heart, Suzie Quatro and The Bangles.
    [Show full text]
  • Alfred 2008-2009
    Alfred 2008-2009 Percussion Catalog • 2008-2009 PERCUSSION learn•teach•play music CATALOG Alfred Publishing Co., Inc. USA/Canada: P.O. Box 10003, Van Nuys, CA 91410-0003 Asia: 15 Queen St. #04-08, Tan Chong Tower, Singapore 188537 30% total recycled fi ber Australia: P.O. Box 2355, Taren Point NSW 2229 Printed in USA Germany: Hansestraße 99, 51149 Köln U.K.: Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX U(a38081*MRTMRp(u alfred.com 00-104085 / wo 82110 Alfred Publishing Co., Inc. P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com 08 percussion catalog cover 2_kp.indd 1 4/11/08 8:48:58 AM CONTENTS 1 DW DVDs ...............................................................................................................................2 Personality Titles A—Z .........................................................................................................4 Drumset Methods, Collections, Duets/Solos .................................................................19 Drum & Snare Drum Methods, Collections, Duets/Solos .................................................................................................32 Keyboard Percussion Methods, Collections, Solos, Duets/Trios, Ensembles ........................................................................................38 Percussion Ensemble Collections ...................................................................................43 Individual Percussion Ensembles ...................................................................................44 Multiple Percussion Solos
    [Show full text]
  • Pasic 2001 Marching Percussion Festival
    TABLE OF CONTENTS 2 Welcome Messages 4 PASIC 2001 Planning Committee 5 Sponsors 8 Exhibitors by Name/Exhibitors by Booth Number 9 Exhibitors by Category 10 Exhibit Hall Map 12 Exhibitors 24 PASIC 2001 Map 26 PASIC 2001 Area Map 29 Wednesday, November 14/Schedule of Events 34 Thursday, November 15/Schedule of Events 43 Friday, November 16/Schedule of Events 52 Saturday, November 17/Schedule of Events 60 Artists and Clinicians 104 Percussive Arts Society History 2001 111 Special Thanks/PASIC 2001 Advertisers NASHVILLE NOVEMBER 14–17 2 PAS President’s Welcome It is a grim reminder of the chill- from this tragedy. However, in a happier world that lies ® ing events that shook the U.S. this land of diversity, we all deal ahead for all of us. on September 11. I am espe- with grief and healing in differ- cially grateful to all of our PAS ent ways. I’m in no way international members who sent trivializing this tragedy when I personal messages to me, tell you that I’m especially look- members of the Board of Direc- ing forward to seeing friends tors, and into the PAS office in and colleagues from around the www.pas.org Lawton, Oklahoma. Your out- globe at PASIC in Nashville. pouring of support and conso- Percussion is the passion that oday, as I sit to write my lation are deeply appreciated. binds us all and allows us to T“welcome to PASIC” I applaud those of you who come together in a common message, I realize that our have offered to use your re- place to see our friends, hear world has forever changed.
    [Show full text]
  • AXS TV Schedule for Mon. November 30, 2020 to Sun. December 6, 2020 Monday November 30, 2020
    AXS TV Schedule for Mon. November 30, 2020 to Sun. December 6, 2020 Monday November 30, 2020 5:30 PM ET / 2:30 PM PT 8:00 AM ET / 5:00 AM PT A Year in Music The Big Interview 1981 - Halestorm’s Lizzy Hale dives into the start of a new decade, 1981. A year a pop princess Buddy Guy - Guitar legend Buddy Guy reflects on his life, career, and the blues on this episode of gets physical and the second British Invasion hits the radio. Lzzy discusses 1981’s start of the The Big Interview with Dan Rather. new decade come ups and the come-downs as the world watches the first of many royal wed- dings. 9:00 AM ET / 6:00 AM PT Rise of a Texas Bluesman: Stevie Ray Vaughan 1954-1983 6:00 PM ET / 3:00 PM PT The history of Texas blues, and Stevie Ray Vaughan’s incredible influence and revitalization of The Big Interview the genre, is examined using rarely seen footage, interviews with historians and biographers, Bob Weir - A founding member of the Grateful Dead, Bob Weir sits down to discuss the group’s and commentary from musicians who performed with Vaughan. legacy and their farewell concerts. 11:45 AM ET / 8:45 AM PT 7:00 PM ET / 4:00 PM PT AXS TV Insider Rock Legends Featuring highlights and interviews with the biggest names in music. Lynyrd Skynyrd - Lynyrd Skynyrd rose to prominence in 1973 full of regional pride and stressing cocky, boisterous hard rock. Their signature song, “Freebird,” complete with its fiery five-minute, 12:00 PM ET / 9:00 AM PT three-guitar solo, is easily the most requested live song in existence.
    [Show full text]
  • Sting Bruce Springsteen Lady Gaga Bruno Mars Johnny Cash Dave Grohl Slash
    JOHN MELLENCAMP THE ROLLING STONES THE SMASHING PUMPKINS MELISSA ETHERIDGE LENNY KRAVITZ SKYNYRD LYNYRD BOB SEGER BOB SEGER PAUL MCCARTNEY PAUL BOB DYLAN SPEAKER INTRODUCTION: Millions of kids watched the Beatles on February 9th, 1964 on the Ed Sullivan show and wished that someday they could be on stage with the likes of Paul McCartney and Ringo Starr. RINGO STARR JON BON JOVI JON BON JOVI For one boy from a small town in New England, that fantasy and much more became a reality 50 years later. On the television program, “The Night That Changed America” – celebrating the fiftieth anniversary of the Beatles legendary appearance on CBS – McCartney and Starr thrilled the audience. The drummer behind them and many other artists on that monumental night was Kenny Aronoff. WAYLON JENNINGS WAYLON Kenny has entertained millions of people with his drumming all across the world, played on thousands of records, provided the beat of America’s culture for four decades, and has ELTON JOHN ELTON been the “go to” drummer for the biggest stars in music, ranging from John Mellencamp to Lady Gaga, Bob Dylan to The Smashing Pumpkins, and everyone in between! • Why has Kenny Aronoff become the industry’s most in-demand drummer for both live concerts and recording sessions? • How did he earn the trust and respect needed to lead the most elite musical acts on DON HENLEY the planet? BEYONCE • How has he maintained this reputation over such a long career in one of the most turbulent industries in the world? What Kenny Aronoff has learned in the process of making his dreams become his reality is the message of achievement and inspiration that he shares with you and audiences around GARTH BROOKS ERIC CLAPTON the world.
    [Show full text]
  • Nov. 3-9, 2016
    NOV. 3-9, 2016 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM Buy 1 Grinder, Buy One Entree & Get One Calzone, Wrap or of Equal or Lesser Value Free (up to $11.99) Gluten-Free Pizza whatzup Dining Club & Get 1 of Equal or NOT A Lesser Value Free COUPON NOT A COUPON 816 S.Calhoun St. Burgers • Bands • Bourbon Fort Wayne • 260-918-9775 4910 N. Clinton, Ft. Wayne, 209.2117 2016-17 Cards Now Available NOT A Buy Any Menu Item COUPON BUY ONE and Get a Second SANDWICH GET of Equal or Lesser ONE 1/2 OFF Value Free at Special Early Bird Pricing Mon.-Thurs. Only NOT A COUPON 4205 Bluffton Rd. 135 W. Columbia St. • Fort Wayne For a limited time you can join whatzup Dining Club and enjoy buy one-get one or Fort Wayne 260-422-5055 similar offers at 20 Fort Wayne area restaurants at the Early Bird price of just $18 260-747-9964 your first card and $10 for each additional card. That’s a 10% discount off BUY ONE BUY ONE ENTREE your first card, and 20% off as many additional cards as you wish to ENTREE GET ONE buy for family, friends and co-workers. GET ONE FREE FREE (of equal or lesser value; up to $8) Your Dining Club card is good thru next November and will pay for (of equal or lesser value; up to $8) MAD ANTHONY BREWING COMPANY itself with just two or three uses and continue to save all year long! MAD ANTHONY LAKE CITY TAP HOUSE 2002 S.
    [Show full text]
  • AXS TV Schedule for Mon. September 9, 2019 to Sun. September 15, 2019
    AXS TV Schedule for Mon. September 9, 2019 to Sun. September 15, 2019 Monday September 9, 2019 3:00 PM ET / 12:00 PM PT 6:00 AM ET / 3:00 AM PT The Big Interview Classic Albums Gregg Allman - A conversation with the music legend known as one of the architects of southern Paul Simon: Graceland - This documentary contains original footage of Paul Simon and Roy rock from his home in Georgia. Halee in Ovation Studios, South Africa, surrounded by African musicians and their families. The program also contains performance archive of many of the songs including the humorous 4:00 PM ET / 1:00 PM PT ‘You Can Call Me Al’ and ‘Diamonds On The Sole Of Her Shoes’ with the stirring harmonies of The Top Ten Revealed Ladysmith Black Mambazo. Double Studio Albums - Making one good album is hard enough, let alone releasing a successful DOUBLE studio album. Live albums are NOT on this list folks, so get ready to listen to some 7:00 AM ET / 4:00 AM PT master crafted hits from these amazing double studio albums. Find out which albums make our Rock Legends list as rock experts like Lita Ford, Rikki Rockett, Frankie Banali (Quiet Riot), Geoff Tate, and Jeff Sting - After the huge success he had with The Police, Sting decided to go solo and released his Pilson (Foreigner) count us down! first album in 1985 and has continued to release chart topping hits. Rock Legends features archi- val music videos and exclusive insights on one of the world’s most popular musicians.
    [Show full text]
  • June 2021 ITG Journal
    International Trumpet Guild® Journal to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching, and literature associated with the trumpet June 2021 ITG Journal The International Trumpet Guild® (ITG) is the copyright owner of all data contained in this file. ITG gives the individual end-user the right to: • Download and retain an electronic copy of this file on electronic devices for the sole use of the end-user • Print a single copy of this file • Quote fair-use passages of this file in not-for-profit research papers as long as the ITG Journal, date, and page number are cited as the source. The International Trumpet Guild®, under the umbrella of United States and international copyright laws, prohibits the following without prior writ ten permission from the Publications Editor of the ITG: • Duplication or distribution of this file or its contents in any manner that does not conform with the uses as stated above • Alteration of this file or the data contained herein • Placement of this file on any web site, server, or any other database or device that allows for the accessing or copying of this file or the data contained herein by any party, including such a device intended to be used wholly within an institution. By scrolling past this page you agree to the fair use guidelines stated above. http://www.trumpetguild.org This cover sheet must accompany this file. The removal of this information is strictly prohibited and can result in expulsion from the organization and legal action.
    [Show full text]
  • Lynyrd Skynyrd: La Tràgica Història D'una Llegenda Americana
    It's only rock & roll | Pep Saña | Actualitzat el 12/10/2016 a les 18:41 Lynyrd Skynyrd: La tràgica història d'una llegenda americana Lynyrd Skynyrd amb The Allman Brothers Band, uns amb un estil més contundent i els altres amb una configuració més jam, son la màxima representació i el sant grial de l'anomena't ?Rock Sureny?, gènere que es caracteritza per barrejar la música country, el blues i el soul amb el rock'n'roll (en els Allman s'hi ha d'afegir el jazz), d'una manera singular. Lynyrd Skynyrd a més, va utilitzar imatges de l'orgull sureny per crear un estil (a més del musical) únic, barrejant rock potent amb arrels de country i blues. La banda de rock sureny definitiva, amb una imatge ?outlaw? rebel i la iconografia del rock. Estenien (encara ara ho fan) una gegantesca bandera Confederada a l'escenari, i abans de començar el seu xou tocaven ?Dixie?. Quan s'escolten bandes d'aquest estil musical, sobretot les de la dècada dels 70, com Lynyrd Skynyrd, The Allman Brothers Band, 38 Special, The Outlaws, Marshall Tucker Band o ZZ Top, son posseïdors d'un segell particular (crec que és un do especial, que es porta dintre), que els diferència de les altres bandes claus de l'època Juntament amb artistes com els Allman Brothers i la Charlie Daniels Band, van ajudar a convertir al rock sureny en un gènere musical propi. Els orígens de Lynyrd Skynyrd es remunten a 1965, quan els companys de l'escola secundària Ronnie Van Zant, Gary Rossington i Allen Collins van començar a tocar junts amb el nom de My Backyard a Jacksonville, Florida.
    [Show full text]
  • Modelling Expressive Movement of Musicians
    MODELLING EXPRESSIVE MOVEMENT OF MUSICIANS Adam Matthew Wood-Gaines B.Sc. (Comp. Sci.) University of Western Ontario 1994 A THESISSUBMITTED IN PARTlAL FULFlLLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTEROF SCIENCE in the Scliool of Computing Science @ Adam Matthew Wood-Gaines 1997 SIMON FRASER UNIVERSITY February 1997 Al1 rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, me Wellington OttawaON K1AON4 OttawaON K1AON4 Canada Canada The author has granted a non- L'auteur a accorde une licence non exclusive licence dowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seU reproduire, prêter, distrï'buer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/^ de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract This thesis addresses the problem of modeiüng expressive movement in human figure an- imation. The domain of music is ided for the study of expressive movement since there is often a relationship between the expression of music and the dynamics of a musician's body.
    [Show full text]
  • The Best in Music | Theatre | Film | Tv
    HAL LEONARD Established in 1991, Backbeat Books offers a variety of publications for music lovers and general readers. The Backbeat catalog includes band bios and memoirs; books about music www.backbeatbooks.com history and musical instruments; and lifestyle and pop culture titles. THE BEST IN MUSIC | THEATRE | FILM | TV See page 12 Founded in 1947, Hal Leonard Corporation is the world's largest music print publisher. In 1984, the trade division was formed to publish books on the music business, audio technology, instrument history, and www.halleonardbooks.com more. Hal Leonard also exclusively distributes for more than 20 publishers from around the world. SPRING See page 22 Now in its third decade, Applause 2015 is America’s foremost publisher | of theatre and cinema books. This www.applausebooks.com PERFORMING ARTS catalog covers everything from books on acting and biographies of theatre and film luminaries, to playscripts and books on television, as well as many other topics. See page 42 Amadeus Press offers a full line of books, books with CDs, and DVDs on classical music and opera. Its mission is to publish books that appeal to a wide audience of discerning music lovers yet maintain a scholarly integrity. www.amadeuspress.com See page 58 7777 W. Bluemound Road Post Office Box 13819 Milwaukee, WI 53213 Phone: 1-888-710-7879 Fax: 414-774-3259 Email: [email protected] 90011704 Internet: www.halleonardbooks.com Backbeat Books | Applause Books | Hal Leonard Books | Amadeus Press 1115065_PA_SP15_COVER.indd All Pages 11/12/14 4:20 PM TERMS & POLICIES Discount Policy Foreign Orders: Foreign Rights The Hal Leonard Retail Discount Schedule is as follows: Hal Leonard Corporation Robert Lecker Agency, Inc.
    [Show full text]
  • The Big Beat: Origins and Development of Snare Backbeat and Other Accompanimental Rhythms in Rock’N’Roll
    The Big Beat: Origins and Development of Snare Backbeat and other Accompanimental Rhythms in Rock’n’Roll Volume II: Appendices Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor of Philosophy by Garry Neville Tamlyn M.Mus. B.Mus. Grad.Dip.Ed. March, 1998. 382 Appendices: Table Of Contents Appendix One . 384 Appendix 1.1 Percentage of Snare Backbeats Located in a Selected Sample of Rock Drumming Notations. 389 Appendix 1.2 Drumming Notation Legend. 392 Appendix 1.3 Drumming Notations. 393 The Beatles: Drive My Car . 393 The Beatles: Sgt. Pepper’s Lonely Hearts Club Band . 401 Jeff Beck: Shapes of Things . 404 Chuck Berry: Johnny B. Goode . 408 The Clash: Complete Control . 413 Cream: Deserted Cities of the Heart . 421 Donovan: Sunshine Superman . 430 The Doors: Hyacinth House . 436 Bob Dylan: All Along the Watchtower . 441 Jimi Hendrix Experience: Have You Ever Been (to Electric Ladyland) . 446 Led Zeppelin: Good Times, Bad Times . 451 Mahavishnu Orchestra: Eternity’s Breath, Part 1 . 455 Pink Floyd: Us and Them . 460 Appendix Two . 468 Appendix 2.1 Terms and Recordings Descriptors for Appendices Two and Three. 468 Appendix 2.2 Rock’n’Roll Recordings As Discussed In Chapter Two. 471 Chuck Berry. 473 Antoine “Fats” Domino. 476 Bill Haley. 482 Buddy Holly. 489 Jerry Lee Lewis. 492 Carl Perkins. 503 Platters. 510 Elvis Presley. 514 Little Richard. 522 Appendix Three . 529 Appendix 3.1 Rhythm and Blues Recordings As Discussed In Chapter Four . 529 Eddie Boyd. 531 Hadda Brooks. 531 Clarence “Gatemouth” Brown.
    [Show full text]