Monsters and Monstrosity in Liaozhai Zhiyi
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Monsters and Monstrosity in Liaozhai zhiyi Sarah Louise Dodd Submitted in accordance with the requirements for the degree of PhD The University of Leeds School of Modern Languages and Cultures East Asian Studies September 2013 ii The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2013. The University of Leeds. Sarah Louise Dodd. iii Acknowledgements I would like to express my deepest gratitude to my supervisor Dr. Frances Weightman for her immeasurable support, advice and patience over the last few years. Her enthusiasm for the Liaozhai tales has helped to make the writing of this thesis a hugely enjoyable experience. Thanks are also due to Karen Priestley and Jenni Rauch in the School of Modern Languages and Cultures for all their tireless work. I am very grateful to the AHRC for the funding which made this thesis possible, as well as to the University of Leeds for a travel grant which allowed for a research visit to Shandong. The Department of Chinese Literature at Shandong University, and particularly Professor Yuan Shishuo 袁世碩, provided help and encouragement at a vital stage. And thanks are owed finally to my family and friends for all their incredible support. iv Abstract In Liaozhai zhiyi 聊齋志異, a collection of almost five hundred tales by Pu Songling 蒲松齡 (1640-1715), young scholars fall in love with beautiful fox spirits or meet ghosts in abandoned temples; corpses walk and men change into birds; hideous apparitions invade the home, bodies become unfamiliar, children are born to women long dead, and things are rarely what they first seem. Throughout the collection, the monstrous intrudes on the ordered spaces of the human world, bringing disorder but also the fulfilment of desire. The collection was written by a man who was trapped in the 'examination hell' of the Chinese civil service system, and in the years since his death has brought him the success he never achieved in his professional life, being read, critiqued, loved, and adapted by successive generations, until the work itself has become as monstrous a hybrid as some of the creatures within its pages. The Liaozhai tales which have received the most critical and popular attention are the tales of enchantment and romance between human men and ghosts or fox spirits. Yet this focus on only certain types of tale has meant that the collection, which is made up of a patchwork of different traditions and influences, is rarely considered as a whole. This thesis attempts to redress the balance by arguing that the collection is a monstrous hybrid, made out of fragments of folklore, myth, previous stories and pure invention, using different literary traditions and created by the assumed persona of an author – the Historian of the Strange – who is himself as hybrid as some of the creatures in his tales. Because of this textual hybridity, combined with the myriad anomalous figures within its pages, the thesis takes the representation of monstrosity as central to the collection, using Jeffrey Jerome Cohen's 'Monster Culture' as a starting point. His influential work, first published in 1996, argues that the monster is a 'cultural body', containing the fears, anxieties and desires of the culture in which it is born. I hope that the thematic focus on the monster will allow the collection to be approached as an entity, considering the different types of tale, and the different figures within them, and how they work together or against each other. I argue that an examination of the monster as a 'cultural body' will add to the understanding of Liaozhai within the context of early Qing society and culture, in the way it can be seen as paradoxically both subverting and supporting social norms. v Contents Acknowledgements .................................................................................................................. iii Abstract ..................................................................................................................................... iv Introduction: Strange Tales from a Chinese Studio ............................................................... viii Pu Songling ........................................................................................................................... ix The Creation of the Collection ........................................................................................... xiii Chapter One: Monsters and Monster Theory ............................................................................. 1 Introduction ............................................................................................................................ 1 Finding and Defining the Monstrous ..................................................................................... 2 Understanding Monsters ........................................................................................................ 7 'The Monster's Body is a Cultural Body' ............................................................................... 9 The Monstrous in China....................................................................................................... 13 Approaches to Liaozhai ....................................................................................................... 18 The Taming of the Strange – The Humanised Monster ....................................................... 20 The Renewal of the Strange ................................................................................................. 23 A Gallery of Grotesques – the Aesthetics of Horror ............................................................ 24 Ghostly Liaozhai .................................................................................................................. 25 The Monstrosity of Liaozhai ................................................................................................ 27 Conclusion ........................................................................................................................... 31 Chapter Two: Monsters and Fear in Liaozhai .......................................................................... 33 Introduction .......................................................................................................................... 33 Horror in Liaozhai................................................................................................................ 35 Fear and Horror .................................................................................................................... 37 Setting the Scene .................................................................................................................. 40 Plotting Horror ..................................................................................................................... 41 Collecting the World ............................................................................................................ 45 The Living and the Dead...................................................................................................... 47 'The Cold Touch in the Midst of the Familiar' ..................................................................... 50 Monstrous Women: Desire and the Male Gaze ................................................................... 52 Fear, Enchantment, Desire ................................................................................................... 56 Conclusion ........................................................................................................................... 60 Chapter Three: Becoming Monstrous ...................................................................................... 62 Introduction .......................................................................................................................... 62 The Body .............................................................................................................................. 63 The Grotesque ...................................................................................................................... 67 vi Becoming 'In-Between' ........................................................................................................ 69 The Body Fragmented.......................................................................................................... 71 Horror and Humour.............................................................................................................. 74 Breaking Boundaries ............................................................................................................ 76 Dangerous Liaisons .............................................................................................................. 81 Mutated Morals .................................................................................................................... 84 Monstrous Illness/ Monstrous Cures ................................................................................... 85 The Corpse ........................................................................................................................... 87 Conclusion: The Body Degraded, the Body Remade .......................................................... 91 Chapter Four: Monstrous Metamorphoses..............................................................................