1 Introduction 2 Approaches to Gender
Notes 1 Introduction 1. Susan Faludi, Backlash: The Undeclared War Against Women (London: Chatto & Windus, 1992) Chapter 5; Lynne Segal, Straight Sex: the Politics of Pleasure (London: Virago, 1994) pp. 271-5. 2. Contradictions in Rambo are discussed by Yvonne Tasker, Spectacular Bodies: Gender, Genre and the Action Cinema (London and New York: Routledge, 1993) pp. 91-108; and by William Warner, 'Spectacular Action: Rambo and the Popular Pleasures of Pain', in Lawrence Grossberg, Cary Nelson and Paula Treichler (eds), Cultural Studies (New York and London: Routledge, 1992) pp. 672-88. 3. Dylan Thomas, Collected Poems: 1934-1952 (London: Dent, 1952) p. vii: 'these poems ... are written for the love of Man and in praise of God, and I'd be a damn' fool if they weren't'. 4. See Lynda Nead, The Female Nude: Art, Obscenity and Sexuality (London and New York: Routledge, 1992); Marina Warner, Monuments and Maidens: The Allegory of the Female Form (London: Picador, 1987); S. R. Suleiman, The Female Body in Western Culture: Contemporary Perspectives (Cambridge, Mass.: Harvard University Press, 1986). 5. See Dick Hebdige, 'Towards a Cartography of Taste: 1935-1962', in B. Waites, T. Bennett and G. Martin (eds), Popular Culture: Past and Present (London and New York: Routledge, 1989) pp. 194-218. 2 Approaches to Gender 1. See H. L. Radtke and H. J. Starn (eds), Gender and Power: Social Relations in Theory and Practice (London: Sage, 1994). 2. See Stephanie L. Twin, 'Women and Sport', in D. Spivey (ed.), Sport in America: New Historical Perspectives (Westport: Greenwood Press, 1985) pp.193-217.
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