Matthew Linday Mcphail

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Matthew Linday Mcphail MATTHEW LINDSAY McPHAIL (1854-1931): “Ese oscuro músico”, compositor olvidado de los Estudiantes de la Biblia (Actualización del Anexo V de la tesis del autor) por MIQUEL ÀNGEL PLAZA-NAVAS (CSIC, Barcelona) 2013 (Mayo) (versión Febrero 2016) Foto portada: M.L. McPhail hacia 1905 (Fuente: Mike Castro) MATTHEW LINDSAY McPHAIL (1854-1931): “Ese oscuro músico”, compositor olvidado de los Estudiantes de la Biblia SUMARIO 1854-1890. Origen. Llegada a los Estados Unidos. Formación musical. Relación con el metodismo....................................................................................................... p.1 1890-1909. Contacto con los Estudiantes de la Biblia de C.T. Russell. Peregrino del grupo. Labor como editor musical………………………………………… p.39 1909-1931. Alejamiento de C.T. Russell. Evangelista independiente. Labor como editor musical..................................................................................................... p.97 Listado de obras musicales de M.L. McPhail.………………………………………. p.123 Himnarios y otras publicaciones con obras de M.L. McPhail………………………… 175 Alcance de las obras musicales de M.L. McPhail…………………………………… p.181 1 MATTHEW LINDSAY McPHAIL (1854-1890). Origen. Llegada a los Estados Unidos. Formación musical. Relación con el metodismo Nace el 1 de julio de 1854 en Bailleston, Old Monkland, Lanark, Escocia.1 Llega a Estados Unidos el 10 de julio de 1865 y se nacionaliza en 1880. Se casa el 20 de junio de 1878 con Kate Kelley. El matrimonio tiene 6 hijos: Harry C., Frank O., Grace E., Jessie A., Laura J. y Matthew L. Compositor, músico, barítono; editor musical; profesor de música, de canto y de “cultura vocal;” cercano a ideas metodistas primero, después peregrino y miembro muy activo de los EIB y, posteriormente, evangelizador independiente. En sus obras musicales aparece citado como M.L. McPhail, Mat. L. McPhail, M. Lindsay, Mathew Lindsay, Matthew Lindsay. En otras fuentes también se localiza su apellido bajo las formas MacPhail, Mc Phail, McFail y McFale.2 Ilustración 1. M.L. McPhail en 1905, 1906, 1907 y 1908 respectivamente (Fuentes: Souvenir Reports y Convention Reports de los EIB de aquellos años; Mike Castro) Al poco de llegar a Estados Unidos, siendo aún adolescente, trabaja en una mina de carbón, pero se forma musicalmente y, en la década de 1880, ejerce como director de coro y organista, y se hace un nombre a nivel local como profesor de música y de “cultura vocal.” Participa también en la dirección musical de algunos reavivamientos metodistas pero, hacia 1890 o 1891 entra en contacto con las publicaciones de C.T. Russell y se une a los EIB. Será uno de sus primeros peregrinos –ministro viajante— hasta que, por diferencias doctrinales se separa de él en 1909 junto a otros prominentes 11 Según consta en el Registro de nacimientos y bautismos de la parroquia de Old Monkland, en el condado de Lanark, Escocia, en el que aparece M.L. McPhail como nacido el 1 de julio de 1854 y bautizado el 20 de agosto. (Fuente: Extract of entries in an Old Parochial Register 148219. Registration of Births, Deaths and Marriages (Scotland) Act 1965, s.47. Parish of Old Monkland (for Coatbridge). County of Lanark). Consulta realizada por el autor el 22 de Mayo de 2006. 2 En la búsqueda de datos biográficos sobre M.L. McPhail han sido de especial relevancia el intercambio de información con estudiosos de la historia de los EIB y TCJ como Mike Castro o Nathan [pseudónimo], así como la consulta a bases de datos como http://www.ancestry.com, http://www.newspaperarchive.com, http://chroniclingamerica.loc.gov/ y http://fultonhistory.com/fulton.html 2 EIB en una de las diversas escisiones que ha sufrido este grupo religioso a lo largo de su historia. Formará parte de un grupo de EIB que con el nombre de ”New Covenant Believers” se organizó en la zona de Chicago, Illinois. Desde finales de la década de 1870 inicia una intensa actividad compositora publicando algunas canciones no religiosas y numerosos himnos, anthems, himnarios y libros de música coral. Entre 1896 y 1920 trabajará como editor musical para la Hope Publishing Company, una de las editoriales de música religiosa más importantes del país con lo que, con toda seguridad, debió conocer a los principales compositores y autores de himnos y música religiosa de aquella época. Fallece el 24 de noviembre de 1931 en Park Ridge, Illinois. Entre sus obras musicales editadas se encuentran: McPhail’s Anthems (1885), The Crown of Song (1886), Songs of Saving Power (1890), la serie Winnowed Anthems (nº 1, 1896; nº 2, 1899, no. 3, 1903; nº 4, 1906; nº 5, 1914; y, nº 6, 1916), Zion’s Glad Songs of the Morning (1896), Zion’s Glad Songs (1900), Zion’s Glad Songs No. 2 (1907), Zion’s Glad Songs Complete (1908), Songs of Comfort (1909) y Hope Anthems (1919). Publicó también un folleto doctrinal, The Covenants (1909). Una aproximación esquemática de la familia de M.L. McPhail podría ser la reflejada en el siguiente cuadro. Este cuadro no incluye familia indirecta que M.L. McPhail pudo tener a partir de otros matrimonios, al menos dos más, que su padre llegó a tener. ABUELOS (PADRE Y TÍOS) Roger McPhail (1799-1868) Elisabeth Barrowman (1807-1861) Hugh McPhail (1824-1908) John McPhail (1830-1909) [Hijo: John McPhail (1856-¿?)] Matthew McPhail (1835-1910) Mary McPhail (1839-¿?) Christina McPhail (1843-¿?) PADRES (HERMANOS Y SOBRINO) Hugh McPhail (1824-1908) Mary Birrell (1825-1866) Roderick (Rodger o Roger) McPhail (1847-¿1917?) [Hijo: John A. McPhail (¿1878-1964?)] John McPhail (1849-¿1917?) Mary McPhail (1852/54-¿1924?) Matthew Lindsay McPhail (1854-1931) Elizabeth McPhail (¿1856?-¿?) Margaret McPhail (1859-¿1870?) Hugh McPhail (1861-1930) MATTHEW LINDSAY McPHAIL (1854-1931) Kate (Catharine) Kelley (Kelly) (1858-1945) HIJOS Harry C. (¿Clayton?) McPhail (1880-1897) Frank O. McPhail (1882-1901) Grace Edna McPhail (1884-1965) Jessie A. (¿Almeda?) McPhail (1888-¿1952?) Laura J. McPhail (1890-1984) Matthew Lindsay McPhail (1895-1965) 3 ¿Por qué interesarse por una persona como M.L. McPhail? Por un lado, al parecer, se trató de un EIB muy activo del que, incluso, Rogerson llega a decir “was the most respected and loved Bible student in the movement, second only to Russell.”3 Y, por otro lado, resultaba un personaje totalmente desconocido no solo para la mayoría de TCJ actuales sino, también, para musicólogos e historiadores. Donald P. Hustad, destacado músico y musicólogo evangélico especializado en la historia de los himnos religiosos, se refirió a él como “this obscure individual musician. Not a single composition of his is sung or published today. Whereas we have record of hundreds of musicians who were contemporaries of his and wrote similar music, there is no mention of him in standard hymnological literature.”4 Aunque, por un lado sí es posible encontrar datos sobre su actividad como peregrino de los EIB en las publicaciones de este grupo, por otro existe muy poca información biográfica sobre el McPhail compositor, músico, profesor o editor musical localizable en las fuentes de referencia musicológicas u otras fuentes externas. Ni siquiera su biografía era mínimamente conocida. Ni el New Grove5 ni el diccionario de Julian6 le ofrecen una sola línea… por citar dos de las más reconocidas. Obras clásicas, algunas de ellas contemporáneas de McPhail, como las de Duffield, Brown & Butterworth, Metcalf, Marks, Kerr, Ryden,7 etc. y otras más actuales como las de Davidson, Hustad, Wilhoit, Foley, Music o Graham8 ni siquiera le mencionan… es un 3 ROGERSON, Alan. A sociological analysis of the origin and development of the Jehovah's Witnesses. Tesis, Oxford University, 1972, p.147. 4 Correspondencia electrónica con D.P. Hustad (19-02-2006), a quien agradezco su amabilidad al atender mis consultas. 5 SADIE, Stanley (ed.). The New Grove dictionary of music and musicians. 2nd ed. New York: Grove, 2001; HITCHCOCK, H. Wiley & SADIE, Stanley (eds.). The New Grove Dictionary of American Music. New York: Grove's Dictionaries of Music, 1986. 6 JULIAN, John (ed.). A Dictionary of Hymnology : Setting Forth the Origin and History of Christian Hymns of All Ages and Nations. 2nd rev. ed. with new suppl. New York: Dover Pub., 1957(1907). 2 v. 7 DUFFIELD, Samuel Willoughby. English Hymns : Their Authors and History. 3rd ed., rev. and corr. New York: Funk & Wagnalls, 1888; BROWN, Theron & BUTTERWORTH, Hezekiah. The Story of the Hymns and Tunes. New York: American Tract Society, 1906; METCALF, Frank J. American Writers and Compilers of Sacred Music. New York: The Abingdon Press, 1925; MARKS, Harvey B. The Rise and Growth of English Hymnody. London: Fleming H. Revell Co., 1937; KERR, Phil. Music in Evangelism : and Stories of Famous Christian Songs. 3rd ed. Glendale, Calif.: Gospel Music Publishers, 1950(1939); RYDEN, Ernest Edwin. The Story of Christian Hymnody. Philadelphia: Fortress Press, 1959. 8 DAVIDSON, James Robert. A Dictionary of Protestant Church Music. Metuchen, N.J.: The Scarecrow Press, 1975; HUSTAD, Donald P. Dictionary-Handbook to Hymns for the Living Church. Carol Stream, IL: Hope Publishing Co., 1978; WILHOIT, Melvin Ross. A Guide to the Principal Authors and Composers of Gospel Song of the Nineteenth Century. Tesis, Southern Baptist Theological Seminary. Faculty of the School of Church Music, 1982; FOLEY, Edward (ed.). Worship music: a concise dictionary. Collegeville, MN: The Liturgical Press, 2000; MUSIC, David W. Christian Hymnody in Twentieth-Century Britain and America : an Annotated Bibliography.Westport, Conn.: Greenwood Press, 2001; GRAHAM, Fred Kimball. ‘With One Heart and One Voice : A Core Repertory of Hymn Tunes 4 ser totalmente anónimo. No existe ninguna biografía sobre él y, a lo más, lo que se puede localizar es alguna de sus composiciones incluidas en el Dictionary of American Hymnology9 (21 composiciones poéticas) o en la obra de Wasson10 y, más recientemente, alguna página web11 dedicada a himnos religiosos ofrece algún dato sobre él. Hustad me comentó que hablando él personalmente con George H.
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