MS 10.2.14 Dissertation
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" We Are Family?": the Struggle for Same-Sex Spousal Recognition In
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be fmrn any type of computer printer, The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reprodudion. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e-g., maps, drawings, &arb) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to tight in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and Mite photographic prints are available for any photographs or illustratims appearing in this copy for an additional charge. Contact UMI directly to order. Bell 8 Howell Information and Leaning 300 North Zeeb Road, Ann Arbor, MI 48106-1346 USA 800-521-0600 "WE ARE FAMILY'?": THE STRUGGLE FOR SAME-SEX SPOUSAL RECOGNITION IN ONTARIO AND THE CONUNDRUM OF "FAMILY" lMichelIe Kelly Owen A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Sociology and Equity Studies in Education Ontario Institute for Studies in Education of the University of Toronto Copyright by Michelle Kelly Owen 1999 National Library Bibliothiique nationale l*B of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services sewices bibliographiques 395 Wellington Street 395. -
Cultivating the Daughters of Bilitis Lesbian Identity, 1955-1975
“WHAT A GORGEOUS DYKE!”: CULTIVATING THE DAUGHTERS OF BILITIS LESBIAN IDENTITY, 1955-1975 By Mary S. DePeder A Thesis Submitted in Partial Fulfillment of the requirements for the Degree of Master of Arts in History Middle Tennessee State University December 2018 Thesis Committee: Dr. Susan Myers-Shirk, Chair Dr. Kelly A. Kolar ACKNOWLEDGMENTS I began my master’s program rigidly opposed to writing a thesis. Who in their right mind would put themselves through such insanity, I often wondered when speaking with fellow graduate students pursuing such a goal. I realize now, that to commit to such a task, is to succumb to a wild obsession. After completing the paper assignment for my Historical Research and Writing class, I was in far too deep to ever turn back. In this section, I would like to extend my deepest thanks to the following individuals who followed me through this obsession and made sure I came out on the other side. First, I need to thank fellow history graduate student, Ricky Pugh, for his remarkable sleuthing skills in tracking down invaluable issues of The Ladder and Sisters. His assistance saved this project in more ways than I can list. Thank-you to my second reader, Dr. Kelly Kolar, whose sharp humor and unyielding encouragement assisted me not only through this thesis process, but throughout my entire graduate school experience. To Dr. Susan Myers- Shirk, who painstakingly wielded this project from its earliest stage as a paper for her Historical Research and Writing class to the final product it is now, I am eternally grateful. -
Materialist Feminism
9 / MATERIALIST FEMINISM A Reader in Class, Difference, and Women's Lives Edited by Rosemary Hennessy and Chrys Ingraham ROUTLEDGE New York & London Introduction Reclaiming Anticapitalist Feminism Rosemary Hennessy and Chrys Ingraham THE NEED FOR ClASS ANALYSIS OF WOMEN'S DIFFERENT LIVES We see this reader as a timely contribution to feminist struggle for transformative social change, a struggle which is fundamentally a class war over resources, knowledge, and power. Currently the richest 20 percent of humanity garners 83 percent of global income, while the poorest 20 percent of the world's people struggles to survive on just 1 percent of the global income (Sivard 1993; World Bank 1994). During the 1990s, as capitalism triumphantly secures its global reach, anticommunist ideologies hammer home socialism's inherent failure and the Left increasingly moves into the professional middle class. many of western feminism's earlier priorities-commitment to social transformation, attention to the political economy of patriarchy, analysis of the perva sive social structures that link and divide women~have been obscured or actively dismissed. Various forms of feminist cultural politics that take as their starting point gender, race, class, sexuality, or coalitions among them have increasingly displaced a systemic perspective that links the battle against women's oppression to a fight against capitalism. The archive collected in Materialist Feminism: A Reader in Class, Difference, and Women's Lives is a reminder that despite this trend feminists have continued to find in historical materialism a powerful theoretical and political resource. The tradi- . tion of feminist engagement with marxism emphasizes a perspective on social life that refuses to separate the materiality of meaning, identity, the body, state, or nation from the requisite division of labor that undergirds the scramble for profits in capitalism's global system. -
Gender at the Crossroads of Home, Family, and Business from the Early Modern Era to the Present
INTRODUCTION WHAT IS WORK? Gender at the Crossroads of Home, Family, and Business from the Early Modern Era to the Present Raffaella Sarti, Anna Bellavitis, and Manuela Martini 1. What is work? A fresh perspective from the (alleged) margins What is work? The question chosen as a title for this volume is an ambi- tious one. We are obviously aware that a huge body of literature on work exists, and we certainly do not pretend we can give a defi nite answer to the question,1 which may not even be possible.2 Instead, we will use this question as a tool to interrogate history, the social sciences, and also pol- itics. Such a question prompts us in fact to adopt a critical and diversifi ed view of work and, consequently, of economic and social policies, too. On the other hand, establishing the boundaries, implications, and stakes of a new characterization of work is a crucial issue in the contemporary de- bate, and is obviously also motivated by the ongoing dramatic economic, technological, organizational, social, and cultural changes affecting the world of work. Let us start with a telling example. “Italy is a Democratic Republic, founded on work,” article 1 of the Italian Constitution, written after the Second World War and enforced in 1948, authoritatively states3: this implied and still implies a kind of overlap between enjoying citizenship and working. When the Italian Constitution was enforced, according to the Italian population censuses as many as three-quarters of adult Italian women were not working or, more precisely, were economically “inac- tive.” What did they do? About 60 percent of them were housewives: 2 Raffaella Sarti, Anna Bellavitis, and Manuela Martini they were therefore likely to actually work very hard. -
Professor Bonnie Zimmerman Vice-President for Faculty Affairs September 7, 2010 Interviewed by Susan Resnik for San Diego State
Professor Bonnie Zimmerman Vice-President for Faculty Affairs September 7, 2010 interviewed by Susan Resnik for San Diego State University 125:51 minutes of recording SUSAN RESNIK: Today is Tuesday, September 7, 2010. This Susan Resnik. I’m with Professor Bonnie Zimmerman in the offices of Special Collections and University Archives at San Diego State University. We’re going to conduct an oral history interview. This project is funded by the John and Jane Adams Grant for the Humanities. Professor Zimmerman retired this year from San Diego State University after a notable career in a variety of roles, beginning in 1978. From 2003 until this year, she was associate vice-president and led Faculty Affairs, having previously served as the chair of the university senate. She began as a lecturer in women’s studies in 1978, and became an associate professor of women’s studies from 1980 through ’83. In 1983 she became a professor. She taught courses, chaired theses, contributed to the syllabus, served as the chair of women’s studies from 1986 to 1992, and again from 1995 to 1997. For more than thirty years, through her research, teaching, and program development, she has fostered the growth of women and lesbian studies. She’s been an active member of the Modern Language Association and the National Women’s Studies Association, of which she served as president in 1998 and 1999. She has published extensively, including her books, Lesbian Histories and Cultures: An Encyclopedia; The New Lesbian Studies: Into the 21st Century; Professions of Desire; Lesbian and Gay Studies in Literature; and the Safe Sea of Women: Lesbian Fiction, 1969 to 1989. -
Santoss73364.Pdf
Copyright by Sônia Beatriz dos Santos 2008 The Dissertation Committee for Sônia Beatriz dos Santos Certifies that this is the approved version of the following dissertation: Brazilian Black Women‟s NGOs and Their Struggles in the Area of Sexual and Reproductive Health: Experiences, Resistance, and Politics Committee: João Costa Vargas, Supervisor Charles R. Hale Chiquita Collins Dorothy Roberts Edmund T. Gordon Sharmila Rudrappa Brazilian Black Women‟s NGOs and Their Struggles in the Area of Sexual and Reproductive Health: Experiences, Resistance, and Politics by Sônia Beatriz dos Santos, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Dedication TO MY FAMILY, specially my dear Paulo, Eliane, Márcia, Mônica, Tia Maria, Tia Lindaura, Tia Tereza, Tio Bertinho, Caio, Ana Beatriz e Roberto; and in memory of my grandmother Felismina da Paixão, my mother Olinda Arminda Rosa dos Santos and my father Orlando dos Santos. To CRIOLA. Acknowledgements I would first like to express my gratitude to the women and men – staff members, collaborators associated to CRIOLA, ACMUN, MARIA MULHER E GRUPO DE MULHERES FELIPA DE SOUSA who contributed to this dissertation by donating their time, energy, testimonies, histories, feelings and emotions, by patiently teaching me about their lives and experiences, and by introducing me to others and help me to navigating throughout the Black feminist networks. Their great generosity helped me to conduct the study and fieldwork. I could not make without them. -
America's Closet Door: an Investigation of Television and Its Effects on Perceptions of Homosexuality
University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 12-2014 America's closet door: an investigation of television and its effects on perceptions of homosexuality Sara Moroni University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Moroni, Sara, "America's closet door: an investigation of television and its effects on perceptions of homosexuality" (2014). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. America’s Closet Door An Investigation of Television and Its Effects on Perceptions of Homosexuality Sara Moroni Departmental Thesis The University of Tennessee at Chattanooga English Project Director: Rebecca Jones, PhD. 31 October 2014 Christopher Stuart, PhD. Heather Palmer, PhD. Joanie Sompayrac, J.D., M. Acc. Signatures: ______________________________________________ Project Director ______________________________________________ Department Examiner ____________________________________________ Department Examiner ____________________________________________ Liaison, Departmental Honors Committee ____________________________________________ Chair, Departmental Honors Committee 2 Preface The 2013 “American Time Use Survey” conducted by the Bureau of Labor Statistics calculated that, “watching TV was the leisure activity that occupied the most time…, accounting for more than half of leisure time” for Americans 15 years old and over. Of the 647 actors that are series regulars on the five television broadcast networks (ABC, CBS, The CW, Fox, and NBC) 2.9% were LGBT (Lesbian, Gay, Bisexual, Transgender) in the 2011-2012 season (GLAAD). -
Butch-Femme by Teresa Theophano
Butch-Femme by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com A butch-femme couple The concept of butch and femme identities have long been hotly debated within the participating in a group lesbian community, yet even achieving a consensus as to exactly what the terms wedding ceremony in "butch" and "femme" mean can be extraordinarily difficult. In recent years, these Taiwan. words have come to describe a wide spectrum of individuals and their relationships. It is easiest, then, to begin with an examination of butch-femme culture and meaning from a historical perspective. Butch and femme emerged in the early twentieth century as a set of sexual and emotional identities among lesbians. To give a general but oversimplified idea of what butch-femme entails, one might say that butches exhibit traditionally "masculine" traits while femmes embody "feminine" ones. Although oral histories have demonstrated that butch-femme couples were seen in America as far back as the turn of the twentieth century, and that they were particularly conspicuous in the 1930s, it is the mid-century working-class and bar culture that most clearly illustrate the archetypal butch-femme dynamic. Arguably, during the period of the 1940s through the early 1960s, butches and femmes were easiest to recognize and characterize: butches with their men's clothing, DA haircuts, and suave manners often found their more traditionally styled femme counterparts, wearing dresses, high heels, and makeup, in the gay bars. A highly visible and accepted way of living within the lesbian community, butch-femme was in fact considered the norm among lesbians during the 1950s. -
For Love and for Justice: Narratives of Lesbian Activism
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 For Love and for Justice: Narratives of Lesbian Activism Kelly Anderson Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/8 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] For Love and For Justice: Narratives of Lesbian Activism By Kelly Anderson A dissertation submitted to the faculty of The Graduate Center, City University of New York in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History 2014 © 2014 KELLY ANDERSON All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Blanche Wiesen Cook Chair of Examining Committee Helena Rosenblatt Executive Officer Bonnie Anderson Bettina Aptheker Gerald Markowitz Barbara Welter Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract For Love and for Justice: Narratives of Lesbian Activism By Kelly Anderson Adviser: Professor Blanche Wiesen Cook This dissertation explores the role of lesbians in the U.S. second wave feminist movement, arguing that the history of women’s liberation is more diverse, more intersectional, -
The Emergence, Development and Survival of Four Lesbian and Gay Archives
The Emergence, Development and Survival of Four Lesbian and Gay Archives by Rebecka Taves Sheffield A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Information Mark S. Bonham Centre for Sexual Diversity Studies University of Toronto © Copyright by Rebecka Taves Sheffield 2015 The Emergence, Development and Survival of Four Lesbian and Gay Archives Rebecka Taves Sheffield Doctor of Philosophy Faculty of Information Mark S. Bonham Centre for Sexual Diversity Studies University of Toronto 2015 ABSTRACT Lesbian and gay archives, particularly those established within the context of the homophile, gay liberation, and lesbian feminist movements, serve as social movement organizations (SMOs). That is, they are organizational and administrative members of activist communities that acquire, manage, and share resources for the purpose of collective action for social change. Archives are nevertheless absent from literature on social movements and social movement theory. This project was designed to expand on current research in the fields of archival studies, social movement studies, and sexuality studies to better understand the experiences of lesbian and gay archives. A multiple case study was conducted at four community grown archives: The Canadian Lesbian and Gay Archives, the ONE National Gay and Lesbian Archives, The June L. Mazer Lesbian Archives, and the Lesbian Herstory Archives. Site visits took place over six months in 2013 and 2014, during which time interviews were conducted with 33 community archivists, volunteers, and community partners. In addition, more than 20,000 pages of organizational records related to the founding and development of these archives were reviewed. By tracing the emergence, development, and resource struggles of four lesbian and gay archives, this dissertation shows how these organizations have been shaped by broader movement goals, local geographies, socio-political structures, and the particular interests and energies of those who have nurtured their collections over the years. -
Queer Censorship in US LGBTQ+ Movements Since World War II
History in the Making Volume 13 Article 6 January 2020 A Different Kind of Closet: Queer Censorship in U.S. LGBTQ+ Movements since World War II James Martin CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons Recommended Citation Martin, James (2020) "A Different Kind of Closet: Queer Censorship in U.S. LGBTQ+ Movements since World War II," History in the Making: Vol. 13 , Article 6. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol13/iss1/6 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. A Different Kind of Closet: Queer Censorship in U.S. LGBTQ+ Movements since World War II By James Martin Abstract: Since World War II, there has been an increased visibility of LGBTQ+ communities in the United States; however, this visibility has noticeably focused on “types” of queer people – mainly white, middle class, cisgender gays and lesbians. History remembers the 1969 Stonewall Inn riots as the catalyst that launched the movement for gay rights and brought forth a new fight for civil and social justice. This paper analyzes the restrictions, within LGBTQ+ communities, that have been placed on transpersons and gender nonconforming people before and after Stonewall. While the riots at the Stonewall Inn were demonstrative of a fight ready to be fought, there were many factors that contributed to the push for gay rights. -
Trabalho De Conclusão De Curso “Homoafetividade Na TV: Análise Das Séries Queer As Folk, the L Word E Looking”4
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXVIII Congresso Brasileiro de Ciências da Comunicação – Rio de Janeiro - RJ – 4 a 7/9/2015 Homoafetividade na TV: análise do casal Brian e Justin na série Queer As Folk1 Daniel Silveira da CRUZ2 Fabio Sadao NAKAGAWA3 Universidade Federal da Bahia, Salvador, Bahia Resumo O presente artigo analisa como os relacionamentos homoafetivos são representados em séries de televisão americanas. A pesquisa toma como objeto de análise o casal Brian e Justin de Queer As Folk. Com base em diferentes teóricos, os conceitos homossexualidade, homoerotismo e o termo homoafetividade colaboram para entender as definições acerca da atração por pessoas do mesmo sexo. Além disso, lançamos mãos da literatura sobre televisão, abordando as narrativas seriadas e um breve histórico sobre os personagens gays na TV. Palavras-chave: Queer as Folk; Homoafetividade; Homossexualidade; Séries televisuais Introdução O presente artigo é um recorte da pesquisa para o Trabalho de Conclusão de Curso “Homoafetividade na TV: análise das séries Queer As Folk, The L Word e Looking”4. O estudo foi realizado com as primeiras temporadas das séries citadas a fim de responder a questão: como são representados os casais homoafetivos em séries de TV americanas? Ou seja, de que maneira os afetos entre casais homossexuais são construídos pelas narrativas serializadas americanas? Neste artigo, abordaremos a construção da homoafetividade no casal Brian Kinney e Justin Taylor usando como corpus a primeira temporada de Queer As Folk. A série lançada em 2000 foi exibida originalmente no canal Showtime, nos Estados Unidos e no canal Showcase, no Canadá. Mostra, em cinco temporadas, histórias dos amigos gays Brian Kinney (Gale Harold), Michael Novotony (Hal Sparks), Emmet Honeycutt (Peter Page), Ted Schmidt (Scot Lowell) e Justin Taylor (Randy Harrison).