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Hamilton at the Paramount Seattle
SPECIAL EDITION • FEBRUARY 2018 ENCORE ARTS PROGRAMS • SPECIAL EDITION HAMILTON FEBRUARY 2018 FEBRUARY PROGRAMS • SPECIAL EDITION HAMILTON ARTS ENCORE HAMILTON February 6 – March 18, 2018 Cyan Magenta Yellow Black Inks Used: 1/10/18 12:56 PM 1/11/18 11:27 AM Changes Prev AS-IS Changes See OK OK with Needs INITIALS None Carole Guizetti — Joi Catlett Joi None Kristine/Ethan June Ashley Nelu Wijesinghe Nelu Vivian Che Barbara Longo Barbara Proofreader: Regulatory: CBM Lead: Prepress: Print Buyer: Copywriter: CBM: · · · · Visual Pres: Producer: Creative Mgr Promo: Designer: Creative Mgr Lobby: None None 100% A N N U A L UPC: Dieline: RD Print Scale: 1-9-2018 12:44 PM 12:44 1-9-2018 D e si gn Galle r PD y F Date: None © 2018 Starbucks Co ee Company. All rights reserved. All rights reserved. ee Company. SBX18-332343 © 2018 Starbucks Co x 11.125" 8.625" Tickets at stgpresents.org SKU #: Bleed: SBUX FTP Email 12/15/2017 STARBUCKS 23 None 100% OF TICKET SALES GOOF TOTHE THE PARTICIPATING MUSIC PROGRAMS HIGH SCHOOL BANDS — FRIDAY, MARCH 30 AT 7PM SBX18-332343 HJCJ Encore Ad Encore HJCJ blongo014900 SBX18-332343 HotJavaCoolJazz EncoreAd.indd HotJavaCoolJazz SBX18-332343 None RELEASED 1-9-2018 Hot Java Cool Jazz None None None x 10.875" 8.375" D i sk SCI File Cabinet O t h e r LIVE AT THE PARAMOUNT IMPORTANT NOTES: IMPORTANT Vendor: Part #: Trim: Job Number: Layout: Job Name: Promo: File Name: Proj Spec: Printed by: Project: RELEASE BEFORE: BALLARD | GARFIELD | MOUNTLAKE TERRACE | MOUNT SI | ROOSEVELT COMPANY Seattle, 98134 WA 2401 Utah Avenue South2401 -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
Glee: Uma Transmedia Storytelling E a Construção De Identidades Plurais
UNIVERSIDADE FEDERAL DA BAHIA INSTITUTO DE HUMANIDADES, ARTES E CIÊNCIAS PROGRAMA MULTIDISCIPLINAR DE PÓS-GRADUAÇÃO EM CULTURA E SOCIEDADE ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Salvador 2012 ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Dissertação apresentada ao Programa Multidisciplinar de Pós-graduação, Universidade Federal da Bahia, como requisito parcial para obtenção do título de mestre em Cultura e Sociedade, área de concentração: Cultura e Identidade. Orientador: Prof. Dr. Djalma Thürler Salvador 2012 Sistema de Bibliotecas - UFBA Lima, Roberto Carlos Santana. Glee : uma Transmedia storytelling e a construção de identidades plurais / Roberto Carlos Santana Lima. - 2013. 107 f. Inclui anexos. Orientador: Prof. Dr. Djalma Thürler. Dissertação (mestrado) - Universidade Federal da Bahia, Faculdade de Comunicação, Salvador, 2012. 1. Glee (Programa de televisão). 2. Televisão - Seriados - Estados Unidos. 3. Pluralismo cultural. 4. Identidade social. 5. Identidade de gênero. I. Thürler, Djalma. II. Universidade Federal da Bahia. Faculdade de Comunicação. III. Título. CDD - 791.4572 CDU - 791.233 TERMO DE APROVAÇÃO ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Dissertação aprovada como requisito parcial para obtenção do grau de Mestre em Cultura e Sociedade, Universidade Federal da Bahia, pela seguinte banca examinadora: Djalma Thürler – Orientador ------------------------------------------------------------- -
Portland, Oregon
TIM TO THRIVE PROMOTING SAFETY, INCLUSION AND WELL-BEING FOR LGBTQ YOUTH…EVERYWHERE! FEBRUARY 13-15, 2015 PORTLAND, OREGON PRESENTING SPONSOR: CO-PRESENTING TIME TO THRIVE: Hilton Portland & Executive Tower Map Please Note: Conference registration tables are located in the lobby level of the hotel. BALLROOM LEVEL “B” PLAZA LEVEL “PL” Windows Windows SERVICE AREA UPS STORE SERVICE AREA PARLOR BANQUET KITCHEN A PAVILION EAST s w W o POOL ind ind o W B w GRAND BALLROOM s PAVILION I II WEST GRAND STAIRCASE C FROM LOBBY LEVEL PLAZA ELEVATORS FROM ATHLETIC FOYER CLUB 1 2 3 4 5 LOBBY, 23RD, Access to Exhibit Hall BANQUET STAIRS TO KITCHEN GRAND BALLROOM LOBBY, AND/OR 3RD FLOOR HRC Store CEU BALLROOM FOYER AT&T PLAZA LEVEL, 8 7 6 3RD FLOOR & GUEST ROOM PLAZA SUITE STORAGE FLOORS ACCESS STAIRS GE ESCALATORS TO/ A THROUGH THE ELEVATORS VICE ATHLETIC CLUB FROM LOBBY LEVEL OR R (then take grand staircase to plaza T AREA FOR THE 3RD or elevators to higher floors) S SE FLOOR, LOBBY ELEVATORS & BALLROOM BROADWAY ROOM GE STORAGE A VICE 1 2 3 4 5 6 7 8 IV III II I R OR AREA T SE S BANQUET 21 GALLERIA 22 24 26 Bar 20 Food & Beverage 23 25 27 Windows 19 GENDER NEUTRAL 18 17 16 15 14 13 12 11 10 9 BATHROOMS EXHIBITORS BALLROOM FOYER IN BALLROOM LEVEL 1 HRC 2 True Colors Fund 3 The Trevor Project 4 AIR 5 AT&T League 6 NEA 3RD FLOOR CONFERENCE LEVEL “3” 7 NEA 8 Act Against AIDS Windows GALLERIA IN BALLROOM LEVEL 1 Welcoming Schools 2 Gender Spectrum 15 NASW STUDIO DIRECTORS COUNCIL FORUM 3 PFLAG 16 KIPP DC OOM T R S 4 Teaching Tolerance 17 GSA Network EA ARD -
The Of"Cial Report by Twitter, That Does Not Take Note of the Drop in Viewer Ratings
The Paradox of Liveness FROM THE BROADCAST MEDIA ERA TO THE SOCIAL MEDIA ERA Karin van Es 1 by Karin van Es This text is licensed under the Creative Commons Attribution-Non-Commercial- No Derivative Works 3.0 Unported License. You are free to share, copy, distribute, transmit the work. <http://creativecommons.org/licenses/by-nc-nd/3.0> Design: Asher Boersma Cover printed by Martijn van de Griendt, Boekdrukatelier het Y, Amsterdam ISBN 978-94-6103-039-9 2 The Paradox of Liveness From the Broadcast Media Era to the Social Media Era Van het televisietijdperk naar het socialemediatijdperk (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magni!cus, prof. dr. G.J. van der Zwaan, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op vrijdag 16 mei 2014 des middags te 12.45 uur door Karin Florentien van Es geboren op 2 september 1985 te Tunis, Tunesië 3 Promotoren: Prof. dr. E. Müller Prof. dr. J.S. de Leeuw Copromotor: Dr. J. Keilbach 4 5 TABLE OF CONTENTS Acknowledgements 8 Introduction 11 1 Liveness as Concept in Media Studies 2 Constellations of Liveness in the Social Media Era 3 Analyzing "ese Constellations 4 Structure 1 !e Paradox of Liveness: !e Case of Livestream 49 Introduction 1.1 "e Mogulus/Livestream Constellation 1.1.1 "e Mogulus/Livestream Metatext: Remediating Traditional TV 1.1.2 "e Space of Participation 1.1.3 User Responses 1.2 From Users to Event Owners: "e New Constellation 1.2.1 "e Metatext: Being -
Enter Your Title Here in All Capital Letters
EXPLORING THE COMPOSITION AND FORMATION OF LESBIAN SOCIAL TIES by LAURA S. LOGAN B.A., University of Nebraska at Kearney, 2006 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Department of Sociology, Anthropology, and Social Work College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2008 Approved by: Major Professor Dana M. Britton Copyright LAURA S. LOGAN 2008 Abstract The literature on friendship and social networks finds that individuals form social ties with people who are like them; this is termed “homophily.” Several researchers demonstrate that social networks and social ties are homophilous with regard to race and class, for example. However, few studies have explored the relationship of homophily to the social ties of lesbians, and fewer still have explicitly examined sexual orientation as a point of homophily. This study intends to help fill that gap by looking at homophily among lesbian social ties, as well as how urban and non-urban residency might shape homophily and lesbian social ties. I gathered data that would answer the following central research questions: Are lesbian social ties homophilous and if so around what common characteristics? What are lesbians’ experiences with community resources and how does this influence their social ties? How does population influence lesbian social ties? Data for this research come from 544 responses to an internet survey that asked lesbians about their social ties, their interests and activities and those of their friends, and the cities or towns in which they resided. Using the concepts of status and value homophily, I attempt to make visible some of the factors and forces that shape social ties for lesbians. -
New York Women in Film & Television (Nywift)
NEW YORK WOMEN IN FILM & TELEVISION (NYWIFT) TO CELEBRATE EXCEPTIONAL WOMEN AT ST TH THE 41 ANNUAL NYWIFT MUSE AWARDS VIRTUALLY ON THURSDAY, DECEMBER 17 , 2020 GOLDEN GLOBE WINNING ACTRESS AWKWAFINA, TWO TIME GOLDEN GLOBE WINNING ACTRESS RACHEL BROSNAHAN, GRAMMY AWARD WINNING ACTRESS RASHIDA JONES, PULITZER PRIZE WINNING NEW YORK TIMES JOURNALISTS JODI KANTOR & MEGAN TWOHEY, PRESIDENT OF ORION PICTURES ALANA MAYO, AWARD-WINNING DIRECTOR GINA PRINCE-BYTHEWOOD, AND TONY AWARD-WINNING ACTRESS ALI STROKER TO RECEIVE HONORS NEW YORK, NY – NOVEMBER 30, 2020 – New York Women in Film & Television (NYWIFT) is proud to present ST the 41 Annual NYWIFT Muse Awards virtual event on Thursday, December 17, 2020. The event will be held virtually beginning at 1:00 PM ET and available for all those who register to watch on online at nywift.org/muse. This year’s theme is “Art & Advocacy,” as NYWIFT recognizes the role of the creative community in advancing positive social change. CBS Sunday Morning contributor, comedian, actress, and self-described “Accidental Pundette” Nancy Giles will again emcee the afternoon’s event, which celebrates women of outstanding vision and achievement both in front of and behind the camera in film, television, the music industry, and digital media. The honorees for this year’s Muse Awards are some of the most extraordinary women in the business: Awkwafina will receive a “Made in New York” Award from the Mayor’s Office of Media and Entertainment, for her contributions to NYC’s entertainment industry. She is a Golden Globe-winning actress from Queens, New York, who has used her trademark comedic style and signature flair to become a breakout talent. -
Interpreting Popular Photographs on Afterellen.Com
MAKING OUT ON THE INTERNET: INTERPRETING POPULAR PHOTOGRAPHS ON AFTERELLEN.COM CAITLIN J. MCKINNEY A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER'S OF ARTS GRADUATE PROGRAM IN COMMUNICATION AND CULTURE, JOINT PROGRAM WITH RYERSON UNIVERSITY YORK UNIVERSITY TORONTO, ONTARIO SEPTEMBER 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-80628-9 Our file Notre r6f$rence ISBN: 978-0-494-80628-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Queer Identities and Glee
IDENTITY AND SOLIDARITY IN ONLINE COMMUNITIES: QUEER IDENITIES AND GLEE Katie M. Buckley A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Music August 2014 Committee: Katherine Meizel, Advisor Kara Attrep Megan Rancier © 2014 Katie Buckley All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor Glee, a popular FOX television show that began airing in 2009, has continuously pushed the limits of what is acceptable on American television. This musical comedy, focusing on a high school glee club, incorporates numerous stereotypes and real-world teenage struggles. This thesis focuses on the queer characteristics of four female personalities: Santana, Brittany, Coach Beiste, and Coach Sue. I investigate how their musical performances are producing a constructive form of mass media by challenging hegemonic femininity through camp and by producing relatable queer female role models. In addition, I take an ethnographic approach by examining online fan blogs from the host site Tumblr. By reading the blogs as a digital archive and interviewing the bloggers, I show the positive and negative effects of an online community and the impact this show has had on queer girls, allies, and their worldviews. iv This work is dedicated to any queer human being who ever felt alone as a teenager. v ACKNOWLEDGMENTS I would like to extend my greatest thanks to my teacher and advisor, Dr. Meizel, for all of her support through the writing of this thesis and for always asking the right questions to keep me thinking. I would also like to thank Dr. -
Cruising for Olivia: Lesbian Celebrity and the Cultural Politics of Coming out in Sport
Sociology of Sport Journal, 2011, 28, 461-477 © 2011 Human Kinetics, Inc. Cruising for Olivia: Lesbian Celebrity and the Cultural Politics of Coming Out in Sport Megan Chawansky and Jessica Margaret Francombe University of Bath This paper explores issues of sport, sponsorship, and consumption by critically interrogating the mass-mediated “coming out” narratives of professional golfer, Rosie Jones, and professional basketball player, Sheryl Swoopes. Both athletes came out publicly as gay in light of endorsements received by Olivia Cruises and Resorts—a company that serves lesbian travelers—thus marking a significant shift in the relationship between lesbian subjectivity, sport, and sponsorship. A concern with a neoliberal-infused GLBT politics underscores our analysis, and a close reading of these narratives raises complex questions about the corporatization of coming out and the existence of lesbian celebrity in sport. Cet article explore des questions de sport, de commandite et de consommation par le biais d’une interrogation critique des sorties de placard médiatisées de la golfeuse professionnelle Rosie Jones et de la joueuse de basket professionnelle Sheryl Swoopes. Les deux athlètes se sont affichées publiquement comme gaies lorsqu’elles ont fait des publicités pour la compagnie Olivia Cruises and Resorts (une entreprise qui sert les voyageuses lesbiennes), ce qui a apporté un change- ment important dans les relations entre la subjectivité lesbienne, le sport et les commandites. Notre analyse est marquée d’une préoccupation pour les politiques GLBT imprégnées de néo-libéralisme. Une lecture attentive des récits soulève des questions complexes au sujet de la privatisation de la sortie de placard et de l’existence des célébrités lesbiennes en sport. -
Beyond Lipstick: Expressions of Queer Femme Identity in Dress & New
Ryerson University Digital Commons @ Ryerson Theses and dissertations 1-1-2012 Beyond Lipstick: Expressions of Queer Femme Identity in Dress & New Media Concettina Maria Laalo Ryerson University Follow this and additional works at: http://digitalcommons.ryerson.ca/dissertations Part of the Fashion Design Commons, Feminist, Gender, and Sexuality Studies Commons, and the Other Film and Media Studies Commons Recommended Citation Laalo, Concettina Maria, "Beyond Lipstick: Expressions of Queer Femme Identity in Dress & New Media" (2012). Theses and dissertations. Paper 926. This Major Research Paper is brought to you for free and open access by Digital Commons @ Ryerson. It has been accepted for inclusion in Theses and dissertations by an authorized administrator of Digital Commons @ Ryerson. For more information, please contact [email protected]. BEYOND LIPSTICK: EXPRESSIONS OF QUEER FEMME IDENTITY IN DRESS & NEW MEDIA by Concettina Maria Laalo B.Des. 2009, Kwantlen Polytechnic University A Major Research Paper Presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts In the Program of Fashion Toronto, Ontario, Canada, 2012 ©Concettina Laalo 2012 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A THESIS I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. -
BUTCH.“ UNTERTITEL: „Was Genau Meint Der Begriff „Butch“? AUTOR IN: „Katharina Rost“
HAUPTTITEL: „BUTCH.“ UNTERTITEL: „Was genau meint der Begriff „Butch“? AUTOR_IN: „Katharina Rost“ BUTCH. Was genau meint der Begriff „Butch“? Aufgrund seines vielfältigen Bedeutungsspektrums lässt sich keine einfache Definition angeben. Denn es ist auf eine Vielzahl an Deutungen und Zuschreibungen hinzuweisen, die sich bei der Verwendung des Begriffs zeigen und die im Folgenden näher aufgeschlüsselt wird. Diskutiert wurde der Begriff im Rahmen der feministischen Theorie und den Debatten feministischer Aktivistinnen vor allem von den 1970er bis in die 1990er Jahre. Auch in der Gender Theorie der 1990er Jahre wird der Begriff, prominent z. B. von Judith Butler, aufgegriffen. 1 Zwischen Stolz und Scham. Für die Lesbengeschichte stellt die Butch eine Ikone dar, über die Lesben Sichtbarkeit und damit gesellschaftspolitisches Gewicht erhalten (haben), aber auch angreifbarer wurden. Aus diesem Grund ist die Butch innerhalb der Lesbenkultur und -forschung in ihrem Status stark umstritten. Ein Blick auf die historische Perspektive in der Lesbenforschung und den Gender Studies zeigt, dass die Butch in ihren vielfältigen Ausprägungen – wie z. B. der mannish lesbian zu Beginn des 20. Jahrhunderts – präsent ist und zumeist hochgeschätzt wird. Im Butch-Femme-Reader (1998) führt die britische Medien- und Kulturwissenschaftlerin Sally Munt aus, wie Lesben über ihre (Selbst-)Repräsentation durch Butch/Femme eine Form gefunden haben, sich gesellschaftliche Sichtbarkeit, politische Wirksamkeit und kulturelle Eigenständigkeit zu kreieren (Munt 1998: 4). „Being