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THE CLEVELAND MUSEUM of ART ANNUAL REPORT 2002 1 0-Cover.P65 the CLEVELAND MUSEUM of ART
ANNUAL REPORT 2002 THE CLEVELAND MUSEUM OF ART THE CLEVELAND MUSEUM OF ART REPORT 2002 ANNUAL 0-Cover.p65 1 6/10/2003, 4:08 PM THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2002 1-Welcome-A.p65 1 6/10/2003, 4:16 PM Feathered Panel. Peru, The Cleveland Narrative: Gregory Photography credits: Brichford: pp. 7 (left, Far South Coast, Pampa Museum of Art M. Donley Works of art in the both), 9 (top), 11 Ocoña; AD 600–900; 11150 East Boulevard Editing: Barbara J. collection were photo- (bottom), 34 (left), 39 Cleveland, Ohio Bradley and graphed by museum (top), 61, 63, 64, 68, Papagayo macaw feathers 44106–1797 photographers 79, 88 (left), 92; knotted onto string and Kathleen Mills Copyright © 2003 Howard Agriesti and Rodney L. Brown: p. stitched to cotton plain- Design: Thomas H. Gary Kirchenbauer 82 (left) © 2002; Philip The Cleveland Barnard III weave cloth, camelid fiber Museum of Art and are copyright Brutz: pp. 9 (left), 88 Production: Charles by the Cleveland (top), 89 (all), 96; plain-weave upper tape; All rights reserved. 81.3 x 223.5 cm; Andrew R. Szabla Museum of Art. The Gregory M. Donley: No portion of this works of art them- front cover, pp. 4, 6 and Martha Holden Jennings publication may be Printing: Great Lakes Lithograph selves may also be (both), 7 (bottom), 8 Fund 2002.93 reproduced in any protected by copy- (bottom), 13 (both), form whatsoever The type is Adobe Front cover and frontispiece: right in the United 31, 32, 34 (bottom), 36 without the prior Palatino and States of America or (bottom), 41, 45 (top), As the sun went down, the written permission Bitstream Futura abroad and may not 60, 62, 71, 77, 83 (left), lights came up: on of the Cleveland adapted for this be reproduced in any 85 (right, center), 91; September 11, the facade Museum of Art. -
THE WESTFIELD LEADER Good Luck
Good Luck WHS Football Team THE WESTFIELD LEADER In Pljd. Tomorrow THE LEADING AND MOST WIDELY CIRCULATED WEEKLY NEWSPAPER IN UNION COUNTY Published .ontl Class I'uBtiiee Paid EIGHTY-FIRST YEAR—No. 16 Every Tlwraday WESTFIELD, NEW JERSEY, WEDNESDAY, NOVEMBER 25, 1970 ut West field, N. J. 32 Papes—10 Centt Service Aids Cacciola PL Town to Begin Work Royai Natai McGroarty, Cohen, Mayer On Southside Park Day for Ham ^ • ,.• ^ Project It was a happy birthday indeed Improvements to the North Scotch assessed against the property own- last Wednesday for Matltlhew BeJl Westfield residents of all religious Plains Ave. park recreation area ers, would include granite curbing, communions will join together in a of 14 Manchester Dr.—and it even Decline New B of E Terms are slated in an ordinance expected macadam paving and a sanitary Community Thanksgiving Service at included royal greetings from King Joseph A. McGroarty, Dr. Solomon to be introduced at last night's meet- sewer lateral in the section of Nor- Hussein of Jordan. the Presbyterian Church of Westfield ing of the Town Council. The council mandy Dr., a new street which runs J. Cohen and Charles R. Mayer, the at 8 p.m. tonight. Rabbi Charles "Many happy returns of the day," three Board of Education members was in session at the time the Leader {ram Rs-hway Ave. Owners would the cablegram read: "AH my best Kroloff of Temple Emami-El will be went to press. be required to make Hie necessary -whose terms expire this year, have the featured speaker, with his sub- wishes and regards." notified the Joint Civic Committee The $20,000 improvements would connections from their homes with ject, "Between the Poles." Also par- the sewer, water and gas mains. -
Cover No Spine
2006 VOL 44, NO. 4 Special Issue: The Hans Christian Andersen Awards 2006 The Journal of IBBY,the International Board on Books for Young People Editors: Valerie Coghlan and Siobhán Parkinson Address for submissions and other editorial correspondence: [email protected] and [email protected] Bookbird’s editorial office is supported by the Church of Ireland College of Education, Dublin, Ireland. Editorial Review Board: Sandra Beckett (Canada), Nina Christensen (Denmark), Penni Cotton (UK), Hans-Heino Ewers (Germany), Jeffrey Garrett (USA), Elwyn Jenkins (South Africa),Ariko Kawabata (Japan), Kerry Mallan (Australia), Maria Nikolajeva (Sweden), Jean Perrot (France), Kimberley Reynolds (UK), Mary Shine Thompson (Ireland), Victor Watson (UK), Jochen Weber (Germany) Board of Bookbird, Inc.: Joan Glazer (USA), President; Ellis Vance (USA),Treasurer;Alida Cutts (USA), Secretary;Ann Lazim (UK); Elda Nogueira (Brazil) Cover image:The cover illustration is from Frau Meier, Die Amsel by Wolf Erlbruch, published by Peter Hammer Verlag,Wuppertal 1995 (see page 11) Production: Design and layout by Oldtown Design, Dublin ([email protected]) Proofread by Antoinette Walker Printed in Canada by Transcontinental Bookbird:A Journal of International Children’s Literature (ISSN 0006-7377) is a refereed journal published quarterly by IBBY,the International Board on Books for Young People, Nonnenweg 12 Postfach, CH-4003 Basel, Switzerland tel. +4161 272 29 17 fax: +4161 272 27 57 email: [email protected] <www.ibby.org>. Copyright © 2006 by Bookbird, Inc., an Indiana not-for-profit corporation. Reproduction of articles in Bookbird requires permission in writing from the editor. Items from Focus IBBY may be reprinted freely to disseminate the work of IBBY. -
22.09. Mannheim
rethink 12. — 22.09. international MANNHEIM music SA — 14.09. SAWELCOME — 14.09. TO PLANET EARS! Liebe Gäste, mit Planet Ears feiert ein deutschlandweit einmaliges Veranstal- tungskonzept seine Premiere in Mannheim. An elf Tagen werden rund um die Alte Feuerwache genreübergreifend aktuelle Ent- wicklungen einer globalen Musikszene präsentiert und diskutiert, die hierzulande weitgehend unbekannt sind. Wie wichtig der kul- turelle Austausch für ein tolerantes und respektvolles Zusammen- leben in Vielfalt ist, hat man in Mannheim längst erkannt. Planet Ears leistet diesbezüglich einen entscheidenden Beitrag. Ich begrüße herzlich die zahlreichen Gäste aus dem internationa- len Ausland. Kostenlose Open-Airs ermöglichen es allen Mannhei- merinnen und Mannheimern an diesem besonderen Event teilzu- haben. Ich wünsche Ihnen allen interessante Begegnungen und eine gute Zeit auf PLANET EARS! Herzlichst, Oberbürgermeister Dr. Peter Kurz DO — 12.09. KLUB FEUERWACHE IM ANSCHLUSS VORWORT JIMI TENOR TWO TRIBES DJ-SET (FINNLAND) EINTRITT FREI Klingt freie Improvisation in Beirut anders als in Mannheim? Wo liegt der Unterschied zwischen Global Music und globalized music? Wie entsteht finnischer Afrobeat? Und was bitte ist Shamstep?! Wer sich auf der Suche nach neuen musikalischen Impulsen und Inspirationen auf die große Reise begibt, sieht sich zunächst mit einigen Fragezeichen und noch mehr neuen Welten konfrontiert. Es kann ein wenig dauern, sich in der zerklüfteten Landschaft von PLANET EARS zurecht zu finden. Und es lohnt sich! Shamstep zum Beispiel verbindet uralte arabische Dabke-Rhyth- men mit elektronischen Beats und Synthesizerklängen. Das Genre wurde von 47Soul geprägt, einer der angesagtesten Bands im Na- hen Osten, wo tausende Menschen zu ihren Konzerten kommen; z.B. beim Al Balad Music Festival in Amman/Jordanien, DEM Festi- val für alle Facetten arabischer Musik. -
Free Lebanese Music Mp3
Free lebanese music mp3 click here to download Lebanon: discover the most popular artists and play their tracks and albums on www.doorway.ru 8tracks radio. Online, everywhere. - stream 33 lebanese playlists including arabic, Fairuz, and Mashrou' Leila music from your desktop or mobile device. Download high quality Arabic music Mp3 and video from Melody4Arab No.1 Free online source for Arabic Music. Shami Music · Syria Songs · Lebanon Songs · Jordan Songs · Palestine Songs Egypt · Morocco · Arabic Singers start with A. Free Download Arabic Lebanon mp3, Arabic Mix Lebanon,Learn Arabic (Lebanese) Lesson 1, song download, music, mp3adio, audio, lyrics. Latest Free Lebanese Music Mp3 Download on Mp3jim tubidy, New Lebanese Music Songs, Lebanese Music Webmusic Mp3, Download Dabke Lebanon Mp3. www.doorway.ru | Arabic mp3 songs page 13, listen and Download arabic mp3 songs, Arab Idol, Arwa, Arwa Ahmad, Aryam, Usama Abd Elrahem, Osama Al Amir, Osama FARFESH Arabic songs MP3 free download and listening, page Nogomi is the largest arabic music website on internet with all the old and new releases of all arabic music albums in MP3 format. Arabic Music Remix Mp3, Latest Labnese Mp3 , New Mp3 Arabic Remix Songs, Rotana Free Music Download Lebanon, Rotana Music. Free download Lebanese Music Videos mp3 for free (Lebanon SINGER (Arab Song). Duration: Size: Download the most popular Royalty Free Lebanese Music - Every week we have the top #hot .أوﺑﺮﯾﺖ - ﺟﯿﺶ ﻟﺒﻨﺎن - Lebanese Army Operate Charts. Stream or download them. Music Fairouz | Download Fairouz mp3 music free. Fairuz is a Lebanese singer whose true name is Nihad Rizk Wadih Haddad, she sang with the brothers. -
1974 Apr [Fredericka Foster]
o ~ ") o ~ ~d- ~ c\ · o f7 ~ o .\J~ '{ , address correction non. prOlIi~ requested organlaatlan 1406 harvard ave. U.I. pOlta.. paid seattle, wal". 98122 I.attt., walh. return posta •• permit no. 9566 guaranteed O! KRAE IS ANON-PROFIT, NON-COMMERCIAL, LISTENER-SPONSORED RADIO STATION, BROADCASTING AT 45,000 WATTS ERP FROM OUR TOWER LOCATED ON COUGAR MTN. 187.7 ,. GUIDE EDITOR PAMf:LA JENNINGS GENERAL MANAGER HAL LEE OFFICE MANAGER PEGGY HELANDER ADMINISTRATIVE ASSISTANT CHUCK REINSCH PROGlf?-AMMING BOB FRIEDE NEWS JEFF MICHKA PUBLIC AFFAIRS DAVID MACDONALD SPOKEN ARTS PAMELA JENNINGS SCIENCE JON GALLANT MUSIC TOM BERGHAN ARCHIVES LEILA GORBMAN ENGINEERING GREG BROWN , BEN DAWSON, CONSTRUCTION JEFF JOHNSON BILL DAVIES 208 325 -5110 gel a frieoti Ii .subscribe " •• • IF A PATRON BUYS FROM AN ARTIST WHO NEEDS MONEY (NEEDS MONEY TO BUY TOOLS, TIME AND FOOD), THE PATRON THEN MAK.ES ' HIMSELF EQUAL TO THE ARTIST: HE IS BUILDING ART INTO THE WORLD; HE CREATES." I'VE BEEN LISTENING T0 THE OUDS, LUTES, ---EZRA ProND SAXOPHONES. POLYPHONES, POETRY, BIRDSONGS AND MICROPHONIC ODDITIES ON .nab-fm. I WANT TO SUPPORT THIS RADIO FREE SPIRIT BY BECOMING A PART OF OUR LIVING, BREATHING, PEOPLE! RHYMING, SINGING KRAB-FM COMMUNITY. Program Director; KRAE thanks you for your contrLlouthms th.~ough out our "mara than". Your money, nearly $40:;0, HERE'S MY TAX-OEOUCTIBLE CONTRIBUTION TO has secured our C.P.B. grant. Enclosed please find M.O. for one year THE NORTHWEST'S MOST VERSATILE NON-COMMERCIAL subscription extension. We sti II hold a letter from Nancy Keith (anyone remember RADIO STATION: Thank 1I0U also for putting up with our her?) dated 12/8/64 notifying me that my sub pi tche~ and our failure to p~cxluce a !larch was about to expire. -
Arts in MENA American Curriculum Schools Executive Summary
Arts in MENA American Curriculum Schools Authors: Kevin Simpson, Founder, KDSL Global Joyce Huser, Arts Consultant Lana Hallmark, Arts Consultant The goal of the NCAS is to assist teachers in developing PreK-12 Executive Summary curriculum that guides the enhancement of artistic literacy among The National Core Arts learners. Published in 2014, as a result of a three-year nationwide, Standards (NCAS) are currently collaborative effort, these standards emphasize inquiry by addressing a being implemented across powerful and essential means of communication; enabling individuals selected states in the U.S. to discover and develop their creative capacity; and providing insights and in American curriculum into individuals’ own and others’ cultures and societies, while also schools abroad, including providing opportunities to access, express, and integrate meaning the Middle East and North across a variety of content areas. Africa (MENA). How are these standards being implemented? This paper examines how this implementation in the U.S. and in the MENA region is taking place, and cites resources that policymakers, school administrators, and teachers can use to raise awareness around the standards. In this white paper, we will explore the following questions: • What was the context for the development of the NCAS? • How did arts educators based in the U.S. and in the MENA region respond to an arts education survey? • How are the NCAS being implemented in the U.S. and in the MENA region? • What resources exist to best support schools implementing the NCAS? Arts in MENA American Curriculum Schools 1 Arts education in the USA The American public has valued education in music, visual art, theatre, and dance as an important component of public education for two centuries. -
10 Days Free from Violence
2019 SCHEDULE OF EVENTS All events are free and open to all ages unless noted SEPTEMBER 20, 2019 ONGOING LET PEACE & LOVE PREVAIL, Commissioned mural created by BLACKDAZE (blackdazeart.com) for Twin Cities Nonviolent’s “10 Days Free From Violence” 3032 Fremont Avenue South, Mpls The mural will wrap around a garage in Uptown Mpls, and will have artwork including “Peace” and “Love” inscribed in 20 languages encouraging local, national, & global solidarity. FRIDAY, SEPTEMBER 20, 2019 FRIDAY, SEPTEMBER 20, 2019 1:30 – 4PM “Friends With Guns”. written by Stephanie Alison Walker, directed by Shalee Coleman Off Leash Art Box, 4200 East 54th Street, Mpls 55417. “Friends With Guns” is a dark comedy that pulls the curtain back on liberals with guns. It explores what happens when one person in a marriage suddenly does a 180 on the gun issue and it asks what we can compartmentalize and what we can’t. Uprising Theatre Company believes in warning audiences about potentially triggering material. “Friends with Guns” contains the following content warnings: -Simulated gun fire sounds-Discussions and depictions of Intruder and Domestic Violence. If you have questions about the specific context of these content warnings, contact: [email protected] and we will get back to you. Tickets $5 – $50. FRIDAY, SEPTEMBER 20, 2019 7:00PM World Citizen Presents: Peace Concert, Partners in Peace, Unity South Church 7950 1st Ave. S. Bloomington, MN 55420. Doors open at 6:30, Concert starts at 7:00pm. Enjoy an evening of Great Live Music and learn about World Citizen’s Five Peace Actions. Support them as they Empower Communities to Educate for a Just and Peaceful World Music to uplift and inspire us! http://peacesites.org Featuring Holly Circle and Jimmy Steffen http://www.hollyandjimmy.com, with Special Guest Shawn Hockett. -
Fellows Heritage National
NATIONAL 1982 1983 1984 Dewey Balfa * Sister Mildred Barker * Clifton Chenier * HERITAGE Cajun Fiddler Shaker Singer Creole Accordionist Basile, LA Poland Spring, ME Lafayette, LA FELLOWS Joe Heaney * Rafael Cepeda * Bertha Cook * Irish Singer Bomba Musician/Dancer Knotted Bedspread Maker 1982–2019 Brooklyn, NY Santurce, PR Boone, NC Tommy Jarrell * Ray Hicks * Joseph Cormier * Appalachian Fiddler Appalachian Storyteller Cape Breton Violinist Mt. Airy, NC Banner Elk, NC Waltham, MA Bessie Jones * Stanley Hicks * Elizabeth Cotten * Georgia Sea Island Singer Appalachian Musician/Storyteller/ African-American Singer/Songster Brunswick, GA Instrument Maker Syracuse, NY Vilas, NC George Lopez * Burlon Craig * Santos Woodcarver John Lee Hooker * Potter Cordova, NM Blues Guitarist/Singer Vale, NC San Francisco, CA Brownie McGhee * Albert Fahlbusch * Blues Guitarist/Singer Mike Manteo * Hammered Dulcimer Player/ Oakland, CA Sicilian Marionettist Builder Staten Island, NY Scottsbluff,NE Hugh McGraw * Shape Note Singer Narciso Martinez * Janie Hunter * Bremen, GA Texas-Mexican Accordionist/ African-American Singer/ Composer Storyteller Lydia Mendoza * San Benito, TX Johns Island, SC Mexican-American Singer San Antonio, TX Lanier Meaders * Mary Jane Manigault * Potter African-American Seagrass Cleveland, GA Basketmaker Bill Monroe * Mt. Pleasant, SC Bluegrass Musician Nashville, TN Almeda Riddle * Ballad Singer Genevieve Mougin * Greers Ferry, AR Lebanese-American Lace Maker Elijah Pierce * Bettendorf, IA Carver/Painter Columbus, OH Joe Shannon * -
Arab Musical Instruments
Arab Musical Instruments Arab Musical Instruments 'ud, tablah, qanun, nay, mijwiz, buzuq, daff From Fairouz; Legend and Legacy In every Arab country, one hear the same distinctive sounds; whether instrumental or vocal, the melodies are remarkably similar in emotive power, tonal range, and rhythmic drive. Although the practiced ear can recognize variations of musical style, as it can the dialects of language, which distinguish the spoken word from country to country, the sounds remain unmistakably those of the music of one people. The historical origins of this music, however, are extremely heterogeneous. Early Arab musicians borrowed copiously from the Egyptians, Assyrians, and Sumerians. Many of the instruments now used are direct descendents of those depicted in the wall paintings and carvings of these past civilizations. The distinctive quality of Arab music owes a great deal to the type of instruments employed. As ancient and traditional as the music itself, the present forms of these instruments evolved primarily in the eighth through tenth centuries, during that creative zenith of classical Islamic civilization known as the Golden Age. The English word lute, which derives from the Spanish laud, originally came from the Arabic al-' ‘Ud, literally meaning 'branch of wood.' Between the eighth and tenth centuries, the 'ud had only four strings; a fifth was added by Zitiab, the famous Andalusian performer, and a sixth later on in the fifteenth century. Shaped like half a pear with a short fretted neck, the 'ud is a six courses of two-strings instrument played with a plectrum - often a trimmed eagle's feather - producing a deep and mellow sound Virtuosos across the Middle East refer to it as 'the King of all instruments.' The tablah is a small hand-drum also known as the durbakke. -
There Is Space for More
There is Space for More AFAC Annual Report 2013 AFAC is an independent Arab initiative generously supported by a number of foundations, corporations and individuals in and outside the Arab region. Abbas Zuaiter Abdulkhaleq Abdulla Abla Lahoud Amr Ben Halim Fayez and Haifa Takieddine Hani Kalouti HRH Princess Adila bint Abdullah bin Abdulaziz Al Saud Huda Kitmitto Lubna and Saadallah Khalil Nabil Qaddumi Rami El-Nimer Waleed Ghafari AFAC is also grateful to a number of donors who prefer to remain undisclosed. 2 Table of Contents Introduction Message from the Chairman ...........................................................................................5 Message from the Director ............................................................................................. 6 Executive Summary .........................................................................................................7 General Grants Program General Grants Statistics ................................................................................................. 9 General Grants Grantees .............................................................................................. 15 Workshops and Professional Support ............................................................................21 Project Descriptions ....................................................................................................... 22 General Grants Juror Committees ............................................................................... 32 The AFAC Documentary -
The Druze Musical Heritage: an Overview1
The Druze Musical Heritage: An Overview1 By Kathleen Hood Is there something distinctive about Druze music? My research suggests that just as the Druzes are culturally and linguistically Arabs, in general they share musical traditions with other Arab groups. Indeed, although there are some genres that seem to have originated with the Druzes in Syria, there are no overarching traits that distinguish Druze music. Rather, I propose that the Druzes in each geographic region have adopted the prevailing musical style of that area. Nevertheless, in each locale where they live, music is an integral part of their life. In my research, based on fieldwork as well as various audio-visual and written sources, I have found the music of the Lebanese and Palestinian/Israeli Druzes to be very similar to that of other Arab groups in those areas, whereas the music of the Syrian and Jordanian Druzes can be considered to be the most characteristically Druze, with regard to song lyrics, performance style, a few genres, and the contexts in which music and dance genres are used. In this paper, I will give an overview of the various musical traditions found among the Druzes living in Syria, Lebanon, Palestine/Israel, and Jordan, focusing mainly on weddings and funerals. Druze Music In Druze communities, as in other Near Eastern societies, the main contexts for music are engagements and weddings, funerals, work, child rearing, and warfare.2 Although there are common musical and cultural traits that are found throughout the Near East, there is a great deal 1 This paper is based on my book, Music In Druze Life: Ritual, Values, and Performance Practice, published by the Druze Heritage Foundation.