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F-,-'.Lf Tsib!.Itfiifi#Ffit'$ Doubletreehotelo Grand Salon Rn;'6Lk .',T IASPM-US Annual Conference2003 at TICLA **PROGRAM** Thursdav. September 18 m,,0-.--lt$EExecutive Committee Meeting, DoubleTree Hotel, Wine Cellar F-,-'.lf tSib!.itfiifi#ffit'$ DoubleTreeHotelo Grand Salon rn;'6lK .',T"C.iRffisffi;itBos.6i itlr i;#i$..ptJ ::.::,4::aa::::-: MffiiC! DoubleTreeHotel, Grand Salon . Registration and Reception . Live music by The Off-Scales: Rob Walser, Chris Waterman, Larry Wayte, Dave Kopplin . Jam Sessionfollowing The Off-scales' set Organizer: Glenn Pillsbury Fridav. Septembef19 Til...SjFilCoffee and Registration, 3r4Royce :30-10: 3f 4 Royce Plenary Session-Populsr Musics in Political Diologues Chair:Robert Walser, UCLA, President, IASPM-US Mark Pedeltyand SamanthaMidler, University of Minnesota. "PolysemicPop and Politics: Defining Popular Music through Political Action" NasserAl-Taee, University of Tennessee,Knoxville. "Songsof Resistance:Politics, Peace and Popular Music in the ContemporaryArab World" Alejandro L. Madrid, NorthwesternUniversity: "Shifting Roles and Hegemonic Contestation: Center-PeripheryRelations and the Migration of Nor-Tec Music" 306 Royce Lists,Labels, and Negotiations of "The Popular,, Chair: FredMaus, Llniversity of Virginia David Sanjek,BMI Archives. "I've Got A Little List: PopularMusic Studiesand the Possibilitiesof Discography" JenniferWaits. "The Playlistis the Thing: Digital Responsesto CorporateMusic" JohnDougan, MTSU. "Not the SameOld BluesCrap: MarketingAuthenticity, Chaos, and Primitivismthe Fat PossumWay" 314 Royce It's Television Music, Not Music Television! Chair: GaryBurns, Northern Illinois University EricaBochanty, UCLA. "I WantMy AmericanDreams: Television, Popular Music, and the Politicsof Placement" MatthewStahl, UC-San Diego. "A MomentLike This: AmericanldolsNarratives of Social Mobility in the 'Ne# New Economy" Murray Forman,Northeastern University. "A Drearnand a Song: AmateurMusicians and Early TelevisedTalent Shows" 362 Royce American Popular Music Before Broadcasting Chair: PaulFischer, MTSU Tony Grajeda,University of CentralFlorida. "RationalizingthePopular: Edison's Research in EarlyMood Music" 'Popular' DanielGoldmark, University of Alabama."Making Music on Tin PanAlley" RobertD. Simmons,USC. "AmericanPopular Music andAdvertising Before Radioi I / l:45-1: Lunch 306 Royce Theoriiing the Funk, Part I Chair:Robert Fink, UCLA Loren Kajikawa, UCLA. "'I Know I Sound Strange,But I Really Mean It': Irony, Pleasure, and Criticism in Bootsy's Love Ballads" Edwin Hill, UCLA. "'Feelin' Better by the Pound': Re-covery,Heavy Pleasure,and the 'Black Experience"' Tanya Bertram, UCLA. "'Hit Me!': JamesBrown, Muhammad Ali, and Constructionsof Black Masculinity at'The Rumble in the Jungle"' 3ll Royce Music for Screens: Inflections of Popular Music in Film and Television Chair: Tim Anderson,Denison University Anahid Kassabian,Fordham University. "Musicals Hit the Small Screen" Richard Littlefied and Jose-LuisMaurtua, Central Michigan University. "Through a Different Ear: Contest,Conformance, and Complementationbetween Music and Film" Barry Salmon,The New School. "Eisler, Adorno and the Film Music Project: Recent Discoveries in the Art and Craft of Composingfor the Films,' 362 Royce P erfo rmativ e I dentitie s, Perfo rmstiv e pop ul arity Chair: SteveWaksman, Smith College Cynthia Fuchs, GeorgeMason University. "'Still on the grind': 50 Cent and the Streets,' Fred Maus, Universif of Virginia. "A Kiss on the Pineapple: The B-52s and Heterosexuality" Karen Beavers,USC. "Making SubalternityPopular: Harry Belafonte PerformsRacial Equality" 306 Royce Variations on Familiar Themes Chair: Mark Katz, PeabodyConservatory Rachel Lears, New York University. "Nutfy Novelty as a Window into the Mind: the Collection and Receptionof OutsiderMusic" Cheryl L. Keyes,UCLA .Off the top of the Dome...1: The Art of FreestyleRap" Anna Nekola, UW-Madison. "'Sing Like the Saved': Worship is No Longer Just For Church" 314 Royce Legacies of the Seventies Chair:Mitchell Morris, UCLA SteveWaksman, Smith College. "Cherry Bomb: The Runawaysand the Making of Hard Rock F'emininity" Olivia Carter Mather, UCLA. "'Jesusis JustAlright': The JesusMovement and the Counterculturein'70s Rock" Robert Fink, UCLA. "The Story of ORCH5, or, How ClassicalMusic Died, Was Rebornas a'Hit,' and enteredTechno Paradise" 362 Royce Theorizing the Popular Chair:Charles Garrett. UCLA Marina Peterson,University of Chicago. "Pleasingthe People: Popular Music of public Concerts" Bernard Gendron,Uw-Milwaukee. "PhysiologicalAesthetics and the Legitimization of Popular Music: A NietzscheanApproach" Barry Shank, OSU. "Playing in Time: Popular Music and the Future of the Humanities" 306 Royce Popular Music and Cultursl Contestation in the mid-2dh Century Chair: JonathanGreenberg, UCLA Mathew Haskins, Claremont GraduateUniversity. "'Come Fly with Me': Capitol Records and the Exotic in Postwar Adult popular Music" Tim Anderson,Denison University. "'To flood the basin with Beethovenand other Good Music": FM and the promiseof apopular'genteelconcert aesthetic'inpost-World War II American radio" Christina Baade,McMaster University. "Pop Music or Not Music? Defining Dance Music at the BBC in World War II" 314Royce Hip-Hip and the Humanities Chair: Murray Forman, Northeastern University StephanieHeriger, University of Michigan. "Beats,Rhymes and Life: Afrohumanism and the Native TonguesFamily" Kevin Miller, UCLA. "Bolly'hood Re-mix: The Aesthetic, Cultural, 'Bollywood' ffid Legallmplications of the Trend in MainstreamHip Hop and R&B', DeborahElizabeth Whaley, UCSC. "Pick Up the Brand New Flava in ya Ear: The Funkamentals,Grassroots Hip-Hop, and the SecondarySchool Revolution" 362Royce (SpecialSession: 4:30-6:30) Global Cultural Flows and Pon-African popular' Musics Chair:David Borgo, UCSD Martin Scherzinger,Eastman School of Music, "The Invention of an African Song Within a Typology'PopularMusic"' Jeffrey Callen. "Our Cultural Septemberl l,h" Mike Alleyne, MTSU. "British Reggaeand the American Market" Brett S. Pyper,NYU. "South African Jazz,Exile, and the Place of the Popular" @ Grad StudentDinner Meet in DoubleTreeLobby Organizedby Griffin Woodworth Latecomerscan meet up at WestwoodBrewing Co., 1097Glendon Ave. in Westwood (ust a few blocks from the DoubleTree) 314Royce Film screening: Vinyl, a documentaryabout record collectorsby Alan Zweig. Saturdav.September 20 F$,l.0--.]$fficoffeeandRegistrationo jt4Royce 306 Royce Auteurship and Style Chair: Anahid Kassabian,Fordham University CharlesKronengold, University of Northern lowa. "Style (and its Content)" Carol Vernallis, Wayne State University. "Dave Meyers and the Case for the Auteur in Music Video" Gary Bettinson, The University of Kent at Canterbury. "f)esonstructilg the 'MTV moment': emotion and music video aestheticin Wong Kar-wai's Chunking Express" 3ll Royce Blacking Up? White Appropriations of Blackness in Music and FiIm Chair: Daniel Goldmark, University of Alabarna Eden Kainer, UW-Madison. "Sophie Tucker and Elsie Janis: Masked and Unmasked Performancesof Blacknesson the Early vaudeville Stage" Krin Gabbard,SLrNY-Stony Brook. "Miles From Home: Miles Davis and the Movies" Mark Anthony Neal, UT-Austin. "White ChocolateSoul: TeenaMarie and Lewis Taylor" J 362Royce / New and Old ThoughtsAbout Popular Music Chair: Theo Cateforis,Carleton College Paul Fischer,MTSU. "BOOM-SLACKA-LACKA! Popular Music's Potential As A Locus of IntergenerationalDialogue " Erin Lea Mulligan, UCLA. "Industrial Love: PopularMusic and Ethnomusicologyin Dialogue" Matthew Mooney, UC-Irvine. "Putting the Sin in Syncopation: Self-Restraintand the Pleasuresof Popular Music" 0:15-1I:4 306 Royce Trouble Girls: Subverting Rock Mythologies 6 Chair: JacquelineWarwick, Dalhousie University Apryl Berney,UCSC. "'Rockand Roll FinishingSchool: Re-Examining the SixtiesGirl GroupGenre" Lisa Rhodes,Temple University. "'TheGroupie Takes Center Stage: An Assessmentof AmericanRock andRoll Groupies,1965- 1969" NormaCoates, University of Wisconsin-Whitewater."Everybody's Victim But Her Own: MarianneFaithfull as CautionaryTale" 314 Royce Pop Nationalism: Popalar Music snd the Creation of National Musical Identities Chair: Durrell Bowman,UCLA PeterStankovic, University in Ljubljana. "Appropriating'Balkan': Rock andNationalism in Slovenia" Pil Ho Kim, UW-Madisonand Hyunjoon Shin, SungKongHoe University. "TheBirth of ROK: Rock(in Republic)Of Korea,1964-1975. LeslieC. Gay,Jr., University of Tennessee-Knoxville."Denmark's rytmisk musik: Music Education,Political Movements, and the Shapingof a "PopularMusic" Alternative" 362 Royce Thinking Dffirently about Rock and Rock In/luences Chair: JasonHanley, SLINY-Stony Brook KathyPisaro, "Exploding Silence: Experimental Music's Assimilation into PopularCulture" Philip Auslander,Georgia Institute of Technology,"Good Old Rock andRoll: Performing the1950s in the1970s" Eric Weisbard,Experience Music Project. "Why Rock Still Rankles:The Problematic Statusof Pop'sBiggest Category" Lunch 306 Royce Study Session: "tftm so glad we had this time togetheF.,.?t!Music, Representationand Audience in the Television Variety Show of the 1970s" Chair: JohnDougan, MTSU Maria Paula Survilla, Wartburg College. "'TransparentlySeparate: Bursting the bubble of the melting pot in Lawrence Welk's Musical Family" Robynn J. Stilwell, GeorgetownUniversity. "Carol Burnett and the Ends of Variety" Mitchell Morris, UCLA. "(Country) Music Antiqua: Hee-Haw's TenaciousRuralism" 314Royce "Patriotic" Music in Trying Times 7 chair: NasserAl-Taee, university of Tennessee,Knoxville Spencer Downing, University of Central
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