Livy's Witch-Hunts
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Translated by Wordport from Nota Bene Ver. 4 Document EPODE.599
http://akroterion.journals.ac.za THE INDIVIDUAL AND SOCIETY: AN ORGANISING PRINCIPLE IN HORACE’S EPODES? Sjarlene Thom (University of Stellenbosch) Over the years there have been various attempts to make sense of the Epodes as a collection, as well as of individual poems.1 Scholars who have focussed on the collection as a whole have tried generally grouping the poems according to metre2 or to subject matter into either different areas of criticism or different categories of invective.3 The subsequent scholarly debate centred on arguments why individual groups were identified and why a specific poem should fall into a specific group. My personal reaction to these attempts to structure the collection according to groups is rather negative for the following simple reason: too many persuasive alternatives are possible. No musical composition could at one and the same time be described for instance as a sonata, a suite or a prelude and fugue. If a piece of music displays characteristics of all these musical forms, a broader organisational principle has to be found to accommodate the individual sections. In the same way then – since so many different possible ways have been identified in which to pack out various groups of Epodes – it seems to make more sense to look at the Epodes as a unit in which a variety of cross-references or, to continue the musical analogy, variations on a theme, all support a central statement. There have also been scholars who focused on individual poems who have come up with striking or even ingenious individual interpretations, but more often than not they then ignored or discounted the larger unit in which the poems functioned. -
Questioning the 'Witch' Label: Women As Evil in Ancient Rome
Questioning the ‘witch’ label: women as evil in ancient Rome Linda McGuire Introduction It became popular during the early Roman Empire for authors to depict women using magic in their writing. Such women appeared in almost every literary genre (satire, love poetry, epic and novels) during a span of 150 years. They can be found in the works of Virgil, Horace, Tibullus, Propertius, Ovid, Lucan, Petronius and Apuleius. They were not a particularly coherent group, although they share certain common characteristics. Besides their link with magic there is only one other thing that they all share in common – these women are called witches by scholars today regardless of the Latin terminology used to refer to them.1 What these scholars mean when they use the term ‘witch’ is difficult to know as this English word, which has associations with modern European history, is never explained. This paper seeks to question the validity of using this modern term in the context of an ancient society, in this case Rome. First of all, what do scholars mean by ‘witch’ today and what ideas lie behind this term. Second, what similarities exist between the witches of the late Middle Ages and women using sorcery in Latin literature? As the topic is broad, this paper will focus specifically on the crimes of these women. Finally, who in Roman society were connected with particularly evil or unnatural crimes such as baby killing or cannibalism? Was it magic practitioners or others in society? Part one: witches and their crimes First found in a ninth century manuscript, the term ‘witch’ is thought to derive from the old English word wicca, meaning someone who casts a spell.2 It is likely, however, that our understanding of the term today is influenced from the period known as the witch-hunts which affected most of Europe in the late Middle Ages and resulted in the deaths of many thousands of people. -
Iambic Metapoetics in Horace, Epodes 8 and 12 Erika Zimmerman Damer University of Richmond, [email protected]
University of Richmond UR Scholarship Repository Classical Studies Faculty Publications Classical Studies 2016 Iambic Metapoetics in Horace, Epodes 8 and 12 Erika Zimmerman Damer University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/classicalstudies-faculty- publications Part of the Classical Literature and Philology Commons Recommended Citation Damer, Erika Zimmermann. "Iambic Metapoetics in Horace, Epodes 8 and 12." Helios 43, no. 1 (2016): 55-85. This Article is brought to you for free and open access by the Classical Studies at UR Scholarship Repository. It has been accepted for inclusion in Classical Studies Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Iambic Metapoetics in Horace, Epodes 8 and 12 ERIKA ZIMMERMANN DAMER When in Book 1 of his Epistles Horace reflects back upon the beginning of his career in lyric poetry, he celebrates his adaptation of Archilochean iambos to the Latin language. He further states that while he followed the meter and spirit of Archilochus, his own iambi did not follow the matter and attacking words that drove the daughters of Lycambes to commit suicide (Epist. 1.19.23–5, 31).1 The paired erotic invectives, Epodes 8 and 12, however, thematize the poet’s sexual impotence and his disgust dur- ing encounters with a repulsive sexual partner. The tone of these Epodes is unmistakably that of harsh invective, and the virulent targeting of the mulieres’ revolting bodies is precisely in line with an Archilochean poetics that uses sexually-explicit, graphic obscenities as well as animal compari- sons for the sake of a poetic attack. -
Stasis-Theory in Homeric Commentary
This is a repository copy of Stasis-theory in Homeric commentary . White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/390/ Article: Heath, M. (1993) Stasis-theory in Homeric commentary. Mnemosyne, 46 (3). pp. 356-363. ISSN 0026-7074 Reuse See Attached Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Mnemosyne 46 (1993), 356-63 St£sij-theory in Homeric commentary Malcolm Heath University of Leeds ABSTRACT: (i) Analysis of the small number of references to the rhetorical theory of stasis (issue-theory) in the Homeric scholia shows that they assume a modified version of the theory of Athenaeus, a contemporary and rival of Hermagoras of Temnos. (ii) In his discussion of Agamemnon's speech in Iliad 3.456-60 Eustathius follows the discussion in Plutarch Quaestiones convivales 9.13, rather than that in the scholia. It is shown that this is justified on technical grounds. The interpretation in the scholia does not fit Agamemnon's speech, and must have originated in a discussion of the attested Homeric 'problem' concerning claims that the Trojans had broken their oath. I The sporadic references to st£sij-theory in the scholia to the Iliad employ an unusual terminology.1 The following terms are found: (A1) parormhtik» (9.228; 23.594); (A2) katastocastik» (18.497-8); (A3) ¢lloiwtik» (1.118; 8.424; 9.228, 312-3), of which tÕ ØpallaktikÒn is a part (9.228); (A4) dikaiologik» (23.594);2 (A5) ·htÕn kaˆ di£noia (3.457). -
The Ptolemies: an Unloved and Unknown Dynasty. Contributions to a Different Perspective and Approach
THE PTOLEMIES: AN UNLOVED AND UNKNOWN DYNASTY. CONTRIBUTIONS TO A DIFFERENT PERSPECTIVE AND APPROACH JOSÉ DAS CANDEIAS SALES Universidade Aberta. Centro de História (University of Lisbon). Abstract: The fifteen Ptolemies that sat on the throne of Egypt between 305 B.C. (the date of assumption of basileia by Ptolemy I) and 30 B.C. (death of Cleopatra VII) are in most cases little known and, even in its most recognised bibliography, their work has been somewhat overlooked, unappreciated. Although boisterous and sometimes unloved, with the tumultuous and dissolute lives, their unbridled and unrepressed ambitions, the intrigues, the betrayals, the fratricides and the crimes that the members of this dynasty encouraged and practiced, the Ptolemies changed the Egyptian life in some aspects and were responsible for the last Pharaonic monuments which were left us, some of them still considered true masterpieces of Egyptian greatness. The Ptolemaic Period was indeed a paradoxical moment in the History of ancient Egypt, as it was with a genetically foreign dynasty (traditions, language, religion and culture) that the country, with its capital in Alexandria, met a considerable economic prosperity, a significant political and military power and an intense intellectual activity, and finally became part of the world and Mediterranean culture. The fifteen Ptolemies that succeeded to the throne of Egypt between 305 B.C. (date of assumption of basileia by Ptolemy I) and 30 B.C. (death of Cleopatra VII), after Alexander’s death and the division of his empire, are, in most cases, very poorly understood by the public and even in the literature on the topic. -
Lecture 19 Greek, Carthaginian, and Roman Agricultural Writers
Lecture 19 1 Lecture 19 Greek, Carthaginian, and Roman Agricultural Writers Our knowledge of the agricultural practices of Greece and Rome are based on writings of the period. There were an enormous number of writings on agriculture, although most of them are lost we know about them from references made by others. Theophrastus of Eresos (387–287 BCE) The two botanical treatises of Theophrastus are the greatest treasury of botanical and horticultural information from antiquity and represent the culmination of a millenium of experience, observation, and science from Egypt and Mesopotamia. The fi rst work, known by its Latin title, Historia de Plantis (Enquiry into Plants), and composed of nine books (chapters is a better term), is largely descriptive. The second treatise, De Causis Plantarum (Of Plants, an Explanation), is more philosophic, as indicated by the title. The works are lecture notes rather than textbooks and were presumably under continual revision. The earliest extant manuscript, Codex Urbinas of the Vatican Library, dates from the 11th century and contains both treatises. Although there have been numerous editions, translations, and commentaries, Theophrastus the only published translation in En glish of Historia de Plantis is by (appropriately) Sir Arthur Hort (1916) and of De Causis Plantarum is by Benedict Einarson and George K.K. Link (1976). Both are available as volumes of the Loeb Classical Library. Theophrastus (divine speaker), the son of a fuller (dry cleaner using clay), was born at Eresos, Lesbos, about 371 BCE and lived to be 85. His original name, Tyrtamos, was changed by Aristotle because of his oratorical gifts. -
Magic in Private and Public Lives of the Ancient Romans
COLLECTANEA PHILOLOGICA XXIII, 2020: 53–72 http://dx.doi.org/10.18778/1733-0319.23.04 Idaliana KACZOR Uniwersytet Łódzki MAGIC IN PRIVATE AND PUBLIC LIVES OF THE ANCIENT ROMANS The Romans practiced magic in their private and public life. Besides magical practices against the property and lives of people, the Romans also used generally known and used protective and healing magic. Sometimes magical practices were used in official religious ceremonies for the safety of the civil and sacral community of the Romans. Keywords: ancient magic practice, homeopathic magic, black magic, ancient Roman religion, Roman religious festivals MAGIE IM PRIVATEN UND ÖFFENTLICHEN LEBEN DER ALTEN RÖMER Die Römer praktizierten Magie in ihrem privaten und öffentlichen Leben. Neben magische Praktik- en gegen das Eigentum und das Leben von Menschen, verwendeten die Römer auch allgemein bekannte und verwendete Schutz- und Heilmagie. Manchmal wurden magische Praktiken in offiziellen religiösen Zeremonien zur Sicherheit der bürgerlichen und sakralen Gemeinschaft der Römer angewendet. Schlüsselwörter: alte magische Praxis, homöopathische Magie, schwarze Magie, alte römi- sche Religion, Römische religiöse Feste Magic, despite our sustained efforts at defining this term, remains a slippery and obscure concept. It is uncertain how magic has been understood and practised in differ- ent cultural contexts and what the difference is (if any) between magical and religious praxis. Similarly, no satisfactory and all-encompassing definition of ‘magic’ exists. It appears that no singular concept of ‘magic’ has ever existed: instead, this polyvalent notion emerged at the crossroads of local custom, religious praxis, superstition, and politics of the day. Individual scholars of magic, positioning themselves as ostensi- bly objective observers (an etic perspective), mostly defined magic in opposition to religion and overemphasised intercultural parallels over differences1. -
Latin Criticism of the Early Empire Pp
Cambridge Histories Online http://universitypublishingonline.org/cambridge/histories/ The Cambridge History of Literary Criticism Edited by George Alexander Kennedy Book DOI: http://dx.doi.org/10.1017/CHOL9780521300063 Online ISBN: 9781139055338 Hardback ISBN: 9780521300063 Paperback ISBN: 9780521317177 Chapter 9 - Latin Criticism of the Early Empire pp. 274-296 Chapter DOI: http://dx.doi.org/10.1017/CHOL9780521300063.010 Cambridge University Press LATIN CRITICISM OF THE EARLY EMPIRE The name 'Silver Latin' is often given to the literature of the first century of the Christian era and is generally understood to imply its inferiority to the Golden Age of the late Republic and Augustan era. Analogy with the five Hesiodic ages, in which the silver age was both later and less worthy than the golden, suggests the cliche of decline. To what extent did the Romans of the early imperial period feel that they and their contemporaries were a falling away from the previous generation? We will see that the change in form of government, by denying opportunities for significant political speech, trivialised the art of oratory. But was there any such external constraint on poetry? Modern critics have reproached Silver Latin epic and tragedy with being 'rhetorical'. Certainly it is clear from Tacitus' Dialogus that men thwarted from political expression transferred to the safer vehicle of historical or mythical poetry both the techniques and ideals of public oratory. But just as no one suggests that Juvenal's satires were poorer compositions because of his apparent rhetorical skill, so rhetorical colouring in the higher poetic genres of tragedy and epic is not necessarily a fault. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Writing in the Street: The Development of Urban Poetics in Roman Satire Permalink https://escholarship.org/uc/item/7x66m4vs Author Gillies, Grace Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Writing in the Street: The Development of Urban Poetics in Roman Satire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Classics by Grace Gillies 2018 © Copyright by Grace Gillies 2018 ABSTRACT OF THE DISSERTATION Writing in the Street: The Development of Urban Poetics in Roman Satire by Grace Gillies Doctor of Philosophy in Classics University of California, Los Angeles, 2018 Professor Amy Ellen Richlin, Chair My dissertation examines Roman imperial satire for its relationship with non-elite street culture in the Roman city. I begin with a lexicon of sites and terms related to Roman concepts of disgust in the city, as they appear in the satiric sources I am working with. Then, in my next four chapters, I work chronologically through the extant satires to show how each author reflects or even appropriates practices from Roman street culture. Satirists both condemn parts of the city as disgusting—the parts and people in them who ignore social and cultural boundaries—and appropriate those practices as emblematic of what satire does. The theoretical framework for this project concerns concepts of disgust in the Roman world, and draws primarily on Mary Douglas (1966) and Julia Kristeva (1982). The significance of this work is twofold: (1) it argues that satire is, far from a self-contained elite practice, a genre that drew heavily on non-elite urban ii culture; (2) that it adds to a fragmentary history of Roman street culture. -
Zur Antiken Georgica—Rezeption
ZUR ANTIKEN GEORGICA—REZEPTION Mitunter geben antike Leser der Georgica zu erkennen, welche Hauptaussagen ihnen das Werk zu enthalten schien. Im folgenden geht es also um diejenigen der vielen antiken Georgica-Erwähnungen und Zitate, die direkt oder indirekt eine Auffassung des Gesamtwerkes verraten. Im Mittelpunkt sollen Äußerungen des ersten Jahrhunderts nach Chr. stehen. Die Untersuchung ist im wesentlichen zwei geteilt: (I) GeorgicaRezeption bei Laien, (II) GeorgicaRezeption bei Landwirt schaftsspezialisten. In einer abschließenden Überlegung sollen kurz einige Folge rungen für die moderne Interpretation erörtert werden (III). I Zunächst ein Beispiel aus Quintilian: beim ersten Unterricht darf man nicht zu streng sein — sonst entmutigt man die Anfänger (inst. 2,4,11). Das wird von Quintilian mit einer VirgilReminiszenz verdeutlicht. Der Dichter hatte gelehrt (G 2,36270), einjährige Weinstöcke dürfe man noch nicht mit dem Messer be schneiden — Begründung: ante reformidant ferrum. Quintilian wendet das nun auf die Schüler an erstaunlicherweise aber nicht als Virgilbezug, sondern als Bauern wissen: ,JJas wissen auch die Landleute" — quod etiam rusticis notum est — „die glauben, an das zarte Laub dürfe man noch nicht die Sichel anlegen, weil es das Eisen offenbar scheut" —quia reformidare ferrum videntur. Die virgilischen Entleh nungen sind (auch über das hier gegebene Virgilzitat hinaus) deutlich, aber Virgils Lehre wird von Quintilian völlig mit Bauernwissen identifiziert; der Name Virgils erscheint nicht. Für unser modernes GeorgicaVerständnis ist es überraschend, daß Virgil sozusagen nur noch als Quelle für bäuerliches Fachwissen gelten soll. Dieser volksnahe und fachliche Aspekt ist modernen Interpreten wohl ganz verborgen ge blieben, wenn sie die Georgica ausschließlich als ein kompliziertes Werk für eine hochgebüdete Leserschaft deuten. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
Introduction
INTRODUCTION Livy the Historian Livy , or in full Titus Livius, was born at Patavium in northern Italy (Padua today) in 59 bc, and so lived through the turbulent years of the fall of the Roman Republic into the calm and politically controlled era of one-man rule under Augustus and his successor Tiberius. 1 According to St Jerome’s Chronicle he died in ad 17. He seems not to have held public offi ce or done any military service. Apart from some essays, now lost, on philosophy and rhetoric, he undertook in his late twenties to compose an up-to-date history of Rome drawing on mostly Roman but also some Greek predecessors. He entitled it From the Foundation of the City ( Ab Urbe Condita ): to all Romans their City was unique. The history eventually amounted to 142 books, taking Rome’s history from its traditional foundation-date of 753 bc down to the year 9 bc — a colossal achievement, much lengthier than Gibbon’s Decline and Fall , for instance. Of it only the fi rst ten Books and then Books 21–45 survive. Books 6–10 take the story of Rome from 390 bc down to the year 293. Evidence in the work indicates that Livy began writing in the early 20s bc, for around 18 bc he reached Book 28. A subheading to a surviving résumé (epitome) of the lost book 121 states that it was published after Augustus’ death in ad 14: some- thing that probably held true, too, for those that followed. The his- tory ended at the year 9 bc.