Using Natural Language Processing to Categorize Fictional Literature in an Unsupervised Manner
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Videodiskothek Sunrise Playlist: Pink Floyd Garten Party – 26.08.2017
Videodiskothek Sunrise Playlist: Pink Floyd Garten Party – 26.08.2017 Quelle: http://www.videodiskothek.com The Orb + David Gilmour - Metallic Spheres (audio only) Alan Parsons + David Gilmour - Return To Tunguska (audio only) Pink Floyd - The Dark Side Of The Moon (full album) Roger Waters - Wait For Her David Gilmour - Rattle That Lock Pink Floyd - Another Brick In The Wall Pink Floyd - Marooned Pink Floyd - On The Turning Away Pink Floyd - Wish You Were Here (live) Pink Floyd - The Gunners Dream Pink Floyd - The Final Cut Pink Floyd - Not Now John Pink Floyd - The Fletcher Memorial Home Pink Floyd - Set The Controls For The Heart Of The Sun Pink Floyd - High Hopes Pink Floyd - The Endless River (full album) [LASERSHOW] Pink Floyd - Cluster One Pink Floyd - What Do You Want From Me Pink Floyd - Astronomy Domine Pink Floyd - Childhood's End Pink Floyd - Goodbye Blue Sky Pink Floyd - One Slip Pink Floyd - Take It Back Pink Floyd - Welcome To The Machine Pink Floyd - Pigs On The Wing Roger Waters - Dogs (live) David Gilmour - Faces Of Stone Richard Wright + David Gilmour - Breakthrough (live) Pink Floyd - A Great Day For Freedom Pink Floyd - Arnold Lane Pink Floyd - Mother Pink Floyd - Anisina Pink Floyd - Keep Talking (live) Pink Floyd - Hey You Pink Floyd - Run Like Hell (live) Pink Floyd - One Of These Days Pink Floyd - Echoes (quad mix) [LASERSHOW] Pink Floyd - Shine On You Crazy Diamond Pink Floyd - Wish You Were Here Pink Floyd - Signs Of Life Pink Floyd - Learning To Fly David Gilmour - In Any Tongue Roger Waters - Perfect Sense (live) David Gilmour - Murder Roger Waters - The Last Refugee Pink Floyd - Coming Back To Life (live) Pink Floyd - See Emily Play Pink Floyd - Sorrow (live) Roger Waters - Amused To Death (live) Pink Floyd - Wearing The Inside Out Pink Floyd - Comfortably Numb. -
The Seven Pillars of Storytelling
BOOKS The Seven Pillars of Storytelling Ffion Lindsay Copyright © 2015 Sparkol All rights reserved Published by: Sparkol Books Published: December 2015 Illustrations: Ben Binney Sparkol Books Bristol, UK http://sparkol.com/books Keep this book free We’ve written this book to help you engage your audience through storytelling. Sharing it with just one other person spreads the word and helps us to keep it free. Thank you for clicking. Tweet Facebook G+ Pin it Scoop it LinkedIn Foreword If I were an architect designing a building I would look to nature – to the great creator, to God, if you like – for structures and principles, for design and style, for strength and beauty and for methods that have evolved over time. As communicators, we can do the same. In this book reams of theory has been distilled into practical, simple tools for understanding and applying the power of story. Ever thought why as evolved beings we don’t have more useful dreams at night? Why no one dreams in bullet points? Why the film industry is so large? Or why the gaming industry – which loves narrative based games – is even larger? Why we paint the day in stories, not facts, when we come home to our families? In the Middle East, centuries ago, a bearded man, a familiar boy who’d grown and looked like any other, trained in his father’s humble profession, stepped out on to a mountain and delivered simple stories that have been repeated ever since. Jesus, for me the most effective communicator there ever was, used parables. -
The Smashwords Book Marketing Guide
The Smashwords Book Marketing Guide Copyright 2008-2012 Mark Coker, Founder of Smashwords (http://www.smashwords.com) Version 1.18 Updated 12.9.12 ~~**~~ Smashwords Edition Cover design by PJ Lyon ~~**~~ Other Smashwords Titles by Mark Coker: The Smashwords Style Guide (how to format an ebook) The Secrets to Ebook Publishing Success (ebook publishing best practices) The 10-Minute PR Checklist – How to Earn the Publicity You Deserve Boob Tube (novel about Hollywood celebrity) ~~**~~ Table of Contents Introduction: About the Smashwords Book Marketing Guide Background on Smashwords Setting expectations How Smashwords helps authors and publishers market books Adopting a proactive marketing mindset Marketing starts now Hyperlinks help readers discover books The importance of authors helping authors 37 Marketing Tips (all free to implement!) Tip #1 – Update your email signature Tip #2 – Post a notice on your web site or blog Tip #3 – Contact your friends, family, co-workers and fans Tip #4 – Post a notice to your social networks Tip #5 – Update your message board signatures Tip #6 – How to reach readers with Twitter Tip #7 – Publish more than one book to create a multiplier effect Tip #8 – Advertise your other books in each book you publish Tip #9 – Make it easy for your readers to connect with you Tip #10 – Issue a press release on a free PR wire service Tip #11 – Join HARO, Help-a-reporter-online for free press leads Tip #12 – Encourage fans to purchase and review your book Tip #13 – Write thoughtful reviews for other books Tip #14 – Participate -
The Seven Basic Plots Overcoming the Monster the Main Character
The Seven Basic Plots Many stories fit neatly into one of these plot frameworks. In the same way that some books don’t fall neatly into one genre category, there are also many stories that include elements from different basic plot lines. It is useful for children to be aware of the different shapes a story can take to help their understanding and enjoyment when reading a story and also to support their own writing. Overcoming the Monster The main character sets out to defeat an enemy which is a threat to the main character and/or their homeland. e.g.: Greek myths such as Perseus and Theseus, Beowulf, Dracula, War of the Worlds, Nicholas Nickleby, James Bond, Star Wars, Harry Potter, Shrek, Jaws and The Hunger Games, Rags to Riches The poor hero/ine suffers hardship before ending up with power, wealth, and a happily ever after ending. e.g.: Cinderella, Aladdin, Jane Eyre, A Little Princess, Great Expectations, Oliver Twist, David Copperfield, The Prince and the Pauper The Quest The hero and some companions set out to find an important object or to get to a location, facing many obstacles and temptations along the way. e.g.: Iliad, Watership Down, The Lord of the Rings, Harry Potter, The Land Before Time, Indiana Jones, The Voyage of the Dawn Treader Voyage and Return The hero goes to a strange land and, after overcoming the threats it poses to him or her, returns with experience. e.g.: Odyssey, Alice in Wonderland, Goldilocks and the Three Bears, Peter Rabbit, The Hobbit, Chronicles of Narnia, Labyrinth, Finding Nemo, Gulliver's Travels, Apollo 13, The Wizard of Oz Comedy Light and humorous character with a happy or cheerful ending; a story in which the central motif is the triumph over adverse circumstance, resulting in a successful or happy conclusion.There is usually a conflict that becomes more and more confusing, but is at last made plain in a single event, often a wedding. -
QUT Digital Repository
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queensland University of Technology ePrints Archive QUT Digital Repository: http://eprints.qut.edu.au/ Hartley, John (2008) YouTube, digital literacy and the growth of knowledge. In: Media, Communication and Humanity Conference 2008 at LSE, 21-23 September 2008, London. © Copyright 2008 [please consult the author] YOUTUBE, DIGITAL LITERACY AND THE GROWTH OF KNOWLEDGE JOHN HARTLEY QUEENSLAND UNIVERSITY OF TECHNOLOGY, AUSTRALIA1 A version of this paper is to be published in Jean Burgess and Joshua Green (2008) YouTube: Online Video and Participatory Culture. Cambridge: Polity Press; and in John Hartley (2009) The Uses of Digital Literacy. St. Lucia: University of Queensland Press. Abstract Social-network enterprises and all manner of user-created content from blogs to Wikipedia, are examples of self-expression within a community that is in principle species-wide. As broadband speed and bandwidth increase to acceptable levels for video, television is renewing itself in the context of these services, which are individual, interactive and international. The first popular internet television venture has been YouTube, whose slogan ‘Broadcast yourself’ neatly captures the difference between old-style TV and new. YouTube massively scales up both the number of people publishing TV ‘content’ and the number of videos available to be watched. However, few of the videos are ‘stories’ as traditionally understood; and the best of those that are, for instance lonleygirl15, pretend to be something else in order to conform to the conventions of dialogic social networks. In other words, YouTube does not exhaust the possibilities either for digital storytelling or for self-expression television. -
Album- Cover-Art
Making Music Visible? Album-Cover-Art als Konzept der Überschreitung zwischen auditiver und visueller Kunst Storm Thorgersons Gestaltung des Plattencovers „The Division Bell“ von Pink Floyd Entwicklung des Plattencover-Designs als künstlerisches Medium Entstehung Tonträger (Edisons Walzenphonograph um 1877, Berliners Grammophon um 1887) Änderung Verkaufstechniken ab 1940er Jahre neuer Stellenwert des Plattencover-Designs neue soziale Kontexte des Musikhörens, Musik wird zur Ware zuvor Platten meist hinter Theke, Kauf-Entscheidung über Verkaufsgespräch, Wachswalzen, Edison Zylinder und späterer ‚Amberol‘-Zylinder in Boxen verstaut ‚Bücherregal-Präsentationsform‘ Cover erst sichtbar, wenn Verkäufer Platte aus Regal holt standardisierte Dekoration mit wenigen dekorativen Verzierungen und Werbespruch Hinwendung zum ‚self-service‘ ‚impulse-buying‘, visueller Anreiz ersetzt verbale zur Qualität des Produktes; Aufkleber signalisierte, welche Aufnahme in Box Kommunikation zweckmäßige Verpackung zum Schutz der Schallplatte bis 1910 Standard neue Präsentationsform galerieähnliche Inszenierung, Cover nach vorne ausgerichtet Papiertüten ohne Verzierung, wichtige Infos waren auf Label direkt auf der Platte Plattenhülle als Werbemittel Signalwert Cover-Design, Aufmerksamkeitserreger visueller später wurde durch eine Aussparung in der Mitte der Papiertüte das Label nach außen freigelegt Papierplattenhülle, Anreiz animiert Konsumenten zum Herausnehmen und Betrachten, Anhören und Kaufen dann entstanden Designs auf Papiertüten, die sich -
The Cluster Policies Whitebook the Cluster Policies Whitebook
THE CLUSTER POLICIES WHITEBOOK THE CLUSTER POLICIES WHITEBOOK Andersson, Schwaag Serger, Sörvik and Wise Hansson Andersson, Schwaag Serger, Thomas Andersson Sylvia Schwaag Serger Jens Sörvik Emily Wise Hansson IKED INTERNATIONAL ORGANISATION FOR KNOWLEDGE ECONOMY AND ENTERPRISE DEVELOPMENT IKED - INTERNATIONAL ORGANISATION FOR KNOWLEDGE ECONOMY AND ENTERPRISE DEVELOPMENT Stortorget 29, S-211 34 Malmö, Sweden [email protected] www.iked.org THE CLUSTER POLICIES WHITEBOOK This document is distributed by the International Organisation for Knowledge Economy and Enterprise Development (IKED) IKED is an independent, non-profit association and international organisation focusing on the emerging issues of the knowledge-based economy. IKED specialises in activities linking the primary actors forming the knowledge-based economy: government, industry, academia and civil society. The organisation engages in international networks, arranges policy forums and policy reviews, and works with partners aiming for reforms and concrete actions in support of the development and use of knowledge. _________________________________________________________________ IKED - International Organisation for Knowledge Economy and Enterprise Development Stortorget 29 Tel: +46 (0) 40 - 17 65 00 [email protected] S-211 34 Malmö Fax:+46 (0) 40 - 17 65 01 www.iked.org Sweden ISBN 91-85281-03-4 © IKED 2004 Title: The Cluster Policies Whitebook Author: Thomas Andersson, Sylvia Schwaag-Serger, Jens Sörvik, Emily Wise Hansson Illustrations: Boyan Kostadinov Published: August 2004 Publisher: IKED Printed by: Holmbergs p. ii THE CLUSTER POLICIES WHITEBOOK p. iii THE CLUSTER POLICIES WHITEBOOK THE CLUSTER POLICIES WHITEBOOK Thomas Andersson Sylvia Schwaag Serger Jens Sörvik Emily Wise Hansson p. i THE CLUSTER POLICIES WHITEBOOK p. ii THE CLUSTER POLICIES WHITEBOOK CONTENTS FOREWORD p.vii ACKNOWLEDGEMENTS p.ix EXECUTIVE SUMMARY p.1 PART I 1. -
Binjamin Wilkomirski, Tania Head and Ishmael Beah
Ghent University Faculty of Arts and Philosophy The Creation and Reception of False Testimony: Binjamin Wilkomirski, Tania Head and Ishmael Beah Supervisor: Dissertation submitted in partial fulfilment Prof. Dr. Craps of the requirements for the degree of “Master in de Taal- en Letterkunde: Engels-Spaans” by Hans Pieters June 2009 2 Contents Contents...................................................................................................................................... 2 Acknowledgements .................................................................................................................... 3 1. Introduction ............................................................................................................................ 4 2. The curious case of Binjamin Wilkomirski............................................................................ 7 2.1. Binjamin Wilkomirski’s traumatic history...................................................................... 7 2.2. From Bruno Dösseker to Binjamin Wilkomirski, a Holocaust survivor....................... 10 2.3. Allegations and exposure of his lies.............................................................................. 13 2.4. From Binjamin Wilkomirski back to Bruno Grosjean .................................................. 22 2.5. Bruno’s strategies of deception ..................................................................................... 27 2.6. His possible motives and ‘triggers’.............................................................................. -
The Seven Basic Plots
CHAPTER ONE The Seven Basic Plots “I create fiction to tell the truth.” EXUDORA WELTY A woman went to see the Governor about getting her husband out of the penitentiary. “What is he in for?” the Governor wanted to know. “For stealing a ham.” “That doesn’t sound too bad. Is he a good worker?” “No, I wouldn’t say that. He’s pretty lazy.” “Oh. Well, he’s good to you and the children, isn’t he?” “No, he’s not. He’s pretty mean to us, if you want to know the truth.” “Why would you want a man like that out of prison?” “Well, Governor, we’re out of ham.” That was to get your attention. How about these two: Tanzan and Ekido were once traveling together down a muddy road. A heavy rain was still falling. Coming around a bend, 9 10 Touching the Heart they met a lovely girl in a silk kimono and sash, unable to cross the intersection. “Come on, girl,” said Tanzan at once. Lifting her in his arms, he carried her over the mud. Ekido did not speak again until that night when they reached a lodging temple. Then he could no longer restrain himself. “We monks don’t go near females,” he told Tanzan, “especially not young and lovely ones. It is dangerous. Why did you do that?” “I left the girl there,” said Tanzan. “Are you still carrying her?” How about this one from that irreverent and crude Jewish comedian, Lenny Bruce: You and I know what a Jew is—One Who Killed Our Lord. -
ED362879.Pdf
DOCUMENT RESUME ED 362 879 CS 214 065 AUTHOR Webb, C. Anne, Ed.; And Others TITLE Your Reading: A Booklist for Junior High and Middle School. Ninth Edition. NCTE Bibliography Series. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-5942-7; ISSN-1051-4740 PUB DATE 93 NOTE 260p.; For the previous edition, see ED 337 804. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Rd., Urbana, IL 61801-1096 (Stock No. 59427-0015; $12.95 members, $16.95 nonmembers). PUB TYPE Reference Materials Bibliographies (131) Books (010) EDRS PRICE M001/PC11 Plus Postage. DESCRIPTORS *Adolescent Literature; Annotated Bibliographies; Childrens Literature; Elementary School Students; Intermediate Grades; Junior High Schools; Junior High School Students; Middle-Schools; *Reading Material Selection; *Recreational Reading IDENTIFIERS Aesthetic Reading; Middle School Students ABSTRACT Designed for use by students in grades 5 through 9, this annotated bibliography of nearly 600 titles of fiction and nonfiction also serves as a resource for teachers, librarians, and parents in search of titles that might catch the attention of junior high and middle school students. The book presents annotations of books published in 1991 or 1992, along with a few titles published too late for the eighth edition and a few early 1993 releases. Titles are grouped by subject matter under four main headings: Imagining, Learning, Exploring, and Understanding. The book includes a special index which lists 150 "classics" of young adult literature from 1940 to 1990. It also includes subject, title, and author indexes and a directory of publishers. (RS) *********************************************************************** Reproductions supplied by EDRS are the best that can be made * from the original document. -
Defending Literary Culture in the Fiction of David Foster
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Texas A&M University NOVEL AFFIRMATIONS: DEFENDING LITERARY CULTURE IN THE FICTION OF DAVID FOSTER WALLACE, JONATHAN FRANZEN, AND RICHARD POWERS A Dissertation by MICHAEL LITTLE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2004 Major Subject: English NOVEL AFFIRMATIONS: DEFENDING LITERARY CULTURE IN THE FICTION OF DAVID FOSTER WALLACE, JONATHAN FRANZEN, AND RICHARD POWERS A Dissertation by MICHAEL LITTLE Submitted to Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved as to style and content by: David McWhirter Mary Ann O’Farrell (Chair of Committee) (Member) Sally Robinson Stephen Daniel (Member) (Member) Paul Parrish (Head of Department) May 2004 Major Subject: English iii ABSTRACT Novel Affirmations: Defending Literary Culture in the Fiction of David Foster Wallace, Jonathan Franzen, and Richard Powers. (May 2004) Michael Little, B.A., University of Houston; M.A., University of Houston Chair of Advisory Committee: Dr. David McWhirter This dissertation studies the fictional and non-fictional responses of David Foster Wallace, Jonathan Franzen, and Richard Powers to their felt anxieties about the vitality of literature in contemporary culture. The intangible nature of literature’s social value marks the literary as an uneasy, contested, and defensive cultural site. At the same time, the significance of any given cultural artifact or medium, such as television, film, radio, or fiction, is in a continual state of flux. -
PINK FLOYD: the Division Bell
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] PINK FLOYD: The Division Bell 20TH ANNIVERSARY BOX SET Erstmals im 5.1 Surround Sound Mix Blu-Ray-Disc mit neuem Clip zu Marooned von 2014 Doppel-Vinyl mit erstmalig ungekürzten Songs 7- und 12-Zoll Vinyl-Repliken VÖ: 27. Juni 2014 Zum 20. Jahrestag des 1994er Albums The Division Bell präsentieren PINK FLOYD das Album in einer umfangreich ausgestatteten Box, die aus insgesamt vier Vinyl-Schallplatten, einer CD, einer Blu-Ray-Disc und fünf Kunstdrucken für Sammler besteht. Neben dem vollständigen Original-Album als Doppelvinyl im Klappcover von Hipgnosis/Storm enthält das 20th Anniversary Box-Set „The Division Bell“ das Discovery Remaster des Albums aus dem Jahr 2011, die Single Take It Back in einer Replik des roten 7-Zoll-Vinyls, eine Replik der 7-Zoll Single High Hopes in klarem Vinyl und eine 12-Zoll Replik des Songs in blauem Vinyl mit lasergeätztem Design. Eine Blu-Ray-Disc enthält überdies das gesamte Album in HD Audio und einem bisher unveröffentlichten Audio- Mix des Albums im 5.1 Dolby Surround Sound von Andy Jackson. Ebenfalls auf der Blu-Ray-Disc: Ein neu gedrehtes Video zum Song Marooned, der 1994 mit einem Grammy als „Best Rock Instrumental“ ausgezeichnet wurde. Der Clip wurde von Aubray Powell für Hipgnosis in der ersten Aprilwoche 2014 in der Ukraine gedreht! Die Audios zum Clip sind sowohl in PCM Stereo als auch in Jacksons 5.1.-Mix abrufbar. Das Vinyl-Album wurde auf Grundlage der analogen Mastertapes von Doug Sax im Masterin Lab remixt.