@Hadi Sidomulyo FOCUS: PREMODERNJAVA history &conservation in southeastasianart SUMMER Programme Trawas, EastJava (),July 23–2August2016 universitas (ubaya) School oforiental andafricanstudies (soas) Nalanda-Sriwijaya Centre,ISEAS–YusofIshakinstitute(nsc-iseas) SUMMER Programme Lecturers Teaching Schedule A mix of 10 Indonesian and European experts will form The five days teaching schedule will include four 2-hour ses- the pool of lecturers. It includes Dr. Andrea Acri (NSC- sions per day (two in the morning and two in the afternoon). in southeast asian art history & conservation ISEAS & Nalanda University), Dr. Helene Njoto (NSC- Other speakers and students will be invited to present their on- ISEAS), Dr. Nigel Bullough (aka Hadi Sidomulyo, Ubaya), going research in some evenings. FOCUS: PREMODERN Dr. Lutfi Ismail (Univ. ), Adji Damais (BKKI, Indo ­ nesian Art Agency Cooperation), Dr. Peter Sharrock and Nalanda Sriwijaya Center at the ISEAS-Yusof Ishak Institute (NSC-ISEAS), School of Oriental and Swati Chemburkar (SOAS), Prof. Dr. Marijke Klokke African Studies (SOAS) & University of Surabaya (UBAYA) (Leiden University), Dr Hanna Maria Szczepanowska and Sylvia Haliman (Heritage Conservation Center, HCC, Art history tour programme The programme will commence with a one-day tour of Trawas/ Singapore). The lectures will focus on both theoretical and Trawas, , July 23–2 August 2016 Mount Penanggungan, and end with a three-day tour to temples, historical aspects of Javanese Art History and related disci- museums and relevant archaeological sites across East Java Project Coordinators: Andrea Acri, Helene Njoto, Peter Sharrock plines, and will include an element of practical and metho- (i.e. Kediri, Singhasari, Trowulan/, Blitar/Panataran). dological training (i.e. conservation and museology).

Programme Overview The programme will be held over 10 days—from 23 Lecture Topics July to 2 August 2016—at Ubaya’s Integrated Outdoor This pioneering Summer Programme focuses on Campus (IOC), located at the foot of Mt Penanggungan Andrea Acri (NSC-ISEAS & Nalanda University) premodern Javanese Art History, in both its local and in the village of Trawas (Mojokerto, East Java). > Old Javanese Texts & Central Javanese Temples: translocal dimensions. The period covered is from the Penanggungan itself is regarded as one of the most Iconography, Architecture, Narrative Reliefs > The Bhīma cult/figure in East Java and its Indic prototypes Central Javanese ‘Hindu-Buddhist’ period to the late sacred mountains in Java, identified with the summit > Ascetic Types & Yoginīs in Java and Mainland Southeast Asia Majapahit and Early Islamic period (ca. 8th–early 17th of the Mt Mahāmeru during the Hindu-Buddhist period. century). To date, well over 100 archaeological sites, comprising Peter Sharrock (SOAS) terraced sanctuaries, cave hermitages, bathing places > Cult of Prajñāpāramitā in East Java and Cambodia The programme targets an audience of 20 Southeast and the remnants of religious communities, have been > Esoteric Buddhist Cults of 12th/13th Century Bengal/Orissa, Asian and overseas (under)graduate/PhD students/ discovered on its slopes. These historical remains Cambodia, Sumatra and East Java senior scholars from various disciplinary backgrounds represent the ‘classical age’ of East Javanese art, from Hadi Sidumolyo (Ubaya) and interests. Museum professionals who wish to learn the 10th to 16th century. The majority was apparently > An Overview of East Javanese History of the Classical about conservation techniques and facilities are welcome. constructed during the Majapahit period (ca. 1360–1511). Period: A Focus on Periodisation Taught by a pool of experts from different disciplinary > Survey on Mount Penanggungan: Field Research and Documentation Methods backgrounds (i.e. Art History, Archaeology, Philology, The wealth of archaeological remains on Mt Penang­ Candi Panataran, photo H. Njoto, 2015 Religious Studies, and Conservation/Museology), the gungan has been the focus of an intensive exploration Helene Njoto (NSC-ISEAS) programme will showcase state-of-the-art research on by the Ubaya Expeditionary Team over the course of the > Iconography of the Pesisir I: Continuity Javanese Art History and related aspects of culture, last four years. Recent discoveries make it clear that Mt > Iconography of the Pesisir II: Change history, and religion. It will also offer a museography Penanggungan represents an invaluable archaeological > Wooden Architecture History of Java: A General Overview approach to the study of artefacts. document, study of which will certainly help to reveal more about life in Java in the 15th century, thereby contributing Swati Chemburkar (SOAS & Jnanapravaha Mumbai) This Summer Programme is the result of a collaborative > Mandala Pyramidal Temples of Kesariya (Bihar) and to a broader understanding of the cultural dynamics of Borobudur/Sewu effort between NSC-ISEAS (Singapore), SOAS (UK), the so-called ‘age of transition’ in Javanese history. > Ritual Dance in the Temple Reliefs of Cambodia, Tamil Nadu, and Ubaya (Indonesia). It is envisaged as the first of a Champa and Java series of events resulting from a strategic partnership between Southeast Asian institutions and SOAS’ Objectives Marijke Klokke (Leiden University) Southeast Asian Art Academic Program (SAAAP) at By attending the lectures and interacting with the > An overview of Central Javanese Art History: Periodisation on the basis of ornamentation the Department of the History of Art and Archaeology, teaching experts, participants will become familiar with > Mahāpratisarā in C. Java: Indianisation and bronze art research School of Arts, aiming to foster the study of Southeast the general tracts of ancient Central and East Javanese > The Rāmāyaṇa in Central and East Java: Narrative art Asian Art History in the region and internationally. Art History, as well as with specific religious, historical, and socio-cultural issues bearing on the interpretation of Hanna Szczepanowska (HCC) buildings, reliefs, statuary, and artefacts. They will also > Rattan Culture, Indigenous Traditions and Museum Artefacts Trawas, UTC, bungalow for programme residents, photo H. Njoto, 2015 be introduced to the basics of conservation techniques > Scientific Examination of Terracotta and Stone Conservation and current approaches to museology in a local and Sylvia Haliman (HCC) Coordinators global context. Tours to archaeological sites inearby > Introduction to Conservation Dr. Andrea Acri | [email protected] will provide an opportunity to apply the theoretical > Conservation Processes: Stone and Terracotta approaches learnt in the classroom. Dr. Helene Njoto | [email protected] Ismail Lutfi (Universty of Malang) Dr. Peter Sharrock | [email protected] > Old Javanese Calligraphy Typology from the Penanggungan Grants Heritage Area (10th–15th centuries) For more details and application forms, please visit: A grant will be offered to successful applicants to cover >Continuity in Old Javanese Palatine Performing Arts Studied their airfare or part of it, depending on their port of from Inscriptions, Kakawin and Kidung Literature (10th–15th c.) http://nsc.iseas.edu.sg embarkation. Boarding and lodging during the ten days Soedarmadji Damais (BKKI) Application deadline: 31 March, 2016 will be covered by the organisation. Gua Selomangleng, Tulungaggung, photo H. Njoto, 2015 > Majapahit Terracotta Art Acceptance notification: 15 April, 2016