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Song and Story CAREER HIGHLIGHTS ALL ALONE When Faced with the Death of His first Wife, Doro- 1888 Israel Beilin Is Born in Russia on May 11
Song and Story CAREER HIGHLIGHTS ALL ALONE When faced with the death of his first wife, Doro- 1888 Israel Beilin is born in Russia on May 11. thy Goetz, and his mother, Irving Berlin decamped 1893 Izzy arrives in America September 23. His last name to the Ritz Hotel in Atlantic City. He wrote “All is changed to Baline. Alone” as an expression of his sadness. 1901 Father Moses Baline dies July 21, forcing Izzy to quit school and go to work. 1905 Hired by Harry Von Tilzer to plug songs at Tony WHAT’LL I DO Pastor’s Music Hall. “What’ll I Do” came to Berlin when he was slightly 1906 Begins work at Mike (“Nigger Mike”) Salter’s drunk on champagne and feeling sorry for himself Pelham Café. Starts writing parody lyrics to popular at a birthday party. It seems Berlin wasn’t good songs of the day. enough for Clarence Mackay, the industrialist fa- 1907 Changes his name to Irving Berlin with the ther of Ellin Mackay, Berlin’s intended. Eventually, publication of his first song. 1908 Writes both music and lyrics for the first time, for Berlin got the girl and a hit song in the bargain. “The Best of Friends Must Part.” 1909 Hired by the Ted Snyder Company as an in-house ALEXANDER’S RAGTIME BAND lyric writer. Though it is considered a ragtime song, “Alex- 1910 Makes his Broadway debut as a performer (with Ted ander’s Ragtime Band” bears little relationship to Snyder) in Up and Down Broadway; 1910 traditional ragtime. -
This Land That I Love
APPENDIX: THE TEXTUAL HISTORY OF “THIS LAND IS YOUR LAND” WOODY GUTHRIE HANDWROTE THE FIRST DRAFT of what became his most famous song on February 23, 1940; the manuscript is repro- duced on page 153. By the time he recorded it twice for Moses Asch circa 1944 and 1945, Woody had changed the tag line to “This land was made for you and me,” and the fi rst verse had become the song’s chorus. In one re- cording, he sang the chorus, the fi rst, second, and fourth verses from the 1940 manuscript (“ribbon of highway,” “diamond deserts,” and “dust clouds rolling”), the chorus again, and the fourth verse again. This became the best-known version. In the other recording, he sang the chorus, the fi rst four verses in the order of the 1940 manuscript, adding the “private property” verse, and the chorus again. Neither the Woody Guthrie Archives nor the Smithsonian Institution has a record of him ever having sung the fi fth verse (about the relief offi ce). In 1945 he introduced the “freedom highway” verse and “Canadian mountain” to the chorus in his typed and mimeographed songbook 10 of Woody Guthrie’s Songs. In the typescript, the song is written in all upper-case letters. The “Private Property” and “relief offi ce” verses 211 9781610392235-text2.indd 211 8/21/13 11:02 AM 212 Appendix are gone. Other changes are introduced: in the “ribbon of highway” and the “dust clouds rolling” verses, the wind is “saying, / This land is made for you and me.” The book gives the song two titles: “This Land Is Made for You and Me” and “This Land.” The Woody Guthrie Archives’ folder of documents related to “This Land Is Your Land” holds four typescripts of the song, three of them undated. -
SWEENEY TODD: the Demon Barber of Fleet Street a Musical Thriller
MUSICAL THEATRE LIZA GENNARO, ASSOCIATE DEAN AND CHAIR MUSICAL THEATRE LIZA GENNARO, ASSOCIATE DEAN AND DIRECTOR SWEENEY TODD: The Demon Barber of Fleet Street A Musical Thriller Music and Lyrics by Book by STEPHEN SONDHEIM HUGH WHEELER From an Adaptation by CHRISTOPHER BOND Originally directed on Broadway by HAROLD PRINCE Orchestrations by Jonathan Tunick Originally produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in association with Dean and Judy Manos Ted Pappas, Director and Choreographer David Loud, Music Director Friday, November 8, 2019 | 7:30 PM Saturday, November 9, 2019 | 7:30 PM Sunday, November 10, 2019 | 2:30 PM Neidorff-Karpati Hall SWEENEY TODD: The Demon Barber of Fleet Street A Musical Thriller Music and Lyrics by Book by STEPHEN SONDHEIM HUGH WHEELER From an Adaptation by CHRISTOPHER BOND Originally Directed on Broadway by HAROLD PRINCE Orchestrations by Jonathan Tunick Originally Produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in association with Dean and Judy Manos Ted Pappas, Director and Choreographer David Loud, Music Director James Noone, Scenic Advisor Martha Bromelmeier, Costume Designer Shawn Kaufman, Lighting Designer Loryn Pretorius, Hair and Makeup Designer Paul Huntley, Wig Designer Scott Stauffer, Sound Designer Megan Garner, Props Coordinator Shannon Marie Sullivan, Dialect Coach Ruth E. Kramer,* Production Stage Manager Tinc Productions, Production Management There will be one 15-minute intermission. The videotaping or other video or audio recording of this production is strictly prohibited. *The Stage Manager appears through the courtesy of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. -
Alexander Woollcott's the Story of Irving Berlin
Dramatic License: Alexander Woollcott’s The Story of Irving Berlin A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati in partial fulfillment of the requirements for the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 8 August 2006 by Laura Eddleman 2368 Rohs Street, Apt. 1 Cincinnati, OH 45219 B.M., Miami University, 2003 Advisor: bruce d. mcclung, Ph.D. ABSTRACT The Story of Irving Berlin (1925), written by drama critic Alexander Woollcott when Berlin was only 36, is the composer’s first full-length biography. Despite its acknowledged hyperbolic and apocryphal nature, the biography is consistently invoked by scholars as a source document for Berlin’s career. This thesis examines the rhetoric, function, and influence of The Story of Irving Berlin and uses its construction to consider dominant American ideologies of the 1920s. Situated among other biographies of its era, Woollcott’s writing adheres to the tenets of the then-popular “new biography” school, which emphasized an anecdotal, fiction-like approach. By fashioning a narrative modeled on patterns of fiction and invoking Berlin’s Jewish heritage to heroically characterize the composer, Woollcott effectively mythologized Irving Berlin as an archetype for the American dream. Although this characterization was intended to promote Berlin’s public image, Woollcott’s fictional constructs have hampered subsequent scholarship on the composer, outlasting the era they were intended to serve. ACKNOWLEDGEMENTS Many thanks are due to Dr. Hilary Poriss, whose enthusiasm and helpful comments during an early version of this paper provided many new insights. -
Katalog Bühnenwerke
Katalog Bühnenwerke In Deutschland, Österreich und der Schweiz erhältliche Titel R&H Theatricals Europe GmbH Lützowufer 26, 10787 Berlin, GERMANY Tel. +49 (0)30 2500 13-0 Fax +49 (0)30 2500 13-99 [email protected] www.rnh.com Stand: April 2018 Stücktexte: Jürgen Gauert (JG) Jens Luckwaldt (JL) Felix Herpin (FH) Die Orchester-Besetzungen geben die Anzahl der Stimmbücher an; Streicher werden ggf. (elektronisch) verstärkt. 1. Werke nach Titel Originaltitel Komponist Gesangs-Texte Librettist Allegro Rodgers, Richard Hammerstein, Oscar II. Hammerstein, Oscar II. Alles Märchen Bellmann, Michael Rühmeier, Ralf Rühmeier, Ralf Altar Boyz Adler, Gary & Walker, Michael Patrick Adler, Gary & Walker, Michael Patrick Del Aguila, Kevin All Kinds of People Kern, Jerome/Rodgers, Richard Hammerstein, Oscar II Taylor, Bruce D. Älter Gras, Philipp Kulisch, Robin Kulisch, Robin Annie Get Your Gun Berlin, Irving Berlin, Irving Fields, Herbert & Dorothy As Thousands Cheer Berlin, Irving Berlin, Irving Hart, Moss Asylum: The Strange Case of Mary Lincoln Owen, Carmel Owen, Carmel Bingham, June Babes in Arms Rodgers, Richard Hart, Lorenz Rodgers & Hart Beguiled Again Rodgers, Richard Hart, Lorenz Bernarda Alba LaChiusa, Michael John LaChiusa, Michael John Boys from Syracuse, The Rodgers, Richard Hart, Lorenz Abbott, George Brain from Planet X, The Kimmel, Bruce Kimmel, Bruce Kimmel, Bruce/Wechter, David Bright Lights, Big City Goodman, Paul Scott Goodman, Paul Scott Goodman, Paul Scott Buddy – The Buddy Holly Story Holly, Buddy u.a. Holly, Buddy u.a. Janes, Alan By Jupiter Rodgers, Richard Hart, Lorenz Rodgers & Hart Call Me Madam Berlin, Irving Berlin, Irving Lindsay, Howard & Crouse, Russel Duddy, Kim; Gellner, Martin, Stranka, Carmen Cubana Gellner, Martin & Stranka, Werner Werner Duddy, Kim Carmen Jones Bizet, Georges Hammerstein, Oscar II. -
12 Celebrating Black Voices 27 Remembering RBG 33 Revising
FALl–WINTER 2020 12 Celebrating Black Voices 27 Remembering RBG 33 Revising Section 512 Articles THE AUTHORS GUILD President BULLETIN Douglas Preston 9 Vice President Two Lawsuits Chief Executive Officer Monique Truong Mary Rasenberger 12 The Case for Revising Section 512 Treasurer General Counsel Peter Petre 15 In Memoriam: Ruth Bader Ginsburg Cheryl L. Davis Secretary 1933–2020 Editor Rachel Vail Martha Fay Members of the Council 17 Celebrating Black Voices Copy Editor Rich Benjamin Heather Rodino Amy Bloom 20 Q&A: Judy Allen Dodson and Kelly Starling Design Mary Bly Studio Elana Schlenker Alexander Chee Lyons Pat Cummings Cover Art + Illustration Sylvia Day 28 Busier Than Ever: In the Time of COVID-19 Lindsey Bailey W. Ralph Eubanks lindseyswop.com Peter Gethers 44 Authors Guild Foundation Benefit, 2020 All non-staff contributors Lauren Groff to the Bulletin retain Tayari Jones 52 Regional Chapters Update copyright to the articles Min Jin Lee that appear in these pages. Nicholas Lemann Guild members seeking Steven Levy information on contributors’ John R. MacArthur other publications are D. T. Max Departments invited to contact the Daniel Okrent Guild office. Published by Michelle Richmond Julia Sanches 2 The Authors Guild, Inc. Short Takes James Shapiro Hampton Sides The Authors Guild, 4 From the President T.J. Stiles the oldest and largest Jonathan Taplin association of published 6 From the Home Office Danielle Trussoni authors in the United Nicholas Weinstock 32 Legal Watch States, works to protect and promote the Ex-Officio & 35 Advocacy News professional interests Honorary Members of its members. The Guild’s of the Council 38 Books by Members forerunner, The Authors Roger Angell League of America, was Roy Blount Jr. -
July 2019 2016 Numbernumber 7
Covering Main Street and Beyond. VOLUMEVOLUME 4. 1. HURLEYVILLE,HURLEYVILLE, SULLIVAN SULLIVAN COUNTY, COUNTY, N.Y. | N.Y.DECEMBER | JULY 2019 2016 NUMBERNUMBER 7. 7. THE PAST, THEBASKETBALL PRESENT, THE FUTURE ARTS CENTRE HISTORICAL SOCIETY COMMEMORATES SCORES MAJOR COUP STONEWALL UPRISING Never Before Seen Mark Goff Events Coming in July Photography Exhibit at SCHS by Jonathan Shimkin by Jonathan Shimkin HURLYEVILLE – Life, HURLEYVILLE – The most liberty, and the pursuit of familiar images of the Wood- happiness are the “unalien- stock Festival – the couple able Rights” enshrined in the Declaration of Indepen- wrapped in a blanket, Janis Jo- dence of July 4, 1776. But plin, wailing and wild-haired, these rights are often all too gripping her mic stand– have alienable for those whose become iconic. Such images, pursuit takes them outside from album covers and films the conventional routes to and posters have insinuated happiness, those who find themselves into memory - a vi- PHOTO PROVIDED themselves marginalized sual shorthand for the complete This iconic shot of Janis Jop- by choices related to sexu- experience. Even if you were at lin at Woodstock in August of ality and gender identifica- Woodstock, the iconic moments 1969 is just one of many Mark tion. This is especially so may shape memory as decisive- Goff photos to be on display at for young people, who must the Sullivan County Museum. ly as – well, memory. Such is navigate a world that can Step Onward promotes: a of Mr. Goff’s death in Novem- harshly discriminate against celebration of the freedom the power of images. their unique expressions of to choose, as it manifests So it is very welcome, on this ber 2018, and that he had left self-hood. -
Americanizing America: Irving Berlin's Influence on His Adopted Culture Jay Herman University of Puget Sound
University of Puget Sound Sound Ideas Summer Research 2010 Americanizing America: Irving Berlin's Influence On His Adopted Culture Jay Herman University of Puget Sound Follow this and additional works at: http://soundideas.pugetsound.edu/summer_research Recommended Citation Herman, Jay, "Americanizing America: Irving Berlin's Influence On His Adopted Culture" (2010). Summer Research. Paper 54. http://soundideas.pugetsound.edu/summer_research/54 This Presentation is brought to you for free and open access by Sound Ideas. It has been accepted for inclusion in Summer Research by an authorized administrator of Sound Ideas. For more information, please contact [email protected]. Jay Herman Americanizing America: Irving Berlin‟s Influence On His Adopted Culture Irving Berlin, one of the central figures of American popular music, wrote in every popular idiom for at least two generations of Americans. In his 101 years he wrote parodies, vaudeville tunes, ethnic novelty songs, ragtime and dance music, Broadway revues and shows, and over a dozen scores for the emerging movie industry. If one can imagine an engineer leaning out of the front car to lay his own tracks, this is Berlin in America; he created the culture into which he would assimilate. Through the myriad of genres and audiences to which he contributed, Irving Berlin the Russian-Jewish composer of American music, assimilated into the American culture for which he was one of the primary standard-bearers. While his entire career was a prototype in many ways for the immigrant American composer, this paper will enumerate the distinguishable aspects that indicate his movement into and articulation of American culture from roughly 1900 to 1950. -
MTO 6.5: Berry, Review of Furia
Volume 6, Number 5, November 2000 Copyright © 2000 Society for Music Theory David Carson Berry KEYWORDS: Tin Pan Alley, popular song, lyrics analysis, Irving Berlin [0] Introduction [0.1] It is not difficult to find books and articles—often of a very scholarly bent—devoted to the most renowned popular songwriters of the first half of the twentieth century: Arlen, Berlin, Gershwin, Kern, Porter, Rodgers, et al. Not only journalistic biographers but also musicologists have focused their energies on these artists who, according to Allen Forte, composed “the American ‘Lieder’ of a particularly rich period in popular music.”(1) For many musicians, however, a frustrating irony has been that the subject generally addressed the least has been the very thing that induced interest in these figures: their music. Finding sources that elucidate aspects of their personal or professional lives, or concentrate on their business successes and the commercial attainments of their songs, is not difficult. Finding essays that examine the actual products of their talent is a more formidable task. [0.2] Irving Berlin (1888–1989) has certainly received his share of treatments of the former types: book-length biographies (of varying qualities) have been authored by Laurence Bergreen, Mary Ellin Barrett (Berlin’s novelist daughter), Michael Freedland, Edward Jablonski, Ian Whitcomb, and Alexander Woollcott (Berlin’s associate from the Algonquin Round Table). (2) He has also been the subject of numerous erudite studies by the musicologist Charles Hamm, including -
Kate Smith & Irving Berlin
Kate Smith's Biography Kathryn Elizabeth Smith was born May 1, 1907 in the nation's capital. From an early age she loved to sing and dance. She performed locally in theatres and at nightclubs and was discovered by a New York City show producer in 1926. She was featured in the musical comedy Honeymoon Lane on Broadway and later in Hit the Deck and Flying High. She was discovered in 1930 by Columbia Records vice president Ted Collins, who became her partner and manager and who put her on the radio in 1931. She was an immediate success on the air and she soon broke the record for longevity at the legendary Palace Theatre. In 1932 she had a cameo role in Paramount's The Big Broadcast. Then she starred in her own movie, Hello Everybody!, with co- stars Randolph Scott and Sally Blane. In 1943 she sang “God Bless America” in the Irving Berlin picture This is the Army. Kate began making records in 1926; among her biggest hits were River, Stay 'Way From My Door (1931), The Woodpecker Song (1940), The White Cliffs of Dover (1941), I Don't Want to Walk Without You (1942), There Goes That Song Again (1944), Seems Like Old Times (1946), and Now Is the Hour (1947). In the fifties she began making LP albums, with such best sellers as Kate Smith at Carnegie Hall (1963), How Great Thou Art (1965), and America’s Favorites: Kate Smith/Arthur Fiedler/Boston Pops (1967). Her theme song was When the Moon Comes Over the Mountain, whose lyrics she helped write. -
Baloo's Bugle
BALOO'S BUGLE Volume 23, Number 5 ------------------------------------------------------------------------------------------------------------------------------------------ “Wisdom, If you don't like change, you're going to like irrelevance even less." - General Eric Shinseki --------------------------------------------------------------------------------------------------------------- December 2016 Cub Scout Roundtable January 2017 Program Ideas Part III = January Theme and Pack Meeting Ideas OBEDIENT / CS CITY COUNCIL CS Roundtable Planning Guide – Brave, Recognition Tiger Cub, Wolf, Webelos, & Arrow of Light Meetings and Adventures PART III – THEME & PACK MEETING IDEAS PACK MEETING THOUGHTS I could not find a previous month with a theme that Potential for CS CITY COUNCIL was directly related to “Cub Scout City Council.” September 1960 Cub Scout Citizens The description of the theme says: September 1972 Cub Scout Citizens HOW DOES “CUB SCOUT CITY COUNCIL” October 1980 Cub Scout Citizen RELATE TO THIS POINT OF THE SCOUT July 1983 Stars and Stripes LAW? October 1988 Cub Scout Citizens A Cub Scout follows the rules of his family, school, and pack. He obeys the laws of his February 2003 Uncle Sam Depends on You community and country. At this pack meeting July 2006 Red, White and Baloo we will have a mayor, council members, and July 2007 The Rockets’ Red Glare lots of commendations for the great work that each Cub Scout has done this month. July 2010 Celebrate Freedom November 2010 Citizenship Using this thought, I figured the Citizenship and November 2011 Citizenship Hometown Hero genre of themes would have good November 2012 50 Great States material for you Pack Meeting if you wanted to add to November 2013 Your Vote Counts and/or modify the on-line Pack Meeting agenda. -
Irving Berlin Collection [Finding Aid]. Library of Congress
Irving Berlin Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2004 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: http://lccn.loc.gov/2012562128 Finding aid encoded by Library of Congress Music Division, 2010 Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu012008 Collection Summary Title: Irving Berlin Collection Span Dates: 1895-1990 Bulk Dates: (bulk 1915-1990) Call No.: ML31.B48 Creator: Berlin, Irving, 1888-1989 Extent: 750,000 items ; 915 containers ; 400 linear feet Language: Material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Irving Berlin was an American lyricist and composer of over 1,200 songs. He was also a music publisher, theater owner, and a founding member of the American Society of Composers, Authors, and Publishers (ASCAP). The collection, which documents all aspects of his life and career, contains music scores, Berlin's handwritten and typewritten lyric sheets, publicity and promotional materials, personal and professional correspondence, photographs, business papers, legal and financial records, scrapbooks filled with press clippings, awards and honors, artwork and realia. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Berlin, Ellin--Correspondence. Berlin, Ellin--Photographs. Berlin, Ellin. Berlin, Irving, 1888-1989--Archives. Berlin, Irving, 1888-1989--Correspondence. Berlin, Irving, 1888-1989--Manuscripts. Berlin, Irving, 1888-1989--Photographs.