Irving Berlin Collection [Finding Aid]. Library of Congress

Total Page:16

File Type:pdf, Size:1020Kb

Irving Berlin Collection [Finding Aid]. Library of Congress Irving Berlin Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2004 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: http://lccn.loc.gov/2012562128 Finding aid encoded by Library of Congress Music Division, 2010 Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu012008 Collection Summary Title: Irving Berlin Collection Span Dates: 1895-1990 Bulk Dates: (bulk 1915-1990) Call No.: ML31.B48 Creator: Berlin, Irving, 1888-1989 Extent: 750,000 items ; 915 containers ; 400 linear feet Language: Material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Irving Berlin was an American lyricist and composer of over 1,200 songs. He was also a music publisher, theater owner, and a founding member of the American Society of Composers, Authors, and Publishers (ASCAP). The collection, which documents all aspects of his life and career, contains music scores, Berlin's handwritten and typewritten lyric sheets, publicity and promotional materials, personal and professional correspondence, photographs, business papers, legal and financial records, scrapbooks filled with press clippings, awards and honors, artwork and realia. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Berlin, Ellin--Correspondence. Berlin, Ellin--Photographs. Berlin, Ellin. Berlin, Irving, 1888-1989--Archives. Berlin, Irving, 1888-1989--Correspondence. Berlin, Irving, 1888-1989--Manuscripts. Berlin, Irving, 1888-1989--Photographs. Berlin, Irving, 1888-1989. Berlin, Irving, 1888-1989. Berlin, Irving, 1888-1989. Selections. Kresa, Helmy, 1904-1991. Organizations American Society of Composers, Authors and Publishers. Irving Berlin Collection (Library of Congress) Irving Berlin Music Company. Irving Berlin Music Company. Irving Berlin, Inc. Irving Berlin, Inc. Music Box Theater (New York, N.Y.) Waterson, Berlin & Snyder Co. Waterson, Berlin & Snyder Co. Subjects Composers--United States. Motion picture music--Excerpts--Scores. Music publishing--United States. Music--Manuscripts--United States. Musical films. Musical theater--United States--20th century. Irving Berlin Collection 2 Musicals. Popular music--United States. Popular music--Writing and publishing--United States. Songs--Texts. Theater--United States. Form/Genre Artifacts (Object genre) Awards. Clippings (Information artifacts) Correspondence. Financial records. Photographic prints. Programs (Documents) Promotional materials. Scrapbooks. Scripts (Documents) Administrative Information Provenance Gift of Mary Ellin Barrett, Linda Louise Emmet, and Elizabeth Irving Peters, 1992. Accruals No further accruals are expected. Processing History The Irving Berlin Collection was processed by Ray White and Tom Barrick. The finding aid was coded for EAD by Janet McKinney in 2010. Transfers Audiovisual materials have been transferred to the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division. The sound recordings have been cataloged and can be identified as part of the "Irving Berlin Collection (Library of Congress)." Copyright Status Materials from the the Irving Berlin Collection are governed by the Copyright Law of the United States (Title 17, U.S.C.). and other applicable international copyright laws. Access and Restrictions The Irving Berlin Collection is open to research, though some items have restricted access. In addition, boxes bearing shelf numbers beginning with "B" or "L" are stored offsite. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time. Microfilm The scrapbooks have been preserved on microfilm because of their fragile nature (Microfilm 92/20013 [MUS]). Irving Berlin Collection 3 Preferred Citation Researchers wishing to cite this collection should include the following information: [item, date, and container number, as appropriate], Irving Berlin Collection, Music Division, Library of Congress, Washington, D.C. Biographical Sketch Date Event 1888, May 11 Born Israel Beilin to Moses Beilin and Leah Lipkin. One of eight children, his exact place of birth is unknown, although his family had been living in Tolochin, Byelorussia, (Russia) 1893 Beilin family immigrated to New York Family changed name to Baline 1901 Moses Baline died Izzy (Israel's nickname) quit school and left home to become a street singer 1905 Hired by songwriter-publisher Harry Von Tilzer to plug songs at Tony Pastor's Music Hall on 14th St., N.Y. 1906 Singing waiter at Mike Salter's Pelham Café, in Chinatown, N.Y. Began writing and performing his own lyrics and parodies 1907 Wrote lyrics for first published song, "Marie from Sunny Italy", and earned 37 cents in royalties Changed name to Irving Berlin 1908 Worked as a singing waiter at Jimmy Kelly's Wrote "The Best of Friends Must Part," the first song for which he composed both music and lyrics 1909 Hired by Ted Snyder Company, 112 W. 38th St., N.Y., as an in-house lyric writer Wrote "Dorando," his first song published by the Ted Snyder Company and first to achieve commercial success 1910 Wrote "Call Me Up Some Rainy Afternoon," his first number one selling song 1911 Dec. Became a partner with the Waterson, Berlin & Snyder publishing company, 112 W. 38th St., N.Y. 1911 First major international hit with "Alexander's Ragtime Band" Contributed four songs to the Ziegfeld Follies of 1911 1912 Feb. Married Dorothy Goetz, sister of songwriter E. Ray Goetz 1912 July Dorothy Berlin died of typhoid fever contracted in Cuba during their honeymoon 1912 Nov. Wrote "When I Lost You," his first important ballad Irving Berlin Collection 4 1914 Became a charter member of ASCAP Watch Your Step opened at the New Amsterdam Theatre, N.Y., his first score for the theater Waterson, Berlin & Snyder moved to the Strand Theatre Building at Broadway and 47th St., N.Y. Established Irving Berlin Inc., at 1571 Broadway, N.Y. 1918, Feb. 6 Became United States citizen 1918 Spring Entered the U.S. Army as a private 1918 Aug. Yip, Yip, Yaphank opened; Berlin wrote the Army show to raise money to build a service club at Camp Upton, N.Y. In the show he performed "Oh, How I Hate to Get Up In the Morning," and declined to include "God Bless America," (only to resurface 30 years later for the next World War effort) 1919 Honorably discharged from the Army Moved his offices to 1587 Broadway, N.Y. Wrote score for Ziegfeld Follies of 1919, including the hit "A Pretty Girl is Like a Melody" 1920 Built the Music Box Theatre on W. 45th St., N.Y., in partnership with Sam Harris 1921 Irving Berlin Inc. moved to 1607 Broadway, N.Y. Music Box Revue of 1921 opened at the Music Box Theatre, produced by partner Sam H. Harris 1922 Leah Baline (Irving's mother) died Music Box Revue of 1922 opened at the Music Box Theatre 1924 Met Ellin Mackay, daughter of Clarence Mackay, (owner of the postal telegraph company), and Katherine Duer Blake Wrote hits "All Alone" and "What'll I Do" Music Box Revue of 1924 opened, the fourth revue in his series at the Music Box Theatre 1925 Wrote "Always" and "Remember" The Cocoanuts opened in New York 1926, Jan. 4 Irving and Ellin married at City Hall accompanied by national press and against the wishes of her father; after an eight month honeymoon aboard the USS Leviathan, the couple returned to Manhattan 1926, Nov. 25 Daughter Mary Ellin Berlin born 1926 Dec. Wrote "Blue Skies" and on Christmas day presented it to his month old daughter, "for Mary Ellin, Christmas 1926" 1927 Ziegfeld Follies of 1927 opened, with complete score by Berlin Al Jolson sang "Blue Skies" in the first full-length soundtrack film, The Jazz Singer Irving Berlin Collection 5 1928, Dec. 1 Son Irving Berlin Jr. born (died 25 days later) 1928 The Cocoanuts opened in London Berlin wrote theme songs for the films The Awakening, Coquette, and Lady of the Pavement 1929 Wrote songs for the films Hallelujah, Mammy, including "Let Me Sing and I'm Happy," and Puttin' on the Ritz featuring the title song Film version of The Cocoanuts, shot in New York, was released 1930 Wrote the score for the film Reaching for the Moon. All but two songs were dropped due to the dying popularity of musicals 1932, Feb. 13 Face the Music opened in New York 1932, Feb. 21 Daughter Linda Louise Berlin born 1932 Songs "How Deep Is the Ocean" and "Say It Isn't So" were released 1933 Irving Berlin Inc. moved to 799 7th Ave., N.Y. As Thousands Cheer opened at Music Box Theatre; score included "Easter Parade," "Heat Wave," and "Supper Time" 1934 Appeared on cover of Time magazine 1935 New York premiere of film Top Hat, score included "Cheek to Cheek," "Isn't This a Lovely Day," and "Top Hat, White Tie and Tails" 1936, June 6 Daughter Elizabeth Irving Berlin born 1936 New York premiere of film Follow the Fleet, score included "I'm Putting All My Eggs in One Basket," "I'd Rather Lead a Band," and "Let's Face the Music and Dance" 1937 New York premiere of the film On the Avenue, score included "I've Got My Love to Keep Me Warm," and "Slumming on Park Avenue" 1938, Nov. 10 "God Bless America" introduced by Kate Smith on an Armistice Day radio broadcast 1938 Films Alexander's Ragtime Band and Carefree released 1939 Film Second Fiddle released 1940 Louisiana Purchase opened at the Imperial Theatre, N.Y. 1941 Film version of Louisiana Purchase released Wrote three songs for the war effort and donated the royalties to the following organizations: the American Red Cross ("Angels of Mercy"); the Treasury Department ("Any Bonds Today"); and the Ordinance Department ("Arms for the Love of America") Irving Berlin Collection 6 1942, July 4 This is the Army opened at the Broadway Theatre in New York; Berlin appeared in the show and sang "Oh! How I Hate to Get Up in the Morning" 1942 Aug.
Recommended publications
  • Sacred Music and Religious Themes
    Guide to the Sam DeVincent Collection of Illustrated American Sheet Music, Series 10: Sacred Music and Religious Themes NMAH.AC.0300.S10 NMAH Staff Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents note................................................................................................ 2 Arrangement note............................................................................................................ 4 Container Listing ............................................................................................................. 5 Subseries 10.1: Adam, Eve, and Eden, 1882-1971................................................. 5 Subseries 10.2: Angels, 1849-1961......................................................................... 5 Subseries 10.3: Bells and Chimes, 1848-1956........................................................ 5 Subseries 10.4: Biblical Characters and Stories, 1876-1986................................... 6 Subseries 10.5: Cathedral, Chapel, Church, 1866-1966.......................................... 6 Subseries 10.6: Choir, 1880-1937...........................................................................
    [Show full text]
  • “White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell
    “White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell Crosby’s 1945 holiday album Original release label “Holiday Inn” movie poster With the possible exception of “Silent Night,” no other song is more identified with the holiday season than “White Christmas.” And no singer is more identified with it than its originator, Bing Crosby. And, perhaps, rightfully so. Surely no other Christmas tune has ever had the commercial or cultural impact as this song or sold as many copies--50 million by most estimates, making it the best-selling record in history. Irving Berlin wrote “White Christmas” in 1940. Legends differ as to where and how though. Some say he wrote it poolside at the Biltmore Hotel in Phoenix, Arizona, a reasonable theory considering the song’s wishing for wintery weather. Some though say that’s just a good story. Furthermore, some histories say Berlin knew from the beginning that the song was going to be a massive hit but another account says when he brought it to producer-director Mark Sandrich, Berlin unassumingly described it as only “an amusing little number.” Likewise, Bing Crosby himself is said to have found the song only merely adequate at first. Regardless, everyone agrees that it was in 1942, when Sandrich was readying a Christmas- themed motion picture “Holiday Inn,” that the song made its debut. The film starred Fred Astaire and Bing Crosby and it needed a holiday song to be sung by Crosby and his leading lady, Marjorie Reynolds (whose vocals were dubbed). Enter “White Christmas.” Though the film would not be seen for many months, millions of Americans got to hear it on Christmas night, 1941, when Crosby sang it alone on his top-rated radio show “The Kraft Music Hall.” On May 29, 1942, he recorded it during the sessions for the “Holiday Inn” album issued that year.
    [Show full text]
  • Hollywood Musicals
    i HOLLYWOOD MUSICALS Hollywood Musicals offers an insightful account of a genre that was once a main- stay of twentieth- century fi lm production and continues to draw audiences today. What is a fi lm musical? How do musicals work, formally and culturally? Why have they endured since the introduction of sound in the late 1920s? What makes them more than glittery surfaces or escapist fare? In answering such questions, this guidebook by Steven Cohan takes new and familiar viewers on a tour of Hollywood musicals. Chapters discuss defi nitions of the genre, its long history, different modes of analyzing it, the great stars of the classic era, and auteur directors. Highlights include extended discussions of such celebrated musicals from the studio era as The Love Parade, Top Hat , Holiday Inn , Stormy Weather, The Gang’s All Here, Meet Me in St. Louis, Cover Girl, Mother Wore Tights, Singin’ in the Rain , Gentlemen Prefer Blondes, The Band Wagon , Seven Brides for Seven Brothers , and Jailhouse Rock as well as later fi lms, such a s Cabaret , All that Jazz, Beauty and the Beast, and La La Land. Cohan brings in numerous other examples that amplify and extend to the present day his claims about the musical, its generic coherence and fl exibility, its long and distinguished history, its special appeal, and its cultural signifi cance. Clear and accessible, this guide provides students of fi lm and culture with a succinct but substantial overview that provides both analysis and intersectional context to one of Hollywood’s most beloved genres. Steven Cohan’s books include Masked Men: Masculinity and the Movies in the Fifties, Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical , and Hollywood by Hollywood: The Backstudio Picture and the Mystique of Making Movies.
    [Show full text]
  • Prof. M. J. Koncen's Quadrille Call Book and Ball-Room Guide
    Library of Congress Prof. M. J. Koncen's quadrille call book and ball-room guide ... PROF. M. J. KONCEN'S QUADRILLE CALL BOOK AND BALL ROOM GUIDE. Prof. M. J. KONCEN'S QUADRILLE CALL BOOK AND Ball Room Guide. TO WHICH IS ADDED A SENSIBLE GUIDE TO ETIQUETTE AND DEPORTMENT. IN THE BALL AND ASSEMBLY ROOM. LADIES TOILET, GENTLEMAN'S, DRESS, ETC. ETC. AND GENERAL INFORMATION FOR DANCERS. 15 9550 Containing all the Latest Novelties, together with old fashioned and Contra Dances, giving plain directions for Calling and Dancing all kinds of Square and Round Dances, including the most Popular Figures of the “GERMAN.” LIBRARY OF CONGRESS COPYRIGHT. 20 1883 No 12047-0 CITY OF WASHINGTON. ST. LOUIS: PRESS OF S. F. BREARLEY & CO., 309 Locust Street. (1883). Entered according to Act of Congress, in the year of 1883, by MATHIAS J. KONCEN. in the Office of the Librarian of Congress, at Washington, D. C CONTENTS. Preface 5–6 Etiquette of the Ball Room 7–10 Prof. M. J. Koncen's quadrille call book and ball-room guide ... http://www.loc.gov/resource/musdi.109 Library of Congress Etiquette of Private Parties 10–12 Etiquette of Introduction 12–13 Ball Room Toilets 13–14 Grand March 15–17 On Calling 17 Explanation of Quadrille Steps 17–20 Formation of Square Dances 21–22 Plain Quadrille 22–23 The Quadrille 23–25 Fancy Quadrille Figures 25–29 Ladies Own Quadrille 29–30 National Guard Quadrille 30–32 Prof. Koncen's New Caledonia Quadrille 32–33 Prairie Queen Quadrille 33–35 Prince Imperial 35–38 Irish Quadrille 39–40 London Polka Quadrille 40–42 Prof.
    [Show full text]
  • KS5 Exploring Performance Styles in Musical Theatre
    Exploring performance KS5 styles in Musical Theatre Heidi McEntee Heidi McEntee is a Dance and KS5 – BTEC LEVEL 3, UNIT D10 Performing Arts specialist based in the Midlands. She has worked in education for over fifteen years delivering a variety of Dance and Performing Arts qualifications at Introduction Levels 1, 2 and 3. She is a Senior Unit D10: Exploring Performance Styles is one of the three units which sit within Module D: Assessment Associate working on musical theatre Skills Development from the new BTEC Level 3 in Performing Arts Practice Performing Arts qualifications and (musical theatre) qualification. This scheme of work focuses on the first unit which introduces a contributing author for student and explores different musical theatre styles. revision guides. This unit requires learners to develop their practical skills in dance, acting and singing while furthering their understanding of musical theatre styles. The unit culminates in a performance of two extracts in two different styles of musical theatre as well as a critical review of the stylistic qualities within these extracts. This scheme of work provides a suggested approach to six weeks of introductory classes, as a part of a full timetable, which explores the development of performance styles through the history of musical theatre via practical activities, short projects and research tasks. Learning objectives By the end of this scheme, learners will have: § Investigated the history of musical theatre and the factors which have influenced its development Unit D10: Exploring Performance § Explored the characteristics of different musical theatre styles and how they have developed Styles from BTEC L3 Nationals over time Performing Arts Practice (musical § Applied stylistic conventions to the performance of material theatre) (2019) § Examined professional work through critical analysis.
    [Show full text]
  • Happy Birthday!
    THE THURSDAY, APRIL 1, 2021 Quote of the Day “That’s what I love about dance. It makes you happy, fully happy.” Although quite popular since the ~ Debbie Reynolds 19th century, the day is not a public holiday in any country (no kidding). Happy Birthday! 1998 – Burger King published a full-page advertisement in USA Debbie Reynolds (1932–2016) was Today introducing the “Left-Handed a mega-talented American actress, Whopper.” All the condiments singer, and dancer. The acclaimed were rotated 180 degrees for the entertainer was first noticed at a benefit of left-handed customers. beauty pageant in 1948. Reynolds Thousands of customers requested was soon making movies and the burger. earned a nomination for a Golden Globe Award for Most Promising 2005 – A zoo in Tokyo announced Newcomer. She became a major force that it had discovered a remarkable in Hollywood musicals, including new species: a giant penguin called Singin’ In the Rain, Bundle of Joy, the Tonosama (Lord) penguin. With and The Unsinkable Molly Brown. much fanfare, the bird was revealed In 1969, The Debbie Reynolds Show to the public. As the cameras rolled, debuted on TV. The the other penguins lifted their beaks iconic star continued and gazed up at the purported Lord, to perform in film, but then walked away disinterested theater, and TV well when he took off his penguin mask into her 80s. Her and revealed himself to be the daughter was actress zoo director. Carrie Fisher. ©ActivityConnection.com – The Daily Chronicles (CAN) HURSDAY PRIL T , A 1, 2021 Today is April Fools’ Day, also known as April fish day in some parts of Europe.
    [Show full text]
  • Leonard Bernstein's MASS
    27 Season 2014-2015 Thursday, April 30, at 8:00 Friday, May 1, at 8:00 The Philadelphia Orchestra Saturday, May 2, at 8:00 Sunday, May 3, at 2:00 Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers* Conducted by Yannick Nézet-Séguin Texts from the liturgy of the Roman Mass Additional texts by Stephen Schwartz and Leonard Bernstein For a list of performing and creative artists please turn to page 30. *First complete Philadelphia Orchestra performances This program runs approximately 1 hour, 50 minutes, and will be performed without an intermission. These performances are made possible in part by the generous support of the William Penn Foundation and the Andrew W. Mellon Foundation. Additional support has been provided by the Presser Foundation. 28 I. Devotions before Mass 1. Antiphon: Kyrie eleison 2. Hymn and Psalm: “A Simple Song” 3. Responsory: Alleluia II. First Introit (Rondo) 1. Prefatory Prayers 2. Thrice-Triple Canon: Dominus vobiscum III. Second Introit 1. In nomine Patris 2. Prayer for the Congregation (Chorale: “Almighty Father”) 3. Epiphany IV. Confession 1. Confiteor 2. Trope: “I Don’t Know” 3. Trope: “Easy” V. Meditation No. 1 VI. Gloria 1. Gloria tibi 2. Gloria in excelsis 3. Trope: “Half of the People” 4. Trope: “Thank You” VII. Mediation No. 2 VIII. Epistle: “The Word of the Lord” IX. Gospel-Sermon: “God Said” X. Credo 1. Credo in unum Deum 2. Trope: “Non Credo” 3. Trope: “Hurry” 4. Trope: “World without End” 5. Trope: “I Believe in God” XI. Meditation No. 3 (De profundis, part 1) XII.
    [Show full text]
  • 191219-Mariah-Carey.Pdf
    Breaking News English.com Ready-to-Use English Lessons by Sean Banville “1,000 IDEAS & ACTIVITIES Thousands more free lessons FOR LANGUAGE TEACHERS” from Sean's other websites breakingnewsenglish.com/book.html www.freeeslmaterials.com/sean_banville_lessons.html Level 3 - 19th December, 2019 Mariah Carey Xmas hit number 1 after 25 years FREE online quizzes, mp3 listening and more for this lesson here: https://breakingnewsenglish.com/1912/191219-mariah-carey.html Contents The Article 2 Discussion (Student-Created Qs) 15 Warm-Ups 3 Language Work (Cloze) 16 Vocabulary 4 Spelling 17 Before Reading / Listening 5 Put The Text Back Together 18 Gap Fill 6 Put The Words In The Right Order 19 Match The Sentences And Listen 7 Circle The Correct Word 20 Listening Gap Fill 8 Insert The Vowels (a, e, i, o, u) 21 Comprehension Questions 9 Punctuate The Text And Add Capitals 22 Multiple Choice - Quiz 10 Put A Slash ( / ) Where The Spaces Are 23 Role Play 11 Free Writing 24 After Reading / Listening 12 Academic Writing 25 Student Survey 13 Homework 26 Discussion (20 Questions) 14 Answers 27 Please try Levels 0, 1 and 2 (they are easier). Twitter twitter.com/SeanBanville Facebook www.facebook.com/pages/BreakingNewsEnglish/155625444452176 THE ARTICLE From https://breakingnewsenglish.com/1912/191219-mariah-carey.html American singer Mariah Carey has reached number one in the U.S. music charts with her classic song "All I Want For Christmas Is You". It is not unusual for a festive song to be the best seller at Christmas, but Carey's famous song was first released 25 years ago.
    [Show full text]
  • CONSTRUCTING TIN PAN ALLEY 17 M01 GARO3788 05 SE C01.Qxd 5/26/10 4:35 PM Page 18
    M01_GARO3788_05_SE_C01.qxd 5/26/10 4:35 PM Page 15 Constructing Tin Pan 1 Alley: From Minstrelsy to Mass Culture The institution of slavery has been such a defining feature of U.S. history that it is hardly surprising to find the roots of our popular music embedded in this tortured legacy. Indeed, the first indige- nous U.S. popular music to capture the imagination of a broad public, at home and abroad, was blackface minstrelsy, a cultural form involving mostly Northern whites in blackened faces, parodying their perceptions of African American culture. Minstrelsy appeared at a time when songwriting and music publishing were dispersed throughout the country and sound record- The institution of slavery has been ing had not yet been invented. During this period, there was an such a defining feature of U.S. history that it is hardly surprising to find the important geographical pattern in the way music circulated. Concert roots of our popular music embedded music by foreign composers intended for elite U.S. audiences gener- in this tortured legacy. ally played in New York City first and then in other major cities. In contrast, domestic popular music, including minstrel music, was first tested in smaller towns, then went to larger urban areas, and entered New York only after success elsewhere. Songwriting and music publishing were similarly dispersed. New York did not become the nerve center for indigenous popular music until later in the nineteenth century, when the pre- viously scattered conglomeration of songwriters and publishers began to converge on the Broadway and 28th Street section of the city, in an area that came to be called Tin Pan Alley after the tinny output of its upright pianos.
    [Show full text]
  • Published Sheet Music from the Rudy Vallee Collection
    Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano)
    [Show full text]
  • A University Thesis Presented to the Faculty
    MY MIND IS RUNNING: A COLLECTION OF FICTION AND NON-FICTION WORKS _________________ A University Thesis Presented to the Faculty of California State University, East Bay _________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in English _________________ By Matthew Biundo May 2020 Copyright © 2019 by Matthew Biundo ii MY MIND IS RUNNING: A COLLECTION OF FICTION AND NON-FICTION WORKS By Matthew Biundo Approved: Date: ProfessorStephen D. Gutierrez 111 Acknowledgments This thesis could not have been possible without the ongoing support of my parents, Laurie and John Biundo, who from an early age provided me with the opportunity to read a seemingly endless supply of books, and the encouragement to keep exploring my own creativity. Several friends have read drafts of these works and helped to shape them to the forms in which they are finally presented here. They are Blaine Counter, Brendan Cleak, Caryn Sandoval, Jordan Rodriguez, and Emily Warner. I’d be remiss if I did not acknowledge the invaluable support from the English Department faculty at California State University, East Bay. Professors Stephen Gutierrez, Jacqueline Doyle, and Susan Gubernat not only provided me the classroom opportunities, but the personal encouragement to give me confidence. I also owe a special debt of gratitude to Professor Eileen Barrett, who first encouraged me to consider graduate school in the first place. iv Table of Contents Acknowledgments Fiction ........................................................................................................................1
    [Show full text]
  • ARSC Journal These Films
    Sound Recording Reviews 213 Judy Garland: The Golden Years at M-G-M - The Harvey Girls, The Pirate, Summer Stock. MGMIUA Home Video. ML104869. 5 laser discs, 2 sides in CAV. 7 hours ofprerecordings on analog track; stereo in part; NTSC. Released in 1995. Thoroughbreds Don't Cry and Listen, Darling. MGMIUA Home Video. ML104569. 2 laser discs. 21 minutes ofprerecordings for Listen, Darling on analog track; NTSC. Released in 1994. The Ultimate Oz. MGM/UA Home Video and Turner. ML103990. Includes The Wizard of Oz, ML104755, 2 laser discs, 4 sides in CAV, THX and No-Noise; and The Wonderful Wizard of Oz: The Making of a Movie Classic, ML104756, 1 laser disc, THX. 4 hours 48 minutes of prerecordings on analog and digital tracks; NTSC. Released in 1993. The Wizard of Oz: Original Motion Picture Soundtrack. Rhino Movie Musicfl'urner Classic Movies R2 71964. 2 compact discs. Released in 1995. Meet Me In St. Louis: 50th Anniversary Edition. MGMIUA Home Video and Turner. ML104754. 3 laser discs and 1 compact disc of soundtrack (CD: MGM Records 305123). 4 sides in CAV; remixed from original multi-channel recording mas­ ters into stereo; 52 minutes of prerecordings on analog track; Includes The Making of an American Classic; NTSC. Released in 1994. CD also available separately on Rhino Movie Musicfl'urner Classic Movies R2 71958. Stereo. Released in 1995. Easter Parade: Original Motion Picture Soundtrack. Rhino Movie Musicfl'urner Classic Movies R2 71960. 1 compact disc. Released in 1995. That's Entertainment/ HI: Deluxe Collector's Edition. MGMIUA Home Video. ML103059.
    [Show full text]