Canadianliterature / Littérature Canadienne
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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Playing with Cultures
PLAYING WITH CULTURES The Role of Coyote in Sheila Watson's The Double Hook and Thomas King's Green Grass, Running Water by DOUGLAS GEORGE ARNOLD VINCENT A thesis submitted to the Department of English in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario, Canada July, 1999 Copyright 0 Douglas George Arnold Vincent, 1999 National Library BiblioWque nationate du Canada Acquisitions and Acquisitions et Bibliographic Sennnnces services bibliographiques 395 Wellington Street 395. rue WellicQtOn OttawaON K1AON4 OttawaON KtAONQ Canada Canada The author has granted a non- L'auteur a accorde melicence non exclusive licence allowing the exclusive permettaut a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distniute or sell reproduire, preter, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la forme de microfiche/fXm, de reproduction sur papier ou sur format electronique. The author retains ownership of the L'auteur conserve la propriete du copyright in this thesis. Neither the droit &auteur qui protege cette these. thesis nor substantial extracts from it Ni la these ni des extraits substantiels may be printed or othewise de celleci ne doivent Stre imprimes reproduced without the author's ou autrement reproduits sans son permission. autorisation- Abstract In Canadian literature, the character of Coyote, with its origins in the oral traditions of Native cultureyhas been able to cross cultural boundaries between Native and Euro-American writers and act at a culturaI intersection where relations between the two traditions meet at the level ofmyth and story- The complex characteristics of Coyote allow authors like Sheila Watson and Thomas King to incorporate Coyote into their fictions and meet their narrative purposes without violating Coyote's Native origins. -
Converge 2017 Bright Minds
Converge 2017 Bright Minds. Bright Future. #Converge2017 February 6-7, 2017 Shaw Convention Centre Ottawa, Ontario 5:30 – 6:00 p.m. Blue Cactus, 2 Byward Market Square, Ottawa Youth Advisory Committee meeting 6:00 – 9:00 p.m. Blue Cactus, 2 Byward Market Square, Ottawa Sunday, Youth delegates’ dinner 6:00 – 9:00 p.m. Courtyard Restaurant, 21 George Street, Ottawa February 5 University presidents’ dinner Monday, February 6 Shaw Convention Centre 7:30 – 8:30 a.m. Rideau Canal atrium (2nd floor) 2:00 – 2:30 p.m. Rideau Canal atrium (2nd floor) Registration Health break 7:30 – 8:30 a.m. Room 213 2:30 – 4:00 p.m. Networking breakfast Concurrent sessions Room 209 8:30 – 8:45 a.m. Room 214 Resetting the relationship: Advancing Opening remarks reconciliation within the university and beyond 8:45 – 9:45 a.m. Room 214 Small country, big impact Room 210 Keynote address Open doors, open Canada: Canada in an age of global migration Dominic Barton, global managing partner, McKinsey & Company and chair, Advisory Council Room 211 on Economic Growth The power of art: Strengthening and celebrating pluralism through the arts 9:45 – 11:00 a.m. Room 214 Room 212 Panel discussion: The Road to 2067 Breaking down barriers: Fostering a more inclusive Canada 11:00 – 11:30 a.m. Rideau Canal atrium (2nd floor) Health break 6:00 – 7:00 p.m. Trillium ballroom (4th floor) 11:30 a.m. – 12:30 p.m. Room 214 A kickoff for Canada 150 The next 50 years: Reception A Q&A with special guest 7:00 – 10:00 p.m. -
Calgary's Dynamic Dance Scene P. 15
Enough $$ for YYC music? The Calgary PAGE 19 JOURNALReporting on the people, issues and events that shape our city APRIL 2015 FREE Calgary’s Dynamic Dance Scene P. 15 Trespassing in Medicinal Flying paint elder care homes marijuana A night at Calgary’s only Law being questioned by Calgary’s first medicinal indoor paintball field loved ones of seniors marijuana clinic to open PAGE 4-5 PAGE 6-7 PAGE 28 THIS ISSUE APRIL 2015 FEATURES EDITORS-IN-CHIEF CAITLIN CLOW OLIVIA CONDON CITY EDITORS JOCELYN DOLL JALINE PANKRATZ ARTS EDITORS ALI HARDSTAFF ANUP DHALIWAL CITY FEATURES EDITOR PAUL BROOKS Spring into the SPORTS EDITOR A.J. MIKE SMITH April Journal and come with us to SPORTS PHOTO & PRODUCTION EDITORS some of our MASHA SCHEELE favourite “places.” GABRIELA CASTRO FACULTY EDITORS TERRY FIELD FEATURES PH: (403) 440-6189 [email protected] THE LENS SALLY HANEY PH: (403) 462-9086 [email protected] PRODUCTION SUPERVISOR ADVERTISING BRAD SIMM PH: (403) 440-6946 [email protected] The Calgary Journal reports on the people, issues and events that shape our city. It is produced by journalism students at Mount Royal University. CITY THE LENS PAGE 4 | Trespassing on seniors’ facilities PAGE 16 | Growing dance scene FOLLOW US ONLINE: PAGE 6 | Calgary’s first marijuana clinic @calgaryjournal PAGE 8 | Babyboomers facing homelessness facebook.com/CalgaryJournal ARTS calgaryjournal.ca PAGE 9 | April is poetry month PAGE 20 | Vinyl pressing PAGE 21 | Local bands leaving town for success CONTACT THE JOURNAL: FEATURES PAGE 22 | Funding for artists across Canada -
Writing Here1
WRITING HERE1 W.H. NEW n 2003, for the BC Federation of Writers, Susan Musgrave assembled a collection of new fiction and poetry from some fifty-two IBC writers, called The FED Anthology.2 Included in this anthology is a story by Carol Matthews called “Living in ascii,” which begins with a woman recording her husband’s annoyance at whatever he sees as stupidity (noisy traffic and inaccurate grammar, for instance, and the loss of his own words when his computer apparently swallows them). This woman then tells of going to a party, of the shifting (and sometimes divisive) relationships among all the women who were attending, and of the subjects they discussed. These included a rape trial, national survival, men, cliffs, courage, cormorant nests, and endangered species. After reflecting on the etymology of the word “egg” (and its connection with the word “edge”), she then declares her impatience with schisms and losses, and her wish to recover something whole. The story closes this way: “If I were to tell the true story, I would write it not in words but in symbols, [like an] ... ascii printout. It would be very short and very true. It would go like this: moon, woman, woman; man, bird, sun; heart, heart, heart, heart, heart; rock, scissors, paper. The title would be egg. That would be the whole story.”3 This egg is the prologue to my comments here. So is the list of disparate nouns – or only seemingly disparate, in that (by collecting them as she does) the narrator connects them into story. -
UC Riverside UC Riverside Previously Published Works
UC Riverside UC Riverside Previously Published Works Title “Short Story Collections and Crowded Selves: Madeleine Thien’s Simple Recipes and Jeremy Tiang’s It Never Rains On National Day” Permalink https://escholarship.org/uc/item/7w141141 Author Gui, W Publication Date 2017-05-18 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Crowded Selves — Singapore Unbound https://singaporeunbound.org/blog/2017/5/16/rsa... HOME ABOUT LITERARY FESTIVAL READING SERIES G AU DY BOY SP BLO G OPPORTUNITIES PRESS JO IN US Crowded Selves MAY 18, 2017 IN FICTION, CRITICIM “Short Story Collections and Crowded Selves: Madeleine Thien’s Simple Recipes and Jeremy Tiang’s It Never Rains On National Day” by Weihsin Gui Introduction How does a short story collection create connections between the different stories contained between its covers? And how do these connections represent the knotted relationships between North American and Asian cultures and the people who live and move between them? This essay examines two short story collections, Simple Recipes by Madeleine Thien and It Never Rains On National Day by Jeremy Tiang. Thien, whose parents came from Malaysia and Hong Kong, is a Canadian writer whose latest novel Do Not Say We We Have Nothing was shortlisted for the 2016 1 of 18 1/2/18, 9:31 AM Crowded Selves — Singapore Unbound https://singaporeunbound.org/blog/2017/5/16/rsa... Man Booker Prize. Tiang is a Singaporean currently living in both the USA and UK who has translated several works of fiction from Chinese into English and whose debut short story collection was a finalist for the 2016 Singapore Literature Prize. -
Documentation and Evaluation and a Strategy for the Broad-Scale Dissemination of Results
For Information S.98-20 . SIMON MASER UNIVERSITY Memorandum To: Alison Watt, Director From: J. Cohn Yerbury Senate Secretariat Services Acting Dean, Continuing Studies Re: Annual Report of the Senate Date: December 12, 1997 Committee on Continuing Studies Enclosed for Senate's information is the SCCS Report for the 1996-97 year. This report concerns the Continuing Studies activities sponsored by all University departments and as such is not a report on the Continuing Studies administrative unit. The descriptive information included in the report gives an overview of the . different kinds of programs offered throughout the University, but is by no means meant to be a comprehensive description of every activity offered. The statistics on the credit programs are complete and further details can be obtained from the Office of Analytical Studies. Statistics on community and professional (non-credit) programs are based on reports from departments and may not include all courses, seminars and colloquia organized and sponsored by departments. However, most of what the University does in non-credit programs, particularly those directed to the broader community, is represented in these statistics. K - AJ. ' oliny 0 lend. I. SENATE COMMITTEE ON CONTINUING STUDIES REPORT 1996-97 April 1, 1996 through March 31, 1997 P_j Submitted by the Senate Committee on Continuing Studies Cohn Yerbury, Chair Jessica Baert, Student Suzan Beattie, Lay Member Len Berggren, Mathematics and Statistics George Blazenko, Business Administration Peter Coleman, Education Ted Dobb, Library . Alan Emmott, At-large Maria Janicki, Student At-large Brian Lewis, Communication Gary Mauser, At-large 'I 0 SENATE COMMITTEE ON CONTINUING STUDIES . -
Volume 44, Number 2 2017 PACIFIC SEABIRD GROUP Dedicated to the Study and Conservation of Pacific Seabirds and Their Environment
PACIFIC SEABIRDS A Publication of the Pacific Seabird Group Volume 44, Number 2 2017 PACIFIC SEABIRD GROUP Dedicated to the Study and Conservation of Pacific Seabirds and Their Environment The Pacific Seabird Group (PSG) is a society of professional seabird researchers and managers dedicated to the study and conservation of seabirds. PSG was formed in 1972 out of a need for increased communication among academic and government seabird researchers. The principal goals of PSG are to (1) increase the quality and quantity of seabird research through facilitating exchange of information; (2) identify and assess the importance of threats to seabird populations; and (3) provide government agencies and others with expert advice on managing populations of seabirds. PSG is headed by an Executive Council composed of members volunteering their time. Members include biologists, wildlife managers, students, and conservationists from the United States, Mexico, Canada, Japan and 12 other countries. PSG annual meetings and publications provide forums where members can share their findings on all research topics relating to Pacific seabirds and discuss local and large scale conservation issues. Abstracts for meetings are published on our website. PSG publishes the on-line bulletin Pacific Seabirds (formerly the PSG Bulletin; www.pacificseabirdgroup.org) and the journal Marine Ornithology (www.marineornithology.org). Other publications include symposium volumes and technical reports; these are listed near the back of this issue. PSG is a member of the Ornithological Council and the American Bird Conservancy. Annual dues for membership are $40 (individual); $30 (student, undergraduate and graduate); and $1,200 (Life Membership, payable in five $240 installments). -
Tiff 2019 Celebrates Indigenous Filmmakers And
August 20, 2019 MEDIA RELEASE. TIFF 2019 CELEBRATES INDIGENOUS FILMMAKERS AND THEIR STORIES This year’s lineup showcases Alanis Obomsawin, Zacharias Kunuk, Taika Waititi, Rachel Perkins, Jeff Barnaby, and more TORONTO — The Toronto International Film Festival® is proud to highlight the works of Indigenous filmmakers and artists, from veteran Alanis Obomsawin (Abenaki), who comes to TIFF with the provocative and emotional Jordan River Anderson, The Messenger, to relative newcomer Elle-Máijá Tailfeathers (Sámi/Blackfoot/Blood), with The Body Remembers When the World Broke Open. “Supporting the voices of Indigenous people through film is a priority for TIFF,” said Cameron Bailey, Artistic Director and Co-Head. “We support the calls by leaders in Indigenous screen storytelling for more films to be made, and for greater narrative sovereignty. We’re inspired by this year’s films that shine a light on Indigenous stories of the present and past, and we’re excited to help bring these vital stories to global audiences.” Obomsawin’s Jordan River Anderson, The Messenger is the Abenaki filmmaker’s 53rd film. Documenting the short life of a young boy from Norway House Cree Nation in Manitoba, born with a rare muscle disorder, the film is an exposé of blatant governmental disregard. Prolific filmmaker Zacharias Kunuk returns to TIFF with One Day in the Life of Noah Piugattuk, a fictionalized account of an encounter between a respected Inuk elder and a government emissary, who tries to enforce a policy that will mean a fundamental rupture in the lives of Inuit. A post-screening Q&A will be moderated by Jesse Wente, Director of the Indigenous Screen Office. -
Longlisted & Shortlisted Books 1994-2018
Longlisted & Shortlisted Books 1994-2018 www.scotiabankgillerprize.ca # The Boys in the Trees, Mary Swan – 2008 13 Ways of Looking at a Fat Girl, Mona Awad - 2016 Brother, David Chariandy – 2017 419, Will Ferguson - 2012 Burridge Unbound, Alan Cumyn – 2000 By Gaslight, Steven Price – 2016 A A Beauty, Connie Gault – 2015 C A Complicated Kindness, Miriam Toews – 2004 Casino and Other Stories, Bonnie Burnard – 1994 A Fine Balance, Rohinton Mistry – 1995 Cataract City, Craig Davidson – 2013 The Age of Longing, Richard B. Wright – 1995 The Cat’s Table, Michael Ondaatje – 2011 A Good House, Bonnie Burnard – 1999 Caught, Lisa Moore – 2013 A Good Man, Guy Vanderhaeghe – 2011 The Cellist of Sarajevo, Steven Galloway – 2008 Alias Grace, Margaret Atwood – 1996 Cereus Blooms at Night, Shani Mootoo – 1997 Alligator, Lisa Moore – 2005 Childhood, André Alexis – 1998 All My Puny Sorrows, Miriam Toews – 2014 Cities of Refuge, Michael Helm – 2010 All That Matters, Wayson Choy – 2004 Clara Callan, Richard B. Wright – 2001 All True Not a Lie in it, Alix Hawley – 2015 Close to Hugh, Mariana Endicott - 2015 American Innovations, Rivka Galchen – 2014 Cockroach, Rawi Hage – 2008 Am I Disturbing You?, Anne Hébert, translated by The Colony of Unrequited Dreams, Wayne Johnston – Sheila Fischman – 1999 1998 Anil’s Ghost, Michael Ondaatje – 2000 The Colour of Lightning, Paulette Jiles – 2009 Annabel, Kathleen Winter – 2010 Conceit, Mary Novik – 2007 An Ocean of Minutes, Thea Lim – 2018 Confidence, Russell Smith – 2015 The Antagonist, Lynn Coady – 2011 Cool Water, Dianne Warren – 2010 The Architects Are Here, Michael Winter – 2007 The Crooked Maid, Dan Vyleta – 2013 A Recipe for Bees, Gail Anderson-Dargatz – 1998 The Cure for Death by Lightning, Gail Arvida, Samuel Archibald, translated by Donald Anderson-Dargatz – 1996 Winkler – 2015 Curiosity, Joan Thomas – 2010 A Secret Between Us, Daniel Poliquin, translated by The Custodian of Paradise, Wayne Johnston – 2006 Donald Winkler – 2007 The Assassin’s Song, M.G. -
Contributors
Contributors Anything that might be said about the ALBERTA RESEARCH GROUP (ARG) up to now can be found in the ARG's "Manifesto to Contest the Manifesto Contest." Otherwise, their mission is simple: raise four billion dollars. Exactly how they will achieve this is being explored right now at <albertaresearchgroup.wordpress.com>. ARG ! GREG BACHAR lives in Seattle. DEREK BEAULIEU is the author of five books of poetry (most recently the visual poem suite silence), two volumes of conceptual fiction (most recently the short fiction collection How to Write) and over 150 chapbooks. He is the publisher of small presses housepress (1997-2004) and no press (2005- present), and the editor of several small magazines in Canada. See n of the Crime, forthcoming from Snare, is a collection of criticism on contemporary poetry and poetics. beaulieu has performed his work at festivals and universities across Canada, the US, and Europe. GREGORY BETTS is the author of four books of poetry, and the editor of four books of early Canadian experimental writing. His "plunderverse" epic, The Others Raisd in Me (Pedlar Press 2009), was a finalist for the ReLit Award 2010, and he is the 2010 recipient of the International Journal of Canadian Studies's Jean-Michel Lacroix Award for the best article on a Canadian subject. Betts recently completed a literary history of early Canadian avant-gardism. He teaches literature at Brock University in St. Catharines, Ontario. SABINE BITTER and HELMUT WEBER, Vienna and Vancouver-based artists, work on projects addressing cities, architecture, and the politics of representation and of space. -
DÉPARTEMENT DES LETTRES ET COMMUNICATIONS Faculté Des Lettres Et Sciences Humaines Université De Sherbrooke
DÉPARTEMENT DES LETTRES ET COMMUNICATIONS Faculté des lettres et sciences humaines Université de Sherbrooke Traductions d’œuvres de Lee Maracle : l'art de la parole stó:lō envisagé sous l'angle de la voix, du contexte et du genre littéraire par CÉLINE PARENT Mémoire présenté en vue de l’obtention de la Maîtrise ès Arts en littérature canadienne comparée (cheminement en traduction littéraire et traductologie) Décembre 2018 COMPOSITION DU JURY Traductions d’œuvres de Lee Maracle : l'art de la parole stó:lō envisagé sous l'angle de la voix, du contexte et du genre littéraire CÉLINE PARENT Ce mémoire a été évalué par un jury composé des personnes suivantes : PATRICIA GODBOUT, directrice Lettres et communications, Université de Sherbrooke NICOLE CÔTÉ, examinatrice Lettres et communications, Université de Sherbrooke MARC ANDRÉ FORTIN, examinateur Lettres et communication, Université de Sherbrooke Décembre 2018 Résumé Ce mémoire a pour point de départ une volonté de proposer sept textes de l’auteure stó:lō Lee Maracle en traduction française : « Bertha »; « Goodbye, Snauq »; « War »; « Boy in the Archives »; « Oratory: Coming to Theory », « Toward a National Literature: "A Body of Writing" » et « Dancing my Way to Orality ». Des critères tels que la représentativité, l’aspect diachronique, ainsi que la pertinence au regard des notions de la voix, du contexte et du genre littéraire, ont guidé la constitution de ce corpus. Ces textes traitent de préoccupations et de thématiques liés à la restauration des récits traditionnels salish dans la contemporanéité et à la proclamation de l’autochtonéité à la face du monde. Les traductions proposées dans ce mémoire sont accompagnées de commentaires sur des aspects touchant à la production, à la réception et à la traduction des œuvres des littératures autochtones, en particulier la littérature ou « art de la parole » (word art) salish/stó:lō, selon l’expression mise de l’avant par Maracle, ainsi qu’au travail de décolonisation que cette dernière accomplit par l’écriture.